Showing posts with label white. Show all posts
Showing posts with label white. Show all posts

Monday, 6 June 2022

HONDURAN WHITE BAT

 

HONDURAN WHITE BAT



The Honduran white bat (Ectophylla alba), also called the Caribbean white tent-making bat,[2] is a species of bat in the family Phyllostomatidae. It is the only member of the genus Ectophylla. The genus and the species were both scientifically described for the first time in 1892. It has distinctive, entirely white fur, which is only found in six of the roughly 1,300 known species of bat. It constructs "tents" out of understory plant leaves by strategically cutting the leaf ribs with its teeth; it roosts in these tents during the day. It is a specialist frugivore, consuming almost exclusively the fruits of one species of fig. Females can likely become pregnant twice per year, giving birth to one offspring at a time.

It is found in HondurasNicaraguaCosta Rica and western Panama at elevations from sea level to 700 m (2,300 ft).[1] Due to habitat loss, it is evaluated as near-threatened by the IUCN. Its bright yellow ears, nose-leaf, and lips are a result of carotenoid deposition; the mechanism of this deposition is being researched as a way to understand and combat macular degeneration in human


Taxonomy and phylogeny[edit]

Ectophylla

Mesophylla

Vampyressa

Chiroderma

Ectophylla relative to other genera[3]

The Honduran white bat was described as a new species, Ectophylla alba, in 1892 by American zoologist Harrison Allen.[4] The holotype that Allen used to describe the new genus and species was collected by Charles Haskins Townsend near the Coco River in Honduras in 1887.[5] It belongs to the leaf-nosed bat family, Phyllostomidae. Within Phyllostomidae, it is in the subfamily StenodermatinaeMacConnell's bat was once included in the genus Ectophylla, but it is now monotypic within Mesophylla.[6] Despite no longer being classified in the same genus, MacConnell's bat and the Honduran white bat are sister taxa—they are each other's closest relative.[3] The Honduran white bat is the only member of Ectophylla, meaning it is a monotypic genus.[6] The genus name "Ectophylla" is from Ancient Greek "ektós" meaning "out" and "phúllon" meaning "leaf," referring to its nose-leaf. Its species name "alba" comes from Latin "albus" meaning "white."[7]

Description[edit]

Individual captured via mist net (Costa Rica)

Like both its common name and specific epithet suggest, the Honduran white bat has bright white fur. The tips of individual hairs are gray, with the grayish coloration more pronounced towards the bat's posterior. This species, along with four Diclidurus species and the ghost bat (Macroderma gigas), is among the only currently known species of bat—more than 1,300 species have been described—where the pelage is all white.[8] Its large nose-leaf easily distinguishes it from the northern ghost bat (Diclidurus albus), however, which is the only white bat with which it is sympatric (having an overlapping geographic range).[9] Its wing membranes are black. Its ears, tragi (the cartilaginous projections in front of the ear openings), nose-leaf, and lips are a bright, yellowish orange.[10] Its yellow-orange pigmentation is due to large concentrations of carotenoids, particularly xanthophyll. It is the first mammal known to have enough carotenoids in its skin to generate conspicuous color.[11]

A 2019 study found that while the brightness of the yellow pigment of the ears did not vary significantly between adults and juveniles, the yellow chroma (colorfulness relative to brightness) of the ears did differ with age. Adult bats had higher yellow chroma in their ears than did juveniles. The yellow of the nose-leaf, however, had more variation. Adult males' nose-leaves are a brighter yellow than those of adult females; juveniles of each sex did not differ in nose-leaf brightness. Adult males also had significantly brighter nose-leaves than juvenile males. Similarly to the ears, the yellow chroma of the nose-leaf was greater in adults than in juveniles, though not different between the sexes. The authors suggested that the color difference of male and female nose-leaves is indicative of sexual dichromatism, meaning that females may select for males with brighter nose-leaves. This conclusion was supported by the trend that males with brighter yellow nose-leaves tended to have better body conditions. Females could thus use nose-leaf color as a metric of male fitness when selecting a mate.[12]

Another 2019 study found that the distinctive yellow pigment may have evolved as a result of the bat's tent-roosting. Reconstructions of ancestral states showed that the yellow coloration coevolved with tent-roosting.[13]

It is a small species, with a head and body length of 37–47 mm (1.5–1.9 in), a forearm length of 27.8–29.3 mm (1.09–1.15 in), and an ear length of 10–15 mm (0.39–0.59 in). Individuals weigh only 5–6 g (0.18–0.21 oz).[10] The bat's nose-leaf is erect, its tail is absent, and its ears large and rounded. The inner margin of the tragus is convex, while the outer margin is coarsely serrated with four or five small lobes. The nose-leaf also has a serrated margin. It has eight to ten small "warts" under its mouth. Its dental formula is 2.1.2.22.1.2.2, for a total of 28 teeth. Its skull is similar in appearance to other species in its subfamily, with the exception of its very deep basioccipital pits.[10] The bat overall resembles a small, white Platyrrhinus.[14][15]

Biology and ecology[edit]

Tent-making[edit]

Heliconia latispatha, which is a plant species used for tent roosting (Costa Rica)
Bats in a tent

The Honduran white bat is one of approximately 22 known species of bats that roost within leaf "tents".[16] The Honduran white bat cuts the side veins extending out from the midrib of the large leaves of the Heliconia plant causing them to fold down to form a tent. Tents are likely constructed by multiple individuals; females have been observed constructing tents, but it is likely that males do so as well.[17] New tents are constructed throughout the year, as modifying the leaves into tents causes the leaves to die. Once modified into a tent, a leaf lives approximately 7.5 weeks, compared to 61 weeks in an unmodified leaf.[18] Several species of Heliconia are used as roosts, including H. imbricataH. latispathaH. pogonanthaH. tortuosa, and H. sarapiquensis.[10] Rarely, it has been documented using Calathea and Ischnosiphon inflatus plants as roosts. In selecting leaves to turn into tents, it appears that the age and size of the leaf is more important than the species of plant.[19] Preferred leaves are 0.8–1.2 m (2.6–3.9 ft) long and less than 30 days old. Younger leaves may be preferred because they are easier to bite through and shape than older leaves. It also prefers leaves that are less than 2 m (6.6 ft) above the forest floor. Preferred leaves are in areas of low understory vegetation density, but high canopy vegetation density. Heliconia density is lower surrounding chosen leaves than would be expected if the bats selected leaves randomly. Features such as canopy density may help the tent maintain a consistent microclimate. Tents are usually 23.3 °C (73.9 °F), with little fluctuation. High canopy density could also protect its tent from disturbance from wind and rain. Because tent construction takes up to several weeks' worth of time from several individuals, choosing more sheltered tents could prolong the life of a tent and protect the bats' investment. Low understory vegetation density is thought to be beneficial by providing an uncluttered airspace for the bats as they exit and enter their tents.[16]

It clings to the roof of its tent in small colonies of 1-15 individuals.[16] The tent protects it from rain and predators. Rather than roosting in a single tent consistently, the Honduran white bat has a network of tents scattered across the forest; it alternates among these tents for roosting. Single tents have been consistently occupied for up to 45 days.[2] Although their tents are typically low to the ground, sunlight filters through the leaf which gives their white fur a greenish cast. This almost completely conceals them if they remain still.[20] Alternately, it has been proposed that its white fur gives it the appearance of a wasp nest, which would be avoided by predators. It likely has several predators, including capuchin monkeysCentral American squirrel monkeys, and snakes.[16]

Diet and foraging[edit]

The Honduran white bat is frugivorous.[10] Along with the little white-shouldered bat, the Honduran white bat is one of the two smallest species of frugivorous bat in the world.[6] It specializes on a species of figFicus colubrinae.[16] However, other species of figs are occasionally consumed, such as Ficus schippii. The Honduran white bat prefers F. colubrinae trees that are "high-quality," or produce many fruits at once. It also chooses fig trees that are the closest to its day roosts. F. colubrinae trees have asynchronous fruit production, so its fruits are available as a food source year-round. Because it is highly specialized on the one species of fig, it has larger foraging movements than observed in frugivorous bats that are less specialized. Individuals have an average home range of 63.2 ha (0.244 sq mi). It is unclear how it manages to survive on such a narrow diet, as it is predicted it should have to consume supplemental food sources.[21]

Reproduction[edit]

Little is known about the Honduran white bat's reproductive behaviors. It has been proposed that individuals give birth in April and September, and that estrus occurs post-parturition.[18] Pregnant females have been documented in February, March, June, July, and August in Costa Rica, with lactating females documented in March and April.[14] Females have synchronized births, with all births in a colony occurring within the same week.[22] Litter size is one offspring, called a pup. During lactation, mothers will return to their roosts up to six times a night to feed their pups.[16] Pups fledge, or become capable of flight, at 3–4 weeks old.[18]

Range and habitat[edit]

Tortuguero National Park, a location where this species is found (Costa Rica)

The Honduran white bat is found in several countries in Central America, including Costa RicaHondurasNicaragua, and Panama.[1] Unusually, it is one of four species of leaf-nosed bat endemic to Central America; most are found in South America.[10] Its range encompasses a range of elevations from 0–700 m (0–2,297 ft) above sea level. It prefers wet evergreen forests and secondary forests, which can accommodate its specific roosting and dietary requirements.[1]

Conservation[edit]

Despite being a conspicuously colored bat, over sixty years passed between the discovery of the first Honduran white bat in 1898 and the next discovery in 1963.[10] It is currently evaluated as near-threatened by the IUCN. It meets the criteria for this designation because its population is in a "significant decline." The decline does not exceed 30% population loss over the past three generations (approximately 18 years in this species), which would qualify it for vulnerable designation. However, it is on the verge of qualifying for the vulnerable designation. Reasons for its population decline include conversion of its habitat to farmland as well as an expanding human population.[1] It is particularly susceptible to habitat loss because it is highly specialized on a single species of fig for its food source.[21]

Human health applications[edit]

In 2016, it was discovered that the Honduran white bat uses carotenoids to produce the yellow-orange coloration of its ears, nose-leaf, and lips. It was the first mammalian species to be documented with high enough concentrations of carotenoids to produce visible skin coloration. It isolates the pigments from its diet, particularly the fruits of the Ficus colubrinae tree. Lutein, the carotenoid responsible for its yellow pigmentation, is present in its skin in its esterified form, while in its free form in the liver. This suggests that Honduran white bats possess a physiological mechanism to convert free lutein to esterified lutein, which humans are unable to do. Lutein plays an important role in the eyes by preventing damage to the retina; it is hypothesized that if the free lutein in human eyes was esterified, it would be more effective at preventing damage and preserving vision. Understanding the process by which Honduran white bats convert free lutein to esterified lutein could assist in the understanding of how the stability and bioavailability of carotenoids benefit human health.[11] In particular, the species may have research applications for understanding and treating macular degeneration in humans.[23]

Tuesday, 24 May 2022

WHITE STURGEON FISH

 

WHITE STURGEON FISH



White sturgeon are large fish that range along the west coast of North America from California to British Columbia. White sturgeon from the lower reaches of the Columbia River are considered the most productive in the species' range.



White sturgeon behavior and facts

  • The white sturgeon is North America's largest fish. The largest on record was caught in 1898 and weighed approximately 1,500 lbs.
  • Instead of scales, sturgeon skin is covered in bony plates called scutes, which can be very sharp on young sturgeon.
  • Like sharks, sturgeon skeletons are made of cartilage instead of bone.
  • Using their suction cup-like mouth, sturgeon eat mollusks and small invertebrate when they are young. As adults, they feed predominantly on fish.

From birth to death

  • White sturgeon are born in freshwater, and although they can enter seawater, it's not required to complete their lifecycle.
  • White sturgeon depend on water temperature, day length, and the strength of water current to tell them when to spawn. 
  • Males and female participate in broadcast spawning, whereby they release release sperm and eggs simultanesouly to mix together in the water current.
  • Females may release up to 3 million eggs
  • Fertilized eggs stick to the river bottom as soon as they come into contact with it.
  • White sturgeon can live to be over 100 years old, and grow continously throughout their lives.

Status

White sturgeon are listed as least concern as a species, although the Kootenai River population was listed as endangered under the Endangered Species Act on September 6, 1994 by the U.S. Fish and Wildlife Service.

Saturday, 5 March 2022

PEARL WHITE ,AMERICAN ACTRESS BORN 1889 MARCH 4 - 1938 AUGUST 4

 

PEARL WHITE ,AMERICAN ACTRESS 

BORN 1889 MARCH 4 - 1938 AUGUST 4



Pearl Fay White (March 4, 1889 – August 4, 1938) was an American stage and film actress. White began her career on the stage at the age of six, and later moved on to silent films appearing in a number of popular serials.

Dubbed the "Queen of the Serials", White was noted for doing the majority of her own stunts, most notably in The Perils of Pauline. Often cast as a plucky onscreen heroine, White's roles directly contrasted those of the popularized archetypal ingénue[1]


Early life[edit]

White was born in Green RidgeMissouri, to Edgar White, a farmer, and Lizzie G. House. She had four brothers and sisters. The family later moved to Springfield, Missouri.[2][3] At age 6, she made her stage debut as "Little Eva" in Uncle Tom's Cabin.[4] When she was 13, White worked as a bareback rider for the circus.[5]


Career[edit]

White in an advertisement for The Iron Claw in The Moving Picture World, 1916

The Perils of Pauline was not the first serial ever made, nor was it the best. It has the reputation of having been poorly directed, crudely edited and ungrammatically captioned. Still, it is far and away the most famous of all silent serials. The reason for this is its dynamic star.”– Biographer Lon Davis in Silent LIves: 100 Biographies of the Silent Film Era. (2008).[6]

She began performing with the Diemer Theater Company while in her second year of high school. Against the wishes of her father, White dropped out of school, and in 1907,[3] she went on the road with the Trousedale Stock Company, working evening shows while keeping her day job to help support her family. She was soon able to join the company full-time, touring through the American Midwest.

White played minor roles for several years, when she was spotted by the Powers Film Company in New York. She claimed she had also performed in Cuba for a time under the name Miss Mazee, singing American songs in a dance hall. Her travels as a singer also took her to South America.

In 1910, White had trouble with her throat, and her voice began to fail from the nightly theatrical performances. She made her debut in films that year, starring in a series of one-reel dramas and comedies for Pat Powers in the Bronx. It was at Powers Films that White honed her skills at physical comedy and stunt work. She became a popular player with the company and caught the attention of Pathé Frères.[3]

In 1910, White was offered a role by Pathé Frères in The Girl From Arizona, the French company's first American film produced at their new studio in Bound Brook, New Jersey. She then worked at Lubin Studios in 1911 and several other of the independents, until the Crystal Film Company in Manhattan gave her top billing in a number of slapstick comedy shorts from 1912 to 1914. White then took a vacation in Europe. Upon her return, she signed with Eclectic Film Company, a subsidiary of Pathé in 1914.[7]

Pearl of the Army, 1917

Pathé director Louis J. Gasnier offered her the starring role in film serial The Perils of Pauline, based on a story by playwright Charles W. Goddard. The film features the central character, Pauline, in a story involving considerable action, which the athletic Pearl White proved ideally suited for. The Perils of Pauline consisted of 20 two-reel episodes that were released weekly. The serial proved to be a hit with audiences and made White a major celebrity; she was soon earning $1,750 a week.[8][9][10] She followed this with an even bigger box office hit, The Exploits of Elaine (1914-1915).

Over the next five years, White would appear in the popular serials The New Exploits of Elaine (1915), The Romance of Elaine (1915), The Iron Claw (1916), Pearl of the Army (1916-1917), The Fatal Ring (1917), The House of Hate (1918), The Lightning Raider (1919) and The Black Secret (1919-1920).[7] In these serials, White flew airplanes, raced cars, swam across rivers, and did other similar feats. She did much of her own stunt work until Pathé decided that they could not risk injuring one of their most popular stars. (She had already injured her spine during the filming of The Perils of Pauline, an injury that would cause her pain for the rest of her life.)[3][11]

A male stunt double wearing a wig would perform the majority of the more dangerous stunts in White's later films.[3] The public was largely unaware that White and other actors used stunt doubles, but in August 1922, the truth was revealed.[11] During the filming of White's final serial, Plunder, John Stevenson, an actor who was doubling for White, was supposed to leap from the top of a bus on 72nd Street and Columbus Avenue onto an elevated girder. He missed the girder and struck his head. Stevenson died of a fractured skull.[12] After the filming of Plunder was complete, White traveled to Europe for another vacation.

By 1919, White had grown tired of film serials and signed with Fox Film Corporation with the ambition to appear in dramatic roles. Over the next two years White appeared in ten drama films for Fox but her popularity had begun to wane.[3]

Later years[edit]

Advertisement in Photoplay for Terreur, White's final film, 1924

At the Pathé movie studio she met Blanche Azurello and both travelled to France where White hoped to reboot her acting career.[13] Influenced by her French friends from Pathé, White was drawn to the Montparnasse Quarter of Paris. While living there, she made her last film for her friend, Belgian-born director Edward José, who had directed her in several serials. Silent films could be made in any country, and as White was a recognizable star worldwide, she was offered many roles in France. She made her final film, Terreur (released as The Perils of Paris in the United States), in France in 1924. White returned to the stage in a Montmartre production Tu Perds la Boule. In 1925, she accepted an offer to star with comedian Max Wall in the "London Review" at the Lyceum Theatre in London, where she earned $3,000 a week. She then retired from performing.[14]

By the time she retired from films in 1924, White had amassed a fortune of $2 million ($30 million in 2020).[3] A shrewd businesswoman, she invested in a successful Parisian nightclub, a Biarritz resort hotel/casino, and a stable of 10 race horses. White divided her time between her townhouse in Passy and a 54-acre estate near Rambouillet.[15][16] She became involved with Theodore Cossika, a Greek businessman who shared her love of travel. Together, they purchased a home near Cairo.[14]

According to published reports after her death, White's friends claimed that she intended to make a comeback in sound films. White later told friends that after she made a test for sound films in 1929, she was told that her voice was unsuitable.[16] White made occasional visits to the United States in 1924, 1927, and 1937. On her last visit, White told reporters she was not interested in making a comeback and mused that acting in silent films was more difficult than acting in the then-new "talkies". By this time, White had gained a substantial amount of weight. She told reporters she did not like to be photographed as she felt that photos made her face look fat, adding "Why should I have my picture taken when I can get paid for it?"[17]

Personal life[edit]

White was married twice and had no children. She married actor Victor Sutherland on October 10, 1907. They divorced in 1914. In 1919, she married actor Wallace McCutcheon Jr., son of pioneering cinematographer and director Wallace McCutcheon Sr. Their marriage ended in divorce in 1921.[3]

Death[edit]

Pearl White's plot at Cimetière de Passy in Passy, Paris, France.

By 1937, White was dying of liver failure. The injury she sustained to her spine while filming The Perils of Pauline had continued to cause her pain, which she eased with drugs and alcohol. A year before her death, White got her affairs in order, purchased a plot in Cimetière de Passy (Passy Cemetery) near her home and arranged her own funeral.[17]

In early July 1938, she checked herself into the American Hospital of Paris in the suburb of Neuilly, due to issues with her liver. She slipped into a coma on August 3, 1938 and died the following day of what was identified in her obituaries as a "liver ailment"[15][16] (likely cirrhosis due to years of heavy drinking).[9] She was 49 years old. White was buried in Cimetière de Passy after a small, private funeral.[17]

White left the majority of her fortune, including jewelry and property, to Theodore Cossika. She also bequeathed money to her father, nieces, and nephews, and willed $73,000 to charities.[17]

Legacy[edit]

Pearl White's place in film history is important in both the evolution of cinema genres and the role of women. Like many silent film actors, many of White's films are now considered lostThe Perils of Pauline is only known to exist in a reduced nine-reel version released in Europe in 1916, but The Exploits of Elaine survives and was selected for preservation in the United States National Film Registry. All of her films were made at studios on the East Coast, as White reportedly never visited Hollywood. For her contribution to the motion picture industry, Pearl White has a star on the Hollywood Walk of Fame at 6838 Hollywood Blvd.[4] The 1947 Paramount Pictures film The Perils of Pauline, starring Betty Hutton, is a fictionalized biography of Pearl White.[8]

Selected filmography[edit]

(for extensive list of her films see the Pearl White filmography)


YearTitleRoleNotes
1910The Horse Shoer's Girl
1910The New Magdalene
1910The Woman Hater[18]
1911An Unforeseen ComplicationThe Professor's Daughter
1911The StepsistersThe Stepmother's Spoiled Daughter
1912The Mad LoverEthel Marion
1912The Spendthrift's ReformThe Wife
1912The Mind CurePearl
1912Oh That LemonadeThe Widow
1913Pearl as a DetectivePearl
1913The Paper DollAlice Wilson
1914The Perils of PaulinePaulineSerial
1914The Exploits of ElaineElaine DodgeSerial
1915The New Exploits of ElaineElaine DodgeSerial
1915The Romance of ElaineElaine DodgeSerial
1916Hazel KirkeHazel Kirke
1916The Iron ClawMargery GoldenSerial
1916Pearl of the ArmyPearl DateSerial
1917MayblossomAnabel Lee
1917The Fatal RingViolet StandishSerial
1918The House of HatePearl GrantSerial
1919The Lightning RaiderThe Lightning RaiderSerial
1919The Black SecretEvelyn Ereth
1920The White MollRhoda, The White Moll
1920The ThiefMary Vantyne
1921Know Your MenEllen Schuyler
1921A Virgin ParadiseGratia Latham
1922Any WifeMyrtle Hill
1922The Broadway PeacockMyrtle May
1922Without FearRuth Hamilton
1923PlunderPearl TraversSerial
1924Perils of ParisHélène AldrichSerial
Alternative title: Terreur