The Song Dynasty 960-1279 PAPER CURRENCIES AND COPPER TALLYS
The Song Dynasty (960-1279 CE) was a major imperial dynasty in Chinese history, known for its advancements in technology, flourishing economy, and rich culture. It's divided into two main periods: the Northern Song (960-1127) and the Southern Song (1127-1279).
This video provides an overview of the Song Dynasty's history:
Key Aspects of the Song Dynasty:
Founding and Unification:
The Song Dynasty was established by Emperor Taizu of Song, who unified China after the fragmented Five Dynasties and Ten Kingdoms period.
Economic Prosperity:
The Song Dynasty saw remarkable economic growth, with advancements in agriculture, trade, and industry, particularly in the south.
Technological Innovations:
This era witnessed significant technological advancements, including the development of movable type printing, gunpowder, the mechanical clock, and superior shipbuilding.
Cultural Flourishing:
The Song Dynasty was a period of intense cultural activity, with advancements in art, literature, philosophy, and particularly ceramics.
Civil Service Exams:
The Song Dynasty further developed the civil service examination system, which played a crucial role in selecting officials based on merit.
Political and Military Challenges:
Despite its achievements, the Song Dynasty faced political factions, military conflicts, and territorial disputes, particularly with the Jurchen Jin dynasty and later the Mongols.
End of the Dynasty:
The Song Dynasty ultimately fell to the Mongol invasion, with the Southern Song capital of Hangzhou falling in 1279.
Song dynasty, (960–1279), Chinese dynasty that ruled the country during one of its most brilliant cultural epochs. It is commonly divided into Bei (Northern) and Nan (Southern) Song periods, as the dynasty ruled only in South China after 1127.
The Bei Song was founded by Zhao Kuangyin, the military inspector general of the Hou (Later) Zhou dynasty (last of the Five Dynasties), who usurped control of the empire in a coup. Thereafter, he used his mastery of diplomatic maneuvering to persuade powerful potential rivals to exchange their power for honours and sinecures, and he proceeded to become an admirable emperor (known as Taizu, his temple name). He set the nation on a course of sound administration by instituting a competent and pragmatic civil service; he followed Confucian principles, lived modestly, and took the country’s finest military units under his personal command. Before his death he had begun an expansion into the small Ten Kingdoms of southern China.
Taizu’s successors maintained an uneasy peace with the menacing Liao kingdom of the Khitan to the north. Over time, the quality of the bureaucracy deteriorated, and when the Juchen (Chinese: Nüzhen, or Ruzhen)—tribes from the North who overthrew the Liao—burst into the northern Song state, it was easy prey. The Juchen took over the North and established a dynasty with a Chinese name, the Jin. But they were unable to take those regions of Song territory south of the Yangtze River (Chang Jiang).
In the South, the climate and the beautiful surroundings were the setting for the Nan Song dynasty established (1127) by the emperor Gaozong. He chose a capital he called Lin’an (present-day Hangzhou) and set about maintaining defenses against the hostile North and restoring imperial authority in the hinterland. Gaozong was a conscious admirer and emulator of the highly successful approach of the Han dynasty to the management of civil service, and the empire’s bureaucrats long functioned well. In due course, however, the dynasty began to decline. But the eventual fall of the Song dynasty was neither sudden nor a collapse upon itself such as had ended several of its predecessors. The Mongols, under Genghis Khan, began their move on China with an assault on the Jin state in the North in 1211. After their eventual success in the North and several decades of uneasy coexistence with the Song, the Mongols—under Genghis Khan’s grandsons—advanced on the Song forces in 1250. The Song forces fought on until 1276, when their capital fell. The dynasty finally ended in 1279 with the destruction of the Song fleet near Guangzhou (Canton).
During the Song period, commerce developed to an unprecedented extent; trade guilds were organized, paper currency came into increasing use, and several cities with populations of more than 1,000,000 flourished along the principal waterways and the southeast coast. Widespread printing of the Confucian Classics and the use of movable type, beginning in the 11th century, brought literature and learning to the people. Flourishing private academies and state schools graduated increasing numbers of competitors for the civil service examinations. The administration developed a comprehensive welfare policy that made this one of the most humane periods in Chinese history. In the works of the 12th-century philosophers Zhu Xi and Lu Jiuyuan, Neo-Confucianism was systematized into a coherent doctrine.
The Song dynasty is particularly noted for the great artistic achievements that it encouraged and, in part, subsidized. The Bei Song dynasty at Bianjing had begun a renewal of Buddhism and of literature and the arts. The greatest poets and painters in the empire were in attendance at court. The last of the Northern Song emperors was himself perhaps the most noteworthy artist and art collector in the country. His capital at Kaifeng was a city of beauty, abounding in palaces, temples, and tall pagodas when, in 1126, the Juchen burned it. The architecture of the Song era was noted for its tall structures; the highest pagoda at Bianjing was 360 feet (110 metres). Song architects curved the eave line of roofs upward at the corners. Pagodas, six- or eight-sided and built of brick or wood, still survive from the period.
The sculpture of the Song period continued to emphasize representations of the Buddha, and in that genre there were no substantive improvements over the work of Song sculptors in succeeding dynasties. Landscape painting was one of the outstanding arts of the Bei Song, and its most noted figures were Fan Kuan and Li Cheng. In the Nan Song many great painters served at the Hanlin Academy, becoming noted for brush effects, miniatures, and, under Chan (Zen) influence, paintings of Buddhist deities, animals, and birds.
In the decorative arts the Song dynasty marked a high point in Chinese pottery. Song wares are noted for their simplicity of shape and the purity of colour and tone of their glazes. From the Bei Song came Ding, Ru, Zhun, Cizhou, northern celadon, and brown and black glazed wares; from the Nan Song came Jingdezhen whiteware, Jizhou wares, celadons, and the black pottery of Fujian. Pottery produced at the Guan kilns, near the Nan Song capital, was the finest of an enormous number of celadons of the dynasty.
The tendency of Song jade carvers to adopt old lines and techniques makes difficult the accurate dating of jades that may be from the Song, and it has been similarly difficult to place Song lacquerware.
In music the Bei Song adopted a two-stringed fiddle from the northern tribes, and music was widely used for ceremonies, sacrifices, and other court events. Music attracted considerable attention in the dynasty’s enormous works of literature: the official history of the dynasty devoted 17 of its 496 chapters to musical events, and an encyclopaedia that appeared in 1267 has 10 of 200 chapters on the subject of music. Music drama flourished throughout the Song, and distinctly different styles evolved in the North and the South. The literature of the Song dynasty emphasized a return to old-time simplicity of expression in prose, and short tales called guwen were written in great volume. A school of oral storytelling in the vernacular arose, and conventional poetry enjoyed wide cultivation. Song poets achieved their greatest distinction, however, in the new genre of the ci, sung poems of joy and despair. These poems became the literary hallmark of the dynasty. For the diversity and richness of its cultural achievements, the Song dynasty is remembered as one of China’s greatest.
Northern Song (960-1127):
Capital in Kaifeng, focused on consolidating power and building a strong central government.
Southern Song (1127-1279):
Moved the capital south to Hangzhou after losing control of the north to the Jin, continuing economic development and cultural achievements in the south.
Northern Song dynasty cash coins[a]
| Inscription | Traditional Chinese | Simplified Chinese | Scripts | Period minted | Emperor | Image |
|---|---|---|---|---|---|---|
| Song Yuan Tong Bao | 宋元通寶 | 宋元通宝 | Regular script | 960–976 | Taizu | |
| Tai Ping Tong Bao | 太平通寶 | 太平通宝 | Regular script | 976–989 | Taizong | |
| Chun Hua Yuan Bao | 淳化元寶 | 淳化元宝 | Regular script, Seal script, Running script | 990–994 | Taizong | |
| Zhi Dao Yuan Bao | 至道元寶 | 至道元宝 | Regular script, Grass script,[17] Running script | 995–997 | Taizong | |
| Xian Ping Yuan Bao | 咸平元寶 | 咸平元宝 | Regular script | 998–1003 | Zhenzong | |
| Jing De Yuan Bao | 景德元寶 | 景德元宝 | Regular script | 1004–1007 | Zhenzong | |
| Xiang Fu Tong Bao | 祥符通寶 | 祥符通宝 | Regular script, Running script | 1008–1016 | Zhenzong | |
| Xiang Fu Yuan Bao | 祥符元寶 | 祥符元宝 | Regular script | 1008–1016 | Zhenzong | |
| Tian Xi Tong Bao | 天禧通寶 | 天禧通宝 | Regular script | 1017–1022 | Zhenzong | |
| Tian Sheng Yuan Bao | 天聖元寶 | 天圣元宝 | Regular script, Seal script | 1023–1031 | Renzong | |
| Ming Dao Yuan Bao | 明道元寶 | 明道元宝 | Regular script, Seal script | 1032–1033 | Renzong | |
| Jing You Yuan Bao | 景佑元寶 | 景佑元宝 | Regular script, Seal script | 1034–1038 | Renzong | |
| Huang Song Tong Bao | 皇宋通寶 | 皇宋通宝 | Regular script, Seal script, Nine-fold seal script[3][b] | 1039–1054 | Renzong | |
| Kang Ding Yuan Bao | 康定元寶 | 康定元宝 | Regular script | 1040 | Renzong | |
| Qing Li Zhong Bao | 慶歷重寶 | 庆历重宝 | Regular script | 1041–1048 | Renzong | |
| Zhi he Tong Bao | 至和通寶 | 至和通宝 | Regular script, Seal script | 1054–1055 | Renzong | |
| Zhi he Yuan Bao | 至和元寶 | 至和元宝 | Regular script, Seal script | 1054–1055 | Renzong | |
| Zhi he Zhong Bao | 至和重寶 | 至和重宝 | Regular script, Seal script | 1054–1055 | Renzong | |
| Jia You Tong Bao | 嘉佑通寶 | 嘉佑通宝 | Regular script, Seal script | 1056–1063 | Renzong | |
| Jia You Yuan Bao | 嘉佑元寶 | 嘉佑元宝 | Regular script, Seal script | 1056–1063 | Renzong | |
| Zhi Ping Tong Bao | 治平通寶 | 治平通宝 | Regular script, Seal script | 1064–1067 | Yingzong | |
| Zhi Ping Yuan Bao | 治平元寶 | 治平元宝 | Regular script, Seal script | 1064–1067 | Yingzong | |
| Xi Ning Tong Bao | 熙寧通寶 | 熙宁通宝 | Regular script, Seal script | 1068–1077 | Shenzong | |
| Xi Ning Yuan Bao | 熙寧元寶 | 熙宁元宝 | Regular script, Seal script | 1068–1077 | Shenzong | |
| Xi Ning Zhong Bao | 熙寧重寶 | 熙宁重宝 | Regular script, Seal script | 1068–1077 | Shenzong | |
| Yuan Feng Tong Bao | 元豐通寶 | 元丰通宝 | Regular script, Seal script, Running script | 1078–1085 | Shenzong | |
| Yuan You Tong Bao | 元佑通寶 | 元佑通宝 | Seal script, Running script[18] | 1086–1094 | Zhezong | |
| Shao Sheng Tong Bao | 紹聖通寶 | 绍圣通宝 | Regular script, Seal script, Running script | 1094–1098 | Zhezong | |
| Shao Sheng Yuan Bao | 紹聖元寶 | 绍圣元宝 | Regular script, Seal script, Running script | 1094–1098 | Zhezong | |
| Yuan Fu Tong Bao | 元符通寶 | 元符通宝 | Regular script, Seal script, Running script | 1098–1100 | Zhezong | |
| Jian Guo Tong Bao[c] | 建國通寶 | 建国通宝 | Regular script, Seal script | 1101 | Huizong | |
| Sheng Song Tong Bao | 聖宋通寶 | 圣宋通宝 | Regular script, Seal script | 1101–1106 | Huizong | |
| Sheng Song Yuan Bao | 聖宋元寶 | 圣宋元宝 | Clerical script, Seal script, Running script[19] | 1101–1106 | Huizong | |
| Chong Ning Tong Bao | 崇寧通寶 | 崇宁通宝 | Regular script | 1102–1106 | Huizong | |
| Chong Ning Yuan Bao | 崇寧元寶 | 崇宁元宝 | Regular script | 1102–1106 | Huizong | |
| Chong Ning Zhong Bao | 崇寧重寶 | 崇宁重宝 | Regular script | 1102–1106 | Huizong | |
| Da Guan Tong Bao | 大觀通寶 | 大观通宝 | Regular script | 1107–1110 | Huizong | |
| Zheng He Tong Bao | 政和通寶 | 政和通宝 | Regular script, Seal script | 1111–1117 | Huizong | |
| Chong He Tong Bao | 重和通寶 | 重和通宝 | Regular script, Seal script | 1118–1119 | Huizong | |
| Xuan He Tong Bao | 宣和通寶 | 宣和通宝 | Regular script, Seal script | 1119–1125 | Huizong | |
| Xuan He Yuan Bao | 宣和元寶 | 宣和元宝 | Regular script, Seal script | 1119–1125 | Huizong | |
| Jing Kang Tong Bao | 靖康通寶 | 靖康通宝 | Regular script, Seal script | 1126–1127 | Qinzong | |
| Jing Kang Yuan Bao | 靖康元寶 | 靖康元宝 | Regular script, Seal script | 1126–1127 | Qinzong |
Southern Song dynasty cash coins
| Inscription | Traditional Chinese | Simplified Chinese | Scripts | Period minted | Emperor | Image |
|---|---|---|---|---|---|---|
| Jianyan Tongbao | 建炎通寶 | 建炎通宝 | Regular script, Seal script | 1127–1130 | Gaozong | |
| Jianyan Yuanbao | 建炎元寶 | 建炎元宝 | Regular script, Seal script | 1127–1130 | Gaozong | |
| Jianyan Zhongbao | 建炎重寶 | 建炎重宝 | Seal script | 1127–1130 | Gaozong | |
| Shaoxing Tongbao | 紹興通寶 | 绍兴通宝 | Regular script, Seal script | 1131–1162 | Gaozong | |
| Shaoxing Yuanbao | 紹興元寶 | 绍兴元宝 | Regular script | 1131–1162 | Gaozong | |
| Longxing Tongbao | 隆興通寶 | 隆兴通宝 | Regular script, Seal script | 1163–1164 | Xiaozong | |
| Longxing Yuanbao | 隆興元寶 | 隆兴元宝 | Regular script, Seal script | 1163–1164 | Xiaozong | |
| Qiandao Tongbao | 乾道通寶 | 干道通宝 | Regular script | 1165–1173 | Xiaozong | |
| Qiandao Yuanbao | 乾道元寶 | 干道元宝 | Regular script | 1165–1173 | Xiaozong | |
| Chunxi Tongbao | 淳熙通寶 | 淳熙通宝 | Regular script | 1174–1189 | Xiaozong | |
| Chunxi Yuanbao | 淳熙元寶 | 淳熙元宝 | Regular script, Seal script | 1174–1189 | Xiaozong | |
| Shaoxi Tongbao | 紹熙通寶 | 绍熙通宝 | Regular script, Seal script | 1190–1194 | Guangzong | |
| Shaoxi Yuanbao | 紹熙元寶 | 绍熙元宝 | Regular script, Seal script | 1190–1194 | Guangzong | |
| Qingyuan Tongbao | 慶元通寶 | 庆元通宝 | Regular script | 1195–1200 | Ningzong | |
| Qingyuan Yuanbao | 慶元元寶 | 庆元元宝 | Regular script | 1195–1200 | Ningzong | |
| Jiatai Tongbao | 嘉泰通寶 | 嘉泰通宝 | Regular script | 1201–1204 | Ningzong | |
| Jiatai Yuanbao | 嘉泰元寶 | 嘉泰元宝 | Regular script | 1201–1204 | Ningzong | |
| Kaixi Tongbao | 開禧通寶 | 开禧通宝 | Regular script | 1205–1207 | Ningzong | |
| Kaixi Yuanbao | 開禧元寶 | 开禧元宝 | Regular script | 1205–1207 | Ningzong | |
| Shengsong Yuanbao | 聖宋元寶 | 圣宋元宝 | Regular script | 1210 | Ningzong | |
| Shengsong Zhongbao | 聖宋重寶 | 圣宋重宝 | Regular script | 1210 | Ningzong | |
| Jiading Tongbao | 嘉定通寶 | 嘉定通宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Zhongbao | 嘉定重寶 | 嘉定重宝 | Regular script, seal script | 1208–1224 | Ningzong | |
| Jiading Yuanbao | 嘉定元寶 | 嘉定元宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Dabao | 嘉定大寶 | 嘉定大宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Chongbao | 嘉定崇寶 | 嘉定崇宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Quanbao | 嘉定全寶 | 嘉定全宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Yongbao | 嘉定永寶 | 嘉定永宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Zhenbao | 嘉定真寶 | 嘉定真宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Xinbao | 嘉定新寶 | 嘉定新宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Anbao | 嘉定安寶 | 嘉定安宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Longbao | 嘉定隆寶 | 嘉定隆宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Quanbao | 嘉定泉寶 | 嘉定泉宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Zhengbao | 嘉定正寶 | 嘉定正宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Hongbao | 嘉定洪寶 | 嘉定洪宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Wanbao | 嘉定万寶 | 嘉定万宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Zhibao | 嘉定之寶 | 嘉定之宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Zhenbao | 嘉定珍寶 | 嘉定珍宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Xingbao | 嘉定興寶 | 嘉定兴宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Yongbao[20] | 嘉定用寶 | 嘉定用宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Zhibao | 嘉定至寶 | 嘉定至宝 | Regular script | 1208–1224 | Ningzong | |
| Jiading Fengbao | 嘉定封寶 | 嘉定封宝 | Regular script | 1208–1224 | Ningzong | |
| Baoqing Yuanbao | 寶慶元寶 | 宝庆元宝 | Regular script | 1225–1227 | Lizong | |
| Dasong Tongbao | 大宋通寶 | 大宋通宝 | Regular script | 1225 | Lizong | |
| Dasong Yuanbao | 大宋元寶 | 大宋元宝 | Regular script | 1225–1227 | Lizong | |
| Shaoding Tongbao | 紹定通寶 | 绍定通宝 | Regular script | 1228–1233 | Lizong | |
| Shaoding Yuanbao | 紹定元寶 | 绍定元宝 | Regular script | 1228–1233 | Lizong | |
| Duanping Tongbao | 端平通寶 | 端平通宝 | Regular script | 1234–1236 | Lizong | |
| Duanping Yuanbao | 端平元寶 | 端平元宝 | Regular script | 1234–1236 | Lizong | |
| Duanping Zhongbao | 端平重寶 | 端平重宝 | Regular script | 1234–1236 | Lizong | |
| Jiaxi Tongbao | 嘉熙通寶 | 嘉熙通宝 | Regular script | 1237–1240 | Lizong | |
| Jiaxi Zhongbao | 嘉熙重寶 | 嘉熙重宝 | Regular script | 1237–1240 | Lizong | |
| Chunyou Tongbao | 淳佑通寶 | 淳佑通宝 | Regular script | 1241–1252 | Lizong | |
| Chunyou Yuanbao | 淳佑元寶 | 淳佑元宝 | Regular script | 1241–1252 | Lizong | |
| Huangsong Yuanbao | 皇宋元寶 | 皇宋元宝 | Regular script | 1253–1258 | Lizong | |
| Kaiqing Tongbao | 開慶通寶 | 开庆通宝 | Regular script | 1259 | Lizong | |
| Jingding Yuanbao | 景定元寶 | 景定元宝 | Regular script | 1260–1264 | Lizong | |
| Xianchun Yuanbao | 咸淳元寶 | 咸淳元宝 | Regular script | 1265–1274 | Duzong |
Zhao Kuangyin 927–976 (49) 960–976
Zhao Jiong 939–997 (58) 976–997
Zhao Heng 968–1022 (54) 997 - 1022
Zhao Zhen 1010–1063 (53) 1022–1063
Zhao Shu 1032–1067 (35) 1063–1067
Zhao Xu 1048–1085 (37) 1067–1085
Zhao Xu 1077–1100 (23) 1085–1100
Zhao Ji 1082–1135 (53) 1100–1125
Zhao Huan 1100–1161 (61) 1126–1127
Southern Song, 1127 - 1275
Zhao Gou 1107–1187 (80) 1127–1162
Zhao Shen 1127–1194 (67) 1162–1189
Zhao Dun 1147–1200 (53) 1189–1194
Zhao Kuo 1168–1224 (56) 1194–1224
Zhao Yun 1205–1264 (59) 1224–1264
Zhao Qi 1240–1274 (34) 1264–1274
Zhao Xian 1271–1323 (52) 1275
Song Gongdi 1275 - 1276
Song Duanzong 1276 - 1278
Song Weiwang 1278 - 1279

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