Showing posts with label marlyn. Show all posts
Showing posts with label marlyn. Show all posts

Saturday, 6 June 2020

MARLYN MONROE MYSTERY DEATH AUGUST 4-5,1962



MARLYN MONROE MYSTERY 
DEATH AUGUST 4-5,1962



.Marilyn Monroe died of a barbiturate overdose late in the evening of Saturday, August 4, 1962, at her 12305 Fifth Helena Drive home in Los Angeles, California. Her body was discovered before dawn on Sunday, August 5. She was a major sex symbol and one of the most popular Hollywood stars during the 1950s and early 1960s. She was a top-billed actress for a decade, and her films had grossed $200 million by the time of her death.[1]

Monroe had suffered from mental illness and substance abuse for several years prior to her death, and she had not completed a film since The Misfits, which was released in 1961. She had spent 1961 preoccupied with her various health problems, and in April 1962 had begun filming Something's Got to Give for 20th Century Fox, but the studio fired her in early June. The studio publicly blamed her for the production's problems, and in the weeks preceding her death, Monroe attempted to repair her public image by giving several interviews to high-profile publications. She also began negotiations with Fox on being re-hired for Something's Got to Give and for starring roles in other productions.

Monroe spent the last day of her life, Saturday, August 4, at her home in Brentwood. She was accompanied at various times by publicist Patricia Newcomb, housekeeper Eunice Murray, photographer Lawrence Schiller and psychiatrist Ralph Greenson. At Greenson's request, Murray stayed overnight to keep Monroe company. At approximately 3 a.m. on Sunday, August 5, she noticed that Monroe had locked herself in her bedroom and appeared unresponsive when she looked into the bedroom through a window. Murray alerted Greenson, who arrived soon after, entered the room by breaking a window, and found Monroe dead. Her death was officially ruled a probable suicide by the Los Angeles County coroner's office, based on precedents of her overdosing and being prone to mood swings and suicidal ideation. No evidence of foul play was found, and accidental overdose was ruled out due to the large amount of barbiturates she had ingested. On August 8, Joe DiMaggio directed her funeral at the Westwood Village Memorial Park Cemetery, where she was interred in a crypt at the Corridor of Memories.

Despite the coroner's findings, several conspiracy theories suggesting murder or accidental overdose have been proposed since the mid-1960s. Many of these involve President John F. Kennedy and his brother, Robert, as well as union leader Jimmy Hoffa and mob boss Sam Giancana. Due to the prevalence of these theories in the media, the office of the Los Angeles County District Attorney reviewed the case in 1982, but found no evidence to support any of them and did not disagree with the findings of the original investigation.

Background

Monroe performing at President John F. Kennedy's birthday celebration at Madison Square Garden in May 1962, less than three months before her death.
Monroe on a beach, wearing a bikini and laughing.










Monroe in one of her last photo shoots, taken by George Barris for Cosmopolitan in July 1962

For several years heading into the early 1960s, Monroe had been dependent on amphetamines, barbiturates and alcohol, and she experienced various mental health problems that included depression, anxiety, low self-esteem, and chronic insomnia.[2] She had acquired a reputation for being difficult to work with, and she frequently delayed productions by being late to film sets in addition to having trouble remembering her lines. By 1960, this behavior was adversely affecting her career. For example, although she was author Truman Capote's preferred choice to play Holly Golightly in the film adaptation of Breakfast at Tiffany's, Paramount Pictures declined to cast her due to fear that she would complicate the film's production.[3] The two films Monroe completed in the 1960s, Let's Make Love (1960) and The Misfits (1961), were both critical and commercial failures.[4] During the filming of the latter she had had to spend a week detoxing in a hospital.[4] Her third marriage, to author Arthur Miller, also ended in divorce in January 1961.[5]

Instead of working, Monroe spent a large part of 1961 preoccupied with health problems and did not work on any new film projects. She underwent surgery for her endometriosis and a cholecystectomy, and spent four weeks in hospital care – including a brief stint in a mental ward – for depression.[6][a] Later in 1961, she moved back to Los Angeles after six years in Manhattan; she purchased a Spanish hacienda-style house at 12305 Fifth Helena Drive in Brentwood.[8] In early 1962, she received a "World Film Favorite" Golden Globe award and began to shoot a new film for 20th Century Fox, Something's Got to Give, a remake of My Favorite Wife (1940).[9]

Days before filming began, Monroe caught sinusitis; Fox was advised to postpone the production, but the advice was not heeded and filming began on schedule in late April.[10] Monroe was too ill to work for the majority of the next six weeks, but despite confirmations by multiple doctors, the studio tried to pressure her by publicly alleging that she was faking it.[10] On May 19, she took a break from filming to sing "Happy Birthday" on stage at President John F. Kennedy's birthday celebration at Madison Square Garden in New York ten days before his actual birthday.[11] Monroe and Kennedy had mutual friends and although they sometimes had casual sexual encounters, there is no evidence that their relationship was serious.[12] After Monroe returned to LA from New York City, she resumed filming and celebrated her 36th birthday on the set on June 1.[13] She was again absent for several days, which led 20th Century Fox to fire her on June 7 and sue her for breach of contract, demanding $750,000 in damages.[14] She was replaced by Lee Remick, but after co-star Dean Martin refused to make the film with anyone other than Monroe, Fox sued him as well and shut down the production.[15]

The studio publicly blamed Monroe's drug addiction and alleged lack of professionalism for the demise of the film, even claiming that she was mentally disturbed.[16][b] To counter the negative publicity, Monroe gave interviews to several high-profile publications, such as Life, Cosmopolitan and Vogue, in her last weeks.[19] After successfully renegotiating her contract with Fox, filming with Monroe was scheduled to resume in September on Something's Got to Give, and Monroe made plans for starring in What a Way to Go! (1964) as well as a biopic about Jean Harlow.[20]

Timeline
Monroe spent the last day of her life, Saturday, August 4, at her Brentwood home.[21][22][23] In the morning, she met with photographer Lawrence Schiller to discuss the possibility of Playboy publishing nude photos taken of her on the set of Something's Got to Give.[21][22][23] She also received a massage from her personal massage therapist, talked with friends on the phone, and signed for deliveries.[22][23] Present at the house in the morning were also her housekeeper, Eunice Murray, and her publicist Patricia Newcomb, who had stayed overnight.[22][23] According to Newcomb, they had an argument because Monroe had not slept well the night before.[22][23]

At 4:30 pm. PDT on Saturday, August 4, Monroe's psychiatrist Ralph Greenson arrived at the house to conduct a therapy session and asked Newcomb to leave.[23][24] Before Greenson left at around 7 pm, he asked Murray to stay overnight and keep Monroe company.[23] At approximately 7–7:15, Monroe received a call from Joe DiMaggio Jr., with whom she had stayed close since her divorce from his father.[25][23] He told her that he had broken up with a girlfriend she did not like, and he detected nothing alarming in Monroe's behavior.[25][23] At around 7:40–7:45,[23][26][27] she telephoned Greenson to tell him the news about the breakup of DiMaggio and his girlfriend.


Monroe's house at 12305 Fifth Helena Drive in Los Angeles
Monroe retired to her bedroom at approximately 8 pm.[27] She received a call from actor Peter Lawford, who was hoping to persuade her to attend his party that night.[25][26] Lawford became alarmed because Monroe sounded like she was under the influence of drugs. She told him to "Say goodbye to Pat, say goodbye to the president (Lawford's brother-in-law), and say goodbye to yourself, because you're a nice guy", before drifting off.[25][26] Unable to reach Monroe, Lawford called his agent Milton Ebbins, who unsuccessfully tried to reach Greenson, and later called Monroe's lawyer, Milton A. "Mickey" Rudin.[25][26] Rudin called Monroe's house, and was assured by her housekeeper that she was fine.[25][26]

At approximately 3:30 a.m. on Sunday, August 5, Murray woke up "sensing that something was wrong" and saw light from under Monroe's bedroom door, but she was not able to get a response and found the door locked.[23][28] She telephoned Greenson, on whose advice she looked in through a window and saw Monroe lying facedown on her bed, covered by a sheet and clutching a telephone receiver.[23][28] Greenson arrived shortly after. He entered the room by breaking a window and found Monroe dead.[23][28] He called her physician, Hyman Engelberg, who arrived at the house at around 3:50 a.m. and officially confirmed the death.[23][28] At 4:25 am, they notified the Los Angeles Police Department.[23][28]

Inquest and 1982 review
Deputy coroner Thomas Noguchi conducted Monroe's autopsy on the same day that she was found dead—Sunday, August 5—which was the day after she died. The Los Angeles County coroner's office was assisted in the inquest by psychiatrists Norman Farberow, Robert Litman, and Norman Tabachnik from the Los Angeles Suicide Prevention Center, who interviewed Monroe's doctors and psychiatrists on her mental state.[29][30] Based on the advanced state of rigor mortis at the time her body was discovered, it was estimated that she had died between 8:30 and 10:30 p.m. on August 4.[31] The toxicological analysis concluded that the cause of death was acute barbiturate poisoning; she had 8 mg% of chloral hydrate and 4.5 mg% of pentobarbital (Nembutal) in her blood and a further 13 mg% of pentobarbital in her liver.[29] The police found empty bottles of these medicines next to her bed.[29] There were no signs of external wounds or bruises on the body.[32]

The findings of the inquest were published on August 17; Chief Coroner Theodore Curphey classified Monroe's death a "probable suicide".[29][30] The possibility of an accidental overdose was ruled out because the dosages found in her body were several times over the lethal limit and had been taken "in one gulp or in a few gulps over a minute or so."[30] At the time of her death, Monroe was reported to have been in a "depressed mood", and had been "unkempt" and uninterested in maintaining her appearance.[1] No suicide note was found, but Litman stated that this was not unusual, because statistics show that less than 40 percent of suicide victims leave notes.[1] In their final report, Farberow, Litman, and Tabachnik stated:

Miss Monroe had suffered from psychiatric disturbance for a long time. She experienced severe fears and frequent depressions. Mood changes were abrupt and unpredictable. Among symptoms of disorganization, sleep disturbance was prominent, for which she had been taking sedative drugs for many years. She was thus familiar with and experienced in the use of sedative drugs and well aware of their dangers. [...] In our investigation we have learned that Miss Monroe had often expressed wishes to give up, to withdraw, and even to die. On more than one occasion in the past, she had made a suicide attempt, using sedative drugs. On these occasions, she had called for help and had been rescued. It is our opinion that the same pattern was repeated on the evening of Aug. 4 except for the rescue. It has been our practice with similar information collected in other cases in the past to recommend a certification for such deaths as probable suicide. Additional clews for suicide provided by the physical evidence are the high level of barbiturates and chloral hydrate in the blood which, with other evidence from the autopsy, indicates the probable ingestion of a large amount of drugs within a short period of time: the completely empty bottle of Nembutal, the prescription for which (25 capsules) was filled the day before the ingestion, and the locked door to the bedroom, which was unusual.[30]

In the 1970s, claims surfaced that Monroe's death was a murder and not suicide. Due to these claims, Los Angeles County District Attorney John Van de Kamp assigned his colleague Ronald H. "Mike" Carroll to conduct a 1982 "threshold investigation" to see whether a criminal investigation should be opened.[33][34][35] Carroll worked with Alan B. Tomich, an investigator for the district attorney's office, for over three months on an inquiry that resulted in a thirty-page report.[35] They did not find any credible evidence to support the theory that Monroe was murdered.[35][36][34]

In 1983, Thomas Noguchi published his memoirs, in which he discussed Monroe's case and the allegations of discrepancies in the autopsy and the coroner's ruling of suicide.[37] These included the claims that Monroe could not have ingested the pills because her stomach was empty; that Nembutal capsules should have left yellow residue; that she may have been administered an enema; and that the autopsy noted no needle marks despite the fact that she routinely received injections from her doctors.[37]

Noguchi explained that hemorrhaging of the stomach lining indicated that the medication had been administered orally, and that because Monroe had been an addict for several years, the pills would have been absorbed more rapidly than in the case of non-addicts.[37] He also denied that Nembutal leaves dye residue.[37] He noted that only very recent needle marks are visible on a body, and that the only bruise he noted on Monroe's body, on her lower back, was superficial and its placement indicated that it was accidental, and not linked to foul play.[37] Noguchi finally concluded that based on his observations, the most probable conclusion is that Monroe committed suicide.[37]

Public reactions and funeral

Monroe's former husband Joe DiMaggio mourning at her funeral. New York Daily Mirror front page, August 9, 1962.
Monroe's unexpected death was front-page news in the United States and Europe.[38] According to biographer Lois Banner, "it's said that the suicide rate in Los Angeles doubled the month after she died; the circulation rate of most newspapers expanded that month",[38] and the Chicago Tribune reported that they had received hundreds of phone calls from members of the public requesting information about her death.[39] French artist Jean Cocteau commented that her death "should serve as a terrible lesson to all those, whose chief occupation consists of spying on and tormenting film stars", her former co-star Laurence Olivier deemed her "the complete victim of ballyhoo and sensation", and Bus Stop director Joshua Logan stated that she was "one of the most unappreciated people in the world".[40]

Monroe's funeral was held on August 8 at the Westwood Village Memorial Park Cemetery, where her foster parents Ana Lower and Grace McKee Goddard had also been buried.[41][42] The service was arranged by her former husband Joe DiMaggio and her business manager Inez Melson, who decided to invite only around thirty of her closest family members and friends, excluding most of Hollywood.[41][42] Police were present to keep the press away and to control the several hundred spectators who crowded the streets around the cemetery.[41][42] The funeral service, presided over by a local minister, was conducted at the cemetery's chapel.[41][42] Monroe was laid out in a green Emilio Pucci dress and held a bouquet of small pink roses; her longtime make-up artist and friend, Whitey Snyder, had done her make-up.[41][42] The eulogy was delivered by Lee Strasberg, and a selection from Tchaikovsky's Sixth Symphony as well as a record of Judy Garland singing "Over the Rainbow" were played.[41][42] Monroe was interred at crypt No. 24 at the Corridor of Memories.[41][42] DiMaggio arranged for red roses to be placed in a vase attached to the crypt three times a week for the next 20 years.[41][42]

Administration of estate
In her will, Monroe left several thousand dollars to her half-sister Berniece Baker Miracle and her secretary May Reis, a share for the education of her friend Norman Rosten's daughter, and established a $100,000 trust fund to cover the costs of the care of her mother and the widow of her acting teacher Michael Chekhov.[43] From the remaining estate she granted 25 percent to her former psychiatrist Marianne Kris "for the furtherance of the work of such psychiatric institutions or groups as she shall elect",[43] and 75 percent, including her personal effects, film royalties and real estate, to Lee Strasberg, whom she instructed to distribute her effects "among my friends, colleagues and those to whom I am devoted".[44] Due to legal complications, the beneficiaries were not paid until 1971.[44]

When Strasberg died in 1982, his estate was willed to his widow Anna, who claimed Monroe's publicity rights and began to license her image to companies.[44] In 1990, she unsuccessfully sued the Anna Freud Centre, to which Kris had bequeathed her Monroe rights, in an attempt to gain full rights to Monroe's estate.[45] In 1996, Anna Strasberg hired CMG Worldwide, a celebrity-legacy licensing group, to manage the licensing rights,[45] and in the same year prevented Odyssey Group, Inc. from auctioning effects that Monroe's business manager Inez Melson had obtained when she died.[46] Between 1996 and 2001 CMG entered into 700 licensing agreements with merchandisers.[45] Against Monroe's wishes, Lee Strasberg had never distributed her effects amongst her friends, and in 1999 Anna Strasberg commissioned Christie's to auction them, netting $13.4 million.[47] In 2000, she founded Marilyn Monroe LLC.[48]

Marilyn Monroe LLC's claim to exclusive ownership of Monroe's publicity rights became subject to a "landmark [legal] case" in 2006, when the heirs of three freelance photographers who had photographed her—Sam Shaw, Milton Greene, and Tom Kelley—successfully challenged the company in courts in California and New York.[45][48] In May 2007, the courts determined that Monroe could not have passed her publicity rights to her estate, as the first law granting such right, the California Celebrities Rights Act, was not passed until 1985.[45][c]

The estate terminated their business relationship with CMG Worldwide in 2010, and sold the licensing rights to Authentic Brands Group the following year.[45][52] Also in 2010, the estate sold Monroe's Brentwood home for $3.8 million,[53] and published a selection of her private notes, diaries and correspondence as a book called Fragments: Poems, Intimate Notes, Letters.[54]

Conspiracy theories
1960s: Frank A. Capell, Jack Clemmons
During the 1960s, there were no widespread conspiracy theories about Monroe's death.[55] The first allegations that she had been murdered originated in anti-communist activist Frank A. Capell's self-published pamphlet The Strange Death of Marilyn Monroe (1964), in which he claimed that her death was part of a communist conspiracy. He claimed that Monroe and U.S. Attorney General Robert F. Kennedy had an affair, which she took too seriously and was threatening to cause a scandal; Kennedy therefore ordered her to be assassinated to protect his career.[56][57] In addition to accusing Kennedy of being a communist sympathizer, Capell also claimed that many other people close to Monroe, such as her doctors and ex-husband Arthur Miller, were communists.[56][57]


Monroe with U.S. Attorney General Robert F. Kennedy and President John F. Kennedy at the latter's 1962 birthday celebration in midtown Manhattan 10 days before his actual birthday and 77 days before her death
Capell's credibility has been seriously questioned because his only source was columnist Walter Winchell, who in turn had received much of his information from him; Capell, therefore, was citing himself.[56][57] His friend, LAPD Sergeant Jack Clemmons, aided him in developing his pamphlet; Clemmons became a central source for conspiracy theorists.[58] He was the first police officer on the scene of Monroe's death and later made claims that he had not mentioned in the official 1962 investigation: he alleged that when he arrived at Monroe's house, her housekeeper was washing her sheets, and he had "a sixth sense" that something was wrong.[59]

Capell and Clemmons' allegations have been linked to their political goals. Capell dedicated his life to revealing an "International Communist Conspiracy" and Clemmons was a member of The Police and Fire Research Organization (FiPo), which sought to expose "subversive activities which threaten our American way of life".[56][57] FiPo and similar organizations were known for their stance against the Kennedys and for sending the Federal Bureau of Investigation letters incriminating them; a 1964 FBI file that speculated on an affair between Monroe and Robert F. Kennedy is likely to have come from them.[56][57] Furthermore, Capell, Clemmons, and a third person were indicted in 1965 by a California grand jury for "conspiracy to libel by obtaining and distributing a false affidavit" claiming that senator Thomas Kuchel had once been arrested for a homosexual act.[58] They had done this because Kuchel had supported the Civil Rights Act of 1964.[58] Capell pleaded guilty, and charges against Clemmons were dropped after he resigned from the LAPD.[58]

In the 1960s, Monroe's death was also discussed in Charles Hamblett's Who Killed Marilyn Monroe? (1966) and in James A. Hudson's The Mysterious Death of Marilyn Monroe (1968).[60] Neither Capell's, Hamblett's, or Hudson's accounts were widely disseminated.[55]

1970s: Norman Mailer, Robert Slatzer, Anthony Scaduto
The allegations of murder first became part of mainstream discussion with the publication of Norman Mailer's Marilyn: A Biography in 1973.[61] Despite not having any evidence to prove it, Mailer repeated the claim that Monroe and Robert F. Kennedy had an affair and speculated that she was killed by either the FBI or CIA, who wished to use the murder as a "point of pressure ... against the Kennedys."[62] The book was heavily criticized in reviews, and later that year Mailer recanted his allegations in an interview with Mike Wallace for 60 Minutes, stating that he had made them to ensure commercial success for his book, and that he believes Monroe's death was "ten to one" an "accidental suicide".[62]

Two years later, Robert F. Slatzer published The Life and Curious Death of Marilyn Monroe (1975), based on Capell's pamphlet.[63][64] In addition to his assertion that Monroe was killed by Robert F. Kennedy, Slatzer also controversially claimed to have been married to Monroe in Mexico for three days in October 1952, and that they had remained close friends until her death.[63][64] Although his account was not widely circulated at the time, it has remained central to conspiracy theories.[65]

In October 1975, rock journalist Anthony Scaduto published an article about Monroe's death in soft porn magazine Oui, and the following year expanded his account into book form as Who Killed Marilyn Monroe? (1976), published under the pen name Tony Sciacca. His only sources were Slatzer and his private investigator, Milo Speriglio.[66][67] In addition to repeating Slatzer's claims, Scaduto alleged that Monroe had kept a red diary in which she had written confidential political information she had heard from the Kennedys, and that her house had been wiretapped by surveillance expert Bernard Spindel on the orders of union leader Jimmy Hoffa, who was hoping to obtain incriminating evidence he could use against the Kennedys.[66][67]

1980s: Milo Speriglio, Anthony Summers
In 1982, Slatzer's private detective Milo Speriglio published Marilyn Monroe: Murder Cover-Up, in which he claimed that Monroe had been murdered by Jimmy Hoffa and mob boss Sam Giancana.[68] Basing his account on Slatzer and Scaduto's books, Speriglio added statements made by Lionel Grandison, who worked at the Los Angeles County coroner's office at the time of Monroe's death.[68] Grandison claimed that Monroe's body had been extensively bruised but this had been omitted from the autopsy report, and that he had seen the "red diary", but it had mysteriously disappeared.[68]

Speriglio and Slatzer demanded that the investigation into Monroe's death be re-opened by authorities, and the Los Angeles District Attorney agreed to review the case.[68] The new investigation could not find any evidence to support the murder claims.[68] Grandison was found to not be a reliable witness as he had been fired from the coroner's office for stealing from corpses.[68] The allegations that Monroe's home was wiretapped by Bernard Spindel were also found to be false. Spindel's apartment had been raided by the Manhattan District Attorney's office in 1966, during which his tapes were seized.[68] He later made a claim that he had wiretapped Monroe's house, but it was not supported by the contents of the tapes, which the investigators had listened to.[68]


Anthony Summers, one of the most prominent biographers to allege that Monroe's death involved a cover-up
The most prominent Monroe conspiracy theorist in the 1980s was British journalist Anthony Summers, whose book Goddess: The Secret Lives of Marilyn Monroe (1985) is one of the most commercially successful Monroe biographies.[69] Prior to writing on Monroe, he had authored a book on a conspiracy theory of the assassination of John F. Kennedy. His investigation on Monroe began as an assignment for the British tabloid the Sunday Express to cover the Los Angeles District Attorney's 1982 review.[69]

According to Summers, Monroe was psychotic and severely addicted to drugs and alcohol in the last months of her life and had affairs with both John F. and Robert F. Kennedy.[70] When Robert F. Kennedy ended their affair, she threatened to reveal their association, which Kennedy and Peter Lawford attempted to prevent by enabling her addictions.[70] Monroe was hysterical when she accidentally overdosed and died in an ambulance on the way to the hospital.[70] Kennedy wanted to leave Los Angeles before Monroe's death became public, and her body was returned to her house and the overdose was staged as a suicide by Lawford, the Kennedys and J. Edgar Hoover.[70]

Summers based his account on interviews he had conducted with 650 people connected to Monroe, but his research has been criticized by biographers Donald Spoto and Sarah Churchwell.[69] According to Spoto, Summers contradicts himself, presents false information as fact, and misrepresents what some of Monroe's friends said about her.[71] Churchwell has stated that while Summers accumulated a large collection of anecdotal material, most of his allegations are speculation; many of the people he interviewed could provide only second- or third-hand accounts, and they "relate what they believe, not what they demonstrably know."[72] Summers was also the first major biographer to find Slatzer a credible witness, and relies heavily on testimonies by other controversial witnesses, including Jack Clemmons and Jeanne Carmen, a woman whose claim to have been Monroe's close friend has been disputed by Spoto and Lois Banner.[73][74]

Summers' theory was discussed in the BBC documentary Marilyn: Say Goodbye to the President (1985), and in a 26-minute segment produced for ABC's 20/20.[71] The 20/20 segment was never aired, as the channel's news executive Roone Arledge decided that the claims made in it required more evidence to back them up.[71] In retaliation, Summers alleged that Arledge's decision was influenced by pressure from the Kennedys.[75]

1990s: Brown and Barham, Donald H. Wolfe, Donald Spoto
In the 1990s, two new books alleged that Monroe was murdered: Peter Brown and Patte Barham's Marilyn: The Last Take (1992) and Donald H. Wolfe's The Last Days of Marilyn Monroe (1998). Neither presented much new evidence but relied extensively on Capell and Summers as well as on discredited witnesses such as Grandison, Slatzer, Clemmons, and Carmen; Wolfe also did not provide any sources for many of his claims, and disregarded many of the findings of the autopsy without explanation.[76]

In his 1993 biography of Monroe, Donald Spoto disputed the previous conspiracy theories but alleged that Monroe's death was an accidental overdose staged as a suicide.[77] According to him, her doctors Greenson (psychiatrist) and Engelberg (personal physician) had been trying to stop her abuse of Nembutal. In order to monitor her drug use, they had agreed to never prescribe her anything without first consulting with each other.[78] Monroe was able to persuade Engelberg to break his promise by lying to him that Greenson had agreed to it. She took several Nembutals on August 4, but did not tell this to Greenson, who prescribed her a chloral hydrate enema; the combination of these two drugs killed her.[78] Afraid of the consequences, the doctors and Monroe's housekeeper then staged the death as a suicide.[78]

Spoto argued that Monroe could not have been suicidal because she had reached a new agreement with 20th Century Fox and because she was allegedly going to remarry Joe DiMaggio.[78] He based his theory of her death on alleged discrepancies in the police statements given by Monroe's housekeeper and doctors, a claim made by Monroe's publicist Arthur P. Jacobs's wife that he had been alerted of the death already at 10:30 pm, as well as on claims made by prosecutor John Miner, who was involved in the official investigation. Miner had alleged that her autopsy revealed signs more consistent with an enema than oral ingestion.[78]

2000s: John Miner, Matthew Smith
John Miner's allegations that Monroe's death was not a suicide received more publicity in the 2000s, when he published transcripts that he claimed to have made from audiotapes that Monroe recorded shortly before her death.[79][80] Miner claimed that Monroe gave the tapes to her psychiatrist Greenson, who invited him to listen to them after her death. On the tapes, Monroe spoke of her plans for the future, which Miner argues is proof that she could not have killed herself.[79] She also discussed her sex life and use of enemas; Miner alleged that Monroe was killed by an enema that was administered by her housekeeper.[81]

Miner's allegations have received criticism. During the official review of the case by the district attorney in 1982, he told the investigators about the tapes, but did not mention that he had transcripts of them.[80] Miner claimed that this was because Greenson had sworn him to silence.[80] The tapes themselves have never been found, and Miner remains the only person to claim they existed. Greenson was already dead before Miner went public with them.[79]

Biographer Lois Banner knew Miner personally because they both worked at the University of Southern California; she further challenged the authenticity of the transcripts.[81] Miner had once lost his license to practice law for several years, lied to Banner about having worked for the Kinsey Institute, and had gone bankrupt shortly before selling the alleged transcripts.[81] He had first attempted to sell the transcripts to Vanity Fair, but when the magazine had asked him to show them to Anthony Summers in order to validate them, it had become apparent that he did not have them.[81] The transcripts, which Miner finally sold to British author Matthew Smith, were therefore written several decades after he alleged to have listened to the tapes.[81] Miner's claim that Monroe's housekeeper was in fact her nurse and administered her enemas on a regular basis is also not supported by evidence.[81] Furthermore, Banner wrote that Miner had a personal obsession about enemas and practiced sadomasochism; she concluded that his theory about Monroe's death "represented his sexual interests" and was not based on evidence.[81]

Matthew Smith published the transcripts as part of his book Victim: The Secret Tapes of Marilyn Monroe (2003). He asserted that Monroe was murdered by the CIA due to her association with Robert F. Kennedy, as the agency wanted revenge for the Kennedys' handling of the Bay of Pigs Invasion.[79] Smith had already written about the topic in his previous book, The Men Who Murdered Marilyn (1996).[79] Noting that Smith included no footnotes in his 1996 book and only eight in Victim, Churchwell has called his account "a tissue of conjecture, speculation and pure fiction as documentary fact" and "arguably the least factual of all Marilyn lives".[79] The Miner transcripts were also discussed in a 2005 Los Angeles Times article.[80]

Notes
 Monroe first admitted herself to the Payne Whitney Psychiatric Clinic in New York, at the suggestion of her psychiatrist Marianne Kris.[7] Kris later stated that her choice of hospital was a mistake: Monroe was placed on a ward meant for severely mentally ill people with psychosis, where she was locked in a padded cell and was not allowed to move to a more suitable ward or to leave the hospital.[7] Monroe was finally able to leave the hospital after three days with the help of her ex-husband Joe DiMaggio, and moved to the Columbia University Medical Center, spending a further 23 days there.[7]
 Their version remained largely uncontested until 1990, when the surviving footage from Something's Got to Give was released, showing that when Monroe had turned up on set, she had been coherent and able to film several scenes.[17] According to a later statement by the film's producer Henry Weinstein, her dismissal was linked to the studio's severe financial problems and the inexperience of head executive Peter Levathes, rather than solely caused by her being difficult to work with.[18]
 Soon after, in October 2007, California Governor Arnold Schwarzenegger signed Senate Bill 771, for which Anna Strasberg and the Screen Actors Guild amongst others had lobbied, and which established that non-family members may inherit rights of publicity through the residuary clause of the deceased's will, provided that the person was a resident of California at the time of death.[45][49] It did not help the estate, as the United States District Court in Los Angeles ruled in March 2008 that Monroe was a resident of New York at the time of her death, citing the statement of the executor of her estate to California tax authorities, and a 1966 affidavit by her housekeeper.[50] The decision was reaffirmed by the United States District Court of New York in September 2008.[51] Anna Strasberg was subsequently fined $200,000 and ordered to pay $30,000 by a New York court "for delaying the handing over of documents showing that Monroe was legally a New Yorker on her death."[45]

Monday, 1 June 2020

MARLYN MONROE GRAVE /PLAY BOY HUGH HEFNER GRAVE LAST SILENT LOVE 2017 SEPTEMBER 27



MARLYN MONROE GRAVE /PLAY BOY  HUGH HEFNER GRAVE LAST SILENT LOVE 
2017 SEPTEMBER 27




மர்லின் மன்றோ ஹாலிவுட் நடிகை. 1945 முதல் 1962 வரை திரையுலகில் ஆதிக்கம் செலுத்தியவர். சிறந்த கவர்ச்சி மங்கையாக பல பத்திரிகைகள் தேர்வு செய்த இவரது அழகில் பல இளைஞர்கள் கிறங்கியிருந்தார்கள். 1953-ல் தொடங்கப்பட்ட ‘பிளேபாய்’ பத்திரிகையின் முதல் இதழில் நிர்வாணமாக போஸ் கொடுத்து பரபரப்பை ஏற்படுத்தியவர்.
தந்தை இல்லை. தாய்க்கோ மன நலப் பிரச்சினைகள். ஆகையால், அநாதை இல்லங்களில் வளர்ந்தார். 16 வயதி லேயே திருமணம் செய்ய வேண்டிய சூழ்நிலை. பிறகு அந்தத் திருமணத்தை ரத்து செய்தார். நடிகையான பிறகு இரண்டு திருமணங்கள். இரண்டும் தோல்வி. மீண்டும் மீண்டும் விவாக ரத்துகள். குழந்தை இல்லை. தனிமை யான வாழ்க்கை.

மர்லின் மன்றோ கல்லூரியில் படிக்காதவர். ஆனால், புத்தகங்கள் படிப்பதில் ஆர்வமுள்ளவர். வீட்டில் தனி லைப்ரரியே வைத்திருந்தவர். கவிதைகள் எழுதுவார். இசை பிடிக்கும். லிப்ஸ்டிக், மஸ்காரா மிகமிகப் பிடிக்கும். நகைகளில் ஆர்வமே இல்லை. நாய்கள் பிடிக்கும். சமூக சேவைகளில் ஆர்வம் கொண்டவர்.
அவருடைய கருத்துகள் எல்லாமே பலரை புருவம் உயர்த்த வைத்தன.
‘‘ஒரு பெண்ணின் அழகான உடல் மூடி மறைப்பதற்கல்ல; மற்றவர்கள் பார்த்து ரசிக்கவே; ஹாலிவுட் என்பது ஒரு பெண்ணின் முத்தத்துக்கு 50 ஆயிரம் டாலர்களும், அவள் மனசுக்கு வெறும் 50 செண்ட்டும் தரக் கூடியது’’ இவையெல்லாம் அவர் சொன்னவை.
அமெரிக்காவின் அதிபர் ஜான் எஃப் கென்னடியின் 45-வது பிறந்த நாள் விழாவில் கவர்ச்சியான உடையில், வந்து ‘‘ஹேப்பி பர்த் டே டு பிரெசிடெண்ட்…’’ என்று மேடையில் மன்றோ பாடினார். கென்னடி பேசும்போது, ‘‘மன்றோவின் குரலால் வாழ்த்து பெற்ற பிறகு இன்றுடன் நான் பதவியில் இருந்தே ஓய்வு பெற்றுவிடலாம் போலிருக்கிறது’’ என்றார். அன்று இரவு நடந்த விருந் திலும் மர்லின் மன்றோ
கலந்துகொண் டார். அன்றைக்கு மர்லின் மன்றோ அணிந்திருந்த உடை அவரது மரணத் துக்குப் பிறகு 12 லட்சம் டாலர்களுக்கு ஏலத்தில் விலைபோனது.
தொடர் தோல்விகள் மன்றோவை மதுப் பழக்கத்துக்கும், போதை மாத்திரை பழக்கத்துக்கும் தள்ளியது. அதனால் அவருக்குத் தொழிலில் கவனம் சிதறி யது. சில படங்களில் இருந்து நீக்கப்பட் டார். மன அழுத்தத்துக்கு வைத்தியம் செய்து கொண்டார். சில முறை தற் கொலைக்கு முயன்று காப்பாற்றப்பட்டார்.

1962, ஆகஸ்ட் 5-ம் தேதி அதி காலை 3 மணிக்கு மர்லின் மன்றோ தன் படுக்கையறையில் கட்டிலில் நிர் வாணமாக, கையில் தொலைபேசியின் ரிசீவரைப் பிடித்தபடி மூச்சில்லாமல் கிடந்தார். டாக்டர் அழைக்கப்பட்டார். கண்ணாடி ஜன்னல் உடைக் கப்பட்டு உள்ளே சென்று முதலுதவி செய்தும், அவரைக் காப்பாற்ற முடியவில்லை. மருத்துவப் பரிசோதனையில் அள வுக்கு அதிகமாக தூக்க மாத்திரை கள் சாப்பிட்டிருப்பதைக் கண்டுபிடித்தார் கள். தற்கொலை என்று வழக்கு மூடப்பட்டது.

ஆனால், இந்த மரணம் குறித்து சர்ச்சைகளும், பதில் இல்லாத பல கேள்விகளும் தொடர்கின்றன. அது ஒரு திட்டமிட்ட கொலை என்கிற கோணத்தில் பல புத்தகங்கள் எழுதப்பட்டிருக்கின்றன. பல தொலைக்காட்சிகள் தங்கள் டீமை வைத்து துப்பறிந்து நிகழ்ச்சிகளை ஒளிபரப்பினார்கள்.
இவர்களின் ஊகம் இதுதான்:
அதிபர் ஜான் எஃப் கென்னடிக்கும் மன்றோவுக்கும் காதல் ஏற்பட்டது. நடி கரும்,கென்னடியின் மைத்துனருமான பீட்டர் லாஃபோர்டின் வீட்டில் இருவரும் சந்தித்துக்கொண்டார்கள். அதிபர் தன் மனைவியை விவாகரத்து செய்துவிட்டு தன்னை மணந்துகொள்வார் என்று மன்றோ நம்பினார்.

அதிபர் தன் சகோதரர் ராபர்ட் கென் னடியை அழைத்து மன்றோவைச் சந் தித்து, ‘இனிமேல் வெள்ளை மாளி கைக்கு போன் செய்து தன்னை அழைக் கக் கூடாது’ என்று எச்சரித்து விட்டு வரச் சொன்னார். எச்சரிக்கை செய்வதற்காக சென்ற ராபர்ட்டுக்கு மன்றோவைப் பிடித்துவிட்டது.
ராபர்ட்டுடன் மன்றோவுக்கு புதிய காதல் ஆரம்பித்தது. ராபர்ட்டுக் கும் அவரை திருமணம் செய்து கொள்ளும் நோக்கம் இல்லை. மன்றோ, ‘‘உங்கள் இருவரைப் பற்றிய ரகசியங்களை பத்தி ரிகை யாளர்கள் சந்திப்பு நடத்தி பகிரங்கப்படுத்துவேன்’’ என்று ராபர்ட்டை மிரட்டினார்.
மன்றோ இறந்த தினத் துக்கு முதல் நாள் மன்றோ வுக்கும் ராபர்ட் கென்னடிக்கும் வாக்குவாதம் உச்சத்துக்குச் சென்றது. அருகில் பீட்டர் லாஃபோர்டும் இருந்தார். கோபத்தின் உச்சத்தில் மன்றோ கத்தி எடுத்து ராபர்ட் கென்னடியைக் குத்த முற்பட்டார். கத்தி வலுக்கட்டாயமாகப் பிடுங்கப்பட்டது.

இந்த ஊகங்களுக்கு ஆதாரமாக பலர் குறிப்பிடும் அம்சங்கள்:
அந்தப் படுக்கையின் விரிப்பு கசங்காமல் இருந்தது. மேஜையில் காலியாக இருந்த மாத்திரை பாட்டி லின் மூடி சரியாக மூடப்பட்டிருந்தது. மாத்திரைகளை விழுங்க ஒரு கண்ணாடி டம்ளரோ, தண்ணீரோ, மது வகைகளோ எதுவும் இல்லை.
போஸ்ட்மார்ட்டம் செய்த டாக்ட ரின் அறிக்கையின்படி மன்றோ வயிற்றில் கிட்டத்தட்ட 60 மாத்திரை கள் அளவுக்கு மருந்து இருந்தது. அது வாய்வழியாக உட்கொள்ளப் படவில்லை.
மன்றோவின் வழக்கு விசாரணைத் தொடர்பான பல மருத்துவ அறிக்கை களும், விசாரணை அறிக்கைகளும் பிறகு காணாமல் போயின.

ஆம்புலன்ஸ் வரவழைக்கப்பட்ட போது மருத்துவர் க்ரீன்சன் மன்றோ வுக்கு முறையான முதலுதவிகள் செய்யவில்லை.
1985-ல் பி.பி.சி தொலைக்காட்சி நடத் திய ஒரு பேட்டியில் மன்றோவின் உதவியாளர் முர்ரே போலீஸிடம் தெரி வித்ததையே சொல்லிவிட்டு, விளக்கு கள் அணைக்கப்பட்டதும் (ஆனால் மைக் அணைக்கப்படாததைக் கவனிக் காமல்) சலிப்புடன், ‘‘இந்த வயதி லும் நான் பொய் சொல்ல வேண் டுமா? மன்றோவுக்கு இரண்டு கென்னடி களோடும் தொடர்பு இருந்தது’’ என்று உளறிவிட்டார்.
சமீபத்தில் 2014-ம் வருடம் ‘தி மர்டர் ஆஃப் மர்லின் மன்றோ கேஸ் க்ளோஸ்ட்’ என்கிற புத்தகம் வெளியிடப்பட்டு, விற்பனையில் சாதனை படைத்தது. அதை எழுதியவர்கள் ஜாய் மார்க்லோஸ் மற்றும் ரிச்சர்ட் பஸ் கின். இதில், பீட்டர் லாஃபோர்ட் மனம் விட்டு சொன்ன பல ரகசிய தகவல்கள் வெளியிடப்பட்டிருக்கின்றன.

மன்றோவை மனசுக்குள் காதலித் தவர்கள் பலர். அதில் ‘பிளேபாய்’ பத்திரிகையின் ஆசிரியரான ஹக் யஹஃப்னர் முக்கியமானவர். அவர் மன்றோவின் உடல் அடக்கம் செய்யப்பட்ட லாஸ் ஏஞ்சலீஸ் நகரத்தில் மன்றோவின் கல்லறைக்கு அருகில் தனக்காக இடம் வாங்கினார்.
‘முதுமையை நினைத்தால் பயம்’ என்று அடிக்கடி சொன்ன மன்றோ, தன் 36-வது வயதில் முதுமையைக் காணாமலேயே மறைந்தார். ஒரு திறந்த புத்தகமாக வாழ்ந்த அவரின் மரணத்தின் பக்கங்கள் மட்டும் மூடப்பட்ட பக்கங்களாகவே இருக்கின்றன.
- வழக்குகள் தொடரும்


.மர்லின் மன்றோ Marilyn Monroe, ஜூன் 1, 1926 – ஆகஸ்ட் 5, 1962), அமெரிக்க நடிகையும் பாடகியும் திரைப்பட இயக்குநரும் ஆவார்.

1960 ஆம் ஆண்டுக்கான சிறந்த நடிகைக்கான கோல்டன் குளோப் விருது இவருக்குக் கிடைத்தது. அத்துடன் 1999 ஆம் ஆண்டில் அமெரிக்க திரைப்படக் கழகத்தினால் (AFI) அனைத்துக் காலப் பகுதிக்குமான சிறந்த நடிகை (greatest female star of all time) விருது வழங்கிச் சிறப்பித்தது.

1947 ஆம் ஆண்டில் இவர் திரைப்படங்களில் நடிக்கத் தொடங்கினார். ஆரம்பத்தில் சிறிய பாத்திரங்களில் தோன்றினார். 1950 இல் The Asphalt Jungle மற்றும் All About Eve என்ற படங்கள் இவருக்குப் புகழ் தேடிக் கொடுத்தன. நகைச்சுவைப் பாத்திரங்களில் இவரது நடிப்பு பெரிதும் வரவேற்கப்பட்டது.

நோர்மா டொகேர்ட்டி, யாங்க் இதழ், 1945

மன்றோவின் கடைசி நாட்களில் போதைப் பொருள், குடும்பப் பிரச்சினையால் அல்லல் உற்றார். இவரது இறப்பு இன்னமும் ஒரு தீர்க்கப்படாத புதிராகவே உள்ளது. தற்கொலை செய்து கொண்டதாகவே அதிகார பூர்வமாக அறிவிக்கப்பட்டாலும் போதைப் பொருள் அதிகம் உட்கொண்டு இறந்திருக்கலாம் என்ற கருத்தும் மறுக்கப்படவில்லை[1]. கொலை செய்யப்பட்டிருக்கலாம் எனவும் சந்தேகிக்கப்படுகிறது. இவரது பெயர் ஜோன் எஃப். கென்னடி, மற்றும் ரொபேர்ட் கென்னடி ஆகியோருடன் இணைத்துப் பேசப்பட்டது[2].

சற்று மேலே பறக்கும் மேலாடையுடன் The Seven Year Itch திரைப்படத்திற்காக எடுக்கப்பட்ட மன்றோவின் புகைப்படம் சிறப்பாக அமைய 14 முறை ரீடேக் எடுக்கப்பட்டதாகவும், இரவு 1.00 மணிக்கு எடுக்கப்பட்ட அக்காட்சி நிறைவுற மூன்று மணி நேரம் ஆனதாகவும் புகைப்படக்கலைஞர் ஜார்ஜ் எஸ்.ஸிம்பல் தெரிவித்துள்ளார்.[3]


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Sunday, 4 August 2019

மர்லின் மன்றோ.

இளைய தலைமுறையினரும் கூட மறக்காத பெயர், கேட்டவுடன் மயங்கி நிற்கும் பெயர் – மர்லின் மன்றோ.


ஹாலிவுட் – ஆங்கில சினிமா உலகின் வரலாற்றில் எத்தனையோ பேரழகிகள் வண்ணத் திரைகளில் உலா வந்து, இரசிகர்களைக் கிறங்கடித்திருக்கின்றனர். எத்தனை பேர் கடந்து போனாலும், இன்றுவரை உலகம் எங்கும் உள்ள அந்தக் கால இரசிகர்களும், இன்றைய இளைய தலைமுறையினரும் கூட மறக்காத பெயர், கேட்டவுடன் மயங்கி நிற்கும் பெயர் – மர்லின் மன்றோ.

மர்மமான முறையில் தனது 36வது வயதிலேயே இறந்து கிடக்கக் காணப்பட்ட மர்லின் மன்றோ மரணம் குறித்த மர்மங்கள் இன்றுவரை, தகவல் ஊடகங்களில் வலம் வந்து கொண்டிருக்கின்றன. “எப்படி இறந்திருப்பார்?” எனக் கேள்விக் கேட்டு தலைமுடியைப் பிய்த்துக் கொள்ளும் இரசிகர்களின் சந்தேகப் பசிக்குத் தீனி போட்டுக் கொண்டிருக்கின்றன.



மர்லின் மன்றோவின் மறக்க முடியாத, காலத்தால் அழியாத, படக் காட்சிகளில், அவரைப் பற்றிய சில சுவாரசிய தகவல்களோடு, ஒருமுறை உலா வருவோமா?

Marilyn Monroe


1926ஆம் ஆண்டில் ஜூன் 1ஆம் தேதி பிறந்த மர்லின் மன்றோவின் இயற்பெயர் நோர்மா ஜீன் மோர்ட்டின்சன் (Norma Jeane Mortenson). ஆனால் ஹாலிவுட் படவுலகம் அவரை அரவணைத்துக் கொண்டது மர்லின் மன்றோ என்ற பெயரோடுதான்.



Marilyn Monroe-1

கறுப்பு வெள்ளை காலத்துப் பேரழகியான மர்லின் மன்றோ, பல பிரமுகர்களுடன் கிசுகிசுக்கப்பட்டவர். மறைந்த முன்னாள் அமெரிக்க அதிபர் ஜோன் கென்னடி மற்றும் அவரது சகோதரர் ராபர்ட் கென்னடி இருவரோடும் கிசுகிசுக்கப்பட்டவர் மர்லின். அவரது மரணத்துக்குப் பின்னணியில் கென்னடி குடும்பத்திற்கும் சம்பந்தமுண்டு என இன்றுவரை வாதிடுபவர்களும் உண்டு.




Marilyn Monroe-21962ஆம் ஆண்டில், ஆகஸ்ட் 5ஆம் தேதி தனது 36வது வயதில் மர்லின் இறந்து கிடக்கக் காணப்பட்டார். அவர் இறப்பதற்கு சில நாட்களுக்கு முன்னர்தான் அவருக்கு இரண்டு படங்களுக்கான ஒப்பந்தத்தில் ஃபோக்ஸ் நிறுவனம் கையெழுத்திட்டது. அதற்காக அவருக்கு வழங்க ஒப்புக் கொள்ளப்பட்ட தொகை 1 மில்லியன் அமெரிக்க டாலர். கணக்குப் போட்டுக் கொள்ளுங்கள் – அதாவது 1962ஆம் ஆண்டில் 1 மில்லியன் அமெரிக்க டாலர்!!Marilyn Monroe-7இறக்கும்போது, படத்தில் நடிப்பதற்கு 1 மில்லியன் டாலர் டாலர் பெற்றாலும், மர்லின் நடிக்க ஆரம்பித்தபோது மிகக் குறைந்த சம்பளமே பெற்றார். அவருடன் நடித்த நடிகர்களைவிட அவருக்குக் குறைவான சம்பளமே தரப்பட்டது. ஆனால் “யானை இருந்தாலும் ஆயிரம் பொன், இறந்தாலும் ஆயிரம் பொன்” என்ற பொன்மொழி, பொன்னிற மர்லின் மன்றோவுக்கும் பொருந்தும். அவர் இறந்து விட்டாலும், அவரது சொத்து அறக்கட்டளைக்கு இப்போதும் அவரது பதிப்புரிமைகள் மூலம் ஆண்டுக்கு 5 மில்லியன் அமெரிக்க டாலர் வருமானம் கிடைக்கிறது.



Marilyn Monroe -3காலத்தால் அழியாத – மறக்கப்படாத புகைப்படம் இது! இந்தத் தோற்றத்தில் மர்லினின் முகத்தை எடுத்துவிட்டு யாரிடம் காட்டினாலும் இது மர்லின் மன்றோ புகைப்படமாயிற்றே என்று கூறிவிடுவார்கள். அந்த அளவுக்கு காலத்தைக் கடந்து நிலைத்து நிற்கும் புகைப்படம் இது!Marilyn Monroe -4மர்லின் மன்றோவின் கவர்ச்சிகரமான உடலமைப்பின் அபாயகரமான வளைவுகள் உலகப் புகழ் பெற்றவை. பலரும் அந்த இரசனையில் மயங்கிக் கிடந்தனர். அத்தகைய அவரது உடலழகை எடுத்துக்காட்டும் புகைப்படங்களுள் ஒன்று…Marilyn Monroe -5இது சேனல் 5 என்ற வாசனைத் திரவியத்திற்காக மர்லின் நடித்த விளம்பரப் படம். நிர்வாணப் படங்களுக்குப் புகழ் பெற்ற ‘பிளேபோய்’ என்ற மாத இதழில் 19563இல் வெளியான மர்லின் மன்றோவின் நிர்வாணப் படம் இன்றும் பேசப்படுகின்றது. ஆனால் என்ன செய்வது? வெளியிட முடியாது! அந்தப் படத்திற்காக 1949இல் மர்லின் மன்ரோ புகைப்படக்காரரின் முன்னால் நிர்வாணமாக நின்றபோது அவருக்கு வழங்கப்பட்ட தொகை வெறும் 50 டாலர்தான். ஆனால் பின்னர் பிளேபோய் பத்திரிக்கையின் நிறுவனர் ஹியூ ஹெஃப்னெர் அந்த நிர்வாணப் படத்தை 500 டாலர் கொடுத்து வாங்கினார்.Marilyn Monroe -6மர்லின் மன்ரோ உடல் புதைக்கப்பட்டிருக்கும் மயானத்தில் அவர் புதைக்கப்பட்ட இடத்திற்கு அருகில் உள்ள மயான இடங்களை சிலர் வாங்கி வைத்திருக்கின்றார்கள். அவ்வாறு மர்லின் மன்றோ புதைக்கப்பட்ட இடத்திற்கு அருகில் உள்ள ஓர் இடத்தை அதன் உரிமையாளர் இணையம் வழி ஏலம் விட்டபோது பலர்
இலட்சக்கணக்கான டாலர் கொடுத்து அந்த இடத்தை வாங்க முன்வந்தார்கள். ஒருவர் 2.8 மில்லியன் பவுண்ட் (ஏறத்தாழ மலேசிய ரிங்கிட் 16.8 மில்லியன்) வரை தர முன்வந்தார். மர்லின் மன்ரோ புதைக்கப்பட்ட மயான இடத்திற்கு அடுத்துள்ள இடத்தை வாங்கியிருப்பவர் பிளேபோய் பத்திரிக்கை நிறுவனர் ஹியூ ஹெஃப்னெர். அதற்காக அவர் 1992இல் செலுத்திய தொகை 50,000 அமெரிக்க டாலர்.



Marilyn Monroe - 7மர்லின் மன்ரோவின் சொத்துடமைகளை நிர்வகிக்கும் உரிமைகளை 2011ஆம் ஆண்டில் அத்தெண்டிக் பிராண்ட் குரூப் நிறுவனம் 30 மில்லியன் அமெரிக்க டாலருக்கு வாங்கியது. தொழில் நுட்பம் வளர்ந்து விட்ட இந்தக் காலத்திலும், 1962ஆம் ஆண்டில் இறந்த மர்லின் இன்றைக்கும் மில்லியன் கணக்கான வருமானத்தை ஈட்டித் தந்து கொண்டிருக்கின்றார். எதிர்காலத்திலும் பெற்றுத் தருவார் என எதிர்பார்க்கப்படுகின்றது.




1999ஆம் ஆண்டில் – அதாவது அவர் இறந்து 37 ஆண்டுகள் கழித்து அவரது பியானோ ஒன்று 662,500 டாலருக்கு ஏலத்தில் விலைபோனது. அதை வாங்கியது இன்று உலகப் பெற்ற பாடகியான மரியா கேரி என்ற பாடகி. இந்த பியானோவை மர்லினின் தாயார் முதலில் வாங்கி பின்னர் விற்றுவிட்டார். மர்லின் அதே பியானோவைத் திரும்பவும் தேடிப் பிடித்து வாங்கி, தான் இறக்கும் வரையில் தன்னுடன் வைத்திருந்தார்.

மர்லின் மறைந்து 44 ஆண்டுகள் கடந்து விட்டாலும், அவரைப் பற்றிய இதுபோன்ற ஏராளமான சுவாரசியத் தகவல்கள் இன்றும் வெளிவந்து கொண்டிருக்கின்றன. அவரது அழகை ஆராதிக்கும் இரசிகர்களால் இன்றும் ஆர்வத்துடன் படிக்கப்பட்டு வருகின்றன.

உங்களையும் சேர்த்துத்தான்!



Saturday, 10 February 2018

ARTHER MILLER, WRITER ONE OF DIVORSED HUSBAND OF MARLYN MONROE DIED 2005 FEBRUARY 10





ARTHER MILLER, 
WRITER ONE OF DIVORSED
HUSBAND OF MARLYN MONROE 
DIED 2005 FEBRUARY 10







Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist, and figure in twentieth-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Tennessee Williams's A Streetcar Named Desire.[1]

Miller was often in the public eye, particularly during the late 1940s, 1950s and early 1960s. During this time, he was awarded the Pulitzer Prize for Drama; testified before the House Un-American Activities Committee;[2] and was married to Marilyn Monroe. In 1980, Miller received the St. Louis Literary Award from the Saint Louis University Library Associates.[3][4] He received the Prince of Asturias Award and the Praemium Imperiale prize in 2002 and the Jerusalem Prize in 2003,[5] as well as the Dorothy and Lillian Gish Lifetime Achievement Award.[6][7]
Biography[edit source]
Early life[edit source]

Miller was born on October 17, 1915, in Harlem, in the New York City borough of Manhattan, the second of three children of Augusta (Barnett) and Isidore Miller. Miller was of Polish Jewish descent.[8][9][10] His father was born in Radomyśl Wielki, Galicia (then part of Austria-Hungary, now Poland), and his mother was a native of New York whose parents also arrived from that town.[11] Isidore owned a women's clothing manufacturing business employing 400 people. He became a wealthy and respected man in the community.[12] The family, including his younger sister Joan Copeland, lived on West[13] 110th Street in Manhattan, owned a summer house in Far Rockaway, Queens, and employed a chauffeur.[14] In the Wall Street Crash of 1929, the family lost almost everything and moved to Gravesend, Brooklyn.[15] As a teenager, Miller delivered bread every morning before school to help the family.[14] After graduating in 1932 from Abraham Lincoln High School, he worked at several menial jobs to pay for his college tuition.[15][16]

At the University of Michigan, Miller first majored in journalism and worked for the student paper, the Michigan Daily. It was during this time that he wrote his first play, No Villain.[17] Miller switched his major to English, and subsequently won the Avery Hopwood Award for No Villain. The award brought him his first recognition and led him to begin to consider that he could have a career as a playwright. Miller enrolled in a playwriting seminar taught by the influential Professor Kenneth Rowe, who instructed him in his early forays into playwriting;[18] Rowe emphasized how a play is built in order to achieve its intended effect, or what Miller called "the dynamics of play construction".[19] Rowe provided realistic feedback along with much-needed encouragement, and became a lifelong friend.[20] Miller retained strong ties to his alma mater throughout the rest of his life, establishing the university's Arthur Miller Award in 1985 and Arthur Miller Award for Dramatic Writing in 1999, and lending his name to the Arthur Miller Theatre in 2000.[21] In 1937, Miller wrote Honors at Dawn, which also received the Avery Hopwood Award.[17] After his graduation in 1938, he joined the Federal Theatre Project, a New Deal agency established to provide jobs in the theater. He chose the theater project despite the more lucrative offer to work as a scriptwriter for 20th Century Fox.[17] However, Congress, worried about possible Communist infiltration, closed the project in 1939.[15] Miller began working in the Brooklyn Navy Yard while continuing to write radio plays, some of which were broadcast on CBS.[15][17]

Early career[edit source]
In 1940, Miller married Mary Grace Slattery.[22] The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high-school football injury to his left kneecap.[15] 1940 was also the year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award.[23] The play closed after four performances with disastrous reviews.[24]

In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established.[25] Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure.[26]

In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play,[17] one of the classics of world theater.[15][27] Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times.[15]

In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, which never occurred.[28]

Critical years[edit source]
In 1955, a one-act version of Miller's verse drama A View from the Bridge opened on Broadway in a joint bill with one of Miller's lesser-known plays, A Memory of Two Mondays. The following year, Miller revised A View from the Bridge as a two-act prose drama, which Peter Brook directed in London.[29] A French-Italian co-production Vu du pont, based on the play, was released in 1962.

Marriages and family[edit source]

Marriage ceremony with Marilyn Monroe in 1956
In June 1956, Miller left his first wife, Mary Slattery, whom he married in 1940, and married film star Marilyn Monroe.[22] They had met in 1951, had a brief affair, and remained in contact since.[15][22] Monroe had just turned 30 when they married, and having never had a real family of her own, was eager to join the family of her new husband.[30]:156

Monroe began to reconsider her career and the fact that trying to manage it made her feel helpless. She admitted to Miller, "I hate Hollywood. I don't want it anymore. I want to live quietly in the country and just be there when you need me. I can't fight for myself anymore."[30]:154

She converted to Judaism to "express her loyalty and get close to both Miller and his parents", writes biographer Jeffrey Meyers.[30]:156 Monroe told her close friend, Susan Strasberg: "I can identify with the Jews. Everybody's always out to get them, no matter what they do, like me."[30]:156 Soon after she converted, Egypt banned all of her movies.[30]:157

Away from Hollywood and the culture of celebrity, Monroe's life became more normal; she began cooking, keeping house and giving Miller more attention and affection than he had been used to.[30]:157 His children, aged twelve and nine, adored her and were reluctant to return to their mother when the weekend was over.[30]:157 As she was also fond of older people, she got along well with his parents, and the feeling was mutual.[30]:157

Later that year, Miller was subpoenaed by the HUAC, and Monroe accompanied him. In her personal notes, she wrote about her worries during this period:

I am so concerned about protecting Arthur. I love him—and he is the only person—human being I have ever known that I could love not only as a man to which I am attracted to practically out of my senses—but he is the only person—as another human being that I trust as much as myself...[31]

Miller began work on writing the screenplay for The Misfits in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions."[32]

Shortly before the film's premiere in 1961, Miller and Monroe divorced after their five years of marriage.[17] Nineteen months later, Monroe died of a likely drug overdose.[22] Huston, who had also directed her in her first major role in The Asphalt Jungle in 1950, and who had seen her rise to stardom, put the blame for her death on her doctors as opposed to the stresses of being a star: "The girl was an addict of sleeping pills and she was made so by the God-damn doctors. It had nothing to do with the Hollywood set-up."[33]

Miller later married photographer Inge Morath in February 1962. She had worked as a photographer documenting the production of The Misfits. The first of their two children, Rebecca, was born September 15, 1962. Their son, Daniel, was born with Down syndrome in November 1966. Against his wife's wishes, Miller had him institutionalized, first at a home for infants in New York City, and then at the Southbury Training School in Connecticut. Miller never visited Daniel at the school and rarely spoke of him.[34] Miller and Inge remained together until her death in 2002. Arthur Miller's son-in-law, actor Daniel Day-Lewis, is said to have visited Daniel frequently, and to have persuaded Arthur Miller to meet with him.[35]

HUAC controversy and The Crucible[edit source]
In 1952, Elia Kazan appeared before the House Un-American Activities Committee (HUAC). Kazan named eight members of the Group Theatre, including Clifford Odets, Paula Strasberg, Lillian Hellman, J. Edward Bromberg, and John Garfield,[36] who in recent years had been fellow members of the Communist Party.[37]

After speaking with Kazan about his testimony, Miller traveled to Salem, Massachusetts to research the witch trials of 1692.[22] The Crucible, in which Miller likened the situation with the House Un-American Activities Committee to the witch hunt in Salem in 1692,[38][39][2] opened at the Beck Theatre on Broadway on January 22, 1953. Though widely considered only somewhat successful at the time of its release, today The Crucible is Miller's most frequently produced work throughout the world.[22] It was adapted into an opera by Robert Ward in 1961.

Miller and Kazan were close friends throughout the late 1940s and early 1950s, but after Kazan's testimony to the HUAC, the pair's friendship ended, and they did not speak to each other for the next ten years.[37] The HUAC took an interest in Miller himself not long after The Crucible opened, denying him a passport to attend the play's London opening in 1954.[17] Kazan defended his own actions through his film On the Waterfront, in which a dockworker heroically testifies against a corrupt union boss.[citation needed]

When Miller applied in 1956 for a routine renewal of his passport, the House Un-American Activities Committee used this opportunity to subpoena him to appear before the committee. Before appearing, Miller asked the committee not to ask him to name names, to which the chairman, Francis E. Walter (D-PA) agreed.[40]


While newsmen take notes, Chairman Dies of House Un-American Activities Committee reads and proofs his letter replying to Pres. Roosevelt's attack on the Committee, October 26, 1938

When Miller attended the hearing, to which Monroe accompanied him, risking her own career,[22] he gave the committee a detailed account of his political activities.[41] Reneging on the chairman's promise, the committee demanded the names of friends and colleagues who had participated in similar activities.[40] Miller refused to comply, saying "I could not use the name of another person and bring trouble on him."[40] As a result, a judge found Miller guilty of contempt of Congress in May 1957. Miller was sentenced to a fine and a prison sentence, blacklisted, and disallowed a US passport.[42] In 1958, his conviction was overturned by the court of appeals, which ruled that Miller had been misled by the chairman of the HUAC.[43]

Miller's experience with the HUAC affected him throughout his life. In the late 1970s he became very interested in the highly publicized Barbara Gibbons murder case, in which Gibbons' son Peter Reilly was convicted of his mother's murder based on what many felt was a coerced confession and little other evidence. City Confidential, an A&E Network series, produced an episode about the murder, postulating that part of the reason Miller took such an active interest (including supporting Reilly's defense and using his own celebrity to bring attention to Reilly's plight) was because he had felt similarly persecuted in his run-ins with the HUAC. He sympathized with Reilly, whom he firmly believed to be innocent and to have been railroaded by the Connecticut State Police and the Attorney General who had initially prosecuted the case.[44][45]

Later career[edit source]

Miller in 1966
In 1964 After the Fall was produced, and is said to be a deeply personal view of Miller's experiences during his marriage to Monroe. The play reunited Miller with his former friend Kazan: they collaborated on both the script and the direction. After the Fall opened on January 23, 1964, at the ANTA Theatre in Washington Square Park amid a flurry of publicity and outrage at putting a Monroe-like character, called Maggie, on stage.[22] Robert Brustein, in a review in the New Republic, called After the Fall "a three and one half hour breach of taste, a confessional autobiography of embarrassing explicitness . . . there is a misogynistic strain in the play which the author does not seem to recognize. . . . He has created a shameless piece of tabloid gossip, an act of exhibitionism which makes us all voyeurs, . . . a wretched piece of dramatic writing."[46] That same year, Miller produced Incident at Vichy. In 1965, Miller was elected the first American president of PEN International, a position which he held for four years.[47] A year later, Miller organized the 1966 PEN congress in New York City. Miller also wrote the penetrating family drama, The Price, produced in 1968.[22] It was Miller's most successful play since Death of a Salesman.[48]

In 1969, Miller's works were banned in the Soviet Union after he campaigned for the freedom of dissident writers.[17] Throughout the 1970s, Miller spent much of his time experimenting with the theatre, producing one-act plays such as Fame and The Reason Why, and traveling with his wife, producing In The Country and Chinese Encounters with her. Both his 1972 comedy The Creation of the World and Other Business and its musical adaptation, Up from Paradise, were critical and commercial failures.[49][50]

Miller was an unusually articulate commentator on his own work. In 1978 he published a collection of his Theater Essays, edited by Robert A. Martin and with a foreword by Miller. Highlights of the collection included Miller's introduction to his Collected Plays, his reflections on the theory of tragedy, comments on the McCarthy Era, and pieces arguing for a publicly supported theater. Reviewing this collection in the Chicago Tribune, Studs Terkel remarked, "in reading [the Theater Essays]...you are exhilaratingly aware of a social critic, as well as a playwright, who knows what he's talking about."[51]

In 1983, Miller traveled to China to produce and direct Death of a Salesman at the People's Art Theatre in Beijing. The play was a success in China[48] and in 1984, Salesman in Beijing, a book about Miller's experiences in Beijing, was published. Around the same time, Death of a Salesman was made into a TV movie starring Dustin Hoffman as Willy Loman. Shown on CBS, it attracted 25 million viewers.[17][52] In late 1987, Miller's autobiographical work, Timebends, was published. Before it was published, it was well known that Miller would not talk about Monroe in interviews; in Timebends Miller talks about his experiences with Monroe in detail.[22]

During the early-mid 1990s, Miller wrote three new plays: The Ride Down Mt. Morgan (1991), The Last Yankee (1992), and Broken Glass (1994). In 1996, a film of The Crucible starring Daniel Day-Lewis, Paul Scofield, Bruce Davison, and Winona Ryder opened. Miller spent much of 1996 working on the screenplay to the film.[17]

Mr. Peters' Connections was staged Off-Broadway in 1998, and Death of a Salesman was revived on Broadway in 1999 to celebrate its fiftieth anniversary. The play, once again, was a large critical success, winning a Tony Award for best revival of a play.[53]

In 1993, he was awarded the National Medal of Arts.[54] Miller was honored with the PEN/Laura Pels International Foundation for Theater Award for a Master American Dramatist in 1998. In 2001 the National Endowment for the Humanities (NEH) selected Miller for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities.[55] Miller's lecture was entitled "On Politics and the Art of Acting."[56] Miller's lecture analyzed political events (including the U.S. presidential election of 2000) in terms of the "arts of performance," and it drew attacks from some conservatives[57] such as Jay Nordlinger, who called it "a disgrace," [58] and George Will, who argued that Miller was not legitimately a "scholar."[59]

In 1999, Miller was awarded The Dorothy and Lillian Gish Prize, one of the richest prizes in the arts, given annually to "a man or woman who has made an outstanding contribution to the beauty of the world and to mankind's enjoyment and understanding of life."[60] In 2001, Miller received the National Book Foundation's Medal for Distinguished Contribution to American Letters. On May 1, 2002, Miller was awarded Spain's Principe de Asturias Prize for Literature as "the undisputed master of modern drama." Later that year, Ingeborg Morath died of lymphatic cancer[61] at the age of 78. The following year Miller won the Jerusalem Prize.[17]

In December 2004, 89-year-old Miller announced that he had been in love with 34-year-old minimalist painter Agnes Barley and had been living with her at his Connecticut farm since 2002, and that they intended to marry.[62] Within hours of her father's death, Rebecca Miller ordered Barley to vacate the premises, having consistently opposed the relationship.[63] Miller's final play, Finishing the Picture, opened at the Goodman Theatre, Chicago, in the fall of 2004, with one character said to be based on Barley.[64] It was reported to be based on his experience during the filming The Misfits,[65] though Miller insisted the play is a work of fiction with independent characters that were no more than composite shadows of history.[66]

Death[edit source]
Miller died of bladder cancer and heart failure, at his home in Roxbury, Connecticut. He had been in hospice care at his sister's apartment in New York since his release from hospital the previous month.[67] He died on the evening of February 10, 2005 (the 56th anniversary of the Broadway debut of Death of a Salesman), aged 89, surrounded by Barley, family and friends.[68][69] His body was interred at Roxbury Center Cemetery in Roxbury.

Legacy[edit source]

Arthur Miller's career as a writer spanned over seven decades, and at the time of his death, Miller was considered to be one of the greatest dramatists of the twentieth century.[27] After his death, many respected actors, directors, and producers paid tribute to Miller,[70] some calling him the last great practitioner of the American stage,[71] and Broadway theatres darkened their lights in a show of respect.[72] Miller's alma mater, the University of Michigan, opened the Arthur Miller Theatre in March 2007. As per his express wish, it is the only theatre in the world that bears Miller's name.[73]

Other notable arrangements for Miller's legacy are that his letters, notes, drafts and other papers are housed at the Harry Ransom Humanities Research Center at The University of Texas at Austin.

Arthur Miller is also a member of the American Theater Hall of Fame. He was inducted in 1979.[74][75]

In 1993 he received the Four Freedom Award for Freedom of Speech.[76]

Foundation[edit source]
The Arthur Miller Foundation was founded to honor the legacy of Miller and his New York City Public School Education. The mission of the foundation is: "Promoting increased access and equity to theater arts education in our schools and increasing the number of students receiving theater arts education as an integral part of their academic curriculum."[77] Other initiatives include certification of new theater teachers and their placement in public schools; increasing the number of theater teachers in the system from the current estimate of 180 teachers in 1800 schools; supporting professional development of all certified theater teachers; providing teaching artists, cultural partners, physical spaces, and theater ticket allocations for students. The foundation's primary purpose is to provide arts education in the New York City school system. The current chancellor of the foundation is Carmen Farina, a large proponent of the Common Core State Standards Initiative. Alec Baldwin, Ellen Barkin, Katori Hall, Dustin Hoffman, Scarlett Johansson, Tony Kushner, Michael Mayer, Jim McElhinney, Julianne Moore, Liam Neeson, Lynn Nottage, David O. Russell, Liev Schreiber all serve on the Master Arts Council. Son-in-law Daniel Day-Lewis serves on the current board of directors.[78]

The foundation celebrated Miller's 100th birthday with a one-night-only performance of Miller's seminal works in November 2015.[79]

The Arthur Miller Foundation currently supports a pilot program in theater and film at the public school Quest to Learn in partnership with the Institute of Play. The model is being used as an in-school elective theater class and lab. The objective is to create a sustainable theater education model to disseminate to teachers at professional development workshops.[80]