Showing posts with label FORGOTTEN. Show all posts
Showing posts with label FORGOTTEN. Show all posts

Saturday, 30 April 2022

Fay Webb – Forgotten Film Player

Faye Webb

 



Fay Webb – Forgotten Film Player

Fay Webb Rudy Valee
Rudy Valee with Fay Webb in 1931.
521 12th Street Santa Monica
521 12th Street, Santa Monica, CA.

BEACH LASS GIVEN STAR ROLE AT STUDIOS

Daughter of Police Chief at Santa Monica Enters Motion-Picture Work

Los Angeles Times –June 27, 1927 –There probably are few high school girls in the United States who are not ambitious to become motion-picture actresses. But there are not many who are fortunate enough to be selected for a screen career. But Fay Webb, Santa Monica High School girl, has just stepped out of the classroom into the films.

Miss Webb, brunette, and daughter of Santa Monica’s Chief of Police, Clarence Webb, yesterday was signed to a contract by the Metro-Goldwyn-Mayer studios.

The young woman was born at Santa Monica and educated in the public schools of that city. She is a graceful dancer, expert swimmer and equestrienne.

An extensive series of film tests made at the M-G-M studios proves her to be an excellent photographic subject with screen personality. Miss Webb will be given an intensive course of training in early productions.

****

Sadly, IMDb doesn’t list Fay Webb in its database. That means she probably never rose above uncredited bit roles. In 1930, she lived with her parents at 521 12th Street in Santa Monica. She was 22-years-old.

The following year, she married Rudy Valee. She then gave up her struggling film career and moved to New York. Valee filed divorce papers in 1935, accusing his wife of having an affair with a male dancer named Gary Leon (breaking up Leon’s marriage as well). Leon had been a student athlete at Santa Monica High School before turning into a ballroom dancer.

The courts favored Valee and Webb was unable to receive much money. She tried to contest the divorce by filing appeals in California and in New York.

Webb‘s inability to show up for court hurt her case, despite pleading that she was too ill to attend.

Perhaps, the court should have listened. In November of 1936, Webb passed away in Santa Monica following complications from surgery brought on by peritonitis. She was 29-years-old. Upon hearing news of her death, ex-husband Valee allegedly laid down his baton and quietly left the stage during a concert, leaving theater-goers baffled.

Today, Fay Webb studio photos are collectible.

 

Fay Webb (Bizarre Los Angeles)


Tuesday, 6 October 2020

KALYANA KUMAR , FILMWORLD FORGOTTEN ARTIST 1928 JULY 28 -1999 AUGUST 1

 


KALYANA KUMAR , FILMWORLD FORGOTTEN 

ARTIST 1928 JULY 28 -1999 AUGUST 1


மின்னுவதெல்லாம் பொன்தான்-14.

நெஞ்சம் மறப்பதில்லை.. உன் நினைவை இழப்பதில்லை!



1950 களில் கன்னட சினிமாவில் நம்ம ஊர் எம்.ஜி.ஆர் - சிவாஜி மாதிரி ராஜ்குமார் - உதயகுமார் என்ற இரு பெரும் நடிகர்கள் கோலோச்சிக் கொண்டிருந்தார்கள். எம்.ஜி.ஆர், சிவாஜிக்கு இடையில் ஜெமினி கணேசன் தனக்கென ஒரு இடத்தைப் பிடித்து நடித்த மாதிரி கன்னடத்தில் நடித்தவர் கல்யாண்குமார்.


சரோஜாதேவி, சவுகார் ஜானகி, கல்பனா, ஜெயந்தி, பாரதி என அன்றைக்கிருந்த முன்னணி நடிகைகள் பலரும் கல்யாண்குமார் ஜோடியாக நடித்தார்கள். கன்னட சினிமாவின் பரப்பு மிகவும் குறைவு. இதனால் கன்னட நடிகர்கள், தமிழ் சினிமாவிலும் நடிக்க விரும்புவார்கள். அப்போது கன்னடப் படங்கள் தயாரானதும் சென்னையில்தான். கன்னட நடிகர்கள் பலரும் வாழ்ந்ததும் கூட சென்னைதான்.


அப்படித்தான் கல்யாண் குமாருக்கும் தமிழ் சினிமாவில் நடிக்க ஆசை. சின்னச் சின்ன வேடங்களில் தமிழில் நடித்துக் கொண்டிருந்தவருக்கு 1962ல் ‘நெஞ்சில் ஓர் ஆலயம்’, 1963ல் ‘நெஞ்சம் மறப்பதில்லை’ என்று அடுத்தடுத்து திருப்புமுனை படங்களாக அமைந்தன. இரண்டு படத்தையும் அன்றைக்கு நம்பர் ஒன் இயக்குநராக விளங்கிய ஸ்ரீதர் இயக்கியிருந்தார். இரண்டிலுமே கல்யாண்குமாருக்கு ஜோடி தேவிகா.


இரண்டுமே வெள்ளி விழா படங்கள். ‘நெஞ்சில் ஓர் ஆலயம்’, சமீபத்தில் வெளிவந்த ‘96’ படம் மாதிரியான கதை யமைப்பு. நோயுற்ற கணவனுக்கு முன்னாள் காதல னான டாக்டர் மருத்துவம் செய்கிற மாதிரியான கதை. ‘எங்கிருந்தாலும் வாழ்க...’ என்கிற காதல் தோல்வியாளர்களின் தேசிய கீதம் இந்தப் படத்தி–்ல்தான் இடம்பெற்றது. ‘நெஞ்சம் மறப்பதில்லை’ ஃபேன்டஸி கதை.


காதலைப் பிரிக்க நினைக்கும் வில்லன் ஜென்மங்கள் கடந்தும் அந்த வேலையைச் செய்கிற கதை. அந்த காதலர்களாக கல்யாண்குமாரும், தேவிகாவும் நடித்தார்கள். ‘நெஞ்சம் மறப்பதில்லை... அது நினைவை இழப்பதில்லை...’ என இப்போதும் மனதை உருக்கும் பாடல் இடம்பெற்ற படம் இதுதான்.


ஸ்ரீதர் படங்களில் நடித்தவர்கள் அதன் பிறகு டாப்புக்கு வருவார்கள் என்பது அன்றைய நிலை. ஆனால் கல்யாண்குமாருக்கு ஏனோ அந்த மேஜிக் நடக்கவில்லை. ‘நெஞ்சம் மறப்பதில்லை’, ‘நெஞ்சில் ஓர் ஆலயம்’ படங்களில் கல்யாண்குமாரை ரசிகர்கள் அந்த கேரக்டராகத்தான் பார்த்தார்களே தவிர அவரை ஒரு மனம் கவர்ந்த ஹீரோவாக ஏற்கவில்லை. மேலும் அந்தக் காலகட்டத்தில் தமிழ் ரசிகர்கள் கன்னட நடிகைகளை ஏற்றுக்கொண்ட அளவிற்கு நடிகர்களை ஏற்கவில்லை. கன்னட சூப்பர் ஸ்டார் ராஜ் குமாரே தமிழ் சினிமாவில் தடம் பதிக்க முடியவில்லை.


‘நெஞ்சில் ஓர் ஆலயம்’, ‘நெஞ்சம் மறப்பதில்லை’ படங்களுக்கு முன்பும், பின்பும் ‘பிஞ்சுமனம்’, ‘சவுக்கடி சந்திரகாந்தா’, ‘தாயின் கருணை’, ‘சீமான் பெற்ற பிள்ளை’ என ஏராளமான படங்களில் நடித்தார்.


ஆனால் அது எதுவுமே கவனிக்கப்படவில்லை. இதனால் மீண்டும் கன்னட சினிமாவுக்குத் திரும்பி விட்டார் கல்யாண்குமார். சில காலம் ஹீேரா, அதன் பிறகு குணச்சித்திர நடிகர் என்றே அவர் திரைப் பயணம் முடிவுற்றது. இப்போது அவரது வாரிசுகள் சின்னத்திரை நடிகர் களாகவும், டப்பிங் ஆர்ட்டிஸ்டு களாகவும் இருக்கிறார்கள்.




Kalyan Kumar (28 July 1928 – 1 August 1999), born as Chokkanna in a Tamil speaking Iyengar family, was an Indian film actor, and an occasional film director and producer, who worked primarily in Kannada and Tamil cinema.[1] Making his acting debut in the mythological drama Natashekara (1954), Kalyan Kumar went on to star in over 200 films in a span of over five decades. He was among the much sought after actors in the 1950s through 1970s for lead roles.



Kalyan Kumar has the credit of being the first ever Kannada actor to star in a colour film in Amarashilpi Jakanachari (1963).[2] Alongside Kumar, the 1960s and 1970s in Kannada cinema was dominated by two other actors, Rajkumar and Udayakumar.[3] At a time when actors had a tough time establishing themselves, Kalyan Kumar being successful not only in Kannada cinema, also made a mark in Tamil cinema. Kalyan Kumar along with Udaykumar, Rajkumar were called as "Kumara Thrayaru" (The Kumar Trio) of the Kannada cinema.[4]


Early life

Kalyan Kumar was born on 7 June 1928 in Bangalore, in the erstwhile Kingdom of Mysore of British India. His parents wanted him to be a doctor. But passion for acting brought him to Kannada film land. Born as Chokkanna into a middle-class family, Kalyan Kumar became known for his lavishness and sophistication.


Known for sophisticated portrayal of roles he played the hero against J. Jayalalitha in Maavana Magalu in 1965 and Badukuva Daari in 1966. The triumvirate had acted in Bhoodaana which was a hit in 1962. He had also acted in first full-length colour film in Kannada. Amarashilpi Jakanachari, in which he played the role of Jakanachari, a historical figure in sculpture.


Career

Kalyan Kumar's debut film as an actor, Natashekhara, released in 1954. He would go on to appear in successful films such as Sadarame, Subbashastri, Rayara Sose, Badukuva Daari, Mavana Mgalu, Arishina Kunkuma, Bedi Bandavalu, Belli Moda, Kathaa Sangama, and Kaleju Ranga. In G. V. Iyer's 1962 film, Bhoodaana, Kumar appeared alongside Rajkumar and Udayakumar, the only film that featured the trio together.[2] He acted with all the prominent heroines of his time - B Saroja Devi, Sahukar Janaki, Kalpana, Jayanti, Bharati, Aarathi, and Roopadevi.


He acted in several Kannada-Telugu bi-lingual films made in the 1960s by B Vittalacharya, Nagendra Rao and B R Panthulu. He was a regular actor in the early G V Iyer films like Bhoodana, Tayi karalu, Lawyer magalu and Bangari.


He acted in many Tamil films. His Tamil film Nenjil Oru Alayam was later made in Hindi as Dil Ek Mandir with Rajendra Kumar. As he was gaining popularity in Tamil filmdom, he started acting in more of Tamil movies. But, the regional politics reigned over his acting talents.


He was married to Kannada film heroine Revati. He also produced and directed stage plays like Ramu Nanna Thamma and Chikamma, many of which were written by his wife. His son Bharath Kalyan is a television actor who acted mainly in Tamil serials. Bharath Kalyan has recently rendered his voice for a character artist in the movie Imaikkaa Nodigal


Thursday, 14 May 2020

Forgotten Tamil actresses







Forgotten Tamil actresses
K S Sivakumaran

There were very few female Tamil film actors at the early stages of the development of Tamil cinema. Those who came forward to act were from different regions where the Dravidians lived: Andhra Pradesh, Karnataka and Kerala states. But since their languages namely Telugu, Kannada and Malayalam had strong affinity with Tamil, it was not difficult for them to speak in Tamil and act. However the prominent actresses were Tahitians.


S D Subbulakshmi


T R Rajakumari

S D Subbulakshmi was one of them. She married the enterprising pioneer director K Subramaniyam. They had two outstanding children: S. Krishnawamy, a critic and Pathma Subramaniam, one of the finest exponents of Bharatha Natyam. Subbulakshmi was the most popular stares in the 1930s.

T P Rajalakshmi was one of the pioneer Tamil female actors in Tamil films. P. Banumathi from Aandhra was yet another shining star in Tamil and Telugu films.

There was yet another singing star Subbulakshmi. Her initials were M S. She was one of the outstanding Carnatic musicians that India could boast of. She too came into the field in 1930s and she too had acted in director K Subramaniam’s films. Some of her outstanding films were Sakunthalai and Meera.

Another singing actress was T R Rajakumari. She figures during the 1930-1940 period. Chandraleka and Apoorva Sakothararkal were two of her notable films.

P Kannamba from Karnataka was a superb actress in delivering the Tamil dialogues.

K L V Vasantha, U R Jeevaratnam, T A Mathuram, C T Rajakantham, G Subbulakshmi, B S Saroja, and K S Angamuthu were well known stars in Tamil Cinema.

Lanka born actor to become later to be the Chief Minister of Tamilnadu, M G Ramachandran was married to V N Janaki. She was earlier married to a film director. She acted in a pace-setting progressive film in Tamil in the 1940s- Velaikkari penned by former Chief Minister C N Annadurai. One of the Kannadiga actresses to play in Tamil films was M V Rajamma. R Bala Saraswathi Devi was another singing star. Her song ‘Roja MalarVendumaa?’ a song sung to the Latin American Rhythm ‘La Paloma’ was a hit tune in the 1950s. Another actress was T A Jeyalakshmi. She acted in another pace setter ‘Naam Iruvar’ (We Two)

Kumari Rukmani was figured in ‘Sri Valli’

Then of course we had the present Chief Minister of Tamilnadu, Jeyaram Jeyalalitha acting with M G Ramachandran in many popular films. She has acted not only in Thamil but also in Telugu, Kannada and Hindi.

M S Sundari Bai, Thiruchur Premawathi, Yoga Mangalam, T A Periyanayaki who could sing well, M S S Bhayam, M R Santhanalakhmi, S Varalakshmi- a singing star, T Suriyakumari and K Malathi were some of the early female actors in Tamil cinema.

the Kerala border Lalitha, Padmini and Rahini came to act in Tamil films. Padmini among them became a fine dancer and character actress in Tamil films.

Vyjayanthimala who later shone in Hindi films later became a Rajya Sabha member in Indian Parliament. Her mother Vasunthara Devi was a dancing actress who danced waltzes in the film Mangamma Sabatham.

M N Rajam was yet another important actress in Tamil films. K T Rukmani, S L Dhanalakshmi, T P Muthulakshmi, Maadhuri Devi, Pushpavalli from Andhra, K Aswathaama from Karnataka were among the notable female stars in Tamil films during the 1930- 1950 period.

After the1950s many talented female actors came to the scene. K R Vijya, Vijaya Kumari, Devika, Saroja Devi, Lakshmi, Raadika, Savitri, Poornima, Ambika, Raadha, Suhashini, Amala, Seetha. Shoba, SriVidhya, Sri Priya, Sri Devi, Archana, Vaani Sri and a host of both male and female actors contributed their mite to the development Tamil cinema.

Since the 1970s Tamil Cinema has undergone several changes gradually shedding off the dramatic garb and adoring new attires to suit the contemporary needs. That is another subject to be dealt with caution, because the analysis would necessitate a deeper multi-disciplinary study.

The purpose in us writing about the Tamil Cinema as well is to put on record some forgotten details which could help a serious student of cinema in any part of the world to understand the world cinema as an entity.

However a study of Lankan Tamil Cinema is an urgent need, but unfortunately the 30 odd films made locally were poor substitutes to the Kodambakkam cinema that one could not consider any of them for serious study. Well, this is only an opinion of an individual. Perhaps future critics could undertake this task in a solemn manner.

As for the Sinhala cinema, a substantial body of studies has already been made in both Sinhala and English.

In this connection I should mention the name of Thambi Aiyah Thevathas in bringing out books in Tamil both on the Lankan Tamil and Sinhala cinema.

sivakumaran.ks@gmail.com

Sunday, 19 November 2017

REHANA SULTAN FORGOTTEN INDIAN FILM ACTRESS , BORN 1950 NOVEMBER 19


REHANA SULTAN  
FORGOTTEN INDIAN FILM ACTRESS ,
BORN 1950 NOVEMBER 19





Rehana Sultan (born 19 November 1950[1]) is an Indian film actress best known for her debut role in the acclaimed 1970 film Dastak which won her the National Film Award for Best Actress. A graduate of Film and Television Institute of India (FTII), Pune, she is also known for another bold role in the film Chetna (1970), which got her typecast thus ending her film career, despite its promising start.[2][3][4]
Biography[edit source]
Born and raised in Allahabad to Bahá'í parents, she graduated from high school in 1967, and was selected in the same year to study acting at FTII.[5] After she graduated with a sexy role in Vishwanath Ayengar's diploma film Shadi Ki Pehli Salgirah (1967),[6] she got her break in a feature film in Rajinder Singh Bedi's Dastak (1970), making her the first actress from the Institute to land a lead role in the film industry.[7][8] She won the National Film Award for her role in that film. In the same year she also played the lead role in the film Chetna which was shot in 28 days along with the shooting of Dastak. That film was about the rehabilitation of prostitutes, and her role changed the portrayal of sex workers in Hindi cinema.[9]

Her sexy roles brought her success but also limited her choice of roles in future films. She had roles in Haar Jeet (1972), Prem Parvat (1973), and the famous political satire Kissa Kursi Ka (1977). In 1984, after starring in Vijay Anand’s Hum Rahen Na Rahen (1984) with Shabana Azmi, she married writer-director B. R. Ishara, who had directed Chetna. She also appeared in a Punjabi movie Putt Jattan De (1981) with Shatrughan Sinha.


Allahabad. Birthday actress Rehana Sultan has become popular on the 19th of November, in the role of director BR Ishara's film Chetna (1970), a small-time sex worker.

Rehana Sultan, who lives in the stone lane of Shahganj police station area of ​​Allahabad, has studied from Hamidia Inter College to Inter. DainikBhaskar.com approached his fast friend Anisha Ekram (Rahman) and talked about him about the conversation. Let us say, Anisha has read with Rehana from 6 to Inter. Both have a very strong friendship.
Partisipate did not even function in college
Anisha said, 'We got into friendship with Rehana 6th class. By 12th, we will read together. Rehana was mediocre in studies. '
- '' Rayna did not partispate in the college's cultural program. Nor did acting in drama being done at school. '
- 'His family lived in Shahganj's stone lane. At college, I went to Rehana's house once. There was a common house in the narrow street. Seeing the atmosphere of the house, no one could guess, the girl in this house will work in movies. His father used to sell electric goods in Allahabad.
'It is also a big thing to think about working in girls in small towns at the time. But at that time someone from Mumbai (Anjaan) was behind him, who was telling him to work in films. '

Rehana went to Mumbai only after intermediate
- '' Never acted in acting and never participated in any drama. At that time, I (Anisha) used to be very fond of college and also participated in every program. The voice was also very good. '
- 'Rehana was telling me to go to Mumbai too. She used to say that your voice is also very good and you are beautiful in seeing. Come on, we both will act in Mumbai. But thinking about acting in films in our family was a big thing. '
'Just after interfering with Rehana, Direct moved to Mumbai.'
Who are you
- Born in Allahabad on November 19, 1950, Rehana is a Graduate in Acting from Pune's FTII.

After getting an acting degree in 1967, he got an opportunity to work in Vishwanath Iyengar's diploma film 'Marriage's first anniversary'.
After this, director Rajinder Singh Bedi rolled him in the film 'Knock' in 1970. Rehana was the first actress from FTII who had got a lead role in a film.
- Rehana also received National Award for Best Actress category for 'Knock' for the film.
After this, Rehana did some more films, including 'Har-Jeet' (1972), 'Prem Mountain' (1973) and 'Kissa Chair Ki Ka' (1977).
इलाहाबाद. डायरेक्टर बीआर इशारा की फिल्म 'चेतना' (1970) में छोटी उम्र की सेक्स वर्कर का रोल कर पॉपुलर हुईं एक्ट्रेस रेहाना सुल्तान का 19 नवंबर को बर्थडै होता है। इलाहाबाद के शाहगंज थाना क्षेत्र के पत्थर गली की रहने वाली रेहाना सुल्तान ने हमीदिया इंटर कॉलेज से इंटर तक की पढ़ाई की है। DainikBhaskar.com ने उनके बारे में जानने के लिए उनकी फास्ट फ्रेंड अनीशा इकराम (रहमान) के पास पहुंची और बातचीत की। बता दें, अनीशा 6 से इंटर तक रेहाना के साथ पढ़ी हैं। दोनों में काफी गहरी दोस्ती रही है।
कॉलेज के फंक्शन में भी नहीं करती थी पार्टिसिपेट

- अनीशा ने बताया, ''रेहाना से हमारी दोस्ती 6th क्लास में हुई। 12वीं तक हम लोग साथ में पढ़े। रेहाना पढ़ाई में औसत दर्जे की थीं।''
- ''रेहाना कॉलेज के कल्चरल प्रोग्राम में पार्टिसिपेट नहीं करती थीं। ना ही स्कूल में होने वाले ड्रामा में एक्ट‍िंग करती थीं।''
- ''उनका परिवार शाहगंज के पत्थर गली में रहता था। कॉलेज के समय एक बार मैं रेहाना के घर गई थी। तंग गली में सामान्य सा घर था। घर का माहौल देखकर कोई अंदाजा नहीं लगा सकता था, इस घर की लड़की फिल्मों में काम करेगी। उनके पिता इलाहाबाद में इलेक्ट्रिक सामान बेचने का काम करते थे।''
- ''उस समय छोटे शहरों की लड़कियों को फिल्मों में काम करने के बारे में सोचना भी बहुत बड़ी बात है। लेकिन उस समय मुंबई का शख्स (अंजान) कोई उसके पीछे लगा हुआ था, जो उसे फिल्मों में काम करने के लिए कह रहा था।''
इंटर के बाद ही मुंबई चली गई थी रेहाना
- ''कभी एक्टिंग नहीं सीखी थी और ना ही किसी ड्रामे में कभी पार्टिसिपेट किया था। उस समय कॉलेज में मैं (अनीशा) बहुत फेमस हुआ करती थी और हर प्रोग्राम में भाग भी लिया करत थी। आवाज भी बहुत अच्छी थी मेरी।''

- ''रेहाना ने मुझे भी मुंबई चलने के लिए कह रही थी। वो कहती थी कि तुम्हारी आवाज भी बहुत अच्छी है और तुम देखने में भी खूबसूरत हो। चलो, हम दोनों मुंबई में एक्ट‍िंग करेंगे। लेकिन हमारे खानदान में फिल्मों में अभिनय करने के बारे में सोचना बहुत बड़ी बात थी।''
- ''रेहाना इंटर करने के बाद ही डायरेक्ट मुंबई चली गई थी।''
कौन हैं रेहाना
- 19 नवंबर, 1950 को इलाहाबाद में जन्मीं रेहाना पुणे के FTII से एक्टिंग में ग्रैजुएट हैं।
- 1967 में एक्टिंग डिग्री मिलने के बाद उन्हें विश्वनाथ अयंगर की डिप्लोमा फिल्म 'शादी की पहली सालगिरह' में काम करने का मौका मिला।
- इसके बाद डायरेक्टर राजिंदर सिंह बेदी ने 1970 में उन्हें फिल्म 'दस्तक' में रोल दिया। रेहाना FTII से पास ऐसी पहली एक्ट्रेस थीं, जिन्हें किसी फिल्म में लीड रोल मिला था।
- रेहाना को फिल्म 'दस्तक' के लिए बेस्ट एक्ट्रेस कैटेगरी में नेशनल अवॉर्ड भी मिला।
- इसके बाद रेहाना ने कुछ और फिल्में कीं, जिनमें 'हार-जीत' (1972), 'प्रेम पर्वत' (1973) और 'किस्सा कुर्सी का' (1977) जैसी फिल्में शामिल हैं।


Awards[edit source]
1970 - National Film Award for Best Actress for Dastak[10]
1972 - BFJA Award for Best Actress for Chetna[citation needed]
Filmography[edit source]
1992 Surajmukhi
1985 Aakhri Chaal (TV Movie)
1984 Hum Rahe Na Hum as Kalyani M. Sharma / Madam
1983 Bandhan Kuchchey Dhaagon Ka as Advocate Thakur
1982 Bedard
1981 Putt Jattan De as Jagat Singh's wife
1981 Jwala Daaku as Rambhabai
1980 Agent 009
1980 Sister
1979 Aaj Ki Dhara
1979 Deen Aur Imaan
1978 Nawab Sahib

1978 Assignment Bombay
1977 Ooparwala Jaane
1977 Agent Vinod as Zarina
1976 Sajjo Rani as
1975 Yeh Sach Hai
1975 Zindagi Aur Toofan
1974 Albeli
1974 Khhotte Sikkay as Rani / Paro Ramdin
1974 Ek Ladki Badnaam Si
1973 Bada Kabutar as Rita
1973 Dil Ki Rahen
1973 Prem Parvat
1972 Haar Jeet as Kamal
1972 Man Jaiye as Suman
1972 Savera
1972 Tanhai
1971 Man Tera Tan Mera
1971 Padosi
1970 Chetna as Seema
1970 Dastak as Salma Ahmed