Lee Jun-fan ..: 李振藩; November 27, 1940 – July 20, 1973)
லீ ஜூன் ஃபேன் புரூஸ் (Lee Jun-fan) (நவம்பர் 27, 1940 – ஜூலை 20 1973) இவரின் திரைப்படப் பெயரான புரூஸ் லீ என பரவலாக அறியப்படும் ஆங்காங் மற்றும் அமெரிக்கத் திரைப்பட நடிகர், இயக்குநர் (திரைப்படம்), தற்காப்புக் கலைஞர், தற்காப்புக் கலைகள் பயிற்றுநர், மெய்யியலாளர், ஜீத் குன் தோ எனும் உஷூ அல்லது சீன சண்டைக் கலையைத் தோற்றுவித்தவரும் ஆவார்.[1] இவரின் பெற்றோர் கன்தோனிஸ் ஆபரா , லீ ஹோய் சுன். இவர் ஊடகவியலாளார்கள், விளக்கவுரையாளர்கள், விமர்சகர்கள், மற்றும் தற்காப்புக் கலைஞர்களால் அனைத்துக் கால தற்காப்புக் கலைகளில் சக்திவாய்ந்த ஆளுமையாகப் பார்க்கப்படுகிறார்[2]. 20-ஆம் நூற்றாண்டின் பரப்பிசை பண்பாடு கால குறி உருவமாகப் பார்க்கப்பட்டார்.[3][4]
புரூச் லீ சான் பிரான்சிஸ்கோ, சைனா டவுனில் நவம்பர் 27, 1940 இல் பிறந்தார். இவர்களின் பெற்றோர் ஆங்காங்கில் பிறந்து கவுலூனில் குடியேறினர். இவரின் தந்தையால் இவர் திரைஉலகத்திற்கு அறிமுகம் ஆனார். சில திரைப்படங்களில் குழந்தை நட்சத்திரமாக நடித்துள்ளார். தனது 18 ஆவது வயதில் மேற்படிப்பிற்காக அமெரிக்க ஐக்கிய நாடு சென்றார். சியாட்டில், வாஷிங்டன் பல்கலைக்கழகத்தில் பயின்றார். அங்கு பயின்ற சமயத்தில் தற்காப்புக் கலைகளை பயிற்றுவித்தார்.[5] இவரின் ஆங்காங் மற்றும் ஹாலிவுட் திரைப்படங்கள் ஆங்காங்கின் பாரம்பரிய தற்காப்புக் கலைகளை மையமாக வைத்து எடுக்கப்பட்டது. இந்தப் புதுமையான வடிவத்திற்கு மக்களிடையே நல்ல வரவேற்பு கிடைத்தது.1970 களில் சீன சண்டைக் கலைகள் பற்றிய தாக்கம் அதிகரித்தது. இவரின் புதுவகையான இயக்கும் பாணியானது அமெரிக்க ஐக்கிய நாடு, ஆங்காங் மற்றும் உலகின் பிற பகுதிகளிலும் தற்காப்புக் கலைகள் மற்றும் தற்காப்புக் கலைகள் பற்றிய திரைப்படங்களின் தாக்கத்தில் மாற்றம் ஏற்படச் செய்தது.[6]
இவர் 1971 இல் லோ வீ இயக்கிய த பிக் பாஸ், 1972 இல் ஃபிஸ்ட் ஆஃப் ஃபியூரி, கோல்டன் ஹார்வஸ்ட் இயக்கிய ராப்ர்ட் கிளவுஸ் இயக்கத்தில்[7] வே ஆஃப் தெ டிராகன், 1978 இல் தெ கேம் ஆஃப் தெ டெத் போன்ற திரைப்படங்களின் நடித்ததன் மூலம் பரவலாக அறியப்படுகிறார். இவர் உலக அளவில் குறிவுருவமாக பார்க்கப்பட்டார், குறிப்பாக இவரின் திரைப்படங்களில் சீன தேசியக் கருத்துகள் அதிகம் இருந்ததனால் சீனர்களால் குறிவுருவமாகப் பார்க்கப்படுகிறார்.[8] இவர் துவக்கத்தில் விங் சுன் எனும் சீன சண்டைக் கலைகளில் பயிற்சி எடுத்தார். இவர் ஆங்காங் மற்றும் அமெரிக்க ஐக்கிய நாடு ஆகிய இரட்டைக் குடியுரிமை பெற்றுள்ளார்.[9] புரூஸ் லீ ஆங்காங்கிலுள்ள கௌலூன் டாங்கில் தனது 32 ஆம் வயதில் சூலை 20, 1973 இல் மரணமடைந்தார்.[10]
..ரம்பகால வாழ்க்கை[தொகு]
புரூஸ் லீ நவம்பர் 27, 1940 இல் சான் பிரான்சிஸ்கோ, சீன நகரில் உள்ள ஒரு மருத்துவமனையில் பிறந்தார். சீன சோதிடத்தின் படி இவர் பிறந்த ஆண்டு மற்றும் நேரம் ஆகிய இரண்டும் டிராகன் (சீன சோதிடம்) ஆகும். அவர்களின் மரபு படி இது வலிமையான சகுனமாகப் பார்க்கபப்டுகிறது[11]. புரூஸ் லீ மற்றும் இவரது பெற்றோர் , இவருக்கு மூன்று வயது இருக்கும் போது மீண்டும் ஆங்காங்கிற்கு சென்றனர்.[12]
புரூஸ் லீயின் தந்தை லீ ஹோய் சுன் ஹான் சீனர், தாய் கிரேச் ஹோ , பறங்கியர் மரபைச் சேர்ந்தவர்[13].கிரேஸ் , ஹோ கோம் தாங் மற்றும் சர் ராபர்ட் ஹோ தங் தம்பதியின் தத்து எடுத்த குழந்தை ஆவார். இவர்கள் இருவரும் ஆங்காங்கின் குறிப்பிடத் தகுந்த தொழில் முனைவோர், மற்றும் வள்ளல் ஆவர்.[14] புரூஸ் லீயின் பெற்றோருக்கு பெபே லீ, ஆக்னஸ் லீ, பீட்டர் லீ, புரூச் லீ, ராபர்ட் லீ ஆகிய ஐந்து குழந்தைகள் உள்ளனர். இவர்களில் புரூஸ் லீ நான்காவதாகப் பிறந்தார்.
பெற்றோர்[தொகு]
புரூசின் பெற்றோர் பற்றிய குறிப்புகள் தெளிவாக இல்லை. லிண்டா லீ, தனது 1989 ஆம் ஆண்டு எழுதிய தி ப்ரூஸ் லீ ஸ்டோரி, என்ற சுயசரிதையில் லீயின் தாயார் கிரேசுக்கு ஒரு ஜெர்மன் தந்தை இருந்ததாகவும், அவர் கத்தோலிக்கராக இருந்ததாகவும் கூறுகிறார்.[15] 1994 ஆம் ஆண்டு புரூஸ் தாமஸ் என்பவர் எழுதிய புரூஸ் லீ: ஃபைட்டிங் ஸ்பிரிட் என்ற சுயசரிதையில், கிரேஸுக்கு ஒரு சீனத் தாயும் ஒரு ஜெர்மன் தந்தையும் இருந்ததாகக் கூறுகிறார்.[16] லீயின் உறவினர் எரிக் பீட்டர் ஹோ, தான் 2010 ஆம் ஆண்டு எழுதிய ட்ரேசிங் மை சில்ட்ரன்ஸ் லினேஜ் என்ற புத்தகத்தில், கிரேசுக்கு சாங்காயில் சியுங் கிங்-பாவம் என்ற யூரேசியப் பெண்ணுக்குப் பிறந்தார் என்று கூறுகிறார். எரிக் பீட்டர் ஹோ, கிரேசு ஒரு கலப்பு இனம் சாங்காயின பெண்ணின் மகள் என்றும் அவரது தந்தை ஹோ கோம் டோங் என்றும் கூறினார். கிரேசு லீ தனது தாயார் ஆங்கிலம் என்றும், அவரது தந்தை சீனர் என்றும் கூறினார்.[17][18]
பெயர்கள்[தொகு]
லீயின் தாயார் லீ யூன்-பேன் (李振藩) என்று பெயரிட்டார்.[19] இதற்கு "மீண்டும் திரும்பு" என்று பொருள்படும் மேலும் லீக்கு அவரது தாயார் வழங்கினார், அவர் பெரியவனானதும் அமெரிக்காவிற்கு செல்வார் என்று உணர்ந்தார்.[20] அவரது தாயின் மூடநம்பிக்கை காரணமாக, அவர் முதலில் அவருக்கு ஒரு பெண்ணின் பெயரான சாய்-ஃபோன் (細 鳳) என்று பெயரிட்டார், இது "சிறிய பீனிக்ஸ் " என்று பொருள்படும் .[21] "புரூஸ்" என்ற ஆங்கில பெயர் மருத்துவமனையில் மருத்துவர் டாக்டர் மேரி குளோவரால் வழங்கப்பட்டதாக கருதப்படுகிறது.[22]
குடும்பம்[தொகு]
லீயின் தந்தை, லீ கோய்-சுவென், அந்த நேரத்தில் முன்னணி கான்டோனீஸ் ஓபரா மற்றும் திரைப்பட நடிகர்களில் ஒருவராக இருந்தார், மேலும் ஆங்காங்கில் சப்பானிய படையெடுப்பிற்கு முன்னதாக தனது குடும்பத்தினருடன் ஒரு வருட கால ஓபரா சுற்றுப்பயணத்தை மேற்கொண்டிருந்தார். அவர் பல ஆண்டுகளாக அமெரிக்காவில் சுற்றுப்பயணம் செய்து அங்கு ஏராளமான சீன சமூகங்களில் நடித்து வந்தார்.
அமெரிக்காவில் புதிய வாழ்க்கை[தொகு]
தனது18 வயதில் லீ அமெரிக்கா திரும்பினார். பல மாதங்கள் சான் பிரான்சிஸ்கோவில் வாழ்ந்த பின்னர், அவர் தனது உயர்நிலைப் பள்ளி கல்வியைத் தொடர 1959 இல் சியாட்டலுக்கு குடிபெயர்ந்தார், அங்கு அவர் ரூபி சோவுக்காக உணவகத்தில் நேரடி பணியாளராக பணியாற்றினார்.
சோவின் கணவர் லீயின் தந்தையின் சக ஊழியராகவும் நண்பராகவும் இருந்தார். லீயின் மூத்த சகோதரர் பீட்டர் லீ (李忠琛) அவருடன் சியாட்டிலில் சிறிது காலம் தங்குவதற்காக மினசோட்டாவுக்குச் செல்வதற்கு முன்பு கல்லூரியில் சேந்தார். டிசம்பர் 1960 இல், லீ தனது உயர்நிலைப் பள்ளி கல்வியை முடித்து, சியாட்டிலிலுள்ள கேபிடல் ஹில்லில் உள்ள எடிசன் தொழில்நுட்ப பள்ளியில் சான்று பெற்றார்.
மார்ச் 1961 இல், லீ வாஷிங்டன் பல்கலைக்கழகத்தில் சேர்ந்தார். அங்கு நாடக கலைகள், தத்துவம், உளவியல் மற்றும் பல்வேறு பாடங்களைப் பயின்றார்.[23][24] லீயும் பலரும் கூறியிருந்தாலும், பல்கலைக்கழகத்தின் முன்னாள் மாணவர் பத்திரிக்கை வெளியீட்டில் 1999 ஆம் ஆண்டின் ஒரு கட்டுரையின் படி லீ க்கு மிகவும் முக்கியமானது தத்துவத்தை விட நாடகமாகும்.[25] அவர் தனது வருங்கால மனைவி ஆசிரியர் பயிற்சி படிக்கும் சக மாணவியான லிண்டா எமெரியை சந்தித்தார், அவர்கள் 1964 ஆகஸ்டில் திருமணம் செய்து கொண்டனர். இத்தம்பதியருக்கு பிராண்டன் (1965-1993) மற்றும் ஷானன் லீ (பிறப்பு 1969) என்ற இரண்டு குழந்தைகள் பிறந்தது
தற்காப்பு கலை வாழ்க்கை[தொகு]
ஜுன் ஃபேன் குங் ஃபூ[தொகு]
லீ 1959 இல் அமெரிக்காவில் தற்காப்புக் கலைகளை கற்பிக்கத் தொடங்கினார். அவர் அதை ஜுன் ஃபேன் குங் ஃபூ (அதாவது புரூஸ் லீயின் குங் ஃபூ) என்று அழைத்தார். இது அடிப்படையில் விங் சுனுக்கான அவரது அணுகுமுறை ஆகும்.[26] லீ சியாட்டிலில் சந்தித்த நண்பர்களுக்கு குங் ஃபூவை கற்பித்தார், ஜூடோ பயிற்சியாளர் ஜெஸ்ஸி குளோவர் தொடங்கி, லீயின் ஆரம்பகால நுட்பங்களை தொடர்ந்து கற்பித்தார். டக்கி கிமுரா லீயின் முதல் உதவி பயிற்றுவிப்பாளராக ஆனார், மேலும் லீ இறந்தபின்னும் தனது கலை மற்றும் தத்துவத்தை அவர் தொடர்ந்து கற்பித்தார்.[27] லீ தனது முதல் தற்காப்புக் கலைப் பள்ளியை சியாட்டிலில் தொடங்கி அதற்கு லீ ஜுன் ஃபேன் குங் ஃபூ இன்ஸ்டிடியூட் என்று பெயரிட்டார்.
குறிப்புகள்
Lee Jun-fan (Chinese: 李振藩; November 27, 1940 – July 20, 1973), commonly known as Bruce Lee (Chinese: 李小龍), was a Hong Kong American actor, director, martial artist, martial arts instructor and philosopher.[2] He was the founder of Jeet Kune Do, a hybrid martial arts philosophy drawing from different combat disciplines that is often credited with paving the way for modern mixed martial arts (MMA). Lee is considered by commentators, critics, media, and other martial artists to be the most influential martial artist of all time and a pop culture icon of the 20th century, who bridged the gap between East and West. He is credited with helping to change the way Asians were presented in American films.[3]
The son of Cantonese opera star Lee Hoi-chuen, Lee was born in the Chinatown area of San Francisco, California, on November 27, 1940, to parents from Hong Kong, and was raised with his family in Kowloon, Hong Kong.[4] He was introduced to the film industry by his father and appeared in several films as a child actor. Lee moved to the United States at the age of 18 to receive his higher education at the University of Washington in Seattle,[5] and it was during this time that he began teaching martial arts. His Hong Kong and Hollywood-produced films elevated the traditional martial arts film to a new level of popularity and acclaim, sparking a surge of interest in the Chinese nation and Chinese martial arts in the West in the 1970s. The direction and tone of his films dramatically influenced and changed martial arts and martial arts films worldwide.[6]
He is noted for his roles in five feature-length martial arts films in the early 1970s: Lo Wei's The Big Boss (1971) and Fist of Fury (1972); Golden Harvest's Way of the Dragon (1972), directed and written by Lee; and Golden Harvest and Warner Brothers' Enter the Dragon (1973) and The Game of Death (1978), both directed by Robert Clouse.[7] Lee became an iconic figure known throughout the world, particularly among the Chinese, based upon his portrayal of Chinese nationalism in his films[8] and among Asian Americans for defying stereotypes associated with the emasculated Asian male.[9] He trained in the art of Wing Chun and later combined his other influences from various sources into the spirit of his personal martial arts philosophy, which he dubbed Jeet Kune Do (The Way of the Intercepting Fist). Lee had residences in Hong Kong and Seattle.[10]
Lee died on July 20, 1973, at the age of 32. There was no visible external injury; however, according to autopsy reports, Lee's brain had swollen considerably. The autopsy found Equagesic in his system. When the doctors announced Lee's death, it was officially ruled a "death by misadventure". Since his death, Lee has continued to be a prominent influence on modern combat sport, including judo, karate, mixed martial arts, and boxing. Time named Lee one of the 100 most important people of the 20th century.
Early life
Bruce Lee was born on November 27, 1940, at the Chinese Hospital in Chinatown, San Francisco. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen.[11] Lee and his parents returned to Hong Kong when he was three months old.[12] Bruce's father, Lee Hoi-chuen, was Han Chinese, and his mother, Grace Ho (何愛瑜), was of Eurasian ancestry.[13]
Career and education
1940 to 1958: Early roles, schooling and martial arts initiation
Lee's father Lee Hoi-chuen was a famous Cantonese opera star. The junior Lee was introduced to film at a very young age and appeared in several films as a child. Lee had his first role as a baby who was carried onto the stage in the film Golden Gate Girl.[14]
As a nine-year-old, he would co-star with his father in The Kid in 1950, which was based on a comic book character and was his first leading role.[15] By the time he was 18, he had appeared in twenty films.[11]
After attending Tak Sun School (德信學校; several blocks from his home at 218 Nathan Road, Kowloon), Lee entered the primary school division of the Catholic La Salle College at the age of 12.[16]
In 1956, due to poor academic performance and possibly poor conduct, he was transferred to St. Francis Xavier's College, where he would be mentored by Brother Edward, a teacher and coach of the school boxing team.[17]
After Lee was involved in several street fights, his parents decided that he needed to be trained in the martial arts. Lee began training in Wing Chun with Yip Man.[18] Yip tried to keep his students from fighting in the street gangs of Hong Kong by encouraging them to fight in organized competitions.[19] After a year into his Wing Chun training, most of Yip Man's other students refused to train with Lee when they had learned of his mixed ancestry, as the Chinese were generally against teaching their martial arts techniques to non-Asians.[20][21] Lee's sparring partner, Hawkins Cheung, states, "Probably fewer than six people in the whole Wing Chun clan were personally taught, or even partly taught, by Yip Man".[22] However, Lee showed a keen interest in Wing Chun and continued to train privately with Yip Man, William Cheung and Wong Shun Leung.[23]
In 1958, Bruce won the Hong Kong schools boxing tournament, knocking out the previous champion in the final.[17] That year, Lee was also a cha-cha dancer, winning Hong Kong's Crown Colony Cha-Cha Championship.[24]
1959 to 1964: Continuous studies and martial arts breakthrough
In the spring of 1959, Lee got into another street fight, and the police were called.[25] Until his late teens, Lee's street fights became more frequent and included beating the son of a feared triad family.[26] Eventually, Lee's father decided his son should leave Hong Kong to pursue a safer and healthier life in the United States. His parents confirmed the police's fear that this time Lee's opponent had an organized crime background and that there was the possibility that a contract was out for his life.[citation needed]
In April 1959, Lee's parents decided to send him to the United States to stay with his older sister, Agnes Lee (李秋鳳), who was already living with family friends in San Francisco. After several months, he moved to Seattle in 1959 to continue his high school education, where he also worked for Ruby Chow as a live-in waiter at her restaurant. Chow's husband was a co-worker and friend of Lee's father. Lee's elder brother Peter Lee (李忠琛) would also join him in Seattle for a short stay before moving on to Minnesota to attend college. That year Lee also started to teach martial arts. He called what he taught Jun Fan Gung Fu (literally Bruce Lee's Kung Fu). It was basically his approach to Wing Chun.[28] Lee taught friends he met in Seattle, starting with Judo practitioner Jesse Glover, who continued to teach some of Lee's early techniques. Taky Kimura became Lee's first Assistant Instructor and continued to teach his art and philosophy after Lee's death.[29] Lee opened his first martial arts school, named the Lee Jun Fan Gung Fu Institute, in Seattle.
In December 1960, Lee completed his high school education and received his diploma from Edison Technical School on Capitol Hill in Seattle.[citation needed]
In March 1961, Lee enrolled at the University of Washington and studied dramatic arts, philosophy, psychology, and various other subjects.[30][31] Despite what Lee himself and many others have stated, Lee's official major was drama rather than philosophy according to a 1999 article in the university's alumni publication.[32]
Lee dropped out of college in early 1964 and moved to Oakland to live with James Yimm Lee. James Lee was twenty years senior to Bruce Lee and a well-known Chinese martial artist in the area. Together, they founded the second Jun Fan martial arts studio in Oakland. James Lee was also responsible for introducing Bruce Lee to Ed Parker, an American martial artist. At the invitation of Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "one inch punch."[33] Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to volunteer Bob Baker while largely maintaining his posture, sending Baker backwards and falling into a chair said to be placed behind Baker to prevent injury, though Baker's momentum soon caused him to fall to the floor. Baker recalled, "I told Bruce not to do this type of demonstration again. When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".[34] It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship—a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.[35] Rhee learned what he calls the "accupunch" from Lee and incorporated it into American taekwondo. The "accupunch" is a rapid fast punch that is very difficult to block, based on human reaction time—"the idea is to finish the execution of the punch before the opponent can complete the brain-to-wrist communication."[36]
In Oakland's Chinatown in 1964, Lee had a controversial private match with Wong Jack Man, a direct student of Ma Kin Fung, known for his mastery of Xingyiquan, Northern Shaolin, and T'ai chi ch'uan. According to Lee, the Chinese community issued an ultimatum to him to stop teaching non-Chinese people. When he refused to comply, he was challenged to a combat match with Wong. The arrangement was that if Lee lost, he would have to shut down his school, while if he won, he would be free to teach white people, or anyone else.[37] Wong denied this, stating that he requested to fight Lee after Lee boasted during one of his demonstrations at a Chinatown theatre that he could beat anyone in San Francisco, and that Wong himself did not discriminate against Whites or other non-Chinese people.[38] Lee commented, "That paper had all the names of the sifu from Chinatown, but they don't scare me".[39] Individuals known to have witnessed the match include Cadwell, James Lee (Bruce Lee's associate, no relation), and William Chen, a teacher of T'ai chi ch'uan. Wong and William Chen stated that the fight lasted an unusually long 20–25 minutes.[38][40] Wong claims that although he had originally expected a serious but polite bout, Lee aggressively attacked him with intent to kill. When Wong presented the traditional handshake, Lee appeared to accept the greeting, but instead, Lee allegedly thrust his hand as a spear aimed at Wong's eyes. Forced to defend his life, Wong nonetheless asserted that he refrained from striking Lee with killing force when the opportunity presented itself because it could have earned him a prison sentence, but used illegal cufflings under his sleeves. The fight ended due to Lee's "unusually winded" condition, as opposed to a decisive blow by either fighter.[38] By contrast, according to Bruce Lee, Linda Lee Cadwell, and James Yimm Lee, the fight lasted a mere 3 minutes with a decisive victory for Lee. In Cadwell's account, "The fight ensued, it was a no-holds-barred fight, it took three minutes. Bruce got this guy down to the ground and said 'Do you give up?' and the man said he gave up".[37] A couple of weeks after the bout, Lee gave an interview claiming that he had defeated an unnamed challenger, which Wong says was an obvious reference to him.[38][40] In response, Wong published his own account of the fight in the Chinese Pacific Weekly, a Chinese-language newspaper in San Francisco, with an invitation to a public rematch if Lee was not satisfied with the account. Lee did not respond to the invitation despite his reputation for violently responding to every provocation,[38] and there were no further public announcements by either, though Lee continued to teach white people. Lee had abandoned thoughts of a film career in favour of pursuing martial arts. However, a martial arts exhibition on Long Beach in 1964 eventually led to the invitation by television producer William Dozier for an audition for a role in the pilot for "Number One Son" about Lee Chan, the son of Charlie Chan. The show never materialized, but Dozier saw potential in Lee.[41]
1966 to 1970: American roles and creating Jeet Kune Do
From 1966 to 1967, Lee played the role of Kato alongside the title character played by Van Williams in the TV series produced and narrated by William Dozier[42] titled The Green Hornet, based on the radio show by the same name.[43][41] The show lasted only one season (26 episodes), from September 1966 to March 1967. Lee and Williams also appeared as their characters in three crossover episodes of Batman, another William Dozier-produced television series.[44][45][46]
The Green Hornet introduced the adult Bruce Lee to an American audience, and became the first popular American show presenting Asian-style martial arts. The show's director wanted Lee to fight in the typical American style using fists and punches. As a professional martial artist, Lee refused, insisting that he should fight in the style of his expertise. At first, Lee moved so fast that his movements could not be caught on film, so he had to slow them down.[47] After the show was cancelled in 1967, Lee wrote to Dozier thanking him for starting "my career in show business."[47]
In 1967, Lee played a role in one episode of Ironside.
Jeet Kune Do originated in 1967. After filming one season of The Green Hornet, Lee found himself out of work and opened The Jun Fan Gung Fu Institute. The controversial match with Wong Jack Man influenced Lee's philosophy about martial arts. Lee concluded that the fight had lasted too long and that he had failed to live up to his potential using his Wing Chun techniques. He took the view that traditional martial arts techniques were too rigid and formalized to be practical in scenarios of chaotic street fighting. Lee decided to develop a system with an emphasis on "practicality, flexibility, speed, and efficiency". He started to use different methods of training such as weight training for strength, running for endurance, stretching for flexibility, and many others which he constantly adapted, including fencing and basic boxing techniques.[citation needed] Lee was influenced by heavyweight boxing champion Muhammad Ali, whose footwork he studied and incorporated into his own style.[49]
Lee emphasized what he called "the style of no style". This consisted of getting rid of the formalized approach which Lee claimed was indicative of traditional styles. Lee felt that even the system he now called Jun Fan Gung Fu was too restrictive, and it eventually evolved into a philosophy and martial art he would come to call Jeet Kune Do or the Way of the Intercepting Fist. It is a term he would later regret, because Jeet Kune Do implied specific parameters that styles connote, whereas the idea of his martial art was to exist outside of parameters and limitations.[50]
At the time, two of Lee's martial arts students were Hollywood script writer Stirling Silliphant and actor James Coburn. In 1969 the three worked on a script for a film called The Silent Flute, and went together on a location hunt to India. The project was not realised at the time, but the 1978 film Circle of Iron, starring David Carradine, was based on the same plot. In 2010, producer Paul Maslansky was reported to have planned and received funding for a film based on the original script for The Silent Flute.[51] In 1969, Lee made a brief appearance in the Silliphant-penned film Marlowe, where he played a hoodlum hired to intimidate private detective Philip Marlowe, (played by James Garner), who uses his martial arts abilities to commit acts of vandalization to intimidate Marlowe.[52][53] The same year he was credited as the karate advisor in The Wrecking Crew, the fourth instalment of the Matt Helm comedy spy-fi film starring Dean Martin.[54] Also that year, Lee acted in one episode of Here Come the Brides and Blondie.[55][56]
In 1970, he was responsible for fight choreography for A Walk in the Spring Rain starring Ingrid Bergman and Anthony Quinn, again written by Silliphant.[57][58]
1971 to 1973: Hong Kong films and Hollywood breakthrough
In 1971, Lee appeared in four episodes of the television series Longstreet, written by Silliphant. Lee played Li Tsung the martial arts instructor of the title character Mike Longstreet (played by James Franciscus), and important aspects of his martial arts philosophy were written into the script.[59][60] According to statements made by Lee, and also by Linda Lee Cadwell after Lee's death, in 1971 Lee pitched a television series of his own tentatively titled The Warrior, discussions of which were also confirmed by Warner Bros. During a December 9, 1971 television interview on The Pierre Berton Show, Lee stated that both Paramount and Warner Brothers wanted him "to be in a modernized type of a thing, and that they think the Western idea is out, whereas I want to do the Western".[61] According to Cadwell, however, Lee's concept was retooled and renamed Kung Fu, but Warner Bros. gave Lee no credit.[62] Warner Brothers states that they had for some time been developing an identical concept,[63] created by two writers and producers, Ed Spielman and Howard Friedlander. According to these sources, the reason Lee was not cast was in part because of his ethnicity, but more so because he had a thick accent.[64] The role of the Shaolin monk in the Wild West was eventually awarded to then-non-martial-artist David Carradine. In The Pierre Berton Show interview, Lee stated he understood Warner Brothers' attitudes towards casting in the series: "They think that business-wise it is a risk. I don't blame them. If the situation were reversed, and an American star were to come to Hong Kong, and I was the man with the money, I would have my own concerns as to whether the acceptance would be there".[65]
Producer Fred Weintraub had advised Lee to return to Hong Kong and make a feature film which he could showcase to executives in Hollywood.[66] Not happy with his supporting roles in the US, Lee returned to Hong Kong. Unaware that The Green Hornet had been played to success in Hong Kong and was unofficially referred to as "The Kato Show", he was surprised to be recognized as the star of the show.[67] After negotiating with both Shaw Brothers Studio and Golden Harvest, Lee signed a film contract to star in two films produced by Golden Harvest.
Lee played his first leading role in The Big Boss (1971), which proved to be an enormous box office success across Asia and catapulted him to stardom. He soon followed up with Fist of Fury (1972), which broke the box office records set previously by The Big Boss. Having finished his initial two-year contract, Lee negotiated a new deal with Golden Harvest. Lee later formed his own company, Concord Production Inc., with Chow. For his third film, Way of the Dragon (1972), he was given complete control of the film's production as the writer, director, star, and choreographer of the fight scenes. In 1964, at a demonstration in Long Beach, California, Lee had met karate champion Chuck Norris. In Way of the Dragon Lee introduced Norris to moviegoers as his opponent, their showdown has been characterized as "one of the best fight scenes in martial arts and film history".[68][69] The role had originally been offered to American karate champion Joe Lewis.[70] Fist of Fury and Way of the Dragon went on to gross an estimated US$100 million and US$130 million worldwide, respectively.[71]
From August to October 1972, Lee began work on his fourth Golden Harvest Film, Game of Death. He began filming some scenes, including his fight sequence with 7 ft 2 in (218 cm) American basketball star Kareem Abdul-Jabbar, a former student. Production stopped in November 1972 when Warner Brothers offered Lee the opportunity to star in Enter the Dragon, the first film to be produced jointly by Concord, Golden Harvest, and Warner Bros. Filming began in Hong Kong in February 1973 and was completed in April 1973.[72] One month into the filming, another production company, Starseas Motion Pictures, promoted Bruce Lee as a leading actor in Fist of Unicorn, although he had merely agreed to choreograph the fight sequences in the film as a favour to his long-time friend Unicorn Chan. Lee planned to sue the production company, but retained his friendship with Chan.[73] However, only a few months after the completion of Enter the Dragon, and six days before its July 26, 1973 release, Lee died. Enter the Dragon would go on to become one of the year's highest-grossing films and cement Lee as a martial arts legend. It was made for US$850,000 in 1973 (equivalent to $4 million adjusted for inflation as of 2007).[74] Enter the Dragon went on to gross an estimated $350 million worldwide.[75][76] The film sparked a brief fad in martial arts, epitomised in songs such as "Kung Fu Fighting" and TV shows like Kung Fu (in Enter The Dragon, Lee was a Shaolin Kung Fu master, similar to the role of David Carradine as Kwai Chang Caine).
1978 to 2019: Posthumous work
Robert Clouse, the director of Enter the Dragon, together with Golden Harvest, revived Lee's unfinished film Game of Death. Lee had shot over 100 minutes of footage, including out-takes, for Game of Death before shooting was stopped to allow him to work on Enter the Dragon. In addition to Abdul-Jabbar, George Lazenby, Hapkido master Ji Han-Jae, and another of Lee's students, Dan Inosanto, were also to appear in the film, which was to culminate in Lee's character, Hai Tien (clad in the now-famous yellow track suit[77][78]) taking on a series of different challengers on each floor as they make their way through a five-level pagoda. In a controversial move, Robert Clouse finished the film using a look-alike and archive footage of Lee from his other films with a new storyline and cast, which was released in 1978. However, the cobbled-together film contained only fifteen minutes of actual footage of Lee (he had printed many unsuccessful takes)[79] while the rest had a Lee look-alike, Kim Tai Chung, and Yuen Biao as stunt double. The unused footage Lee had filmed was recovered 22 years later and included in the documentary Bruce Lee: A Warrior's Journey.
Apart from Game of Death, other future film projects were planned to feature Lee at the time. In 1972, after the success of The Big Boss and Fist of Fury, a third film was planned by Raymond Chow at Golden Harvest to be directed by Lo Wei, titled Yellow-Faced Tiger. However, at the time, Lee decided to direct and produce his own script for Way of the Dragon instead. Although Lee had formed a production company with Raymond Chow, a period film was also planned from September–November 1973 with the competing Shaw Brothers Studio, to be directed by either Chor Yuen or Cheng Kang, and written by Yi Kang and Chang Cheh, titled The Seven Sons of the Jade Dragon.[80]
In 2015, Perfect Storm Entertainment and Bruce Lee's daughter, Shannon Lee announced that the series "The Warrior" would be produced and would air on the Cinemax and the filmmaker Justin Lin was chosen to direct the series.[81] Production began on October 22, 2017 in Cape Town, South Africa. The first season will contain 10 episodes.[82] In April 2019, Cinemax renewed the series for a second season.[83]
Unproduced works
Lee had also worked on several scripts himself. A tape containing a recording of Lee narrating the basic storyline to a film tentatively titled Southern Fist/Northern Leg exists, showing some similarities with the canned script for The Silent Flute (Circle of Iron).[84] Another script had the title Green Bamboo Warrior, set in San Francisco, planned to co-star Bolo Yeung and to be produced by Andrew Vajna who later went on to produce First Blood.[73] Photoshoot costume tests were also organized for some of these planned film projects.
Artistry
Philosophy
While best known as a martial artist, Lee also studied drama and Asian and Western philosophy starting while a student at the University of Washington. He was well-read and had an extensive library dominated by martial arts subjects and philosophical texts.[85] His own books on martial arts and fighting philosophy are known for their philosophical assertions, both inside and outside of martial arts circles. His eclectic philosophy often mirrored his fighting beliefs, though he was quick to claim that his martial arts were solely a metaphor for such teachings. He believed that any knowledge ultimately led to self-knowledge, and said that his chosen method of self-expression was martial arts.[86] His influences include Taoism, Jiddu Krishnamurti, and Buddhism.[87] Lee's philosophy was very much in opposition to the conservative worldview advocated by Confucianism.[88] John Little states that Lee was an atheist. When asked in 1972 about his religious affiliation, he replied, "none whatsoever",[89] and when asked if he believed in God, he said, "To be perfectly frank, I really do not."[86]
Poetry
Aside from martial arts and philosophy, which focus on the physical aspect and self-consciousness for truths and principles,[90] Lee also wrote poetry that reflected his emotion and a stage in his life collectively.[91] Many forms of art remain concordant with the artist creating them. Lee's principle of self-expression was applied to his poetry as well. His daughter Shannon Lee said, "He did write poetry; he was really the consummate artist."[92] His poetic works were originally handwritten on paper, then later on edited and published, with John Little being the major author (editor), for Bruce Lee's works. Linda Lee Cadwell (Bruce Lee's wife) shared her husband's notes, poems, and experiences with followers. She mentioned "Lee's poems are, by American standards, rather dark—reflecting the deeper, less exposed recesses of the human psyche".[93] Most of Bruce Lee's poems are categorized as anti-poetry or fall into a paradox. The mood in his poems shows the side of the man that can be compared with other poets such as Robert Frost, one of many well-known poets expressing himself with dark poetic works. The paradox taken from the Yin and Yang symbol in martial arts was also integrated into his poetry. His martial arts and philosophy contribute a great part to his poetry. The free verse form of Lee's poetry reflects his famous quote "Be formless ... shapeless, like water."[94]
Death
On May 10, 1973, Lee collapsed during an automated dialogue replacement session for Enter the Dragon at Golden Harvest in Hong Kong. Suffering from seizures and headaches, he was immediately rushed to Hong Kong Baptist Hospital, where doctors diagnosed cerebral edema. They were able to reduce the swelling through the administration of mannitol. The headache and cerebral edema that occurred in his first collapse were later repeated on the day of his death.[95]
On July 20, 1973, Lee was in Hong Kong to have dinner with actor George Lazenby, with whom he intended to make a film. According to Lee's wife Linda, Lee met producer Raymond Chow at 2 p.m. at home to discuss the making of the film Game of Death. They worked until 4 p.m. and then drove together to the home of Lee's colleague Betty Ting Pei, a Taiwanese actress. The three went over the script at Ting's home, and then Chow left to attend a dinner meeting.[96][97]
Later, Lee complained of a headache, and Ting gave him the painkiller Equagesic, which contained both aspirin and the tranquilizer meprobamate. Around 7:30 p.m., he went to lie down for a nap. When Lee did not come for dinner, Chow came to the apartment, but he was unable to wake Lee up. A doctor was summoned, and spent ten minutes attempting to revive Lee before sending him by ambulance to Queen Elizabeth Hospital. Lee was declared dead on arrival, at the age of 32.[98]
There was no visible external injury; however, according to autopsy reports, Lee's brain had swollen considerably, from 1,400 to 1,575 grams (a 13 percent increase). The autopsy found Equagesic in his system. On October 15, 2005, Chow stated in an interview that Lee died from an allergic reaction to the tranquilizer meprobamate, the main ingredient in Equagesic, which Chow described as an ingredient commonly used in painkillers. When the doctors announced Lee's death, it was officially ruled a "death by misadventure".[99][100]
Lee's wife Linda returned to her hometown of Seattle, and had Lee's body buried in Lake View Cemetery in Seattle.[101][102] Pallbearers at Lee's funeral on July 25, 1973, included Taky Kimura, Steve McQueen, James Coburn, Dan Inosanto, Peter Chin, and Lee's brother Robert.[103] Around the time of Lee's death, numerous rumors appeared in the media.[104] Lee's iconic status and untimely death fed many wild rumors and theories. These included murder involving the triads and a supposed curse on him and his family, rumors that persist to the present day.[105]
Donald Teare, a forensic scientist, recommended by Scotland Yard, who had overseen over 1,000 autopsies, was assigned to the Lee case. His conclusion was "death by misadventure" caused by cerebral edema due to a reaction to compounds present in the combination medication Equagesic.[106] Although there was initial speculation that cannabis found in Lee's stomach may have contributed to his death, Teare refuted this, stating that it would "be both 'irresponsible and irrational' to say that [cannabis] might have triggered either the events of Bruce's collapse on May 10 or his death on July 20".[106] Dr. R. R. Lycette, the clinical pathologist at Queen Elizabeth Hospital, reported at the coroner hearing that the death could not have been caused by cannabis.[106]
At the 1975 San Diego Comic-Con convention, Lee's friend Chuck Norris attributed his death to a reaction to the combination of the muscle-relaxant medication he had been taking since 1968 for a ruptured disc in his back and an "antibiotic" he was given for his headache on the night of his death.[107] In a 2017 episode of the Reelz TV series Autopsy: The Last Hours of..., forensic pathologist Dr. Michael Hunter theorized that Lee died of adrenal crisis brought on by the overuse of cortisone, which Lee had been taking since injuring his back in a 1970 weightlifting mishap.[108] Hunter believes that Lee's exceptionally strong "drive and ambition" played a fundamental role in the martial artist's ultimate demise.[108]
In a 2018 biography, author Matthew Polly consulted with medical experts and theorized that Lee died from cerebral edema caused by over-exertion and heat stroke; and heat stroke was not considered at the time because it was then a poorly-understood condition.[109] Furthermore, Lee had his underarm sweat glands removed in late 1972, in the apparent belief that underarm sweat was unphotogenic on film.[108] Polly further theorized that this caused Lee's body to overheat while practicing in hot temperatures on May 10 and July 20, 1973, resulting in heat stroke that in turn exacerbated the cerebral edema that led to his death.[109]
Legacy
Jeet Kune Do, a hybrid martial arts philosophy drawing from different combat disciplines that was founded by Lee, is often credited with paving the way for modern mixed martial arts (MMA).[110][111] Lee is considered by commentators, critics, media, and other martial artists to be the most influential martial artist of all time[112][113][114] and a pop culture icon of the 20th century, who bridged the gap between East and West.[115][116]
He is credited with helping to change the way Asians were presented in American films[3] and was largely responsible for launching the "kung fu craze" of the 1970s.[117][118] He initially introduced kung fu to the West with American television shows such as The Green Hornet and Kung Fu,[118] before the "kung fu craze" began with the dominance of Hong Kong martial arts films in 1973.[117] Lee's success subsequently inspired a wave of Western martial arts films and television shows throughout the 1970s–1990s (launching the careers of Western martial arts stars such as Jean-Claude Van Damme, Steven Seagal and Chuck Norris), as well as the more general integration of Asian martial arts into Western action films and television shows during the 1980s–1990s.[118] Enter the Dragon has been cited as one of the most influential action films of all time. Sascha Matuszak of Vice said Enter the Dragon "is referenced in all manner of media, the plot line and characters continue to influence storytellers today, and the impact was particularly felt in the revolutionizing way the film portrayed African-Americans, Asians and traditional martial arts."[119] Kuan-Hsing Chen and Beng Huat Chua cited fight scenes in Lee films such as Enter the Dragon as being influential for the way they pitched "an elemental story of good against evil in such a spectacle-saturated way".[120]
The concept of mixed martial arts was popularized in the West by Bruce Lee via his system of Jeet Kune Do. Lee believed that "the best fighter is not a Boxer, Karate or Judo man. The best fighter is someone who can adapt to any style, to be formless, to adopt an individual's own style and not following the system of styles." In 2004, Ultimate Fighting Championship (UFC) founder Dana White called Lee the "father of mixed martial arts" and stated: "If you look at the way Bruce Lee trained, the way he fought, and many of the things he wrote, he said the perfect style was no style. You take a little something from everything. You take the good things from every different discipline, use what works, and you throw the rest away".[121] Numerous fighters in combat sports were inspired by Lee. For example, boxing champion Sugar Ray Leonard said he perfected his jab by watching Lee, boxing champion Manny Pacquiao compared his fighting style to Lee, and UFC champion Conor McGregor also compared himself to Lee and said that he believes Lee would've been a champion in UFC if he were to compete in the present day.[122] American taekwondo pioneer Jhoon Goo Rhee learnt from Lee what he calls the "accupunch", which he incorporated into American taekwondo; Rhee later coached heavyweight boxing champion Muhammad Ali and taught him the "accupunch", which Ali used to knockout Richard Dunn in 1975.[36] UFC pound-for-pound champion Jon Jones also cited Lee as inspiration,[123] with Jones known for frequently using the oblique kick to the knee, a technique that was popularized by Lee.[124] Numerous other UFC fighters have cited Lee as their inspiration, with several referring to him as a "godfather" or "grandfather" of MMA.[125]
In Japan, the manga and anime franchises Fist of the North Star (1983–1988) and Dragon Ball (1984–1995) were inspired by Lee films such as Enter the Dragon.[126][127] In turn, Fist of the North Star and especially Dragon Ball are credited with setting the trends for popular shōnen manga and anime from the 1980s onwards.[128][129] Similarly in India, Lee films had an influence on Bollywood masala films;[130] after the success of Lee films such as Enter the Dragon in India,[131] Deewaar (1975) and later Bollywood films incorporated fight scenes inspired by 1970s Hong Kong martial arts films up until the 1990s.[132] Bruce Lee films such as Game of Death and Enter the Dragon were also the foundation for video game genres such as beat 'em up action games and fighting games.[133][134] The early beat 'em up game Kung-Fu Master (1984) was originally based on Bruce Lee's Game of Death.[135] The Street Fighter video game franchise (1987 debut) was inspired by Enter the Dragon, with the gameplay centered around an international fighting tournament, and each character having a unique combination of ethnicity, nationality and fighting style; Street Fighter went on to set the template for all fighting games that followed.[136] In April 2014, Lee was named a featured character in the combat sports video game EA Sports UFC, and is playable in multiple weight classes.[137]
Honors
Hong Kong Film Awards for 'Lifetime Achievement Award 1994.[138]
Star of the Century Award 2004[139]
Golden Horse Awards Best Mandarin Film 1972
Fist of Fury Special Jury Award 1972 [138]
Lee was named by Time as one of the 100 most influential people of the 20th century.[3] In April 2013, he was posthumously awarded the prestigious Founders Award at The Asian Awards.[140]
A theme park dedicated to Lee was built in Jun'an, Guangdong. Mainland Chinese only started watching Bruce Lee films in the 1980s, when videos of classic movies like The Chinese Connection became available. Films like Enter the Dragon and Fists of Fury were banned by Mao as spiritual pollution and rightist sentimentality.[141]
On January 6, 2009, it was announced that Lee's Hong Kong home (41 Cumberland Road, Kowloon, Hong Kong) would be preserved and transformed into a tourist site by Yu Pang-lin.[142][143] Yu died in 2015 and this plan did not materialize.[144] In 2018, Yu's grandson, Pang Chi-ping, said: "We will convert the mansion into a centre for Chinese studies next year, which provides courses like Mandarin and Chinese music for children."[145]
Statues
- Statue of Bruce Lee (Los Angeles): unveiled June 15, 2013,[146] Chinatown Central Plaza, Los Angeles, California
- Statue of Bruce Lee (Hong Kong): 2.5 m (8.2 ft) bronze statue of Lee was unveiled on November 27, 2005 on what would have been his 65th birthday.[147]
- Statue of Bruce Lee (Mostar): The day before the Hong Kong statue was dedicated, the city of Mostar in Bosnia and Herzegovina unveiled its own 1.68 m (5.5 ft) bronze statue; supporters of the statue cited Lee as a unifying symbol against the ethnic divisions in the country, which had culminated in the 1992–95 Bosnian War.[148]
Martial Arts and fitness
| Bruce Lee | |
|---|---|
| Style | Jeet Kune Do (founder) Épée Fencing, Boxing,[17] Wing Chun,[149] misc. Chinese martial arts and various other styles by personal tutoring and research. |
| Teacher(s) | Ip Man, Wong Shun Leung, "Brother Edward",[17] others |
| Notable students | Jesse Glover, James DeMile, Linda Lee Cadwell, Dan Inosanto, Taky Kimura, Ted Wong, James Yimm Lee, Joe Lewis, Mike Stone, Chuck Norris, Steve McQueen, Roman Polanski, Sharon Tate, James Coburn, Brandon Lee, Kareem Abdul-Jabbar, others |
Lee's first introduction to martial arts was through his father, from whom he learned the fundamentals of Wu-style t'ai chi ch'uan.[150]
The largest influence on Lee's martial arts development was his study of Wing Chun.[149]
| Part of a series on |
| Chinese martial arts (Wushu) |
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Lee was 16 years old under the Wing Chun teacher Yip Man in between late 1956 and 1957, after losing to rival gang members. Yip's regular classes generally consisted of the forms practice, chi sao (sticking hands) drills, wooden dummy techniques, and free-sparring. There was no set pattern to the classes.[18]
At 172 cm (5 ft 8 in) and weighing 64 kg (141 lb) at the time,[151] Lee was renowned for his physical fitness and vigor, achieved by using a dedicated fitness regimen to become as strong as possible. After his match with Wong Jack Man in 1965, Lee changed his approach toward martial arts training. Lee felt that many martial artists of his time did not spend enough time on physical conditioning. Lee included all elements of total fitness—muscular strength, muscular endurance, cardiovascular endurance, and flexibility. He used traditional bodybuilding techniques to build some muscle mass, though not overdone, as that could decrease speed or flexibility. At the same time, with respect to balance, Lee maintained that mental and spiritual preparation are fundamental to the success of physical training in martial arts skills. In Tao of Jeet Kune Do he wrote:
According to Linda Lee Cadwell, soon after he moved to the United States, Lee started to take nutrition seriously and developed an interest in health foods, high-protein drinks, and vitamin and mineral supplements. He later concluded that achieving a high-performance body was akin to maintaining the engine of a high-performance automobile. Allegorically, as one could not keep a car running on low-octane fuels, one could not sustain one's body with a steady diet of junk food, and with "the wrong fuel", one's body would perform sluggishly or sloppily.[153] Lee also avoided baked goods and refined flour, describing them as providing empty calories that did nothing for his body.[154] He was known for being a fan of Asian cuisine for its variety, and often ate meals with a combination of vegetables, rice, and fish. Lee had a dislike for dairy products and as a result, used powdered milk in his diet.[155]
Personal
Names
Lee's Cantonese birth name was Lee Jun-fan (李振藩).[156] The name homophonically means "return again", and was given to Lee by his mother, who felt he would return to the United States once he came of age.[157] Because of his mother's superstitious nature, she had originally named him Sai-fon (細鳳), which is a feminine name meaning "small phoenix".[27] The English name "Bruce" is thought to have been given by the hospital attending physician, Dr. Mary Glover.[158]
Lee had three other Chinese names: Lee Yuen-cham (李源鑫), a family/clan name; Lee Yuen-kam (李元鑒), which he used as a student name while he was attending La Salle College, and his Chinese screen name Lee Siu-lung (李小龍; Siu-lung means "little dragon").[citation needed] Lee's given name Jun-fan was originally written in Chinese as 震藩; however, the Jun (震) Chinese character was identical to part of his grandfather's name, Lee Jun-biu (李震彪).[citation needed] Hence, the Chinese character for Jun in Lee's name was changed to the homonym 振 instead, to avoid naming taboo in Chinese tradition.[citation needed]
Family
Lee's father, Lee Hoi-chuen, was one of the leading Cantonese opera and film actors at the time and was embarking on a year-long opera tour with his family on the eve of the Japanese invasion of Hong Kong. Lee Hoi-chuen had been touring the United States for many years and performing in numerous Chinese communities there.
Although many of his peers decided to stay in the US, Lee Hoi-chuen returned to Hong Kong after Bruce's birth. Within months, Hong Kong was invaded and the Lees lived for three years and eight months under Japanese occupation. After the war ended, Lee Hoi-chuen resumed his acting career and became a more popular actor during Hong Kong's rebuilding years.
Lee's mother, Grace Ho, was from one of the wealthiest and most powerful clans in Hong Kong, the Ho-tungs. She was the half-niece of Sir Robert Ho-tung,[159][160] the Eurasian patriarch of the clan. As such, the young Bruce Lee grew up in an affluent and privileged environment. Despite the advantage of his family's status, the neighborhood in which Lee grew up became overcrowded, dangerous, and full of gang rivalries due to an influx of refugees fleeing communist China for Hong Kong, at that time a British Crown Colony.[27]
Grace Ho is reported as either the adopted or biological daughter of Ho Kom-tong (Ho Gumtong, 何甘棠) and the half-niece of Sir Robert Ho-tung, both notable Hong Kong businessmen and philanthropists.[159] Bruce was the fourth of five children: Phoebe Lee (李秋源), Agnes Lee (李秋鳳), Peter Lee, and Robert Lee.
Grace's parentage remains unclear. Linda Lee, in her 1989 biography The Bruce Lee Story, suggests that Grace had a German father and was a Catholic.[68] Bruce Thomas, in his influential 1994 biography Bruce Lee: Fighting Spirit, suggests that Grace had a Chinese mother and a German father.[161] Lee's relative Eric Peter Ho, in his 2010 book Tracing My Children's Lineage, suggests that Grace was born in Shanghai to a Eurasian woman named Cheung King-sin.[161] Eric Peter Ho said that Grace Lee was the daughter of a mixed race Shanghainese woman and her father was Ho Kom Tong. Grace Lee said her mother was English and her father was Chinese.[162] Fredda Dudley Balling said Grace Lee was three-quarters Chinese and one-quarter British.[163]
In the 2018 biography Bruce Lee: A Life, Matthew Polly identifies Lee's maternal grandfather as Ho Kom-tong, who had often been reported as his adoptive grandfather. Ho's father, Mozes Hartog Bosman, was a Dutch Jewish businessman from Rotterdam.[164] He moved to Hong Kong with the Dutch East India Company and served as the Dutch consul to Hong Kong at one time. He had a Chinese concubine named Sze Tai with whom he had six children, including Ho Kom Tong. Bosman subsequently abandoned his family and immigrated to California.[165] Ho Kom Tong became a wealthy businessman with a wife, 13 concubines, and a British mistress who gave birth to Grace Ho.[166][167][168]
His younger brother Robert Lee Jun-fai is a notable musician and singer, his group The Thunderbirds were famous in Hong Kong.[169][170][171] A few singles were sung mostly or all in English. Also released was Lee singing a duet with Irene Ryder.[172] Lee Jun-fai lived with Lee in Los Angeles in the United States and stayed. After Lee's death, Lee Jun-fai released an album and the single by the same name dedicated to Lee called The Ballad of Bruce Lee.[173]
While studying at the University of Washington he met his future wife Linda Emery, a fellow student studying to become a teacher, whom he married in August 1964. Lee had two children with Linda: Brandon (1965–1993) and Shannon Lee (born 1969). Upon's Lee passing in 1973, she continued to promote Bruce Lee's martial art Jeet Kune Do. She wrote the 1975 book Bruce Lee: The Man Only I Knew, on which the 1993 feature film Dragon: The Bruce Lee Story was based.[174] In 1989, she wrote the book The Bruce Lee Story. She retired in 2001 from the family estate.
Lee died when his son Brandon was eight years old. While alive, Lee taught Brandon martial arts and would invite him to visit sets. This gave Brandon the desire to act and went on to study the craft. As a young adult, Brandon Lee found some success acting in action orientated pictures such as Legacy of Rage (1986), Showdown in Little Tokyo (1991), and Rapid Fire (1992). In 1993, at the age of 28, Brandon Lee died after being accidentally shot by a prop gun on the set of The Crow.
Lee died when his daughter Shannon was four. In her youth she studied Jeet Kune Do under Richard Bustillo, one of her father's students; however, her serious studies did not begin until the late 1990s. To train for parts in action movies, she studied Jeet Kune Do with Ted Wong.[175]
Friends, students, and contemporaries
Lee's brother Robert with his friends Taky Kimura, Dan Inosanto, Steve McQueen, James Coburn, and Peter Chin were his pallbearers.[176] Coburn was a martial arts student and a friend of Lee. Coburn worked with Lee and Stirling Silliphant on developing The Silent Flute. Upon Lee's early death, at his funeral Coburn did an eulogy.[176] McQueen was also martial arts student and a friend of Lee. Both were very competitive of their success. Lee made no secret that he wanted everything McQueen had and would stop at nothing to get it.[177][178][179] Inosanto and Kimura were friends and disciple of Lee. Inosanto who would go on to train Lee's son Brandon.[180][181] Kimura continued to teach Lee's craft in Seattle.[182] According to Lee's wife, Chin was a lifelong family's friend and a student of Lee.[183]
James Yimm Lee (no relation) was one of Lee's three personally certified 3rd rank instructors and co-founded the Jun Fan Gung Fu Institute in Oakland where he taught Jun Fan Gung Fu in Lee's absence. James was responsible for introducing Lee to Ed Parker, the organizer of the Long Beach International Karate Championships where Lee was first introduced to the martial arts community.[184]
Hollywood couple Roman Polanski and Sharon Tate studied martial arts with Lee. Polanski flew Lee to Switzerland to train him. Tate studied with Lee in preparation for her role in The Wrecking Crew. After Tate was murdered by the Manson Family, Polanski initially suspected Lee.[185]
Screenwriter Stirling Silliphant was a martial arts student and a friend of Lee.[186][187] Silliphant worked with Lee and James Coburn on developing The Silent Flute.[188] Lee acted and provided his martial arts expertise in several projects penned by Silliphant, the first in Marlowe (1969) where Lee plays Winslow Wong a hoodlum well versed in martial arts, Lee also did fight choreographies for the film A Walk in the Spring Rain (1970), and Lee played Li Tsung a Jeet Kune Do instructor who teaches the main character in the tv show Longstreet (1971), included in the script were elements of his martial arts philosophy.[52][53][57][58][59][60]
Basketball player Kareem Abdul-Jabbar studied martial arts and developed a friendship with Lee.[57]
Actor and karate champion Chuck Norris was a friend and training partner of Lee's.[189] After Lee's passing, Norris said he kept in touch with Lee's family, and that their sons Eric Norris and Brandon became friends.[190]
Filmography
Advertising
Though Bruce Lee did not appear in commercials during his lifetime, Nokia launched an internet-based campaign in 2008 with staged "documentary-looking" footage of Bruce Lee playing ping-pong with his nunchaku and also igniting matches as they are thrown toward him. The videos went viral on YouTube, creating confusion as some people believed them to be authentic footage.[191]
Bibliography
- Chinese Gung-Fu: The Philosophical Art of Self Defense (Bruce Lee's first book) – 1963
- Tao of Jeet Kune Do (Published posthumously) – 1973
- Bruce Lee's Fighting Method (Published posthumously) – 19784
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