HOLLYWOOD ACTRESS CLAURETTE COLBERT
BORN 1903 SEPTEMBER 13
SYNOPSIS
Colbert moved with her family to New York City about 1910. While studying fashion design, she landed a small role in the Broadway play The Wild Westcotts (1923) after meeting the playwright at a party.
She had begun using the name Claudette instead of Lily in high school, and for her stage name she added her paternal grandmother’s maiden name, Colbert.
CAREER
Although The Wild Westcotts had only a short run, Colbert enjoyed acting enough to give up thoughts of working as a fashion designer. Other Broadway and touring productions followed, and she achieved theatre stardom in The Barker (1927), playing a carnival snake charmer opposite Norman Foster, to whom she was married from 1928 to 1934. (Her second marriage, to Joel Pressman, lasted from 1935 until his death in 1968.) While still starring in The Barker, Colbert made her film debut in the Frank Capra-directed silent movie For the Love of Mike (1927).
Miserable about the acting conventions for silent films and unhappy because she was unable to use one of her greatest assets, her voice, she returned to the stage determined never to make another film. That experience, however, did not prevent her from signing a contract with Paramount Pictures in 1928, and a year later she made her first talking picture, The Hole in the Wall, with Edward G. Robinson in an early gangster role. Colbert did not return to Broadway for more than 25 years.
Most of Colbert’s early movies were undistinguished, although her performances were admired. One of her first memorable roles was in Cecil B. DeMille’s The Sign of the Cross (1932). As Poppaea, the wife of Nero (played campily by Charles Laughton) and “the wickedest woman in the world,” Colbert slinked about in revealing costumes, vamped costar Fredric March, and in one famous scene took a bath in what was said to be asses’ milk. She caused a sensation and two years later reinforced her sex symbol status in DeMille’s flamboyant Cleopatra, playing the title role with tongue-in-cheek charm.
Colbert’s breakthrough came in 1934. That year she not only starred as Cleopatra but had two big successes with the melodrama Imitation of Life, with Louise Beavers, and Capra’s classic screwball comedy It Happened One Night, in which she played opposite Clark Gable. Colbert had been initially reluctant to appear in the slight comedy, but her sparkling performance as a runaway heiress became her most famous and won her an Academy Award. All three films were nominated for best motion picture that year.
STARDOM
One of the highest-paid film stars of the 1930s and ’40s, Colbert continued to demonstrate her expert comic timing in such sophisticated comedies as The Gilded Lily (1935; with Fred MacMurray and Ray Milland), Midnight (1939; with Don Ameche and John Barrymore), and The Palm Beach Story
(1942; with Joel McCrea). She also had notable dramatic roles in films such as Private Worlds (1935; with Charles Boyer and McCrea), for which she was nominated for the best actress Academy Award; Since You Went Away (1944), which also won her a nomination for best actress; and Three Came Home (1950), based on the true story of one woman’s experiences in Japanese prisoner-of-war camps.
Famous Movie Quotes
The characters Colbert created were relaxed and charming, even when embroiled in outlandish situations; she imbued them, seemingly effortlessly, with intelligence, style, warmth, and humour.
The actress was also personally noted for those qualities as well as for her professionalism (despite her much-publicized insistence that she be photographed only from the left).
OTHER FILMS
Colbert, who grew up speaking both French and English, appeared in several European films in the 1950s. But whether domestic or foreign, most of those films were undistinguished. She returned to the stage in 1951 in Westport, Connecticut, with Noël Coward’s Island Fling and to Broadway in 1956 in the romantic comedy Janus.
Her other theatrical appearances included The Marriage-Go-Round (1958; 431 performances) and five other, relatively short-lived plays, the last of which, Aren’t We All?, ran for 93 performances in 1985.
Colbert continued to act onstage and on television, appearing with Coward and Lauren Bacall in the made-for-television movie Blithe Spirit (1956) and on the television miniseries and her last major project, The Two Mrs. Grenvilles (1987; for which she won a best supporting actress Golden Globe), her last major project. In 1989 she was honoured with a Kennedy Center award for lifetime achievement. She also has a star on the Hollywood Walk of Fame.
Personal life[edit]
In 1928, Colbert married Norman Foster, an actor and director, with whom she co-starred in the Broadway show The Barker, and in the 1930 film Young Man of Manhattan, for which he received negative reviews as one of her weakest leading men.[11]
Their marriage remained a secret for many years while they lived in separate homes.[1] In Los Angeles, Colbert shared a home with her mother Jeanne Chauchoin,[55] but her domineering mother disliked Foster and did not allow him into their home.[56] Colbert and Foster divorced in 1935 in Mexico.[1]
Four months after her divorce, Colbert married Joel Pressman, a throat specialist and surgeon at UCLA.[3] She gave a Beechcraft Bonanza single-engine plane to Pressman as a present. They purchased a ranch in Northern California,[9] where Colbert did riding a horse[57] and her husband kept show cattle. During this period, Colbert drove a Lincoln Continental and a Ford Thunderbird.[9] The marriage lasted 33 years, until Pressman's death of liver cancer in 1968.
The childless Colbert left most of her estate, estimated at $3.5 million and also including her Manhattan apartment and Bellerive, to a long-time friend, Helen O'Hagan, a retired director of corporate relations at Saks Fifth Avenue, whom Colbert had met in 1961 on the set of Parrish, her last film[64][65] and became best friends with around 1970.[1] After the death of Pressman,
Colbert instructed her friends to treat O'Hagan as they had Pressman, "as her spouse."[66] Though O'Hagan was financially comfortable without the generous bequest, Bellerive was sold for over $2 million to David Geffen. Colbert's remaining assets were distributed among three heirs: $150,000 to her niece Coco Lewis; a trust worth more than $100,000 to UCLA for Pressman’s memory; and $75,000 to Marie Corbin, Colbert's Barbadian housekeeper.[9]
Awards and honors[edit]
Year | Award | Category | Film | Result | Ref |
---|---|---|---|---|---|
1935 | Academy Award | Best Actress | It Happened One Night | Won | |
1936 | Academy Award | Best Actress | Private Worlds | Nominated | |
1945 | Academy Award | Best Actress | Since You Went Away | Nominated | |
1959 | Tony Award | Best Actress | The Marriage-Go-Round | Nominated | |
1960 | Hollywood Walk of Fame | Star at 6812 Hollywood Blvd. | — | Won | [67] |
1980 | Sarah Siddons Award | The Kingfisher | Won | [68] | |
1984 | Film Society of Lincoln Center | Lifetime Achievement Award | — | Won | [69] |
1985 | Drama Desk | Drama Desk Special Award | Aren't We All | Won | [70] |
1987 | Primetime Emmy Award | Outstanding Supporting Actress | The Two Mrs. Grenvilles | Nominated | |
1988 | Golden Globe Award | Best Supporting Actress in a Series | The Two Mrs. Grenvilles | Won | |
1989 | Kennedy Center Honors | Lifetime Achievement Award | — | Won | [71] |
1990 | San Sebastián International Film Festival | Donostia Award | — | Won | [72] |
1999 | American Film Institute | Greatest Female Stars | — | 12th | [73] |
Select filmography[edit]
- The Smiling Lieutenant (1931)
- The Sign of the Cross (1932)
- Three-Cornered Moon (1933)
- It Happened One Night (1934)
- Cleopatra (1934)
- Imitation of Life (1934)
- The Gilded Lily (1935)
- Private Worlds (1935)
- Bluebeard's Eighth Wife (1938)
- Midnight (1939)
- It's a Wonderful World (1939)
- Drums Along the Mohawk (1939)
- Boom Town (1940)
- Arise, My Love (1940)
- The Palm Beach Story (1942)
- No Time for Love (1943)
- So Proudly We Hail! (1943)
- Since You Went Away (1944)
- Tomorrow Is Forever (1946)
- Without Reservations (1946)
- The Egg and I (1947)
- Sleep, My Love (1948)
- Three Came Home (1950)
- Parrish (1961)
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