SHOBANA , MALAYALAM ACTRESS
BORN MARCH 21,1970
ஷோபனா (பிறப்பு - மார்ச் 21, 1966) தென்னிந்தியத் திரைப்பட நடிகை ஆவார். மலையாள மொழித் திரைப்படம் மூலம் திரைப்படத்துறைக்கு அறிமுகமானர் ஷோபனா. தமிழ், தெலுங்கு, மலையாளம் மற்றும் ஆங்கிலப் படங்களிலும் நடித்துள்ளார். இவர் ஒரு புகழ்பெற்ற நாட்டியக் கலைஞரும் ஆவார்.
நீண்ட நாள் நண்பரை மணக்கிறார் நடிகை ஷோபனா?
சென்னை: திருமணமே வேண்டாம் என்று கூறி வந்த நடிகையும் பரத நாட்டியக் கலைஞருமான ஷோபனா, இப்போது திருமணம் செய்யும் முடிவுக்கு வந்துவிட்டார். 1970-ல் பிறந்த ஷோபனா, 1984-ல் மலையாளத்தில் நடிகையாக அறிமுகமானார். அதே ஆண்டு தமிழில் மங்கள நாயகி என்ற படத்தில் அறிமுகமானார். பின்னர் கமலுக்கு ஜோடியாக எனக்குள் ஒருவன் படத்தில் நடித்ததன் மூலம் பிரபலமானார்.
ரஜினியுடன் சிவா, தளபதி படங்களில் நடித்தார். பின்னர் மெல்ல நடிப்பிலிருந்து விலகி அவர், நடனப் பள்ளி ஒன்றை நடத்தி வருகிறார். திருமணமே வேண்டாம் என முடிவெடுத்த அவர், 2001-ல் ஒரு குழந்தையை தத்தெடுத்து வளர்த்து வருகிறார்.
தற்போது திருமணம் செய்யும் முடிவுக்கு வந்திருப்பதாகவும், தனது நீண்ட நாள் நண்பரையே வாழ்க்கைத் துணை ஆக்கிக் கொள்ள அவர் முடிவெடுத்திருப்பதாகவும் தகவல் வெளியாகியுள்ளது. ஆனால் ஷோபனா தரப்பில் இதுகுறித்து எந்த தகவலுமில்லை. செய்தியை அவர், மறுக்கவும் இல்லை. எனவே அவர், திருமணத்திற்கு தயாராகி விட்டார் என்றே அவருக்கு நெருக்கமானவர்கள் கூறுகிறார்கள்.நடிகை ஷோபனா, பிரபல நடிகை பத்மினியின் உறவினர் என்பது குறிப்பிடத் தக்கது.
Shobhana
I have acted in many films with Shobhana. With each film, you get to know the other person better. This creates better understanding. We learn more about how the other person will react to a particular situation or emotion. You will not feel the same kind of ease with a newcomer, especially in love scenes and song picturisations.
Manichitrathazhu is a favourite, though Shobhana and I were not the screen pair. I played the psychiatrist who treated her. Thenmavin Kombathu, with Shobhana, was fun.
In the early days of my career, Karthika and I acted in the maximum number of films together. We were a hit pair. She was a sportswoman. She loved books. You would never see her without her books. She was also very intelligent and could talk on many subjects. But then she got married and moved away from films.
-MOHAN LAL
Rahul Mehra and Actress Shobana had gone to watch a film in one of Chennai’s posh movie halls in last week of december 2007. Shobana is dating Rahul Nehra, Rahul Nehra had filed for divorce from his wife, Dr. Shalini Nehra, a Delhi based physician.
Bad luck , Shalini Nehra’s elder brother, a Chennai-based businessman had come to the theater along with the entire family, to watch the same film. When he saw his brother-in-law with the actress, he lost his cool and shouted abuses at them. He also accused the actress Shobana of having destroyed his sister’s life.
Rahul caught hold of his shirt collar and the public separated them. The businessman has filed a complaint against Rahul for physically assaulting him.
Celebrity Interview - Actress/Danseuse Shobhana
One look at Shobana, and it's obvious that she was born to be a dancer. Even without make-up, her large dark eyes grab your attention; her features are exquisite and her smile, charming. She is beautiful, but refuses to let me take a picture of her in loungewear.
Shobana is used to being called a 'Dancer/Actress'. “I accept it because that is what I am,” she says matter-of-factly. She started learning dance from the tender age of 3 and has been acting since she was 9. As the niece of Lalitha, Padmini and Ragini, the famous South Indian Dancer/Actress trio of yester-years, one can say that both the art forms run in her blood. She has excelled in both fields, winning numerous awards including 'Natya Mayuri', 'Yuva Kala Bharathi' and 'Nadana Mamani' for her Bharatanatyam performances and another endless list for acting, including two National Awards for Best Actress -- for the Malayalam film 'Manichitra Thazhu' (1994) and 'Mitr -- My Friend' (2002). She runs a Bharatanatyam dance school, Kalarpana, in Chennai and soon plans to open a branch in Muscat. She is now concentrating on her roles as a dancer and teacher, and has limited her acting to occasional meaningful roles.
Shobana is currently on a hectic US tour (covering about 30 cities in less than two months), presenting her latest production 'Sampradaya – From Myths to Modernity'. She spent a few days in Houston, conducting a dance workshop for the students of Anjali Center for Performing Arts, before her performance on October 17th. Here are excerpts from an interview taken the day before her concert.
Title
Shobhana
What is Sampradaya all about?
Sampradaya is a kind of Margam presented in a different way. A Margam is a repertoire that involves all the traditional items of a Bharatanatyam performance – the hot-blooded varnam, the tillana… because I like that. I think the Margam is designed to take the audience on a kind of journey. Our dancing is traditional Bharatanatyam, but we're also using modern musical energy to give it a prop. We've been working on this production for a year. We have four dancers -- my students -- and 4 musicians. We have come with a lighting person because this particular program is also about presentation.
What do you mean by 'modern musical energy'?
The music is within the traditional structure… we are not messing with the raagas or mixing them. The rendition is pure, but it is packaged with modern music. For some music, we have tracks and we have used some keyboard and chords. It's very difficult performing with tracks because we have to be totally in sync.
Have you performed this particular piece in India?
We had a preview at the Music Academy in Chennai. We had rave reviews. People in India are a little more open because everything is previewed there. So many artists come and perform, so people are used to seeing many different things. India is not narrow-minded, in fact, it is the opposite because there is so much being shown. The more traditional stuff comes out here.
Is the NRI audience so particular about tradition?
I think the NRI audience has not been given a chance. How will they know unless people take the risk and show it to them? This [presentation] is what I believe in. If somebody believes in something, it really works, because then you go out 100% to make it a success.
What has the response been to your shows so far?
We have done four concerts till now. We've packed three out of four and people want us back. We've had people standing and giving us the American kind of applause, which is stamping on the floor, whistling and shouting. There are a lot of Bharatanatyam students in the US now, because you have so many teachers all over the country. They are all coming for the shows, and they love it. I guess it's also a kind of motivation for the kids to probably continue in Bharatanatyam. They realize that it need not necessarily be a rigid discipline and that they can have fun with this art form
Have you learnt any other form of dance?
No. I feel that to master even one art form, it takes more than a lifetime, and I have always insisted that I will not do any other art form. I have been trained in Bharatanatyam for 20 years. So, since I'm so deeply rooted in traditional Bharatanatyam, I'm quite secure to venture into all these kinds of experiments. I've been taught by my classical guru, Smt. Chitra Visweswaran, and I myself have been teaching for 10 to 12 years. So when you teach, it is a process of relearning. I can't forget the principles. But I'm so strong in it that I can afford to experiment confidently.
What kind of experiments have you ventured into?
A kind of fusion that I have worked with in the past is performing with other great artists. I'm probably the only dancer of my generation who has been invited to perform by artists of high caliber like Sudharaniji, Dr. Padma Subramanyam, Jasrajji and Bhimsenji. At the same time, I've also worked with great musicians like Mandolin Srinivas, just with the mandolin. That was a challenge. I've worked with Ganesh-Kumaresh, great percussionist masters Vikkuji, Selvaganesh, Zakhirji, Bikram Ghosh, Vijay Ghate and Valayapatti Subramaniam. All these have been a learning experience. Every experiment with the musicians has been different. If I have to do the Pancharathna krithi with the violin, it is so different from doing the same with the mandolin, because a mandolin is more staccato. I've worked with drums, with Shivamani… so all these have technically been fusion performances.
Do you think music is sidelined in a dance performance unless, of course, if you are performing with a maestro?
I don't think so. Not in mine. In my performances, I think the music has been given a little more importance. I'm really into music. I cannot sit and perform to average and substandard music. So, all our musicians are solo artists. Rajesh Vaidya, Vikkuji's son-in-law Ramakrishna and Sivaraman -- none of them usually accompany dancers.
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Shobana with her dance group
How is it that they perform for you when they do not with others?
I have a good rapport with them and give their music a lot of respect. It's not that other dancers don't, but I get them to be involved a lot, contribute a lot and they feel that they are not silent. That's the bottom line. I understand the music and I'm able to guide them. You need to know what you are working with and be on top of it. Since I've worked with many masters, I have a good feel for the instruments, especially percussion. Obviously, it's a learning experience for them, otherwise they won't be doing it. They themselves admit that performing with dancers helps them improve a lot in certain aspects.
Do you like to be known as an actress or a dancer?
I cannot differentiate between the two. I belong to the genre of artists who are both -- like Hemamalini, Vyjayanthimala and my aunt, Padmini. Everybody looks at me as both an actress and a dancer.
Did winning the National Award make a difference in your life?
(Shrugs) When I won the first award, I was much younger. I was very excited. There was a lot of publicity and people took me more seriously. Now, it's more of a responsibility to see that I associate with good films. I don't do whatever comes my way. After the first award, it wasn't like that. I went ahead doing anything I wanted to. Now I've also toned down in my mind. I cannot do just anything. I get bored. I'm also creating so much in my dance that everyday is quite productive. So, when I go into films, I want it to be the same way. I had taken a sabbatical and I've got used to so much of freedom. For five years, I was doing only my dance and teaching. It was kind of a solo effort. In films, it's collective. You need so many people around you to work towards something. I prefer working with good technicians so that I learn and my time is put to use.
The Best Of Indian Dance!
A package of 10 DVDs on dances of India
What movies are you working on now?
I did Pamela Rooks' 'Dance Like A Man'. It hasn't been released yet. It's showing in the New York Indian Diaspora Festival.
Are you doing 'Spice Boys' with Naseeruddin Shah?
I don't think Naseer is in the movie any more. I think it's Anupam Kher. It has not started yet. It's a big project. They are shooting in London with a British director. These things keep changing. I'll know when the time comes.
What happened to your plans of producing your own movie?
I was supposed to do a film with a very dear friend of mine, Sharada. But at that point of time, I got so busy that I realized I just couldn't go on with it. In Production… you need to spend a lot of time. It's an art. You have to oversee everything, otherwise your film won't be shot. It's a big financial burden. So we've got another friend, Padmini Ravi, to produce.
Will you be acting in it?
No. The entire thing has got postponed.
So what will be your role in it?
Confidante! (laughs) There's no role for me. I don't have the time. And I think its good for them if I step out of it. Running around me and my dates are not good for them. Not good for those who want to do it as quickly as possible.
I've heard you were into writing. Is that true?
Yeah, it's just an extension of my creativity.
Have you written anything so far?
I'm writing with a hope that somebody will read it someday. I can't speak about it. It's not much. It's been published in the Indian Express. They liked it, so let's see. It was an excerpt from a book of mine. The book is still under production. I don't know what it's called. I don't know if it is going to be written totally. That's why I'm not divulging too much. It's sitting there in my mind. I think I've got the right to be ambiguous, and have contradictions. (chuckles)
Sobhana:
Bio: Malaylam Actor and Dancer.
Age: 43.
Her explanation about it: I am not against marriage institution at any cost but ,I haven’t found the time for it amidst my busy schedule.You know i am always busy with my dance stuffs. Maybe I haven’t spotted the right guy. And for that matter, I have seen only a few marriages that really work. That can also be one the reasons.”
Gossips about : Rumoured her name along with Anil Kumble amd Mohan lal.
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