RAJINIKANTH ,THE TOP 100 OF 20 TH CENTURY
INDIAN ACTORS BORN 1950 DECEMBER 12
Shivaji Rao Gaekwad (born 12 December 1950), known by his mononymous stage name Rajinikanth, is an Indian film actor who works primarily in Tamil cinema. He began acting in plays while working in the Bangalore Transport Service as a bus conductor. In 1973, he joined the Madras Film Institute to pursue a diploma in acting. Following his debut in K. Balachander's Tamil drama Apoorva Raagangal (1975), his acting career commenced with a brief phase of portraying antagonistic characters in Tamil films.
Rajinikanth | |
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Rajinikanth at the soundtrack album release of Kochadaiiyaan (2014)
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Born | Shivaji Rao Gaekwad 12 December 1950 Bangalore, Mysore State, India |
Residence | Chennai, Tamil Nadu, India |
Nationality | India |
Occupation |
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Years active | 1975–present |
Spouse(s) | Latha Rajinikanth (1981–present) |
Children | |
Relatives | see Rajinikanth family tree |
Awards |
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After earning ₹26 crore (equivalent to ₹55 crore or US$8.2 million in 2016) for his role in Sivaji (2007), he was the highest paid actor in Asia after Jackie Chan at the time. While working in other regional film industries of India, Rajinikanth has also appeared in the cinemas of other nations, including the American film Bloodstone (1988). As of 2014, Rajinikanth has won six Tamil Nadu State Film Awards—four Best Actor Awards and two Special Awards for Best Actor—and a Filmfare Best Tamil Actor Award. In addition to acting, he has also worked as a producer and screenwriter. Apart from his film career, he is also a philanthropist, spiritualist, and serves as an influence in Dravidian politics.
The Government of India has honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016 for his contributions to the arts. At the 45th International Film Festival of India (2014), he was conferred with the "Centenary Award for Indian Film Personality of the Year".
Early life[edit]
Rajinikanth was born on 12 December 1950, in a Marathi family to Ramabai, a housewife, and Ramoji Rao Gaekwad, a police constable,[2] in Bangalore, Mysore State (present day Karnataka).[3][2][4] He was named Shivaji Rao Gaekwad after Chhatrapati Shivaji, a Maratha warrior King, and was brought up speaking Marathi at home and Kannada outside.[3]
Rajinikanth's ancestors hailed from a village called Mavdi Kade Pathar, in the present-day Pune district, Maharashtra.[5] He is the youngest of four siblings in a family consisting of two elder brothers, Satyanarayana Rao & Nageshwara Rao and a sister, Aswath Balubhai.[6][3] After his father's retirement from work in 1956, the family moved to the suburb of Hanumantha nagar in Bangalore and built a house there.[3] When he was nine years old, he lost his mother.[7]
At the age of six, Rajinikanth was enrolled at the "Gavipuram Government Kannada Model Primary School" where he had his primary education.[8] As a child, he was studious and "mischievous" with a great interest in cricket, football and basketball. It was during this time his brother enrolled him at the Ramakrishna Math, a Hindu monastery set up by Ramakrishna Mission. In the math, he was taught Vedas, tradition and history which eventually instilled a sense of spirituality in him.[9]
In addition to spiritual lessons, he also began acting in plays at the math. His aspiration towards theatre grew at the math and was once given an opportunity to enact the role of Ekalavya's friend from the Hindu epic Mahabharata. His performance in the play received praise from the audience and Kannada poet D. R. Bendre in particular.[3] After sixth grade, Rajinikanth was enrolled at the Acharya Pathasala Public School and studied there till completion of his pre-university course.[9] During his schooling at the Acharya Pathasala, he spent a lot of time acting in plays. In one such occasion, he performed villainous role Duryodhana in the play Kurukshetra.[10]
Upon completion of his school education, Rajinikanth continued to perform various jobs in the cities of Bangalore and Madras, including that of a coolie and carpenter,
[11] and finally ended up being recruited in the Bangalore Transport Service (BTS) as a bus conductor.[12][13] He began to take part in stage plays after Kannada playwright Topi Muniappa offered him a chance to act in one of his mythological plays. During the time, he came across an advertisement issued by the newly formed Madras Film Institute which offered acting courses.[14]
Though his family was not fully supportive of his decision to join the institute,[14] his friend and co-worker Raj Bahadur motivated him to join the institute and financially supported him during this phase.[15][16] During his stay at the institute, he was performing in a stage play and got noticed by Tamil film director K. Balachander.[10] The director advised him to learn to speak Tamil, a recommendation that Rajinikanth quickly followed.[17]
Acting career[edit]
Further information: Rajinikanth filmography
Early career (1975–77)[edit]
"Rajinikanth claims that I am his school. But I must admit that this wasn't the Rajinikanth I introduced. He has evolved on his own merits and strengths. I gave him an opportunity and unveiled him to the world. He went and conquered it."
—K. Balachander about Rajinikanth[18]
Rajinikanth began his film career through the Tamil film Apoorva Raagangal (1975).[19] Balachander gave Rajinikanth a relatively small role as an abusive husband of Srividya.[19][20][21] The film was controversial upon release as it explored relationships between people with wide age differences.[22] It received wide critical acclaim as it went on to win three National Film Awards including the award for the Best Tamil Feature at the following year ceremony.[23] A review from The Hindu noted that, "Newcomer Rajinikanth is dignified and impressive".[24] He followed that with Katha Sangama (1976), an experimental film made by Puttanna Kanagal in the new wave style.[25]
The film was a portmanteau of three short stories had Rajinikanth playing a small character in the last segment where he appears as a village ruffian who rapes a blind woman in the absence of her husband.[26] His next release was Anthuleni Katha, a Telugu film directed by Balachander.[26] A remake of his own Tamil film Aval Oru Thodar Kathai (1974), Balachander had Rajinikanth playing a pivotal role for the first time in his career.[26] In the subsequent films, he continued to perform a series of negative roles mostly as a womaniser. In Moondru Mudichu—the first film to feature him in a prominent role—he plays a character that "blithely row[s] away" when his friend drowns accidentally into the lake only to fulfill his desire to marry the former's girlfriend.[27]
His style of flipping the cigarette made him popular among the audience.[28] His final release of the year Baalu Jenu, yet again saw him performing a role which troubles the female lead.[26] He followed that with similar roles in Avargal,[29] and 16 Vayadhinile.[26][30] In 1977, he accepted his first-ever lead role in the Telugu film Chilakamma Cheppindi.[31] Though Rajinikanth always refers to K. Balachander as his mentor,[32] it was S. P. Muthuraman who revamped his image.[33] Muthuraman first experimented with him in a positive role in Bhuvana Oru Kelvikkuri (1977), as a failed lover in the first half of the film and a protagonist in the second half.[33] The success of the film brought the duo together for 24 more films till the 1990s.[33] The year saw Rajinikanth playing supporting roles in majority of the films with few of them being "villainous".[27] In Gayathri, he was cast as pornographer who secretly films his relationship with his wife without her knowledge, while in Galate Samsara, he played the role of a married man who develops an affair with a cabaret dancer.[34] All in all, he had 15 of his films released during the year, much higher than the previous years.[35]
Experimentation and breakthrough (1978–89)[edit]
In 1978, Rajinikanth went on to star in 20 different films in Tamil, Telugu, and Kannada.[36][37] His first film of the year was P. Madhavan's Shankar Salim Simon. Following that he was seen in the Kannada film Kiladi Kittu, co-starring Vishnuvardhan, who was then a leading actor in Kannada. His next release, Annadammula Savaal, saw him playing the second lead with Krishna. Rajinikanth reprised his role in the Kannada original. He then played an important role in Aayiram Jenmangal, which was touted as a supernatural thriller. Next, he played a prime antagonist in Maathu Tappada Maga, his 25th release. Bairavi, directed by M.Bhaskar and released in the same year, was the first Tamil film to cast Rajinikanth as a main hero.[38][39]
It was for this film that he earned the sobriquet "Superstar".[39] S. Thanu, one of the film's distributors, set up a cut-out of Rajinikanth over 35 feet (11 m) high.[40] His next appearance Ilamai Oonjal Aadukirathu, a quadrangular love story written by C. V. Sridhar, saw him in the role of a man who sacrifices his love for his friend, played by Kamal Haasan. The film's success prompted Sridhar to remake the film in Telugu, directing Vayasu Pilichindi, which retained the original cast of the Tamil film. His next film, Vanakkatukuriya Kathaliye, has an introductory song to mark his entry, a trend that would soon catch on in with his later films.[39] Mullum Malarum, released during the same period, received critical acclaim.[41]
The film marked the directional debut of J. Mahendran, with a screenplay adapted from a novel of the same name published in Kalki.[39] It eventually won the Filmfare Award for Best Tamil Film and a special prize for Rajinikanth as Best Actor at the Tamil Nadu State Film Awards.[39] Following this, he made a foray into Malayalam cinema through the fantasy film Allauddinum Albhutha Vilakkum, based on a story from the Arabian Nights. The same year, he acted in Dharma Yuddam, in which he played a mentally ill person taking revenge for his parents' deaths. He then co-starred with N. T. Rama Rao in Tiger.
With the completion of Tiger, Rajinikanth had acted in 50 films over a period of four years and in four languages. Some other popular films released during this period are the youthful entertainer Ninaithale Inikkum, the Tamil–Kannada bilingual Priya, the Telugu film Amma Evarikkaina Amma and the melodrama Aarilirunthu Arubathu Varai. Priya, based on a detective novel by Sujatha Rangarajan, had the distinction of being the first film of Rajinikanth to be shot mostly outside India, mainly in Southeast Asia.[39]
Rajinikanth in 1989, during the shooting of Raja Chinna Roja
In 1981, he appeared in Garjanai which was shot simultaneously in Kannada and Malayalam, making it his last film in those two languages to date.[when?] In K. Balachander's first home production, Netrikan, he played dual roles as a womanising father and a responsible son.[33]
His first full-length comedy was Thillu Mullu directed by K. Balachander. He agreed to it solely due to the strong suggestion by his mentor that he should do non-commercial roles, to break the stereotyped action-hero mould by which he was getting famous at the time.[44] 1981 also saw the release of Thee, the remake of Amitabh Bachchan's 1975 blockbuster Deewar, in which Rajinikanth reprised the role of Bachchan in the original.[45] In 1982, he starred in Pokkiri Raja, Moondru Mugam, Thanikattu Raja, Puthukavithai and Enkeyo Ketta Kural. Moondru Mugam had Rajinikanth playing three roles for the first time.[46]
In 1983, he starred in his first Bollywood film, Andha Kanoon, alongside Amitabh Bachchan and Hema Malini. The film went on to become one of the highest-grossing films of that time.[47] His 1984 film, Naan Mahaan Alla, was directed by Muturaman and produced by K. Balachander. He acted in his first cameo role in the film Anbulla Rajinikanth.[48] He played a triple role in John Jani Janardhan. His performance in Nallavanuku Nallavan earned him a Filmfare Best Tamil Actor Award.[49] In his 100th film, Sri Raghavendra (1985), he played the Hindu saint Raghavendra Swami.[50] His greatest success in Hindi films was his 101st film, Bewafai. Released in 1985 with Rajesh Khanna as the lead hero and Rajnikanth as villain, it became a success and grossed Rs 11.95 crore at the box office that year.[51]
In the second half of the 1980s, Rajinikanth acted in commercially successful films like Naan Sigappu Manithan (1985), Padikkathavan (1985), Mr. Bharath (1986), Velaikaran (1987), Guru Sishyan (1988) and Dharmathin Thalaivan (1988). In 1988, he made his only American film appearance in Bloodstone, directed by Dwight Little, in which he played an English-speaking Indian taxi driver.[52][53] Rajinikanth finished the decade with films including Rajadhi Raja, Siva, Raja Chinna Roja and Mappillai while also starring in a few Bollywood productions. Raja Chinna Roja was the first Indian film to feature live action and animation.[54][55]
Commercial stardom (1990–2001)[edit]
By the 1990s, Rajinikanth established himself as a commercial entertainer. Almost all the films released during this period were highly successful at the box office.
He began the decade with a blockbuster in Panakkaran (1990), which was a remake of Amitabh Bachchan's 1981 film Laawaris. His next two Tamil films, the fantasy comedy Athisaya Piravi (a remake of Chiranjeevi's 1988 film Yamudiki Mogudu) which also released in 1990 and the family drama Dharmadorai (1991), did above-average business at the box office. His stint with Bollywood continued since the past decade as he went on to star in more Hindi films.
Hum released in 1991 saw him doing the second main lead with Amitabh Bachchan became an inspiration for Badsha.[56] In 1991, he worked with Mani Ratnam in Thalapathi, which was heavily inspired by the Mahabharata.[57][58] in which he co-starred with actor Mammooty; the film dealt with the friendship between two unknown characters based on Karna and Duryodhana, respectively,[57] and was set in a more contemporary milieu and was both critically acclaimed and successful upon release.[50] He went on to appear in remakes of films from other languages, mostly from Hindi and Telugu. Annamalai, which released in 1992, was yet another friendship centric film and was loosely based on the 1987 Bollywood film Khudgarz.
Mannan, directed by P. Vasu and a remake of Kannada actor Rajkumar's 1986 blockbuster Anuraga Aralithu, also released in 1992 and became a box-office success. Rajinikanth wrote his first screenplay for the film Valli (1993), in which he also made a special appearance. He also starred in the film Yejaman, in which he played the role of Vaanavaraayan, a village chieftain. His romantic-comedy Veera (1994) was controversial for its climax but went on to become one of the highest-grossing films in 1994.[59]
He joined hands with Suresh Krishna for Baashha (1995), which emerged as an industry record,[60] and is routinely touted by fans and critics alike as a major-hit, as the film elevated him from being just another very popular actor to nearly a demigod status among the masses.[61] He made a cameo in Peddarayudu for his friend Mohan Babu and also helped him in obtaining the remake rights. The same year, he acted in yet another gangster film, Aatank Hi Aatank with Aamir Khan which was also his last Hindi film in a major role till date.
His film Muthu, a remake of Mohanlal's blockbuster Malayalam movie Thenmavin Kombathu, was another commercial success, directed by K. S. Ravikumar and produced by K. Balachander, and became the first Tamil film to be dubbed into Japanese, as Mutu: Odoru Maharaja.[62] The film grossed a record US$1.6 million in Japan in 1998 and was responsible for creating a large Japanese fan-base for the actor.[63] Muthu's success in Japan led American news magazine Newsweek to comment in a 1999 article that Rajinikanth had "supplanted Leonardo DiCaprio as Japan's trendiest heartthrob".[64]
During a visit to Japan in 2006, Indian Prime Minister Manmohan Singh acknowledged the success of Muthu in the country during a speech, justifying the positive relationship between the two nations.[65] He also entered Bengali cinema through Bhagya Debata, which released at the end of 1995. 1997's Arunachalam was another commercial success. Rajinikanth released his last film of the millennium with Padayappa (1999) which went on to become a blockbuster success. It starred Ramya Krishnan and Soundarya The former critically acclaimed for her performance. It was also the last, prominent role for veteran Tamil actor Sivaji Ganesan.
Struggles, resurgence and acclaim (2002–10)[edit]
After a brief gap, Rajinikanth starred in Baba in 2002, for which he had also written the screenplay.[66] Released with much fanfare and hype at the time, the film featured a story revolving around the reforming of a gangster, who is revealed to be the reincarnation of the Hindu saint Mahavatar Babaji, and fights against political corruption.[66] It fell short of market expectations and the high bids reportedly translated to heavy losses for the distributors. Rajinikanth himself repaid the losses incurred by the distributors.[67][68] The film was received with comments such as "the bloom was off the rose" and that "the gold does not glitter any more".[69] Pattali Makkal Katchi (PMK) leader S. Ramadoss condemned him for smoking and posing with beedis in the film. He was criticised for spoiling the Tamil youth by glorifying smoking and drinking. PMK volunteers attacked the theatres which screened the film and usurped film rolls and burnt it.[70]
Two years later, Rajinikanth signed up for P. Vasu's Chandramukhi (2005), a remake of the Malayalam film Manichitrathazhu. Upon release the film was highly successful at the box-office, and in 2007 it set the record of being the longest running Tamil film.[71] Chandramukhi was also dubbed in Turkish and German as Der Geisterjäger and released in the respective nations.[72] Following Chandramukhi's release, it was reported that AVM Productions were set to produce a film directed by Shankar starring Rajinikanth—
the largest collaboration yet for a Tamil film. The film was titled Sivaji and released in the summer of 2007, following two years of filming and production. It became the first Tamil film to be charted as one of the "top-ten best films" of the United Kingdom and South Africa box-offices upon release.[73][74] Rajinikanth received a salary of ₹26 crore (equivalent to ₹55 crore or US$8.2 million in 2016), for his role in the film, which made him the second highest paid actor in Asia after Jackie Chan.[75][76][77] During the production of Sivaji, Soundarya Rajinikanth announced her intention of producing a computer-generated imagery film starring an animated version of her father titled Sultan: The Warrior. The film was set for release in 2008,[78][79] however it entered development hell and its development status would become unknown over the next few years.[80]
"Is there anything left to be said about a man who, at 61, still manages to star in one of the most successful films of the year, not just in the south, but across India? Superstar Rajni once again proved that he is the actor with the Midas touch with the sci-fi flick Endhiran, where he played an ambitious scientist, a naive robot and an evil android bent on destroying the world [...] He did it with such aplomb that he's been the talk of the town for months. He might do one film in two years, but when he does, he pulls out all the stops."
—Rediff.com on Rajinikanth's performance in Enthiran[81]
He worked with P. Vasu again for Kuselan, remake of the Malayalam film Kadha Parayumbol which was made simultaneously in Telugu as Kathanayakudu, in which Rajinikanth played an extended cameo role as himself, a film star in the Indian cinema, and as a best friend to the film's protagonist. According to Rajinikanth, the film somewhat narrated his early life.[82] The film, however, performed poorly at box offices and led to many distributors incurring major losses.[83] Rajinikanth also stated that he would work with Pyramid Saimira again to compensate for Kuselan.[84][85]
Rajinikanth at the audio release of Enthiran (2010)
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