MALA SINHA HINDI LEGENDARY ACTRESS BORN 1936 NOVEMBER 11

MALA SINHA HINDI LEGENDARY ACTRESS

BORN 1936 NOVEMBER 11

Mala Sinha (born 11 November 1936 in Calcutta, India) is a former Bollywood actress who has worked in Hindi, Bengali and Nepali films. Recognised for her talent and beauty, she went on to become a popular leading actress in Hindi films from the early 1950s until the late 1970s. Sinha has starred in over a hundred film productions: popular ones include Pyaasa (1957), Anpadh, Dil Tera Deewana (both 1962), Gumrah (1963), Himalaya Ki God Mein (1965), Aankhen (1968), Maryada and Babu.[1

Mala Sinha
Mala Sinha in Baharen Phir Bhi Aayengi(1966)
Born	Alda Sinha 11 November 1936 (age 79) Calcutta, Bengal Presidency, British India
Occupation	Actress
Years active	1952–1994
Spouse(s)	Chidambar Prasad Lohani
Children	Pratibha Sinha, daughter

Early life[edit]

Mala Sinha's father was a Bengali Christian, while her mother was of Nepali origin. Her father's name was Albert Sinha. Mala's initial name was Alda. Her friends at school in Calcutta (now Kolkata) used to tease her by calling her Dalda (a brand of vegetable oil), so she changed her name to Baby Nazma on getting her first assignment as a child artiste. 

Later on, as an adult actor, she changed her name to Mala Sinha.[2][2][3] In her childhood she learnt dancing and singing. Although she was an approved singer of All India Radio, she has never done playback singing in films. But as a singer she has done stage shows in many languages from 1947 to 1975.

Career[edit]

Sinha started her career as child artist in Bengali films Jai Vaishno Devi followed by Shri Krishan Leela, Jog Biyog and Dhooli. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his film Roshanara (1952), her cinematic debut.

After acting in a couple of films in Calcutta, Mala had to go to Bombay for a Bengali film. There she met Geeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to director Kidar Sharma. Sharma cast her as a heroine in his Rangeen Ratein. Her first Hindi film was Badshah opposite Pradeep Kumar, then came Ekadashi, a mythological film. 

Both failed, but her lead role in Kishore Sahu's Hamlet, paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office.[4] Films like Lai Batti (actor Balraj Sahni’s only directorial venture), Nausherwan-E-Adil where she starred as the fair maiden Marcia in Sohrab Modi’s romance about forbidden love and Phir Subah Hogi, which was director Ramesh Saigal’s adaptation of Dosteovsky’s Crime and Punishment established Mala Sinha's reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.

Mala was a singer of some repute and used to sing for All India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972's Lalkar.[5] In the 1950s, she had string of hits opposite Pradeep Kumar like Fashion (1957), Detective (1958), Duniya Na Mane (1959). The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and director Guru Dutt (the husband of Geeta Dutt) cast Mala in his film Pyaasa (1957) in a role originally intended for Madhubala. 

Mala gave a memorable performance as the relatively unsympathetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage rather than a poor, unsuccessful poet and her impoverished lover (played by Guru Dutt) whom she ditches. Pyaasa remains to this day a classic in the history of Indian cinema and a turning point for Sinha.

After Pyaasa her major success were Phir Subah Hogi (1958) and Yash Chopra's directorial debut Dhool Ka Phool (1959) that elevated her into a major dramatic star.[6] She was part of many successful movies from 1958 to the early '60s like Parvarish (1958), Ujala, Main Nashe Main Hoon, Duniya Na Mane, Love Marriage (1959), Bewaqoof (1960), Maya (1961), Hariyali Aur Rasta and Dil Tera Deewana (1962), Anpadh, Bombay Ka Chor (1962).

Critics believe her career best performance was in Bahurani (1963), Gumrah, Gehra Daag, Apne Huye Paraye and Jahan Ara.[7] Apart from pairing with Pradeep Kumar, her pairing opposite Raaj Kumar, Rajendra Kumar, Biswajit and Manoj Kumar in woman-oriented films were appreciated by audiences, with her work opposite Biswajit being the most popular. With Raaj Kumar, she gave box office hits like Phool Bane Angaare, Maryada and Karmayogi and opposite Manoj Kumar, gave commercial successes like Hariyali Aur Rasta, Apne Huye Paraye and Himalaya Ki God Mein. The hits with Rajendra Kumar were Devar Bhabhi, Dhool Ka Phool, Patang, Geet and Lalkar.

With Biswajit her popular movies include Aasra, Night in London, Do Kaliyaan, Tamanna, Nai Roshni and critically acclaimed films Pyar Ka Sapna, Paisa Ya Pyaar, Jaal and Phir Kab Milogi. She did 10 films with Biswajit. In 2007, they won the Star Screen Lifetime Achievement Award, calling them on stage together giving due respect to their popularity as a pair who have tasted box office success.[8]

The most remarkable feature of career of Mala Sinha was that most of her 1960s and 1970s hits were fueled by her own star power as much as the heroes and most of the times her role was more powerful than the hero. Though she was pitted opposite her seniors like Raj Kapoor, Dev Anand, Kishore Kumar, Pradeep Kumar and when she acted opposite the emerging stars from late 1950s like Shammi Kapoor, Rajendra Kumar and Raaj Kumar, she made sure her role was as good as theirs.

 The characters she played stood out and gave her recognition for her performances. Sinha did not mind working with newcomers as long as her role was worth it. She worked with many newcomers of her era including Manoj Kumar, Dharmendra, Rajesh Khanna, Sunil Dutt, Sanjay Khan, Jeetendra and Amitabh Bachchan. In most of her films from the 1960s, she got the first billing in the credits, even before the heroes, with exceptions being those with Guru Dutt, Raj Kapoor, Dev Anand, Pradeep Kumar and Kishore Kumar.Her career's biggest blockbuster was Maryada released in 1971.

In 1966, Sinha went to Nepal to act in a Nepali film called Maitighar when the Nepali film industry was still in its infancy. This was the only Nepali film she did in her career. The hero was an estate owner called Chidambar Prasad Lohani.[9]

Soon after, Mala Sinha married C. P. Lohani with the blessings of her parents. From the beginning theirs was a long-distance marriage with Lohani based in Kathmandu to look after his business and Sinha living in Bombay with their daughter Pratibha. She continued acting after her marriage.[1]

She has been a heroine in many Bengali films. In Bengali films she has acted with Uttam Kumar and Kishore Kumar. Her last Bengali work as a female lead was Kabita (1977) which featured Ranjit Mullick and Kamal Hassan; it was a super-hit at the box office. She is noted for her strong women-oriented, glamorous roles fueled by her equal star power on par with the heroes in films like Dhool Ka Phool, Suhag Sindoor,Anpadh, Phir Subah Hogi, Hariyali Aur Rasta, Bahurani, Aasra, Do Kaliyaan, Gumrah, Aankhen, Baharen Phir Bhi Aayengi, Himalaya Ki God Mein, Do Kaliyaan, Holi Aayi Re, Nai Roshni, Mere Huzoor, Kangan, Archana, Maryada amongst others.[10]

Of her rich and varied repertoire, she mentions she is rather partial to Jahan Ara (1964), a historical movie that Meena Kumari passed on to her:

"Meenaji turned down the role saying that she would not look the part whereas I would. Given my ignorance of Urdu, I was rather sceptical but Meenaji was convinced that I could do justice to the role. Playing Mumtaz Mahal's eldest daughter entailed gruelling Urdu classes and learning royal tehzeeb. It was hot on the grand sets erected at Ranjit Studio and the film had Madan Mohan's haunting music. It was a film replete with lyrical moments."[1]

From 1974, she cut down on her assignments as the lead actresses. She accepted strong character roles in films like 36 Ghante (1974), Zindagi (1976), Karmayogi (1978), Be-Reham (1980), Harjaee (1981), Yeh Rishta Na Tootay, Babu (film) and Khel, which were popular.

In the early '90s Madhuri Dixit was promoted as the new Mala Sinha in magazines. But, after 1994, she completely withdrew from industry and has given very few public appearances. In Dhool Ka Phool and B.R. Chopra's Gumrah, she played the first unwed mother and adulterous wife respectively in Hindi cinema. As she grew older, she gracefully moved on to doing character roles that befitted her age. She was last seen in Zid (1994).[11] Though Mala evinced as much interest in her daughter Pratibha's career as her father did in her career, she was unable to achieve the same success for her daughter.[12]

Personal life[edit]

Mala Sinha was born to Madhesi ethnic Nepali parents after they immigrated to West Bengal, India from Madhesh plains of Nepal. Sinha married a Pahari ethnic Nepali actor Chidambar Prasad Lohani of Nepal in 1968. The couple met when they worked together in the Nepali film Maitighar (1966). Lohani had an estate agency business. 

After her marriage, she used to come and stay in Mumbai to shoot films while her husband stayed in Nepal running his business. She has one daughter from the marriage: Pratibha Sinha, who is a former Bollywood actress.[13][14] From the late 1990s, the couple and their daughter have been residing in a bungalow in Bandra, Mumbai.[15][16]

Awards[edit]

Mala Sinha in 2012 at the press conference of 'Dadsaheb Phalke Jayanti Awards'
BFJA Award for Best Actress (1965) — Jahan Ara
BFJA Award for Best Actress (1966) — Himalaya Ki God Mein[17]
Sikkim Samman Award by Government of Sikkim (2004)[18]
Felicitation by Government of Nepal (2005)[19]
Star Screen Lifetime Achievement Award (2007)[20]
Kelvinator GR8! Women Awards: Lifetime Achievement Award (2013)[21]
Dadasaheb Phalke Academy Awards: Phalke Icon Cine Artiste Award (2013)[22]

Nominations[edit]

Filmfare Award for Best Actress — Dhool Ka Phool (1960)
Filmfare Award for Best Actress — Bahurani (1964)
Filmfare Award for Best Actress — Jahan Ara (1965)
Filmfare Award for Best Actress — Himalaya Ki God Mein (1966)[23]

Filmography[edit]
Hindi films[edit]

Zid (1994) Jai Mehta
Radha Ka Sangam (1992) Govinda
Khel (1992) Anil Kapoor
Dil Tujhko Diya (1987) Kumar Gaurav
Babu (film) (1985) Navin Nishchal
Yeh Rishta Na Toote (1985) Rajendra Kumar
Aasman'' (1984) Rajeev Kapoor
Nek Parveen (1982) Rakesh Pandey/Satish Kaul
Beraham (1982) Sanjeev Kumar
Harjai (1981) Shammi Kapoor
Dhan Daulat (1980) Rajendra Kumar
Karamyogi (1978) Raaj Kumar
Prayashchit (1977) Ajay Sahni (Parikshit Sahni)
Do Ladkiyan (1976) Sanjeev Kumar
Zindagi (1976) Sanjeev Kumar—Sarojini
Mazdoor Zindabad (1976) Rajendra Kumar
Naseeb'' (1976) (Guest Appearance)
Sunehra Sansar (1975) Rajendra Kumar
Archana (1974) Sanjeev Kumar
Kora Badan (1974) (Guest Appearance)
36 Ghante (1974) Raajkumar
Rickshawala (1973) Sujit Kumar
Kahani Hum Sab Ki (1973) Vinod Mehra
Phir Kab Milogi (1973) Biswajeet
Rivaaj (1972) Sanjeev Kumar
Lalkaar (1972) Rajendra Kumar
Maryada (1971) Rajkumar/Rajesh Khanna
Sanjog (1971) Amitabh Bachchan
Chahat (1971) Biswajeet
Holi Ayee Re (1970) Prakash Thapa
Kangan (1970)Sanjeev Kumar
Geet (1970)Rajendra Kumar
Do Bhai (1969) Jeetendra
Paisa Ya Pyar (1969) Biswajeet
Pyar Ka Sapna (1969) Biswajeet
Tamanna (1969) Biswajeet
Mere Huzoor (1968) Rajkumar/Jeetendra
Humsaya (1968) Joy Mukherjee
Do Kaliyaan (1968) Biswajeet
Aankhen (1968) Dharmendra
Nai Roshni (1967) Biswajeet
Night in London (1967) Biswajeet
Jaal (1967) Biswajeet
Jab Yaad Kisi Ki Aati Hai (1967) Dharmendra
Aasra (1966)Biswajeet
Dillagi (1966) Sanjay Khan
Mere Lal (1966) Dev Kumar
Baharen Phir Bhi Aayengi (1966) Dharmendra/Rehman
Himalaya Ki God Mein (1965) Manoj Kumar – Nominated: Filmfare Best Actress Award
Neela Aakash (1965) Dharmendra
Bahu Beti (1965) Joy Mukherjee
Main Suhagan Hoon (1964) Ajit Khan
Jahan Ara (1964) Bharat Bhushan – Nominated: Filmfare Best Actress Award
Apne Huye Paraye (1964) Manoj Kumar
Suhagan'' (1964) Guru Dutt
Pooja Ke Phool (1964) Dharmendra
Phool Bane Angarey (1963) Raajkumar
Gumraah (1963) with Sunil Dutt
Bahu Rani (1963) Guru Dutt – Nominated: Filmfare Best Actress Award
Gehra Daag (1963) Rajendra Kumar
Hariyali Aur Rasta (1962) Manoj Kumar
Anpadh (1962) Dharmendra
Bombay Ka Chor (1962) Kishore Kumar
Aankh Micholi (1962) Shekhar
Gyarah Hazaar Ladkiyan (1962) Bharat Bhushan
Dil Tera Diwana (1962) Shammi Kapoor
Suhag Sindoor (1961) Manoj Kumar
Maya (1961) Dev Anand
Dharamputra (1961) Rehman
Patang (1960) Rajendra Kumar
Main Nashe Mein Hoon (1960) Raj Kapoor
Bewaqoof (1960) Kishore Kumar
Mitti Mein Sona (1960) Pradeep Kumar
Dhool Ka Phool (1959) Ashok Kumar / Rajendra Kumar – Nominated: Filmfare Best Actress Award
Love Marriage (1959) Dev Anand
Duniya Na Mane (1959) Pradeep Kumar
Ujala (1959) Shammi Kapoor
Devar Bhabhi (1958) Rajendra Kumar
Parvarish (1958) Raj Kapoor
Phir Subah Hogi (1958) Raj Kapoor
Jaalsaz (1959) Kishore Kumar
Chandan'' (1958) Kishore Kumar
Detective (1958) Pradeep Kumar
Nausherwan-E-Adil (1957) Raajkumar
Ek Goan Ki Kahani (1957) Abhi Bhattacharya/Talat Mehmood
Apradhi Kaun (1957) Abhi Bhattacharya
Lal Batti (1957) Balraj Sahni
Naya Zamana (1957) Pradeep Kumar
Fashion'' (1957) Pradeep Kumar
Pyaasa (1957) Guru Dutt/Rehman
Rangin Raaten (1956) Shammi Kapoor
Ek Shola (1956) Pradeep Kumar
Paisa Hi Paisa (1956) Kishore Kumar
Jhanshi Ki Rani (1956) Sohrab Modi
Ratna Manjari (1955) Mahipal
Ekadashi (1955) Trilok Kapoor
Riyasat'' (1955) Mahipal
Badshah (1954) Pradeep Kumar
Hamlet'' (1954) Pradeep Kumar/Kishore Sahu
Suhagan'' (1954) Guru Dutt
Bengali films[edit]
Kabita (1977)
Shohorer Itikotha (Uttam Kumar )
Saathihaara (Uttam Kumar)
Abhaya O Srikanta (1961)
Kelaghar (1959) (Uttam Kumar)
Lookochoori (1958)(Kishore Kumar)
Louha Kapat (1958)
Bondhu
Surer Parashay (1957)
Prithibi Amare Chaay (1957)
Putrabadhu (1956)
Dhuli (1954)
Chitrangadha (1954)
Jog Biyog (1953)
Roshanara (1952)
Nepali film[edit]
Maitighar (1966)