MAUDE FEALY AMERICAN STAGE , SILENT FILMS ACTRESS BORN 1883 MARCH 4

MAUDE FEALY AMERICAN STAGE ,

SILENT FILMS ACTRESS

BORN 1883 MARCH 4

Maude Fealy (March 4, 1883 – November 9, 1971) was an American stage and silent film actress whose career survived into the talkie era.[1]
Early life
She was born as Maude Mary Hawk on March 4, 1883 in Memphis, Tennessee, the daughter of James Hawk[2] and actress and acting coach, Margaret Fealy. Her mother remarried to Rafaello Cavallo, the first conductor of the Pueblo, Colorado Symphony Orchestra, and Fealy lived in Colorado off and on for most of her life. At the age of three, she performed on stage with her mother and went on to make her Broadway debut in the 1900 production of Quo Vadis, again with her mother.[1]

Fealy toured England with William Gillette in Sherlock Holmes from 1901 to 1902. Between 1902 and 1905, she frequently toured with Sir Henry Irving's company in the United Kingdom and by 1907 was the star in touring productions in the United States.

Career
Fealy appeared in her first silent film in 1911 for Thanhouser Studios, making another eighteen between then and 1917, after which she did not perform in film for another fourteen years. During the summers of 1912 and 1913, she organized and starred with the Fealy-Durkin Company that put on performances at the Casino Theatre at Lakeside Amusement Park in Denver[3] and the following year began touring the western half of the U.S.

Fealy had some commercial success as a playwright-performer. She co-wrote The Red Cap with Grant Stewart, a noted New York playwright and performer, which ran at the National Theatre in Chicago in August 1928. Though she was not in the cast of that production, the play's plot revolves around the invention of a wheeled luggage carrier ostensibly invented by Fealy herself. A newspaper article reporting on the invention may be genuine, or may be a publicity stunt created to promote the play. Other plays authored or co-authored by Fealy include At Midnight and, with the highly regarded Chicago playwright, Alice Gerstenberg, The Promise.

Throughout her career, Fealy taught acting in many cities where she lived; early on with her mother, under names which included Maude Fealy Studio of Speech, Fealy School of Stage and Screen Acting, Fealy School of Dramatic Expression. She taught in Grand Rapids, Michigan; Burbank, California; and Denver, Colorado. By the 1930s, she was living in Los Angeles where she became involved in the Federal Theatre Project and at age 50 returned to secondary roles in film, including an uncredited appearance in The Ten Commandments. Later in her career, she wrote and appeared in pageants, programs, and presented lectures for schools and community organizations.

Personal life

In Denver, Colorado, she met a drama critic from a local newspaper named Louis Hugo Sherwin (son of opera singer Amy Sherwin). The two married in secret on July 15, 1907 because, as they expected, her domineering mother did not approve.[4][5] The couple soon separated, and divorced in Denver in 1909.[6] Fealy then married an actor named James Peter Durkin.[7][8] He was a silent film director with Adolph Zukor's Famous Players Film Company. That marriage ended in divorce for non-support in 1917.[5] Soon after this Fealy married James E. Cort. This third marriage ended in a 1923 annulment and would be her last marriage.[9] She bore no children in any of the marriages.

Death
Fealy died on November 10, 1971, aged 88, at the Motion Picture & Television Country House and Hospital in Woodland Hills, Los Angeles, California.[10] She was interred in the Abbey of the Psalms Mausoleum at Hollywood Forever Cemetery.
Partial filmography
Moths (1913) - Vere
The Legend of Provence (1913) - Sister Angela
Frou Frou (1914) - Frou Frou
Pamela Congreve (1914) - Pamela Congreve
Bondwomen (1915) - Norma Ellis
The Immortal Flame (1916) - Ada Forbes
The American Consul (1917) - Joan Kitwell
Laugh and Get Rich (1931) - Miss Teasdale
Smashing the Vice Trust (1937)

Race Suicide (1938)
The Buccaneer (1938) - Wife (uncredited)
Bulldog Drummond's Peril (1938) - Spinster (uncredited)
Union Pacific (1939) - Woman (uncredited)
Emergency Squad (1940) - Mother (uncredited)
Seventeen (1940) - Woman Driver (uncredited)
Gaslight (1944) - Bit Part (uncredited)
The Unfaithful (1947) - Old Maid in Montage (uncredited)
A Double Life (1947) - Woman (uncredited)
The Ten Commandments (1956) - Slave Woman / Hebrew at Crag and Corridor
The Buccaneer (1958) - Townswoman (uncredited) (final film role)