KALPANA MOHAN,FORGOTTEN HINDI ACTRESS BORN 1946 JULY 18 - 2012 JANUARY 4

KALPANA MOHAN,FORGOTTEN HINDI ACTRESS 

BORN 1946 JULY 18 - 2012 JANUARY 4

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On January 04 , 2012 Kalpana , yesteryear actor a.k.a. Kalpana Mohan , died in a Pune hospital at the age of 65 . She was battling cancer for 5 years . I do know , the name Kalpana does not ring a familiar bell . Today’s generation is oblivious of her name and ignorant of her work . 

It is sad state of affair that news of her death appeared in national news papers 6 days later . Even a film news paper like Screen failed to report her death in the latest issue .,

But cine – goers of my generation will always remember her fondly . She did two super hit films like ; ” Professor ” and ” Teen Devian ”  in 1962 and 1965 respectively .

Born in Srinagar in a family of freedom fighters , Kalpana was a trained Kathak dancer . At the insistence of Balraj Sahani and Ismat Chughtai she moved to Bombay [ now Mumbai ] and made debut in ” Professor ”  [ 1962 ] , a Shammi Kapoor starrer .

A Poster of Professor


Another Poster of Professor

Later on she worked in another super hit film ” Teen Devian ” [ 1965 ] , a Dev Anand starrer .


A Poster of Teen Devian


Another Poster of Teen Devian


One More Poster of Teen Devian

I remember Shammi Kapoor serenading her with super hit songs  ; Ai Gul Badan ….. Ai Gul Badan and Khuli Palak Me Jhootha Ghussa , Band Palak Men Pyar ……… Jeena Bhi Mushkil ….. Who can forget these immortals songs ; Aawaz De Ke Hamen Tum Bulao ……… or Koi Aayega …. Aayega ….. Aayega …… and Main Chali Main Chali ……. Peechhe Peechhe Jahan …… ?

Shankar Jaikishan‘s super hit music and interesting story plot made this film ” Professor ” a rage in the 60s . Kalpana arrived with a bang .

She then did ” Teen Devian ” in 1965 with Dev Anand . Sachin Dev Burman‘s melodious music added ethereal quality to Kalpana’s beauty . Can any Hindi movie buff forget Dev Anand entreating Kalpana with Kishore Kumar , Asha Bhosle duet , Are Yaar Meri Tum Bhi Ho Ghazab , Ghoonghat To Zara Odho …… ?


Are Yaar Meri .... Song

I still remember another gem from the same movie , Khwab Ho Yaa Tum Koi Haqueeqat ….. Kaun Ho Tum Batlao ….. Mr. Dev Anand singing this song on piano and Kalpana and Simi sharing screen space with him .

 
Khwab Ho Ya Tum .....Song

In ” Professor ” , she was in solo lead . In ” Teen Devian “ , she shared screen with much senior Nanda and another beauty Simi Gerewal . Still she got top billing .

Kalpana

She just did only couple of films . ” Professor ” [ 1962 ] , ” Naughty Boy ” [ 1962 ] , ” Teen Devian ” [ 1965 ] , ” Saheli ” [ 1965 ] , ” Pyar Kiye Ja ” [ 1966 ] , ” Biwi Aur Makan ” [ 1966 ] , ” Tasveer ” [ 1966 ] and ” Nawab Sirajuddaula ” [ 1967 ] .

She quit films after her marriage with story – screenplay writer Sachin Bhowmick . They both were as different as the chalk is from cheese . So marriage failed . She got married again in 1967 , got divorced again in 1972 and then moved to Pune , where she lived till her death .

I was saddened when I saw a recent photo of Kalpana , which was published in Times of India . Age had dimmed her beauty . An aging and lonely Kalpana Mohan caught my fancy once again . I was not a huge fan of hers but I did like her in films like ; ” Professor ” , ” Teen Devian ” , ” Pyar Kiye Ja “ and  ” Biwi Aur Makaan ” .  In the conservative India of 1965 , ” Teen Devian “ got A Certificate from censors , so the film got famous and the craze was enormous . And I , like other youngsters of my age , was charmed by Kalpana and this film .

I did not like her recent photo and I was pained but I am posting it for the record and for the posterity . This photograph of Kalpana is a sad reminder of the ephemeral world we are living in ; real and reel , both .


Kalpana : Then & Now

Farewell Kalpana ji !

In the last quarter of 2011 , your two illustrious co – stars ; Shammi Kapoor and Dev Anand left us . Now you too have gone !









Kalpana Mohan – Interview

Chacha Nehru was her ideal: “You know he is real. He is like Lord Krishna. So full of love — love in its purest and finest sense. Whenever I looked at him, I ex­perienced an inner joy and ecstasy. Around him was that something, aura.”

Archana, who became Kalpana, remembers that memorable day when she sat on the lap of Panditji at the AICC session in Nasik in the fifties.

“I was seven years then. He fondly kissed me. I found it rough and in order to find out from where this roughness came, I stroked his cheeks.”

Kalpana, who starred in Professor with Shammi Kapoor, happened to grow up in the Nehru family, as her father was a member of the Congress. He went to jail during the freedom movement and suffered greatly. Later, her father left the Congress, which put an end to her “flirting” with Nehru.

“You know I used to admire him so much, that I wanted to be like him, in the sense that I wanted to be popular also, but as a dancer. We moved from Delhi to Ambala due to financial circumstances. I came from a middle class family. There was not much to go around. My dream col­lapsed, as I had to give up dancing lessons. I was a disciple of Shri Daya Shanker, a well-known master in Delhi.

I used to dance four-five hours a day. No music, no instruments, but I kept practicing what my gu­ruji taught me.”

That means you did not go to college?

“I did, to the Gandhi Memorial National College. I gave up after two years. Dancing was my forte. Luckily I got a stipend of Rs. 75 a month from the Bharathi Kala Ken­dra. My joy knew no bounds. I per­suaded my mother to let me go to Delhi. She did.

“You know I was always fond of make-up, but I did not have the money, to pay for it. So when my friends came to wish me goodbye, they gave me a make-up set, each of them buying one piece.”

Back in Delhi, Kalpana kept on slogging at Kathak, but after the day’s grueling practice, coming home was not a pleasure, for her granny never liked her dancing. She treated the kid roughly.

“But what to do? With Rs. 75 I could not live on my own. Luckily, Amjad Khan, then a little boy in his teens, now the famous sarod player, and I were friends. He offered to help me. I told him I could not afford to pay any brokerage. He said, don’t worry and true to his word, he brought in a broker and showed me a place which I liked.”

That was another phase of Kalpana’s growing up years of vicissi­tude. She must have been around thirteen-fourteen then. She made good progress in Kathak and became the cynosure of critics and connoi­sseurs and wolves.

“I found that girls less gifted than me were getting better attention from the masters. You know how some of them are! But I couldn’t do that. That was a revelation to me. It was during this that a gentleman named Krishnan saw me dance and spoke to Col. Gupte, who was in charge of the Cultural Wing at Rash­trapati Bhavan.

“Soon after, our troupe was invi­ted to perform at an outstation. I was so thrilled. This was the first time I was getting a chance to go outside to dance. Besides, it was like a picnic. I borrowed bits and pieces from people I knew, because I couldn’t afford a dancing kit. When I reached the destination, from where the whole group had to leave, I came to know I was not to dance, as the chance was given to the daughter of the Administrator. I cried and I cried.

God had always come to my res­cue. A liveried chauffeur and a uniformed man, came in a big car. I was asked to go for dancing practice at Rashtrapati Bhavan.

“After the final rehearsal, I was selected. My selectors were watching the faces of Panditji and Indira Gandhi to see the reaction on their faces, because I was supposed to dance before President Tito. After it was over, I came out and stood be­hind, with the others in the corridor Panditji came out, took my hands in both his and held them for a while, touched my head, ‘You dance very well. Don’t give it up.’ ”

It was around this time Kalpana happened to meet a noted Urdu writer, who persuaded her to join films. Her father refused saying, “It is a dirty line and I will break her legs,” but when the writer said, “If she worked in my picture and if I treated her like my own daughter, then will you let her?”

To that the father had no answer and that was how Kalpana came to Bombay, the Hollywood of India. Although she starred in Teen Devi­yan opposite Dev Anand, and a couple of others, Professor was a run-away hit. Then came total, oblivion. It has never happened to any other heroine.

How is it that with Shammi Kapoor as your hero and the picture a bumper hit, you did not get any offers again?

“There were plenty. But Shammi Kapoor cut me out from the pictures. And he refused to work with me. `She is a nut, cranky’. Now how can I tell you the reasons? Two promi­nent producers confirmed it, but took a promise from me not to tell him, as they were afraid of not get­ting dates from him for their under­production films.

Kalpana watched the subsequent post—Professor years go by, while other less gifted heroines took her place. “I couldn’t flirt with heroes or directors like some other heroines did. I never tried to break anybody’s home. They came up, made money, earned fame and popularity, while I slithered into oblivion. Is this the price I have to pay for being nice? I don’t blame anyone.”

Out from top banner films and that too with Shammi Kapoor those days, meant a big thing as the news spread. “Maybe she is cranky, some­thing must be wrong with her,” they said, and gradually heroes stopped telephoning her and producers stop­ped coming home with cheque books and contracts.

Frustration overtook her, but just before this, while she kept mulling over what her rivals did to latch themselves on to heroes, a man came into her life. A well-known writer.

It was no match, as ideal matches go, for the simple reason that Kalpana was full of life, outgoing, with voluptuous physical features, that even a Shammi of those days couldn’t tame, and Sachin, as I knew him then, quiet, introvert, a con­trast.

However, they got married. It did not last long. There was nothing to hold them together, as physically and mentally, they were as different as chalk is from cheese!

As the first marriage was declared null and void, she married a Naval officer. He was not earning much. Probably, he married her for the glamorous girl Kalpana looked in those days. There again, he and she were no match either. Probably he thought Kalpana would earn big. That did not happen. That marriage too went on the rocks. Besides, by then she had lost the potential to make a comeback.

“What is the use? Imagine my own father-in-law threatening me, won’t drink a glass of water, if you don’t transfer the bungalow in my son’s name.’ ”

Kalpana didn’t. The only property she wisely bought and kept to her­self. She is living off it, by keeping a tenant. By the way, there is a daugh­ter from the marriage to the Naval officer.

After a battle royal for the cus­tody of the child, Kalpana is now free, a divorcee. The daughter is eight years old and is schooling in Panchgani.

“I miss her and I spend sleepless nights and visit her often. The school principal scolds me, ‘I haven’t seen a mad mother like you. If you can’t do without her, why did you put her in boarding school?’ Perhaps she does not know how a mother, who is brought up the way I am, feels!

Want to make a comeback?

“Never.”

After the divorce Kalpana told her husband : “I have no bitterness for you. If we can’t be a goocl hus­band and wife, let’s be friends. Will you come and see your daughter on her birthdays at least ?”

Are you getting any alimony?

“I don’t expect even four annas from him. I won’t take it. Why should I take anything from a man, who could not understand me! After the daughter is eighteen, I’ll leave it to her, what she wants to do.”

Today, still looking charming but her figure a thing of the past, Kal­pana lives in her unkempt weeds- scarred bungalow.

“I call my tin shed terrace house Shantiniketan and feel at peace here. I am alone and for the first time in my life I feel my life belongs to me and me only. I am at peace.” – ( Kalpana interviewed by Krishna in 1977. )




In memory of Kalpana

Kalpana, who burned bright for a brief period on the film firmament, died recently.
Devinder Bir Kaur pays a tribute to the yesteryear heroine who stole many a heart

 Kalpana’s debut movie Professor, where she was cast opposite Shammi Kapoor, was a superhit
Kalpana’s debut movie Professor, where she was cast opposite Shammi Kapoor, was a superhit
Shammi Kapoor’s "gulbadan" is no more. Kalpana, one of Dev Anand’s Teen Deviyan, died last month at Pune battling cancer for five years. Her daughter Preeti Mansukhani and son-in-law Harish were by her side in her last moments. The news of Kalpana’s death hardly got reported in the newspapers.

And to think she had shone bright in her very first film Professor in 1962 opposite Shammi Kapoor. Professor was one of the biggest hits of the 1960s. Every song from the film was a super hit. Almost all songs from the film were featured on the new heroine, the impish Kalpana. Even the songs in which Shammi Kapoor was serenading her, like "Ai gulbadan, phoolon ki mehak" and "Khuli palak mein jhootha gussa" were describing the young exuberant heroine.

Debutant Kalpana charmed the audiences with her youthful features and tip-tilted eyes. Professor swept the boxoffice, with its fun-filled drama of a young needy man in an old man’s getup in order to teach a couple of girls under their stern, no-nonsense spinster aunt played by Lalita Pawar. The twist comes when the senior lady falls in love with the "old" Professor.

Kalpana’s first superhit landed her with another movie opposite the evergreen hero Dev Anand, who was at his peak in the 1960s.

In Teen Deviyan in 1965, Kalpana played one of the three heroines, the other two being Simi Garewal and Nanda. While each leading lady had a song to her credit, it was the song played on Kalpana and Dev Anand that became a hit "Arre yaar meri, tum bhi ho ghazab". Kalpana played a difficult-to-control film star in the movie.

Then Kalpana did Saheli opposite Pradeep Kumar where she was willing to sacrifice her love for her friend. Kalpana did yet another hit movie Pyar Kiye Ja. A rip-roaring comedy, this film is better remembered for the sheer buffoonery enacted by Shashi Kapoor and Kishore Kumar. Their love interests were played by Rajshree and Kalpana, respectively. The film’s third hero Mehmood had Mumtaz opposite him. Besides, Om Prakash supported him in funny scenes. Consequently, Kalpana didn’t have much to do in the film.

About the same time, Kalpana also starred in Biwi aur Makan opposite Biswajit. The movie was yet another comedy with Biswajit playing a woman in order to appease the landlady and rent a house with his bachelor friends. The landlady’s niece Kalpana becomes Biswajit’s love interest when he is in his real self as the "woman" Biswajit’s brother.

Sadly, Kalpana was on her way out. She did Tasveer and later Nawab Sirajuddaula in 1967 and called it a day. In 1967, she got married to a naval officer and had a baby girl. But the marriage didn’t last and they got divorced after five years. Kalpana then shifted to Pune.

Kalpana, who was freedom fighter Avani Mohan’s daughter, was a trained kathak dancer. She often performed in front of dignitaries at the Rashtrapati Bhawan on invitation of Pandit Nehru.

Kalpana burned bright on the film firmament, even if for a very brief period. No one will forget the Professor girl who walked daintily on the rail track singing "Main chali, main chali."