Showing posts with label Devi. Show all posts
Showing posts with label Devi. Show all posts

Wednesday, 20 October 2021

R.B.LAKSHMI DEVI BIOGRAPHY

 R.B.LAKSHMI DEVI  BIOGRAPHY



ஆர் பி லக்ஷமி தேவி
தமிழின் முதல் கவர்ச்சி நடிகை.
ஒரு தென்னிந்திய நாடக, திரைப்பட நடிகையாவார். சென்னையில் தயாரிக்கப்பட்ட முதல் தமிழ்ப் படமான ஸ்ரீநிவாச கல்யாணம் (1934- A. நாராயணன் இயக்கம்) திரைப்படத்தில் இவர் முக்கிய பாத்திரத்தில் நடித்திருந்தார். மிக செல்வச்செழிப்போடு வாழ்ந்தவர். அந்த காலத்தில் பிற நடிகர்கள் நடிப்பை ஒரு தொழிலாக என்னியிருந்த போது லட்சுமிதேவி நடிப்பை ஒரு பொழதுபோக்கு கலந்த கலைஅம்சமாக என்னினார். அன்றய காலத்தில் வீட்டுக்கு கார் அனுப்பி படப்பிடிப்புதளத்தில் கொண்டு வரப்பட்ட ஒரே ஒரு நடிகை லட்சுமிதேவி மட்டும் ஆவார்.
தமிழின் முதல் கனவு கன்னி T. R ராஜகுமாரியாக இருந்தாலும் முதலில் glamour role பண்ன முன்வந்த கதாநாயகி லட்சுமிதேவி தான். மிக துனிச்சலாக நடிப்பதில் ரொம்ப ஆர்வமுடயவர். ஸ்டன்ட்" நடிகையாக பம்பாயில் தயாரிக்கப்பட்ட பல தமிழ்ப் படங்களில் தோன்றியிருக்கிறார். டுபான்குவின் , தந்சாவூர் ரவுடி போன்ற பல படங்கள் மூலம் தமிழில் தனக்கென ஒரு ரசிகர் பட்டாளத்தை குவித்தார். சண்டை காட்சிகளில் ரொம்ப துன்ச்சலாக நடித்தார்.
1950களின் தொடக்க காலத்திலேயே சென்னை லாயிட்ஸ் சாலை 70-ஆம் இலக்க வீட்டில் குடியேறினார். தமிழ்த் திரையுலகின் பிரபலங்கள் பலரும் குடியிருந்த லாயிட்ஸ் சாலையில் முதலில் குடியேறியவர் இவரே. ஆனால் இவர் பின்னர் லாயிட்ஸ் சாலையின் அருகே இருந்த கோபாலபுரம் கணபதி குடியேற்றத்திற்கு மாறிவிட்டார். லட்சுமிதேவி மெரினாவில் குதிரை சவாரி செய்யும் பழக்கம் உடையவர்.
நடித்த திரைப்படங்கள் தொகு
ஸ்ரீநிவாச கல்யாணம் (1934)
துருவ சரித்திரம் (1935)
பூர்ணசந்திரன் (1935)
தர்மபத்தினி (1936)
டேஞ்சர் சிக்னல் (1937)
பக்கா ரௌடி (1937)
ஆனந்த ஆஸ்ரமம் (1939)
ராஜபக்தி
துபான் குயின் (1940)
பிரேமபந்தன் (1941)
மலைமங்கை (1947)
வீர வனிதா (1947)
பின்னணிப் பாடகி ஆக 1940 ஆம் ஆண்டில் வெளியான ஜயக்கொடி படத்தில் கே. டி. ருக்மணிக்கு பின்னணி பாடியுள்ளார்.




A popular film of its day , Prema Bandhan, produced by Famous Films, featured three popular personalities of Tamil cinema, M.K. Radha, T. Suryakumari, and R.B. Lakshmi Devi. The film was directed by another important personality of Indian cinema, Bhagwan, who also played the lead in most of his films. Despite his stocky physique, he was an excellent dancer and a good comedian. His big, expressive eyes added to his performances.

Though he hailed from Bombay, he made films in the Madras Presidency. The first film of his that became a huge hit was Vana Mohini, a rehash of the Hollywood movie, Jungle Princess, starring Dorothy Lamour (1936). Vana Mohini had Thavamani Devi known as ‘Singalathu Kuyil’ because she hailed from Sri Lanka. A feature of this hit movie was that the music composer, Ram Chitalkar, also hailed from Bombay. Soon after, he created history in Hindi cinema under the name C. Ramchandra. Bhagwan’s biggest hit was Albela, in which he played the hero with Hindi star Geeta Bali.

T. Suryakumari, who plays one of the female leads in Prema Bandhan, hailed from a prominent family in the Madras Presidency, and was the niece of the Congress leader, patriot, and top lawyer, Tanguturi Prakasam. Slim, tall and attractive, she sang her way into movies. The song ‘Aiyaa sirupenn’ she sang in Adrishtam was a super hit in which she plays a young girl begging for food. She did some Hindi films too. During the 1950s when a beauty contest was introduced for the first time in Madras city, she was chosen as ‘Miss Madras’. She was also one of the early female artistes to play Sage Narada after the legendary M.S. Subbulakshmi played it in Y.V. Rao’s Savithri (1941).

R.B. Laxmi Devi, the other actress in the film, hailed from one of the richest families of North Madras. She was far ahead of her times and was often found riding a horse on the famed Marina beach road. She also did stunts in her Hindi films without using a body double. The story of Prema Bandhan was written by Padhuk Bhat, and the screenplay, dialogue and the lyrics were by S.G. Chellappa Iyer, brother of the Tamil theatre icon, S.G. Kittappa. Chellappa also played a role in the movie. Another popular actor of the day was S.R. Sandow, so named because of his physique. K.S. Angamuthu was an actress who came to studios in Kodambakkam and Kilpauk in a double bullock cart from her house in Georgetown, and people used to wait in front of the studios to cheer her. The music was composed by Shanthikumar Desai, and P. Pullaiah supervised the making of the film.

The story is a rather predictable love triangle — a man Ananthu (Radha) falling in love with two women, Lalitha (Suryakumari) and Neela (Lakshmi Devi). A wealthy man Bhaskar (Swami) is also in love with Neela and tries to sabotage the romance. A car driven by Neela meets with an accident and, to everybody’s surprise, she says, before breathing her last, that she has planned it deliberately so that Lalitha can marry Ananthu.

The film was a reasonable success mainly because of the performances of Radha, Suryakumari and Lakshmi Devi.

Thursday, 29 July 2021

SYMPTOMS OF LAKSHMI DEVI INVITATION

 


SYMPTOMS OF LAKSHMI DEVI INVITATION

உங்கள் வீட்டிற்கு லட்சுமி தேவி வருகிறார் என்பதை உணர்த்தும் அறிகுறிகள் என்னென்ன தெரியுமா?





இந்து மதத்தில் செல்வம் மற்றும் செழுமையின் தெய்வதாக லட்சுமி தேவி கருதப்படுகிறார். நம்பிக்கைகளின் படி, லட்சுமி தேவி வசிக்கும் வீடுகளில் ஒருபோதும் பணப்பற்றாக்குறை இருக்காது. அதுமட்டுமல்லாமல், அத்தகைய வீடுகளில் வறுமை ஒருபோதும் வருவதில்லை மற்றும் அங்கு சந்தோஷமும், செழிப்பும் எப்போதும் இருக்கும். இது தவிர, லட்சுமி ஒருவரது வீட்டில் வசிக்கப் போகிறார் என்றால் அந்த வீட்டின் நபர் ஏற்கனவே சில அறிகுறிகளை உணர்வார் என்பது தெரியுமா?

ஆம், இந்து மத நம்பிக்கைகளின் படி, எந்த வீட்டிற்கு லட்சுமி தேவி வருகிறாரோ, அந்த வீட்டில் வசிக்கும் நபருக்கு ஒருசில அறிகுறிகளை கொடுப்பார். லட்சுமி தேவியின் அறிகுறியைக் குறிக்கும் அந்த அறிகுறிகளைப் பற்றி இப்போது காண்போம்.


அழகான ஆந்தை இந்து மதத்தில் ஆந்தைக்கு மிக முக்கியமான அந்தஸ்து வழங்கப்பட்டுள்ளது. ஏனெனில் ஆந்தை லட்சுமி தேவியின் வாகனமாக கருதப்படுகிறார். ஆகவே, நீங்கள் எங்காவது ஆந்தையைப் பார்த்தால், அது ஒரு நல்ல சகுனமாக கருதப்படுகிறது. நீங்கள் திடீரென்று ஒரு இடத்தில் ஆந்தையைப் பார்த்தால், விரைவில் உங்கள் வீட்டிற்கு லட்சுமி தேவி வரப் போகிறார் என்று அர்த்தம்.

உணவில் மாற்றங்கள் ஏற்பட தொடங்கும் லட்சுமி தேவி எப்போது வருவதாக இருந்தாலும், அந்த வீட்டில் உள்ளோரின் உணவுப் பழக்கம் மாறத் தொடங்கும். மேலும் லட்சுமி தேவி வரக்கூடிய வீட்டில் உள்ளோர் பசியை குறைவாக உணர்வார்கள் என்றும் கூறப்படுகிறது. இன்னும் சிறப்பான விஷயம் என்னவெனில், அந்த வீடுகளில் குறைந்த உணவு கூட போதுமானது. இது தவிர, இத்தகைய வீடுகளில் உள்ளோர் திடீரென்று அசைவ உணவுகளில் இருந்து விலகி இருக்க தொடங்குவார்கள்


துடைப்பத்தை பார்ப்பது செல்வத்தின் அதிபதியான லட்சுமி தேவி சுத்தத்தை விரும்புபவர். சுத்தமாக இருக்கும் வீடுகளில் லட்சுமி தேவி எப்போதும் வசிப்பார். இது தவிர, சுத்தம் செய்ய பயன்படுத்தும் துடைப்பமும் லட்சுமி தேவிக்கு மிகவும் பிடிக்கும். எனவே காலையில் எங்காவது செல்லும் போது, வீட்டிற்கு வெளியே யாரேனும் துடைப்பத்தை வைத்துக் கொண்டு இருந்தால், அது ஒரு நல்ல சகுனமாக கூறப்படுகிறது.


சங்கு சப்தம் நல்ல அறிகுறி இந்து மதத்தில் சங்கிற்கு முக்கிய இடம் கொடுக்கப்பட்டுள்ளது. சங்கு மட்டுமின்றி, அதன் சப்தம் கூட புனிதமானதாக கருதப்படுகிறது. எனவே தான் எந்த ஒரு புனிதமான சந்தர்ப்பத்திலும் சங்கு ஒலி எழுப்பப்படுகிறது. நீங்கள் காலையில் எழும் போது சங்கு ஒலி கேட்டால், அது ஒரு நல்ல சகுனம். காலையில் எழுந்ததும் சங்கு ஒலி கேட்பது, உங்கள் வீட்டிற்கு லட்சுமி தேவி வருகிறார் என்பதை குறிப்பதாக நம்பப்படுகிறது.

Wednesday, 19 May 2021

BALASARASWATHI DEVI SINGER BIOGRAPHY

 


BALASARASWATHI DEVI  SINGER BIOGRAPHY




“Neela Vannak Kannaa Vaadaa” – Uplifting Lullaby Sung By Balasaraswathi Devi ♥ ♫

Posted by Administrator on 1 August 2018, 1:11 am

 

by D.B.S.Jeyaraj


Favourite Film Songs -1


This article is the first in an on going series about film songs I have come to love over the years.Watching Tamil movies on screen and listening to Tamil film songs over radio was an integral part of life for me as a child growing up in Colombo. The Tamil ‘Varthaga Oliparappu’ or Commercial service of ‘Radio Ceylon’ was a treasure trove of film songs.



NV


Apart from broadcasting the latest Tamil film songs even before the films concerned were screened in India, the commercial service also aired specific programs about films being currently shown in theatres in the island. Popular radio announcer Mailvaganam conducted these programs where film songs were featured regularly. Thus one was able to keep abreast of contemporary Tamil film music courtesy ‘Radio Ceylon’ in those wonderful days of yore.


My sister and I would also sing along with some songs being played out on radio. We were greatly aided in this by what was known as ‘Cinema Paatu Puthagam’ or cinema songbook. These were actually tiny booklets printed on cheap paper with the words of songs in a particular Tamil film. The average Tamil film in those days had about six to nine songs.


Two publishers in Colombo M.K. Ponniahpillai and M.S. Lingam (M. Sockalingam) printed these songbooks. They were priced from 10 to 25 cents then. I also memorised many film songs from those books – something which stands me in good stead even nowadays while taking a shower at leisure.



MANGAYAR THILAGAM


Many of the songs I liked were featured in films screened before I was born or when I was a kid. However as I grew up I acquired a taste for these songs. I also started seeking out old Tamil films when they were screened in Sri Lanka. The Mylan, Murugan, Navah and Gaiety theatres in Colombo, the New cinema in Kurunegala, The Vel cinema in Chavakachcheri and the Manohara theatre in Jaffna were some of the theatres which screened old Tamil films. I have also seen many old Tamil films in Chennai during the time I was in Tamil Nadu.


Nowadays I have a collection of old Tamil film and film song DVD’s and CD’s. They give me immense pleasure whenever I get a chance to play or hear them. Still I do miss seeing them on the big screen and the by gone days where we listened to these songs on radio. This nostalgic yearning for those old songs are very often fostered by some of the so called numbers I am compelled to hear when I watch a new Tamil film. I have also occasionally written about a few old songs on my blog in different contexts.


New Series of Articles


It is against this backdrop therefore that I am beginning a new series of articles on my blog about some of my favourite Tamil film songs. It is very likely that most of these songs would fall under the category of old Tamil songs. My intention is to share and revive sweet memories about these golden songs with readers , viewers and listeners of a similiar mindset on this blog. Having witnessed the tremendous interest shown by musically inclined youngsters for “golden oldies” I am sure a good number of those appreciating these songs would not be of my vintage alone.


Upon resolving to start this series about my favourite film songs I was at a loss initially about selecting the first song to be featured. After much thought I decided that the first song to be featured in this series on my Favourite Film songs would be the well –known lullaby “Neela vannak Kannaa Vaada, Nee Oru Mutham Thaadaa” sung by the exquisite R. Balasaraswathi Devi in the film “Mangaiyar Thilakam”. There is a reason for selecting this song to be the first in this series.




While thinking about the first song for this series my thoughts went back to the past. I began thinking which was the first Tamil film song I liked best? It was a difficult question to answer. Finally I remembered an incident which happened when I was just four years of age.It provided the closest to an answer. The incident was one which had led to much amusement in my family circle those days.



S Thomas' Preparatory School ~ pic via: facebook.com/STPSSL/

S Thomas’ Preparatory School ~ pic via: facebook.com/STPSSL/


St.Thomas’ Prep School,Kollupitiya


I was moving from my Montessori school “Santa Maria” in Wattala to the Kindergarten class at St. Thomas’ Prep School in Kollupitiya. There was an “interview”of sorts before being admitted to the lower kindergarten (LKG). The teacher who interviewed me was Mrs. Ruth Sherrard who was a classmate of my mother and a family friend. Apparently one of her questions or suggestions to me was that I should sing my favourite song. I had immediately sung the film song “Neela vanna Kannaa Vaadaa”.




One of the avatars of the Hindu God Vishnu was that of Krishnan or Kannan. There are many tales about the exploits of Lord Vishnu in his avatar as Kannan/Krishnan growing up in Gokulam. According to mythology the avatars of Rama and Krishna are dark –toned. However they are depicted not as dark but as blue coloured (Neela vanna) in literature and the arts. Thus Kannan is referred to frequently as “Neela Vannak Kannan”.


In this particular song the opening lines call out to the “Neela vannak Kannaa” and ask him for a kiss. It is a maternal lullaby. However the opening lines conveyed an impression that it was a song about Lord Vishnu’s avatar the blue toned Kannan. The song was not about Lord Vishnu but about an ordinary boy. It was a song full of love and devotion of a mother towards a child.Although the song has scenes of a woman nursing a child singing in front of a boy Krishna statue and the opening lines are about the Blue toned Kannan , the song is actually about the boy in her arms. it is common particularly in Tamil nadu to call baby boys Kanna or Kannan.


Now I was certainly not old enough to understand these nuances and finer points at that age. In fact I could not even read at the age of four. But I must have listened to this song many times over the radio and had come to like it. It was a very popular song in those days. So when Ruth Aunty or Mrs.Sherrard asked me to sing a song I liked best I had spontaneously started singing “Neela vanna Kannaa Vaadaa”.


Mrs. Sherrard stopped me after I had sung a few lines. She asked me “Don’t you know any Christian songs” and then suggested a Tamil Christian children’s song “Thulli Thulli Paalanae”. So I sang that instead.


What had happened was that I had not done what was expected of me. St. Thomas ‘ Prep was a Christian school. Mrs. Sherrard was a Christian. My family was Christian and so was I, but instead of singing a Christian song as was expected, I had committed the “sacrilege Of singing a song about Neela Vanna Kannan which was perceived as a “Hindu” song.


Lord Krishna Instead of Baby Jesus


This incident was the topic of discussion in our family circle for a long time. Mrs. Sherrard also spread the story to my mother’s friends and contemporaries and they often teased me by asking me to sing Neela Vanna Kannaa. My maternal uncle was a Methodist pastor. Ruth Aunty used to mock him also about how the nephew of a Christian clergyman sang a song about Lord Krishna instead of baby Jesus.


This then is the story of how I sang Neela Vanna Kannaa as my favourite song at the age of four. Looking back I felt that this was my first selection of a favourite song on a “Semi-official” occasion. This was the first time I had been asked to sing a song I liked best and my choice at that tender age had been Neela Vannak Kannaa. Hence I decided to post the song and write about it as the first in this series of favourite film songs.It is after all the first of my favourite film songs.


Years later I saw the film “Mangaiyar Thilagam” in which this song was featured. In the film it was picturised on Actress Padmini and the child – Master “Ravi”. According to the story line the actors S. V. Subbaiah and Sivaji Ganesan are brothers. Padmini who plays the role of a woman named Sulochana is the wife of elder brother Subbiah and actress M.N. Rajam acting as Praba is paired with younger brother Sivaji. Padmini gives birth to a still – born baby (son) and thereafter remains childless. Her sister in law M.N. Rajam is an upper class “modern” woman who has little time to devote to her child. So it is Padmini who looks after the baby-child showering total affection on him.In a sense the baby boy is like a surrogate child of Padmini.


The lullaby “Neela vanna Kannaa “ is picturised on Padmini and the baby and shows scenes of how she looks after him as well as how the baby grows. The words in the lullaby reveal the depth of love Padmini has for the child. he is described poetically as the sweet sound of a sky lark and the cool breeze of spring time. His limbs are described as golden hued and his face is compared to the reflection of the moon.The words are lovingly soothing.


The film made in 1955 was directed by maestro LV Prasad. It was shot in the Vijaya-vauhini studios in Chennai then Madras. The original story by Vahininjiya Pangkadiya is adapted from a Marathi film.The story was changed and screenplay written by Telugu writer Sadhasivabrahmmam known as “Kadhabrahmmam”. The dialogues in Tamil were written by Valamburi Somanathan, G.Ramakrishnan and D.Nagarajan.Udumalai Narayana Kavi, Kannadasan, Marudhakasi and Puratchidasan wrote the songs.


Among the many songs the most popular one was “Neela Vanna Kanna”.It is a cult classic among film lullabies.The words of the song “Neela vaana Kannaa” was written by lyricist A. Maruthakasi. The melody was composed by S. Dhakshinamurthy. It is sung by R. Balasaraswathi Devi. Another song written by Maruthakasi for the film which became popular was ” Nee Varavillaiyenil Aatharavaethu” sung by M. Sathyam.


Light Classical Raga Maliga


The “Neela Vannak Kannaa” melody is a raga maliga composed in light classical style. After trying very hard to identify the ragas used, I turned to my journalist friend. P. Sivaramakrishnan of the BBC Tamil Service. Sivaramakrishnan in turn sought the help of famous Indian musician “Chitraveena” N.Ravikiran. Through Ravikiran I learnt that the song “Neela Vanna Kannaa Vaada” is a medley of the Ragas Mishrakapi, Peelu and Yamuna Kalyani.


R. Balasaraswathi Devi

R. Balasaraswathi Devi



Both Maruthakasi and Balasaraswathi have made a name for themselves as lyricist and singer of lullaby type songs in Tamil films. This song is simple in words and rich in meaning. It is full of maternal ove and affection.Balasaraswathi Devi has an exquisite voice and sings this smooth lullaby with much feeling and emotion. The actress Padmini excels in a motherly role in this song picturised on her and the child “Master” Ravi. Dakshinamurthy’s composition is mesmerizingly captivating. That is why perhaps it made an indelible impression on me at a tender age and became my first ever choice of a favourite song.


I do hope this first song of the series would be appreciated and liked by many. I am planning to follow through regulary with more and more of my favourite film songs in this series.


DBS Jeyaraj can be reached at dbsjeyaraj@yahoo.com


Saturday, 3 October 2020

Rahul Gandhi Gang rapes Sukanya Devi on 3-12-06 now he became impotent

 

Rahul Gandhi Gang rapes 

Sukanya Devi on 3-12-06 

now he became impotent



Rahul Gandhi Gang rapes Sukanya Devi on 3-12-06 On 3 rd December 2006 , Rahul Gandhi was camping at Amethi along with 7 others including 4 foreigners (two from Britain and other two from Italy, names not known). Around 9 P.M all of them were drinking liquor at a V.I.P. guest house in a high security zone. They had an uninvited guest, a y...oung girl named Sukanya Devi, 24 years of age, a staunch follower of Nehru-Gandhi family and daughter of Congress worker Balram Singh. Sukanya was looking for an opportunity to meet Rahul Gandhi since last two years and on that fateful night she able to meet him. Sukanya's family has been supporting the Congress party since the time of


Nehru. When she met Rahul he spoke to her for a couple of minutes and later he and his friends offered her liquor. Sukanya was amazed seeing all this, she was not feeling comfortable, she refused to have liquor and took permission to leave, but she was forced to stay back and drink. She kept resisting, but they raped her one by one. She cried for help, but her cries fell on deaf ears. Even the security personnel preferred to remain as mute spectators. She kept weeping all along and was threatened and asked to keep her mouth shut. She was given Rs. 50 , 000 /-. She straightaway went to the local police station. The police refused to book any complaint and asked her to go home. Before she could reach home, Congress workers had gathered at her house and gave a different version of the incident to her father. They accused her of trying to seduce Rahul Gandhi. Her father Balram Singh, without giving her a chance to explain what had happened to her beat her up mercilessly. Balram Singh learnt the facts from others who were witness to the crime, but he preferred to remain quite as he did not want to challenge Rahul Gandhi and the Congress Party. Sukanya's mother Sumitra Devi, who learnt about the whole incident immediately went with her daughter to Police HQ in Amethi. The Police officials refused to book any complaint and advised her to remain quite. She went from pillar to post pleading for justice, but no one heard her pleas. Sumithra Devi gave a statement in a press conference with a very thin attendance and there she was confronted by Congressmen who physically assaulted both mother & daughter. On 27 th December 2006 Sumithra Devi went to New Delhi to meet Sonia Gandhi. Sonia refused to meet her. With no options left she went to Human Rights Commission who just noted down her complaint and asked her to leave. The Congressmen have threatened to kill both Sumithra Devi and her daughter Sukanya if she makes the rape issue public. Both the mother and daughter are in despair trying to seek justice. Both mother and daughter were camping in New Delhi for over a fortnight to get an appointment with the President of India. They have not got an appointment either with the President or with the Chief Justice. Both mother and daughter are now in hiding. If the Congressmen dont kill her, the Opus Di (secret service of the Vatican) definitely will. It is important that we locate Sumanthra Devi and Sukanya, offer them protection. Sukanya and his mother are said to be hiding in one of their Relatives House in Harayana. Our Sources in Lucknow say that "The Congress men have been ordered to kill them at sight before they come out in open or approach the president" . Congressman have been deployed at all 7 borders of UP & Delhi to trace both motherand and Daughter . Congressmen deployed at checkposts have been provided photographs of Sukanya. Door to Door Searching is on in Amethi and neighbouring Villages to track down them, and simultaneously the villagers are being warned and threathened if they provide protection to both mother and daughter. The Congressmen and Congress Governments in other states are secretely been instructed to track them down and hand over to them at the earliest. Few Congress MLA'S from Uttar Pradesh are under tremendous pressure from the high command to Locate both mother and daughter and finish the needful. Secretly a reward has been announced by the Congress High Command if whosoever provides info or ...... Congressman from other districts and states are touring all over UP & Delhi. "I am sure they have decided to kill both mother and daughter." Father of the victim Mr.Balram Singh has either gone underground or has been killed, he is not to be seen since 4 th January 2007. 1. The lady Doctor at the hospital , where Ms.Sukanya went , on that fateful day was transfered soon after that incident .( Name of the lady doctor will be posted shortly ) 2. We know the place where Mother and victim Ms. Sukanya are hiding , we choose NOT to disclose for their safety .However we will try to send our men to contact them to throw light on the incident . 3. Video tapes : We took interviews of few individuals and will be aired soon 4. Fate of the father Mr.Balram Singh is not known 5. We learned that Kalyan Singh will use this incident once Elections are announced , till then Samajwadi Party will remain silent. Ms. Sukanya 's address 23-12 Medical Choke Sanjay Gandhi Marg, Amethi, Raebareli, UP India Ms.Sukanya and Mother last seen on January 19 , 2007 . Missing . Congress goons are still looking for her Father of Victim Mr. Balram is still missing We interviewed people , very soon we will air video interviews . The Mother and daughter are both in hiding Only 2 newspaper reporters actually came to the press conference. They are afraid of being killed by congress goondas. Recently what has happened to the Hindu devotees who took photos and videos of Christian prostylizing around the Tirupati Temple is being harrased, by the christian chief minister of Andhra Pradesh, Yesudas Samuel Rajasekhar Reddy or known as YSR Reddy. On the instructions of YSR Reddy, the christian Inspector General of Police of Andhra Pradesh one Swarnajith Sen made the devotees to report to police every 2 weeks, spend 8 hours at the station , no question asked and in the evening is being told to leave.? The christians are trying to break the devotees of Tirupati, so that the christian conversion in the temple area can go on. Five separate bogus charges have been laid against the Hindu devotee. Unfortunately no Hindu came to help the devotee and only the Hindu Unity organization had came in support of the Hindu devotee who brought out the conversion terrorism that is being done by the christians in the Hindu temple area in Tirupati. The Rahul Gandhi gang’s rape victim and her family members lives are in danger and if Kanchan Mishra can just disappear in to thin air, so can both the mother and the daughter. Just because the Pro-Christian/ Islamic Indian Media have not reported this incident makes it even more believable. This case is only the tip of the ice burg. More will come out with given enough time like the Noida serial killings. On that fateful night Sukanya tried to get the support of local bastiwalas, but no one came forward as everyone are scared of Congress Goondaism which is strong in Amethi Sukanya father beat her so badly that she was forced to run away with her mother because Congressman wanted to kill her. A Group of 1 ,000 Congress people roamed the town on that night and kept warning people to keep their mouth shut otherwise they will kill them. It allhappened under the nose ofthe police who acted helplessly. The local media who learnt about this incidence next morning enquired from the local people. Both people and Police refused to speak anything and evaded any question. Reporters of Small and Medium Newspapers had shown interest in this incidence but it did not carry much weight. Major newspapers had heard about this incident, but did not take it seriously. The following Reporters who were present on 4 th December to cover Rahul's Trip in Amethi and who were given information about the incident. This reporters were informed about the incident, none of them took interest to look into the matter a) IBN7 b) Dainik Jagran, Dainik Bhaskar c) Punjab Kesari d) Hindusthan Times (Hindi) e) Times of India & Times now f) NDTV (Hindi) g) Aaj Tak h) Star News i) Nav bharath times Sukanya and his mother are said to be hiding in one of their Relatives House in Harayana. Our Sources in Lucknow say that "The Congress men have been ordered to kill them at sight before they come out in open or approach the president" Congressman have been deployed at all 7 borders of UP & Delhi to trace both mother and daughter. Congressmen deployed at check posts have been provided photographs of Sukanya. Door to door searching is on in Amethi and neighboring villages to track them down. At the same time the villagers are being warned and being threatened that if they provide protection to both mother and daughter they also will be killed by the congress goondas. We have no information like who is contacting the president on behalf of them. We are trying to gather information from our people in New Delhi whether the Human Rights has seriously registered their Complaints. Few Congress MLA'S from Uttar Pradesh are under tremendous pressure from the high command to locate both mother and daughter and finish the needful. Secretly a reward has been announced by the Congress High Command for any one who provides information or kill Sukanya and her parents. Congressman from other districts and states are touring all over UP & Delhi. Balram Singh has either gone underground or has been killed; as he is not to be seen since 4 th January 2007. Dharma Rakshak December 28 at 9 :14 am Reply • 

Report

Twists and turns in the rape allegations against 

Rahul Gandhi and Ahmed Patel and how the 

cases were withdrawn




.The country is witnessing an uproar over the rape cases in Jammu & Kashmir and Uttar Pradesh. The justice for the victims sadly happens only after the uproar, as certain elements try to settle brownie points for their benefit. In this context, we wish to rehash two incidents of rape allegations where the vast majority kept a stony or even criminal silence. Why? Because it involved two of the country’s then most powerful persons – Rahul Gandhi and Ahmed Patel – during the Congress-led United Progressive Alliance (UPA)’s regime, controlled by the then Congress President Sonia Gandhi.
Rahul Gandhi was represented by veteran lawyer P P Rao and he argued continuously for three days. His main contention was that this complaint was a political conspiracy to block the rise of Rahul Gandhi. CBI also said that the rape allegation was a non-existent one[1].

Around 2007, in the middle of the UPA-1 regime, Sonia Gandhi’s son Rahul Gandhi was facing allegations of rape and this case went up all the way to the Supreme Court (SC). Sonia Gandhi’s Political Secretary Ahmed Patel also met with similar allegations and this case to went up to the Supreme Court. Interestingly or mysteriously in both cases, the petitioners fizzled out or retracted their allegations in the SC. Media, Civil society groups and Feminists went completely silent on these two high profile rape allegations. Most media houses only dared to report when the petitioners retracted and cases were dismissed.

PGurus is bringing out the timeline of these two interesting cases involving rape allegations against Rahul Gandhi and Ahmed Patel.


Allegations against Rahul Gandhi
In early 2007, many bloggers published rape allegation against Rahul Gandhi. They alleged that one Sukanya Devi, local Congress leader’s daughter was raped by Rahul Gandhi and friends on December 3, 2006 at a circuit house in Amethi.  The blogs said the girl and parents went missing after they came to complain to Sonia Gandhi in Delhi about the incident. Samajwadi Party was in power in Uttar Pradesh and the state was going for Assembly elections.

No media covered this report until March 2011. The issue got raked up when a former Member of the Legislative Assembly (MLA) of Samajwadi Party Kishore Samrite in March 2011, approached Allahabad High Court seeking a probe on the incident and the vanishing of Sukanya Devi and family. A Single Judge Bench issued notice to the State Government, the Police and Rahul Gandhi. This became a big news in many newspapers while the TV channels kept silent. In the petition, the ex-MLA said that he had gone to the village of Sukanya Devi after reading the blogs and found that the home was abandoned and the neighbors were unaware about the family’s mysterious disappearance after going to Delhi in December 2006.


But a dramatic thing happened two days later. One girl named as Kirti Singh approaches another Bench (Division Bench of two judges) of Allahabad High Court claiming as she is Sukanya Devi, seeking probe against the petitioner Kishore Samrite. Her allegation was that she is the Sukanya Devi mentioned in the petition listed in other Bench filed by the former Samajwadi MLA and that petition is just to malign her modesty. Without hearing the opposite side, that day itself the Bench ordered the Central Bureau of Investigation (CBI) to probe into all blogs carrying rape allegations and conspiracy angles behind such reports and interestingly imposed a heavy fine of Rs.50 lakhs on Kishore Samrite. By this surprising Order, the first Bench’s summon against Rahul Gandhi became null and void.

Within a week Kishore Samrite approached the Supreme Court against the unprecedented action of the Division Bench of Allahabad High Court and unheard of fine of Rs.50 lakhs that too without hearing his side, based on a petition filed by one Kirti Singh, who has no locus standi.  Many newspapers started covering the Supreme Court proceedings, while TV channels kept mum. Supreme Court gave a stay on the Division Bench of Allahabad High Court order and started hearing the case in mid-2012.


 
But all of a sudden, Kishore Samrite retracted his complaint and said that he personally doesn’t have knowledge of the incident and that he was forced to give this petition by Samajwadi Party leaders including Mulayam Singh and the then Chief Minister Akhilesh Yadav. He even alleged that his petition details were discussed in the New Delhi home of Mulayam Singh and that he is withdrawing from the case and reiterated in the Supreme Court that he filed the petition against Rahul Gandhi on behalf of Mulayam and Akhilesh.

Rahul Gandhi was represented by veteran lawyer P P Rao and he argued continuously for three days. His main contention was that this complaint was a political conspiracy to block the rise of Rahul Gandhi. CBI also said that the rape allegation was a non-existent one[1].

In October 2012, the Supreme Court disposed of the petition terming the case a politically motivated one with malice and vendetta and reduced the fine on Kishore Samrite from Rs.50 lakhs to Rs.10 lakhs.

Here two questions remain unanswered:

Why did Kishore Samrite do a U-turn in the Supreme Court?
Till date, neither Samajwadi Party nor Mulayam Singh/ Akhilesh Yadav has uttered a word on this incident and we have now seen in 2017 Rahul Gandhi aligning with Akhilesh Yadav, who according to Samrite, prompted the rape allegations. How come Rahul Gandhi allied with Akhilesh Yadav, after this incident?
The complete truth of this incident is not yet out as the politics is a game of gives and takes.  The detailed Supreme Court Judgment on this incident can be accessed by clicking on this reference[2].

Allegations against Ahmed Patel
In early 2005, one Sunita Singh from Meerut approached Delhi Police that she was brutally raped by Congress leader Ahmed Patel at the home of the Mahila Congress leader and the then National Commission for Women (NCW) Member Yasmin Abrar’s home. According to her complaint, she was the wife of an ex-Army man and he used to beat her often and once she ran out of her home and jumped into a bus to Delhi and reached NCW office for help. The NCW put her in its shelter known as Nari Niketan. After a week, Yasmin Abrar came for inspection at Nari Niketan and met her and offered her a job as a maid at her home. After few days, Ahmed Patel came visiting and Yasmin Abrar asked her to give tea and water to the Congress leader. When she came to serve tea and water, Abrar left the room and Ahmed Patel raped her. In her complaint, she said that later the local Bahujan Samaj Party (BSP) Member of Parliament (MP) from Meerut also came and raped her and then she was also raped by many Congressmen when she was taken to Jaipur and Ajmer.

As usual Delhi Police kept quiet and Sunita Singh approached Delhi High Court. Her petition got rejected as Delhi Police said that they are probing the matter and needed more time (Sound familiar?!) By early 2006, she filed an appeal in the Supreme Court. But during the case, clearly, due to some settlement, she files an application to correct her petition. In the corrected petition she withdrew all men’s names including Ahmed Patel. She only mentioned that there were white dressed or Khadi dressed men. But in the corrected petition also she reiterated that the rape happened at NCW Member Yasmin Abrar’s home. Only Tribune newspaper had published this news[3]. The rest were silent on this development. At a later stage in the Supreme Court, by the end of 2006, she withdrew her appeal too. We are publishing the copy of Tribune report at the end of this article.


 
This is how rape allegations against the high profile men play out. How many media organizations covered these incidents? How many feminists and protestors acted on these incidents? None. The family of Sukanya Devi is missing till this day.

[1] Rahul rape case based on ‘non-existent’ claim, says CBI – Sep 25, 2012, Indian Express

[2] Kishore Samrite vs State of U P & Ors on 18 Oct, 2012 – IndianKanoon.org


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Tuesday, 8 January 2019

ASHA POORNA DEVI,BENGAL WRITER BORN 1909 JANUARY 8-JULY 13,1995



ASHA POORNA DEVI,BENGAL WRITER
BORN 1909 JANUARY 8-JULY 13,1995



ஆஷாபூர்ணா தேவி (பெங்காலி: আশাপূর্ণা দেবী ), புகழ்ப்பெற்ற பெங்காலி நாவலாசியரும் கவிஞரும் ஆவார். இவர் 1909ம் ஆண்டு ஜனவரி மாதம் 8ம் நாள் கொல்கத்தாவில் பிறந்தார். 1976ம் ஆண்டு ஞானபீட விருது மற்றும் பத்ம ஸ்ரீ விருதும் பெற்றார். இவர் எழுதிய பல்வேறு நூல்கள் குழந்தைகள், ஆண்- பெண் சமத்துவம் பற்றியே இருந்தது. 1995ம் ஆண்டு ஜூலை மாதம் 13ம் நாள் மறைந்தார்.

சுயசரிதை
வைதீகக் குடும்பத்தில் பிறந்த அவர் பள்ளிக்கு சென்று படிக்கவில்லை. தனி ஆசிரியர்கள் வீட்டிற்கே வந்து அவருடைய சகோதரர்களுக்கு பாடம் சொல்லிக் கொடுத்தனர். அதை பார்த்து கற்றுக்கொண்டார். அவர் தந்தை ஒரு ஓவியர். தாயார் புத்தகங்கள் படிப்பதில் ஆர்வம் கொண்டவர். இதனால் ஆஷாபூர்ணா கதைகளையும், கவிதைகளையும் எழுத
தூண்டியது. முறையான கல்வி இல்லாத போதும் புத்தகங்களை படித்து மிக பெரிய எழுத்தாளராக உருவானார். இவரின் படைப்புகள் விடுதலை புரட்சியை ஏற்படுத்தியது. 'வெளியிலிருந்து ஓர் அழைப்பு' என்ற பெயரில் தான் எழுதிய கவிதையைக் 'குழந்தைகள் நண்பன்' என்ற இதழுக்கு அனுப்பினார். அக்கவதையின் மூலம் அவருடைய எழுத்துக்கு அங்கீகாரம் கிடைத்த மகிழ்ச்சியில் நிறைய எழுத ஆரம்பித்தார். திருமணத்திற்கு பிறகு அவரால் எழுதும் வாய்ப்பு கிட்டவில்லை. பின், 1927ல் எழுத்து பணியைத் தொடங்கினார். வங்காளத்தின் மிகச்சிறந்த எழுத்தாளராகப் போற்றப்படும் ஆஷாபூர்ண 242 நாவல்கள், 3000 சிறுகதைகள், 62 குழந்தைகள் நூல்கள் என்று எண்ணிலடங்காத எழுத்துக்கு சொந்தக்காரர். குழந்தைகளுக்கான கதைகளுக்கே முக்கியத்துவம் கொடுத்தார். ஆஷா. பெரியவர்களுக்கு அவர் எழுதிய பல்வேறு கதைகளும் ஆண்- பெண் சமத்துவம் பற்றியே இருந்தது. 1976ல் பூர்ணவுக்கு ஞானபீட விருதும், பத்ம ஸ்ரீ விருதும் பெற்றார்.


வங்க இலக்கியத்தின் தலைசிறந்த நாவலாசிரியர், கவிஞர், ‘ஞானபீட விருது’ பெற்ற முதல் பெண் எழுத்தாளரான ஆஷாபூர்ணா தேவி (Ashapoorna Devi) பிறந்த தினம் இன்று (ஜனவரி 8). அவரைப் பற்றிய அரிய முத்துக்கள் பத்து:

* கல்கத்தாவில் (1909) பிறந்தார். தந்தை புகழ்பெற்ற ஓவியர். மரச் சாமான்கள் தயாரிக்கும் நிறுவனத்தில் வடிவமைப்பாளராகப் பணியாற்றினார். பெண்களுக்கு கல்வி மறுக்கப்பட்ட காலகட்டம் என்பதால், சிறுமி பள்ளிக்குச் செல்லவில்லை. ஆனால், இவரது சகோதரர்களுக்கு ஆசிரியர்கள் வீட்டுக்கு வந்து பாடம் கற்றுக் கொடுத்தனர்.

* அவர்களைப் பார்த்துப் பார்த்தே இவரும் எழுதப் படிக்கக் கற்றார். புத்தகங்கள் படிப்பதில் ஆர்வம் கொண்ட தாய், தன் குழந்தைகளுக்கு ராமாயண, மகாபாரதக் கதைகளைக் கூறினார். தாயைப் பார்த்து இவரும் கையில் கிடைத்ததை எல்லாம் படித்தார்.

* முறைப்படி கல்வி கற்காவிட்டாலும் வாசிப்பு பழக்கம் இவரது எழுத்து ஆர்வத்தை தூண்டியது. 13 வயதில் எழுதத் தொடங்கினார். தான் முதன்முதலாக எழுதிய கவிதையை ‘சிஷு சாதி’ என்ற இதழுக்கு அனுப்பிவைத்தார். அது பிரசுரமானதில் மிகவும் உற்சாகம் அடைந்தார். அதன் ஆசிரியரும் இவரை தொடர்ந்து எழுதி அனுப்புமாறு கூறி ஊக்கப்படுத்தினார்.

* எழுத்தாளர் என்ற அங்கீகாரம் கிடைத்ததில், நிறைய எழுதினார். வங்க இலக்கியத்துக்கு வளம் சேர்த்து, நாடு முழுவதும் புகழ்பெற்ற எழுத்தாளராக மலர்ந்தார். ஆரம்பத்தில் குழந்தைகளுக்காக மட்டுமே எழுதினார். போகப்போக இளைஞர்கள், பெரியவர்கள், பெண்கள் என அனைத்துத் தரப்பினருக்கும் எழுதினார்.

* திருமணத்துக்குப் பிறகு சிறிதுகாலம் எழுத்துப் பணி தடைபட்டது. பின்னர், மீண்டும் தன் பணியைத் தொடங்கினார். சமூக எதிர்ப்புகள், வறுமை, குடும்பச் சுமை, முறையான படிப்பறிவு இன்மை என அனைத்து தடைகளையும் எதிர்கொண்டு சமாளித்து, மாபெரும் எழுத்துப் போராட்டத்தையே நடத்தி வெற்றியும் கண்டார்.

* இவரது முதல் கதைத் தொகுப்பு 1940-ல் வெளிவந்தது. 1944-ல் ‘பிரேம் அவுர் பிரயோஜன்’ என்ற முதல் நாவல் வெளிவந்தது. அதுமுதல் தடையற்ற நீரோட்டம் போல இவரது எழுத்துப் பணி தொடர்ந்தது.

* வங்க இலக்கியத்தில் முன்னணி படைப்பாளியாகப் போற்றப்பட்டார். 70 ஆண்டுகாலம் நீடித்த இவரது படைப்புகளில் வங்க சரித்திரம், சமூக மாற்றங்கள், பெண்களைச் சுற்றிச் சுழலும் வரலாற்று நிகழ்வுகள், சமூக ஏற்றத் தாழ்வுகள், சமத்துவம், பெண்கள் சந்தித்த போராட்டங்கள் என இவரது படைப்புக் களம் விரிவடைந்தது.

* ஏறக்குறைய 250 நாவல்கள், 3 ஆயிரம் சிறுகதைகள், குழந்தைகளுக்கான 62 நூல்கள், ஏராளமான கவிதைகள், கட்டுரைகள், கடிதங்கள் என எழுதிக் குவித்தார். இவரது பல படைப்புகள் ஏறக்குறைய இந்தியாவின் அனைத்து மொழிகளிலும் மொழிபெயர்க்கப்பட்டன. இவரது ‘பாலுசோரி’ நாவல், ‘அபராஜிதா’ என்ற பெயரில் தொலைக்காட்சித் தொடராக வெளிவந்தது.

* பத்மஸ்ரீ விருது,கல்கத்தா பல்கலைக்கழகத்தின் ‘தி லைலா’ பரிசு, கிழக்கு வங்க அரசின் ரெயின்ட்ராப் நினைவுப் பரிசு, சாகித்ய அகாடமி விருது பெற்றவர். ‘பிரதம் ப்ரதிஸ்ருதி’, ‘ஸ்வர்ணலதா’, ‘பாகுல் கதா’ ஆகிய மூன்று நெடுங்கதைகளின் தொகுப்புக்காக ஞானபீட விருது பெற்றார்.

* தனது தனித்துவம் வாய்ந்த படைப்புகளால் வங்க இலக்கியத்தில் முத்திரை பதித்து, மகத்தான பங்களிப்பை வழங்கிய ஆஷாபூர்ணா தேவி 86-வது வயதில் (1995) மறைந்தார்.

Friday, 16 February 2018

The Grand Indian Maharani - Maharani Sita Devi of Baroda




The Grand Indian Maharani - 
Maharani Sita Devi of Baroda

The Grand Indian Maharani

This is a fairytale that can certainly only be re-lived by poring over the pages of a magazine or book because they don’t make them like her any more— Maharani Sita Devi of Baroda was one of the most opulent, charming, and bold Indian Maharanis to have ever lived in the history of Indian royalty. She was a true connoisseur of luxury and the finer things in life. She lived a colourful and carefree life and was part of the international jet-set who adored her for her exoticism and bold personality.    - Suneela

Early Life
Born into the Southern royal family of Pithapuram, daughter of Sri Raja Rao Venkata Kumara Mahipati Surya Rau Bahadur Garu and his wife Sri Rani Chinnamamba Devi of Mirzapuram --- a huge zamindar family in Andhra Pradesh, Maharani Sita Devi was married off into another zamindari family at an early age, as was custom to her generation, to M.R. Apparao Bahadur of Vayyur.

Stroke of Destiny
As with almost everything in life, destiny plays a huge role in who one meets and it was no different for Sita Devi who happened to have caught the fancy of Maharaja Pratapsinhrao Gaekwad of Baroda one fateful day at the Madras Races, which was the beginning of a life of extravagance and incessant worldly pleasures, where the world was her oyster.

The Chase
The Maharaja was the eighth richest man in the world
and a father to eight children, yet this did not stop him from vigorously pursuing Sita Devi. She eventually fell for his charm and made sure she put his money to good use in the form of jaw dropping diamonds and expensive attire.The couple had to flout a number of anti-bigamy laws and religious practices in order to get married. The Maharaja’s legal team even counselled them that in order to be able to marry, Sita Devi must convert to Islam, so as to dissolve her marriage with her first husband and be able to marry Maharaja Pratapsinhrao Gaekwad. This was of course just a formality in order to be legally married, however, it didn’t go down too well with the British Viceroy.

New York, London, Paris, and Monaco
The couple frequently travelled to attend events of the international crème de la crème at various fashion capitals of the world; however, they chose a mansion in Monte Carlo as their base because of the privacy it gave them.

Modern Maharani
At a time when most Indian women and Maharanis were photographed with their heads demurely covered and erred on the side of conservatism, the bold and stunning Maharani Sita Devi went against the norm and was often seen at the Waldorf Astoria of New York or The Dorchester of London, with her hair thrown back to show off the stunningly grand earrings and necklaces, and hands posed so as to show off her bracelets and rings to best effect. The Maharani also enjoyed the occasional cigarette, and believe it or not, even her cigarette holder was studded with rubies.

Jewels and Clothes
Sita Devi was part of the international jet-set and when she travelled, she did so in style – with no less than a thousand French chiffon sarees and trunk loads of precious jewellery. The Maharani possessed a spectacular collection of jewellery, famous among which were the Baroda pearls – an unparalleled seven-strand necklace of priceless Basra pearls which were made famous on her neck at multiple international events, and a three-strand diamond necklace with the Star of the South, a 128.80 carat Pink Brazilian diamond, and the English Dresden: a 78.53 carat diamond. Since the Maharani was truly an international doyenne, she frequented world renowned jewellers like Harry Winston, Cartier, and Van Cleef & Arpels. In fact, Van Cleef & Arpels endearingly referred to her as ‘Mrs. Brown’ because of her dusky complexion. The Maharani took her opulence and love for jewels so seriously that she also commissioned gold tongue cleaners from Van Cleef!

There is also an interesting story of the Maharani at a ball at the Waldorf Astoria in New York, and her reaction on seeing a pair of her former diamond and emerald anklets on the neck of the Duchess of Windor—Wallis Simspon. While everyone was oohh-ing and aah-ing at Wallis’s necklace, Sita Devi made sure it was known that that very piece looked great on her ankles in the past, to which the Duchess immediately returned the necklace to Harry Winston.

Unfortunate End

In spite of all the luxuries and money in the world, Sita Devi’s life ended rather traumatically. She divorced her husband in 1956, and although she continued to live lavishly, she was known to be lonely. The biggest blow of her life came on the night of her son, Princie’s 40th birthday, as he committed suicide in his apartment in Cannes. Her life in a gilded cage came crashing down, and soon after, Sita Devi also died at her apartment in Paris.