LESLIE PARRISH AMERICAN ACTRESS BORN 1935 MARCH 13

 

LESLIE PARRISH AMERICAN 

ACTRESS BORN 1935 MARCH 13

Leslie Parrish (born Marjorie Hellen; March 13, 1935)[2] is an American actress, activist, environmentalist, writer, and producer. She worked under her birth name for six years, changing it in 1959.

Early life

As a child, Parrish lived in Massachusetts, Pennsylvania, New York, and New Jersey. At the age of 10, she finally settled in Upper Black Eddy, Pennsylvania. At the age of 14, Parrish was a talented and promising piano and composition student at the Philadelphia Conservatory of Music.[3] At the age of 16, Parrish earned money for her tuition by working as a maid and a waitress, and by teaching piano. At the age of 18, to earn enough money to be able to continue her education at the Conservatory, her mother persuaded her to become a model for one year.[4][3]

Modeling and acting

In April 1954, as a 19-year-old model with the Conover Agency in New York City, Parrish was under contract to NBC-TV as "Miss Color TV" (she was used during broadcasts as a human test pattern to check accuracy of skin tones).[5][3] She was quickly discovered and signed with Twentieth Century Fox in Hollywood. In 1956, she was put under contract to Metro-Goldwyn-Mayer.[6] Because acting allowed her to help her family financially,[7] she remained in Hollywood and gave up her career in music.

Films and television

With Ralph Taeger in Acapulco (1961)

Parrish co-starred/guest-starred in numerous films and television shows throughout the 1960s and 1970s. She first gained wide attention in her first starring role as Daisy Mae in the movie version of Li'l Abner (1959), where she changed her name from Marjorie Hellen to Leslie Parrish at the director's request.[8] She appeared in the film The Manchurian Candidate (1962), playing Laurence Harvey's on-screen fiancée , Jocelyn Jordan. Other film credits include starring opposite Kirk Douglas in For Love or Money (1963) and Jerry Lewis in Three on a Couch (1966), among others.[9]

Parrish amassed an extensive résumé of television credits.[9] Among many other credits, Parrish appeared in guest starring roles on episodes of The Wild Wild West, My Three Sons, Family Affair, Bat Masterson, The Man From U.N.C.L.E., Adam-12, Good Morning World, Police Story, Batman and McCloud.[9] In 1967, she guest-starred on Star Trek in the season two episode entitled "Who Mourns For Adonais?" She portrayed Lt. Carolyn Palamas, the love interest of the character Apollo, played by Michael Forest.[10][9] In February 1968, she played opposite Peter Breck in an episode of The Big Valley entitled "A Bounty on a Barkley".[9] The following month, Parrish made her first guest appearance on Mannix in the episode "The Girl in the Frame."[11][12]

Parrish was the Associate Producer on the film version of Jonathan Livingston Seagull (1973). Among other things, she hired the director of photography Jack Couffer—who later received an Academy Award nomination for his efforts—and she was responsible for the care of the film's real-life seagulls, which she kept inside a room at a Holiday Inn for the duration of the shoot. When the relationship between author Richard Bach and director Hall Bartlett disintegrated and a lawsuit followed, Parrish was appointed as the mediator between the two men. However, her final credit was demoted from Associate Producer to "Researcher".[13] In 1975, Parrish appeared in the low budget B-Movie The Giant Spider Invasion which is now regarded as a cult film.

While acting provided financial stability, her main interest was in social causes including the anti-war and civil rights movements[14] and, as far back as the mid 1950s, the environment.

Political activism

Parrish's interests and activities in social movements and politics grew to become her main work. She was a vocal opponent of the Vietnam War, a member of the Jeannette Rankin Brigade, a group of notable women who fought against the war and for civil rights.[15] In 1967, she participated in a peace march in Century City (near Beverly Hills) where she and thousands of other protestors were attacked and beaten by police and the National Guard. President Lyndon Johnson was present at the Century Plaza Hotel and helicopters were flying overhead with machine guns pointed at the marchers,[16][17]

Parrish started to make speeches in the Los Angeles area, telling residents what the media did not report and speaking out against the war. Impressed with her speaking abilities, several professors from UCLA aligned with the anti-war movement asked her to organize more like-minded actors and actresses who would be willing to speak out.[18]Two weeks later Parrish had created "STOP!" (Speakers and Talent Organized for Peace), an organization of two dozen members ready to engage the public.[19][20] Shortly thereafter, the organization grew to 125 speakers, and many more subsequently.[18]

On August 6, 1967, Parrish helped organize a protest march of 17,000 people on the "Miracle Mile" of Wilshire Boulevard in Los Angeles, which received extensive media coverage and national attention. She also created a popular bumper sticker: 'Suppose they gave a war and no one came'.[21][22][23] Parrish and her friends distributed hundreds of them from their vehicles. Walter Cronkite reported that Bobby Kennedy had one in his plane. Someone later published the bumper sticker, changing the original wording to 'WHAT IF they gave a war and no one came' but to Parrish, the important thing was spreading that message.

In October 1967, a private meeting was arranged between Parrish and Bobby Kennedy by mutual friend and well-known Kennedy photographer, Stanley Tretick.[24][25] She begged Kennedy to run for president, telling him that huge, influential organizations opposed to the war in Vietnam were ready to support him were he to run. Kennedy refused again and again, saying he could not oppose Lyndon Johnson, a sitting president.[26][27] On November 30, Eugene McCarthy, a little-known senator, declared he would run against the war and challenge Johnson. Parrish was elected chair of his speaker's bureau and utilized STOP! to develop support for McCarthy.[26] On March 12, 1968, McCarthy almost defeated Johnson in the New Hampshire primary winning 42% of the vote. On March 16 (four days later) Bobby Kennedy announced that he would run for president. Two weeks later, on March 31, Johnson declared that he would not run for re-election. Parrish remained loyal to McCarthy and was elected a delegate to represent him in August at the 1968 Democratic National Convention in Chicago.[28]

On April 4, 1968, Parrish and Leonard Nimoy (who was a STOP! member and supporter of Eugene McCarthy) flew to San Francisco to open McCarthy's new headquarters there. After they left, they learned of the assassination of Martin Luther King Jr. Nimoy and Parrish cried during the speeches they gave that evening.

In August, during the Chicago Democratic Convention, McCarthy delegates, including Parrish, spent little time on the convention floor. The real work on the night of the nomination, August 28, was outside the Hilton Hotel where violent actions by police against anti-war demonstrators and spectators were being covered by live television [29][30] and thousands of people chanted "The Whole World is Watching."

Hubert Humphrey was nominated by the convention but lost the election to Richard Nixon. While still in Chicago, the peace movement began working toward the 1972 election, hoping to elect George McGovern. McGovern did win primaries and Parrish served as a delegate at the 1972 Democratic Convention in Miami, Florida.[31][32] But McGovern lost to Richard Nixon.[33]

During this era of political activism, Parrish worked in numerous political campaigns (presidential, gubernatorial, senatorial, congressional, mayoral) and with many different organizations, producing public events and fund-raisers for them. Her last major production was the National Mobilization Committee to End the War in Vietnam (MOBE) held November 16, 1969 at San Francisco's Polo Grounds.[34]

Los Angeles municipal government

In 1969, Parrish joined many in an effort to remove Los Angeles mayor Sam Yorty from office. She supported and campaigned for a former police lieutenant named Tom Bradley who was then the city's first black city councilman. Despite high polling numbers prior to the election, Bradley lost to Yorty, giving rise to what was later known as "The Bradley Effect."[35] Next day, he decided to run again, and over the next four years Parrish worked with him closely to help secure his victory in the next mayoral election. In 1973, Tom Bradley became Los Angeles's first black mayor. Parrish was one of forty activist citizens who served on Bradley's Blue Ribbon Commission to choose new Los Angeles Commissioners.[36] Over the next 20 years, Tom Bradley brought massive development to the city and was reelected five times, setting a record for length of tenure. Parrish and Tom Bradley remained friends for many years.

Creator of innovative television

The lack of media coverage during the Century City riots in 1967 prompted Parrish to think of a new way to cover such events live to prevent suppression and/or manipulation of the news. In 1969, she began to create a television station that would devote itself to covering public events and provide in-depth analysis and discussions of important developments in the world. In 1974, KVST-TV[37] (Viewer Sponsored Television, Channel 68, Los Angeles) went on the air as part of the PBS system of stations. Film notables, business people and local activists formed the board of directors and provided support for the unique station. After a difficult start, KVST was receiving positive reviews in Los Angeles and nationwide attention. However, by 1976, internal dissension on the board of directors led to the demise of the station.[38] The signal was turned off and KVST-TV was never heard from again.[39] In 1979, C-SPAN went on the air. It mirrored many of KVST's objectives including the mobile bus to cover distant events live. It developed the concepts further, and is a major success today.

Environmental activism

Parrish's concern for the environment dates back to the 1950s when Los Angeles’ severe smog, and the reason for it, worried her. In 1979, she and her then-husband, Richard Bach, built an experimental home in southwest Oregon using 100% solar power with no cooling or heating systems, in order to prove it could be done.

While living in Oregon, Parrish saw devastated forests managed by the Bureau of Land Management (BLM) and decided to protest a local timber sale.[40] With two neighbors, she and Richard established an organization called "Threatened and Endangered: Little Applegate Valley" (TELAV). They worked for two years researching and writing a 600-page legal and scientific protest of BLM's logging of forests which would not regenerate, which was illegal.[41][42][43] The BLM assistant state director eventually agreed, telling the Medford Mail Tribune that ..."The sale involves enough improprieties in BLM rules and procedures that it can’t be legally awarded. In order to comply with our own procedures we had no choice but to withdraw the sale and reject all bids." The TELAV protest document served as the basis for many future timber sale protests in the U.S. and Canada. TELAV continues to fight for the environment to this day and the Little Applegate Valley has never been logged.[44]

In 1999, Parrish created a 240-acre wildlife sanctuary on Orcas Island (in the San Juan Islands, Washington State) to save it from normal development techniques which include logging. She named it the "Spring Hill Wildlife Sanctuary".[45] For seventeen years, she carefully developed the ridge-top property by creating nearly a dozen small, hidden home sites on 25% of the land while preserving the remainder in perpetuity within the San Juan Preservation Trust. While the property is now fully developed there are no breaks in the heavily forested ridge line. The developed land is invisible from the island community and the forest is intact.

Marriages

Parrish married songwriter Ric Marlow in 1955; the couple divorced in 1961.[46] In 1981, she married Richard Bach,[47][48] the author of the 1970 book Jonathan Livingston Seagull, whom she met during the making of the 1973 movie of the same name. She was a major element in two of his subsequent books—The Bridge Across Forever (1984) and One (1988)—which primarily focused on their relationship and Bach's concept of soulmates.[49][46] They divorced in 1999.

Leslie Parrish (born 18 March 1935; age 86) is the actress who played Lieutenant Carolyn Palamas in the Star Trek: The Original Series second season episode "Who Mourns for Adonais?". Parrish was born as Marjorie Hellen, but changed her name in the late 1950s. She filmed her scenes between Thursday 1 June 1967 and Thursday 8 June 1967 at Desilu Stage 9 and Stage 10.

According to author Stephen Whitfield, Parrish, when she had to adorn the titillating dress gifted to her by Apollo (designed by William Ware Theiss), was herself completely comfortable and had no qualms about wearing and moving in it, though it were "the crew and set visitors who had all the qualms". (The Making of Star Trek, p. 361)

The dress as worn by Parrish has gained somewhat of a legendary status in Star Trek-lore as being the prime example of Theiss' own "Theiss Theory of Titillation", and has been the eye-catcher in the 1992 Star Trek Smithsonian Exhibit. [1] When it was one year later sold as Lot 918 in the 1993 The William Ware Theiss Estate Auction, it brought in over ten times the high estimate of US$700 – $900, amply demonstrating its stature in lore. Incidentally, Parrish wore the dress again in the episode "The Girl in the Frame" of another Desilu production, Mannix, which aired on 16 March 1968, a half year after the Star Trek episode. (To Boldly Go: Rare Photos from the TOS Soundstage - Season Two, p. 40)

Parrish herself has expressed immense pride in her Star Trek performance in later life, "Whenever I watch it, I go right back to the whole thing again and cry my way through it. I relive it. My impression of it is that it's one piece of work that I'm very proud of. Of all the work I did, this is outstanding, because it is rooted in something which I believe so deeply." (These Are the Voyages: TOS Season Two, p. 115)

Nearly five decades after the Star Trek episode had aired, Parrish became acquainted again with it when she was invited to reminisce on her performance for the special feature "Inside the Roddenberry Vault (Part 3)" included on the 2016 Star Trek: The Original Series - The Roddenberry Vault Blu-ray Disc-set, commenting on recently rediscovered outtakes from the episode, including some featuring herself, most notably the one in which it was divulged that her character was pregnant from Apollo which had been omitted from the episode as aired. She also reiterated her beliefs in the futuristic philosophy behind Star Trek and her friendship because of them with Star Trek creator Gene Roddenberry, whom she had already met when she appeared in an episode of the 1963-64 television series The Lieutenant, which he created.

Career

Parrish played Daisy Mae in the 1959 film version of the musical Li'l Abner alongside Julie Newmar. She played the wholesome civil libertarian Jocelyn Jordan in the 1962 political psycho-drama The Manchurian Candidate, which also had work for her future fellow TOS guest actors Reggie Nalder, Whit Bissell, and James Gregory. She starred alongside Robert Easton in Bill Rebane's 1975 B-movie The Giant Spider Invasion (which was later used on Mystery Science Theater 3000).

On television, she guest starred on Batman twice, first in 1966 alongside Charles Picerni and directed by Robert Butler, then in 1967, with Elisha Cook. She also appeared in two episodes of The Wild Wild West, once with Michael Dunn, Bill Catching, Troy Melton, and Hal Needham, and once alongside William Windom and Bob Herron, directed by Robert Sparr. For Mannix she made two additional encores in otherwise unrelated guest starring roles. Additionally, she also guest-starred in the series Follow the Sun alongside series star Gary Lockwood, having already done so when she made her The Lieutenant appearance.

She married Richard Bach, author of Jonathan Livingston Seagull in 1977. She has amassed about seventy-five television and movie credits (including a role in the film adaptation of Bach's novel). She and her (now ex-)husband lived in the San Juan Islands off Washington State.