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How Bush's grandfather helped Hitler's rise to power
Rumours of a link between the US first family and the Nazi war machine have circulated for decades. Now the Guardian can reveal how repercussions of events that culminated in action under the Trading with the Enemy Act are still being felt by today's president
Ben Aris in Berlin and Duncan Campbell in Washington

Sat 25 Sep 2004 23.59 .

George Bush's grandfather, the late US senator Prescott Bush, was a director and shareholder of companies that profited from their involvement with the financial backers of Nazi Germany.
The Guardian has obtained confirmation from newly discovered files in the US National Archives that a firm of which Prescott Bush was a director was involved with the financial architects of Nazism.

His business dealings, which continued until his company's assets were seized in 1942 under the Trading with the Enemy Act, has led more than 60 years later to a civil action for damages being brought in Germany against the Bush family by two former slave labourers at Auschwitz and to a hum of pre-election controversy.

The evidence has also prompted one former US Nazi war crimes prosecutor to argue that the late senator's action should have been grounds for prosecution for giving aid and comfort to the enemy.

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The debate over Prescott Bush's behaviour has been bubbling under the surface for some time. There has been a steady internet chatter about the "Bush/Nazi" connection, much of it inaccurate and unfair. But the new documents, many of which were only declassified last year, show that even after America had entered the war and when there was already significant information about the Nazis' plans and policies, he worked for and profited from companies closely involved with the very German businesses that financed Hitler's rise to power. It has also been suggested that the money he made from these dealings helped to establish the Bush family fortune and set up its political dynasty.

Remarkably, little of Bush's dealings with Germany has received public scrutiny, partly because of the secret status of the documentation involving him. But now the multibillion dollar legal action for damages by two Holocaust survivors against the Bush family, and the imminent publication of three books on the subject are threatening to make Prescott Bush's business history an uncomfortable issue for his grandson, George W, as he seeks re-election.

While there is no suggestion that Prescott Bush was sympathetic to the Nazi cause, the documents reveal that the firm he worked for, Brown Brothers Harriman (BBH), acted as a US base for the German industrialist, Fritz Thyssen, who helped finance Hitler in the 1930s before falling out with him at the end of the decade. The Guardian has seen evidence that shows Bush was the director of the New York-based Union Banking Corporation (UBC) that represented Thyssen's US interests and he continued to work for the bank after America entered the war.

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Tantalising
Bush was also on the board of at least one of the companies that formed part of a multinational network of front companies to allow Thyssen to move assets around the world.

Thyssen owned the largest steel and coal company in Germany and grew rich from Hitler's efforts to re-arm between the two world wars. One of the pillars in Thyssen's international corporate web, UBC, worked exclusively for, and was owned by, a Thyssen-controlled bank in the Netherlands. More tantalising are Bush's links to the Consolidated Silesian Steel Company (CSSC), based in mineral rich Silesia on the German-Polish border. During the war, the company made use of Nazi slave labour from the concentration camps, including Auschwitz. The ownership of CSSC changed hands several times in the 1930s, but documents from the US National Archive declassified last year link Bush to CSSC, although it is not clear if he and UBC were still involved in the company when Thyssen's American assets were seized in 1942.

Three sets of archives spell out Prescott Bush's involvement. All three are readily available, thanks to the efficient US archive system and a helpful and dedicated staff at both the Library of Congress in Washington and the National Archives at the University of Maryland.

The first set of files, the Harriman papers in the Library of Congress, show that Prescott Bush was a director and shareholder of a number of companies involved with Thyssen.

The second set of papers, which are in the National Archives, are contained in vesting order number 248 which records the seizure of the company assets. What these files show is that on October 20 1942 the alien property custodian seized the assets of the UBC, of which Prescott Bush was a director. Having gone through the books of the bank, further seizures were made against two affiliates, the Holland-American Trading Corporation and the Seamless Steel Equipment Corporation. By November, the Silesian-American Company, another of Prescott Bush's ventures, had also been seized.

The third set of documents, also at the National Archives, are contained in the files on IG Farben, who was prosecuted for war crimes.

A report issued by the Office of Alien Property Custodian in 1942 stated of the companies that "since 1939, these (steel and mining) properties have been in possession of and have been operated by the German government and have undoubtedly been of considerable assistance to that country's war effort".

Prescott Bush, a 6ft 4in charmer with a rich singing voice, was the founder of the Bush political dynasty and was once considered a potential presidential candidate himself. Like his son, George, and grandson, George W, he went to Yale where he was, again like his descendants, a member of the secretive and influential Skull and Bones student society. He was an artillery captain in the first world war and married Dorothy Walker, the daughter of George Herbert Walker, in 1921.

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In 1924, his father-in-law, a well-known St Louis investment banker, helped set him up in business in New York with Averill Harriman, the wealthy son of railroad magnate E H Harriman in New York, who had gone into banking.

One of the first jobs Walker gave Bush was to manage UBC. Bush was a founding member of the bank and the incorporation documents, which list him as one of seven directors, show he owned one share in UBC worth $125.

The bank was set up by Harriman and Bush's father-in-law to provide a US bank for the Thyssens, Germany's most powerful industrial family.

August Thyssen, the founder of the dynasty had been a major contributor to Germany's first world war effort and in the 1920s, he and his sons Fritz and Heinrich established a network of overseas banks and companies so their assets and money could be whisked offshore if threatened again.

By the time Fritz Thyssen inherited the business empire in 1926, Germany's economic recovery was faltering. After hearing Adolf Hitler speak, Thyssen became mesmerised by the young firebrand. He joined the Nazi party in December 1931 and admits backing Hitler in his autobiography, I Paid Hitler, when the National Socialists were still a radical fringe party. He stepped in several times to bail out the struggling party: in 1928 Thyssen had bought the Barlow Palace on Briennerstrasse, in Munich, which Hitler converted into the Brown House, the headquarters of the Nazi party. The money came from another Thyssen overseas institution, the Bank voor Handel en Scheepvarrt in Rotterdam.

By the late 1930s, Brown Brothers Harriman, which claimed to be the world's largest private investment bank, and UBC had bought and shipped millions of dollars of gold, fuel, steel, coal and US treasury bonds to Germany, both feeding and financing Hitler's build-up to war.

Between 1931 and 1933 UBC bought more than $8m worth of gold, of which $3m was shipped abroad. According to documents seen by the Guardian, after UBC was set up it transferred $2m to BBH accounts and between 1924 and 1940 the assets of UBC hovered around $3m, dropping to $1m only on a few occasions.

In 1941, Thyssen fled Germany after falling out with Hitler but he was captured in France and detained for the remainder of the war.

There was nothing illegal in doing business with the Thyssens throughout the 1930s and many of America's best-known business names invested heavily in the German economic recovery. However, everything changed after Germany invaded Poland in 1939. Even then it could be argued that BBH was within its rights continuing business relations with the Thyssens until the end of 1941 as the US was still technically neutral until the attack on Pearl Harbor. The trouble started on July 30 1942 when the New York Herald-Tribune ran an article entitled "Hitler's Angel Has $3m in US Bank". UBC's huge gold purchases had raised suspicions that the bank was in fact a "secret nest egg" hidden in New York for Thyssen and other Nazi bigwigs. The Alien Property Commission (APC) launched an investigation.

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There is no dispute over the fact that the US government seized a string of assets controlled by BBH - including UBC and SAC - in the autumn of 1942 under the Trading with the Enemy act. What is in dispute is if Harriman, Walker and Bush did more than own these companies on paper.

Erwin May, a treasury attache and officer for the department of investigation in the APC, was assigned to look into UBC's business. The first fact to emerge was that Roland Harriman, Prescott Bush and the other directors didn't actually own their shares in UBC but merely held them on behalf of Bank voor Handel. Strangely, no one seemed to know who owned the Rotterdam-based bank, including UBC's president.

May wrote in his report of August 16 1941: "Union Banking Corporation, incorporated August 4 1924, is wholly owned by the Bank voor Handel en Scheepvaart N.V of Rotterdam, the Netherlands. My investigation has produced no evidence as to the ownership of the Dutch bank. Mr Cornelis [sic] Lievense, president of UBC, claims no knowledge as to the ownership of the Bank voor Handel but believes it possible that Baron Heinrich Thyssen, brother of Fritz Thyssen, may own a substantial interest."

May cleared the bank of holding a golden nest egg for the Nazi leaders but went on to describe a network of companies spreading out from UBC across Europe, America and Canada, and how money from voor Handel travelled to these companies through UBC.

By September May had traced the origins of the non-American board members and found that Dutchman HJ Kouwenhoven - who met with Harriman in 1924 to set up UBC - had several other jobs: in addition to being the managing director of voor Handel he was also the director of the August Thyssen bank in Berlin and a director of Fritz Thyssen's Union Steel Works, the holding company that controlled Thyssen's steel and coal mine empire in Germany.

Within a few weeks, Homer Jones, the chief of the APC investigation and research division sent a memo to the executive committee of APC recommending the US government vest UBC and its assets. Jones named the directors of the bank in the memo, including Prescott Bush's name, and wrote: "Said stock is held by the above named individuals, however, solely as nominees for the Bank voor Handel, Rotterdam, Holland, which is owned by one or more of the Thyssen family, nationals of Germany and Hungary. The 4,000 shares hereinbefore set out are therefore beneficially owned and help for the interests of enemy nationals, and are vestible by the APC," according to the memo from the National Archives seen by the Guardian.

Red-handed
Jones recommended that the assets be liquidated for the benefit of the government, but instead UBC was maintained intact and eventually returned to the American shareholders after the war. Some claim that Bush sold his share in UBC after the war for $1.5m - a huge amount of money at the time - but there is no documentary evidence to support this claim. No further action was ever taken nor was the investigation continued, despite the fact UBC was caught red-handed operating a American shell company for the Thyssen family eight months after America had entered the war and that this was the bank that had partly financed Hitler's rise to power.

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The most tantalising part of the story remains shrouded in mystery: the connection, if any, between Prescott Bush, Thyssen, Consolidated Silesian Steel Company (CSSC) and Auschwitz.

Thyssen's partner in United Steel Works, which had coal mines and steel plants across the region, was Friedrich Flick, another steel magnate who also owned part of IG Farben, the powerful German chemical company.

Flick's plants in Poland made heavy use of slave labour from the concentration camps in Poland. According to a New York Times article published in March 18 1934 Flick owned two-thirds of CSSC while "American interests" held the rest.

The US National Archive documents show that BBH's involvement with CSSC was more than simply holding the shares in the mid-1930s. Bush's friend and fellow "bonesman" Knight Woolley, another partner at BBH, wrote to Averill Harriman in January 1933 warning of problems with CSSC after the Poles started their drive to nationalise the plant. "The Consolidated Silesian Steel Company situation has become increasingly complicated, and I have accordingly brought in Sullivan and Cromwell, in order to be sure that our interests are protected," wrote Knight. "After studying the situation Foster Dulles is insisting that their man in Berlin get into the picture and obtain the information which the directors here should have. You will recall that Foster is a director and he is particularly anxious to be certain that there is no liability attaching to the American directors."

But the ownership of the CSSC between 1939 when the Germans invaded Poland and 1942 when the US government vested UBC and SAC is not clear.

"SAC held coal mines and definitely owned CSSC between 1934 and 1935, but when SAC was vested there was no trace of CSSC. All concrete evidence of its ownership disappears after 1935 and there are only a few traces in 1938 and 1939," says Eva Schweitzer, the journalist and author whose book, America and the Holocaust, is published next month.

Silesia was quickly made part of the German Reich after the invasion, but while Polish factories were seized by the Nazis, those belonging to the still neutral Americans (and some other nationals) were treated more carefully as Hitler was still hoping to persuade the US to at least sit out the war as a neutral country. Schweitzer says American interests were dealt with on a case-by-case basis. The Nazis bought some out, but not others.

The two Holocaust survivors suing the US government and the Bush family for a total of $40bn in compensation claim both materially benefited from Auschwitz slave labour during the second world war.

Kurt Julius Goldstein, 87, and Peter Gingold, 85, began a class action in America in 2001, but the case was thrown out by Judge Rosemary Collier on the grounds that the government cannot be held liable under the principle of "state sovereignty".

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Jan Lissmann, one of the lawyers for the survivors, said: "President Bush withdrew President Bill Clinton's signature from the treaty [that founded the court] not only to protect Americans, but also to protect himself and his family."

Lissmann argues that genocide-related cases are covered by international law, which does hold governments accountable for their actions. He claims the ruling was invalid as no hearing took place.

In their claims, Mr Goldstein and Mr Gingold, honorary chairman of the League of Anti-fascists, suggest the Americans were aware of what was happening at Auschwitz and should have bombed the camp.

The lawyers also filed a motion in The Hague asking for an opinion on whether state sovereignty is a valid reason for refusing to hear their case. A ruling is expected within a month.

The petition to The Hague states: "From April 1944 on, the American Air Force could have destroyed the camp with air raids, as well as the railway bridges and railway lines from Hungary to Auschwitz. The murder of about 400,000 Hungarian Holocaust victims could have been prevented."

The case is built around a January 22 1944 executive order signed by President Franklin Roosevelt calling on the government to take all measures to rescue the European Jews. The lawyers claim the order was ignored because of pressure brought by a group of big American companies, including BBH, where Prescott Bush was a director.

Lissmann said: "If we have a positive ruling from the court it will cause [president] Bush huge problems and make him personally liable to pay compensation."

The US government and the Bush family deny all the claims against them.

In addition to Eva Schweitzer's book, two other books are about to be published that raise the subject of Prescott Bush's business history. The author of the second book, to be published next year, John Loftus, is a former US attorney who prosecuted Nazi war criminals in the 70s. Now living in St Petersburg, Florida and earning his living as a security commentator for Fox News and ABC radio, Loftus is working on a novel which uses some of the material he has uncovered on Bush. Loftus stressed that what Prescott Bush was involved in was just what many other American and British businessmen were doing at the time.

"You can't blame Bush for what his grandfather did any more than you can blame Jack Kennedy for what his father did - bought Nazi stocks - but what is important is the cover-up, how it could have gone on so successfully for half a century, and does that have implications for us today?" he said.

"This was the mechanism by which Hitler was funded to come to power, this was the mechanism by which the Third Reich's defence industry was re-armed, this was the mechanism by which Nazi profits were repatriated back to the American owners, this was the mechanism by which investigations into the financial laundering of the Third Reich were blunted," said Loftus, who is vice-chairman of the Holocaust Museum in St Petersburg.

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"The Union Banking Corporation was a holding company for the Nazis, for Fritz Thyssen," said Loftus. "At various times, the Bush family has tried to spin it, saying they were owned by a Dutch bank and it wasn't until the Nazis took over Holland that they realised that now the Nazis controlled the apparent company and that is why the Bush supporters claim when the war was over they got their money back. Both the American treasury investigations and the intelligence investigations in Europe completely bely that, it's absolute horseshit. They always knew who the ultimate beneficiaries were."

"There is no one left alive who could be prosecuted but they did get away with it," said Loftus. "As a former federal prosecutor, I would make a case for Prescott Bush, his father-in-law (George Walker) and Averill Harriman [to be prosecuted] for giving aid and comfort to the enemy. They remained on the boards of these companies knowing that they were of financial benefit to the nation of Germany."

Loftus said Prescott Bush must have been aware of what was happening in Germany at the time. "My take on him was that he was a not terribly successful in-law who did what Herbert Walker told him to. Walker and Harriman were the two evil geniuses, they didn't care about the Nazis any more than they cared about their investments with the Bolsheviks."

What is also at issue is how much money Bush made from his involvement. His supporters suggest that he had one token share. Loftus disputes this, citing sources in "the banking and intelligence communities" and suggesting that the Bush family, through George Herbert Walker and Prescott, got $1.5m out of the involvement. There is, however, no paper trail to this sum.

The third person going into print on the subject is John Buchanan, 54, a Miami-based magazine journalist who started examining the files while working on a screenplay. Last year, Buchanan published his findings in the venerable but small-circulation New Hampshire Gazette under the headline "Documents in National Archives Prove George Bush's Grandfather Traded With the Nazis - Even After Pearl Harbor". He expands on this in his book to be published next month - Fixing America: Breaking the Stranglehold of Corporate Rule, Big Media and the Religious Right.

In the article, Buchanan, who has worked mainly in the trade and music press with a spell as a muckraking reporter in Miami, claimed that "the essential facts have appeared on the internet and in relatively obscure books but were dismissed by the media and Bush family as undocumented diatribes".

Buchanan suffers from hypermania, a form of manic depression, and when he found himself rebuffed in his initial efforts to interest the media, he responded with a series of threats against the journalists and media outlets that had spurned him. The threats, contained in e-mails, suggested that he would expose the journalists as "traitors to the truth".

Unsurprisingly, he soon had difficulty getting his calls returned. Most seriously, he faced aggravated stalking charges in Miami, in connection with a man with whom he had fallen out over the best way to publicise his findings. The charges were dropped last month.

Biography
Buchanan said he regretted his behaviour had damaged his credibility but his main aim was to secure publicity for the story. Both Loftus and Schweitzer say Buchanan has come up with previously undisclosed documentation.

The Bush family have largely responded with no comment to any reference to Prescott Bush. Brown Brothers Harriman also declined to comment.

The Bush family recently approved a flattering biography of Prescott Bush entitled Duty, Honour, Country by Mickey Herskowitz. The publishers, Rutledge Hill Press, promised the book would "deal honestly with Prescott Bush's alleged business relationships with Nazi industrialists and other accusations".

In fact, the allegations are dealt with in less than two pages. The book refers to the Herald-Tribune story by saying that "a person of less established ethics would have panicked ... Bush and his partners at Brown Brothers Harriman informed the government regulators that the account, opened in the late 1930s, was 'an unpaid courtesy for a client' ... Prescott Bush acted quickly and openly on behalf of the firm, served well by a reputation that had never been compromised. He made available all records and all documents. Viewed six decades later in the era of serial corporate scandals and shattered careers, he received what can be viewed as the ultimate clean bill."

The Prescott Bush story has been condemned by both conservatives and some liberals as having nothing to do with the current president. It has also been suggested that Prescott Bush had little to do with Averill Harriman and that the two men opposed each other politically.

However, documents from the Harriman papers include a flattering wartime profile of Harriman in the New York Journal American and next to it in the files is a letter to the financial editor of that paper from Prescott Bush congratulating the paper for running the profile. He added that Harriman's "performance and his whole attitude has been a source of inspiration and pride to his partners and his friends".

The Anti-Defamation League in the US is supportive of Prescott Bush and the Bush family. In a statement last year they said that "rumours about the alleged Nazi 'ties' of the late Prescott Bush ... have circulated widely through the internet in recent years. These charges are untenable and politically motivated ... Prescott Bush was neither a Nazi nor a Nazi sympathiser."

However, one of the country's oldest Jewish publications, the Jewish Advocate, has aired the controversy in detail.

More than 60 years after Prescott Bush came briefly under scrutiny at the time of a faraway war, his grandson is facing a different kind of scrutiny but one underpinned by the same perception that, for some people, war can be a profitable business.

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Adolf Hitler's wealth and income

From Wikipedia, the free encyclopedia
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Adolf Hitler, Chancellor of Nazi Germany and at the center of World War II in Europe, earned millions of Reichsmarks throughout his political career, mainly through sales of his book Mein Kampf ("My Struggle") and his combined Chancellor's and President's salaries. After coming to power, Hitler moved to make himself tax-exempt.


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Early life
Adolf Hitler was born on 20 April 1889 and grew up in Braunau am Inn, a small Austrian village on the border with Germany.[1] His family was rather poor and three of his siblings—Gustav, Ida and Otto— died in infancy due to common childhood diseases.[2] Hitler's father, Alois, unsuccessfully tried to establish a farm, and his wife, Klara, was a housewife.[3] In 1913, Hitler received legacies from his deceased relatives and decided to move to Munich, a large German city located in Bavaria.[4]

Artistic ambitions

The Courtyard of the Old Residency in Munich, painting by Hitler from 1914
Once in Munich, Hitler lived a Bohemian life alongside his childhood friend August Kubizek.[5] The two shared a room rented from a local tailor. Hitler painted pictures, watercolors and copied postcards and sold them to tourists for a small profit.[5] In 1907, he applied to join Vienna's Academy of Fine Arts, but was rejected due to a "lack of talent".[6] In 1908, Hitler tried again, but was once again rejected.[6] Shortly afterwards, Hitler ran out of money and was forced to live in homeless shelters and men's hostels.[4]

Mein Kampf sales
Hitler wrote his political manifesto and autobiography Mein Kampf ("My Struggle") in Landsberg prison while serving a sentence for high treason committed during the failed Beer Hall Putsch of 1923.[4] Mein Kampf was printed by the Franz Eher Nachfolger publishing house and largely ignored at first, but sales began to boom in the late 1920s and early 1930s as economic depression and social unrest troubled Germany, factors which significantly boosted Hitler's popularity.[7] After Hitler came to power in 1933, couples who married during the Nazi state were given a copy as a wedding gift.[7] The book eventually became a best-seller within Nazi Germany, selling almost twelve million copies by the war's end.[8]

Nazi Party funds
While hyperinflation of the Weimar Republic had crippled the German economy and plunged millions of German workers into unemployment, Hitler and his party received lavish donations from wealthy benefactors at home and abroad.[7] 

The iconic American car maker and anti-Semite Henry Ford was reported to be one of the foreign supporters.[7] 

Helene Bechstein, part of a rich aristocratic family who sold pianos, supported Hitler financially.[7] 

The Ruhr steel barons Fritz Thyssen and Gustav Krupp donated almost five million Reichsmarks to the Nazi Party over the course of the war.[7]


The Berghof, Hitler's private retreat, was renovated at a massive cost, all of it paid for with Nazi Party donations
Much of the party's income from donations was used to pay for Hitler's private projects, such as the Berghof and Eagle's Nest.[7] He caused a minor controversy within leading elements of the party when he, in 1925, purchased a luxury Mercedes-Benz and a chauffeur to drive it for a total expenditure of 20,000 Reichsmarks.[7] After examining Hitler's tax records from the Bavarian State Archives in Munich, economics journalist Wolfgang Zdral said, "He's driving a Mercedes, which cost incredible amounts of money at the time, can afford to go on travels and has enough money to finance his propaganda appearances. All of this is financed through a system of slush-funds, essentially the donation of larger and smaller benefactors".[7]

Tax evasion
Throughout his rise to power, Hitler neglected to pay taxes on his income and allowances.[9] In 1934, one year after becoming Chancellor, the tax office of Munich sent Hitler a fine of 405,494.00 Reichsmarks for not paying taxes nor properly declaring his income.[7] He was given only eight days to pay off this debt.[7] The new Chancellor responded by ordering a state secretary of the ministry of finance to intervene, which resulted in Hitler becoming tax-free. The head of the Munich tax office declared, "all tax reports delivering substance for a tax obligation by the Führer are annulled from the start. The Führer is therefore tax-exempt".[7] After the death of President Paul von Hindenburg, Hitler took over his office and claimed his salary as well.[7]

In his last will and testament, Hitler said regarding his personal earnings, "what I own, as far as it is worth anything, belongs to the party. Should this no longer exist, the German state. Should the state also be destroyed, there is no need for a further decision on my part".[7]


See also


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HEDDY LAMARR

 



ஆஸ்திரியாவைச் சேர்ந்த ஒரு ஆர்வமுள்ள நடிகை, தனது நாஜி ஆயுத வியாபாரி கணவனிடமிருந்து தப்பித்து, ஹாலிவுட்டில் புகழ் மற்றும் அதிர்ஷ்டத்திற்கு தப்பினார், அவர் ஐந்து முறை திருமணம் செய்து கொண்டார், ஓய்வு நேரத்தில் வயர்லெஸ் தகவல்தொடர்பு துறையில் சுயமாக கற்றுக் கொண்ட விஞ்ஞானி மற்றும் முன்னோடியாக இருந்தார், அதன் கண்டுபிடிப்புகள் தாக்கத்தை ஏற்படுத்தும் ஜி.பி.எஸ், வைஃபை மற்றும் புளூடூத்தின் வளர்ச்சி ...  ஹெடி லாமரின் வாழ்க்கை நிகழ்வானது மனித குலத்திற்கு ஆற்றிய பெரும் தொண்டு எனலாம்

An aspiring actress from Austria, who escaped her Nazi arms dealer husband and escaped to fame and fortune in Hollywood, she married five times and in her spare time was a self-taught scientist and pioneer in the field of wireless communication whose inventions would influence the development of GPS, WiFi and Bluetooth...to say the life of Hedy Lamarr was eventful would be a seismic understatement.


லாமர் 1914 இல் ஆஸ்திரியா-ஹங்கேரியின் வியன்னாவில் ஹெட்விக் கீஸ்லரில் பிறந்தார். ஒரு இளம் பெண்ணாக, அவர் நாடகத்திலும் திரைப்படத்திலும் ஈர்க்கப்பட்டார், விரைவில் வியன்னாவில் நடிப்பு பள்ளியில் சேர்ந்தார் . ஆஸ்திரிய நாடக தயாரிப்பாளர் மேக்ஸ் ரெய்ன்ஹார்ட் தி வீக்கர் செக்ஸில் நடித்தபோது, ​​ஒரு நாடகத்தில் தனது முதல் முக்கிய பாத்திரத்தில்தோன்றினார் 

Lamarr was born Hedwig Kiesler in 1914 in Vienna, Austria-Hungary. As a young girl, she became fascinated with theatre and film and soon began taking acting classes in Vienna. It didn’t take long before she landed her first major role in a play when Austrian theatrical producer Max Reinhardt cast her in The Weaker Sex.

திரைப்பட சலுகைகள் விரைவில் மற்றும் 1933 இன் ஆரம்பத்தில், 18 வயதான லாமர் ஒரு செக் திரைப்படத்தில் முக்கிய கதாபாத்திரத்தில் இறங்கினார், இது அவரை சர்வதேச அளவில் பிரபலமாக்கியது. இந்த படம் எக்ஸ்டஸி என்ற மிகவும் சர்ச்சைக்குரிய காதல் நாடகமாக இருந்தது. லாமர் நிர்வாணமாகக் காட்டப்பட்டது மட்டுமல்லாமல், ஒரு படத்தில் பாலினத்தின் முதல் ஆபாசமற்ற சித்தரிப்பு மற்றும் ஒரு பெண் புணர்ச்சியின் முதல் திரை சித்தரிப்பு ஆகியவற்றை உள்ளடக்கிய ஒரு காட்சியில் நடித்தார்.

Film offers followed shortly after and in early 1933, 18-year-old Lamarr landed the lead role in a Czech movie that would make her internationally famous. The film was a highly controversial romantic drama called Ecstasy. Not only was Lamarr shown nude but she also acted in a scene that included the first non-pornographic portrayal of sex in a film, as well as the first on-screen depiction of a female orgasm.

நடிகர்களின் முகங்களைத் தவிர வேறொன்றும் காட்டப்படவில்லை என்றாலும், போப் பியஸ் பன்னிரெண்டாம் இப்படத்தை கண்டித்தார், ஹிட்லர் அதைத் தடைசெய்தார், பல ஆண்டுகளுக்குப் பிறகு அமெரிக்கா அதற்கு ஒரு குறிப்பிட்ட ஓட்டத்தை அளித்தது. இருப்பினும், பலர் எக்ஸ்டஸியை ஒரு சிறந்த கலைப் படைப்பாகக் கருதினர், பின்னர் இந்த படம் உலகளாவிய அங்கீகாரத்தைப் பெற்றது. லாமர் தனக்கென ஒரு பெயரை உருவாக்கியிருந்தார்.




அதே ஆண்டில், லாமர் தனது முதல் கணவரை சந்தித்தார், ஒரு பணக்கார 33 வயதான ஆஸ்திரிய ஆயுத வியாபாரி மற்றும் ஃபிரெட்ரிக் மாண்ட்ல் என்ற உற்பத்தியாளர். லாமரின் பெற்றோர், யூத வம்சாவளியைச் சேர்ந்தவர்கள், முக்கியமாக மாண்டலின் வலுவான பாசிச கருத்துக்கள் மற்றும் முசோலினி மற்றும் ஹிட்லருடனான உறவுகள் காரணமாக தொழிற்சங்கத்தை மறுத்துவிட்டனர், அவர்கள் இருவரும் மாண்ட்ல் நடத்திய விருந்துகளில் கலந்து கொண்டதாகக் கூறப்படுகிறது.

லாமர் பின்னர் மாண்டலை வெளிப்படையாக கட்டுப்படுத்துவதாகவும், சொந்தமாக வைத்திருப்பதாகவும் விவரித்தார், அவர் தனது கைதியை தனது சொந்த வீட்டில் திறம்பட வைத்திருந்தார். அவர் அவளை நடிப்பதைத் தடுத்தது மட்டுமல்லாமல், எக்ஸ்டஸியின் ஒவ்வொரு நகலையும் அதை அடக்குவதற்கான ஒரு தோல்வியுற்ற முயற்சியில் வாங்க முயற்சிக்கிறார்.கடைசியில், லாமர் தனது பணிப்பெண்ணை தனது ஆடையைத் திருடுவதற்கு முன்பு தூக்க மாத்திரைகள் மூலம் போதை மருந்து உட்கொண்டதாகக் கூறப்படுகிறது, அதன் உட்புறங்களை நகைகளால் வரிசையாக வைத்து பின்னர் பணிப்பெண்ணின் மிதிவண்டியில் தப்பிச் சென்றார்.



லாமர் 1937 இல் லண்டனுக்குச் செல்வதற்கு முன்பு பாரிஸுக்கு தப்பி ஓடினார். அங்கு எம்.ஜி.எம் தலைவரான லூயிஸ் பி. மேயருடன் ஒரு சந்திப்பை ஏற்பாடு செய்ய முடிந்தது, அவர் வணிகத்திற்காக லண்டனில் இருந்தார். எக்ஸ்டஸியின் அதிர்ச்சி அலைகள் இன்னும் உணரப்பட்ட பின்னரும் லாமர் அதை மாநிலங்களில் உருவாக்க முடியும் என்று மேயருக்கு முதலில் தெரியவில்லை. ஒரு கவர்ச்சியான பெண்ணுக்கு எப்போதும் உறிஞ்சும், மேயர் இறுதியில் லாமருக்கு ஆறு மாத ஒப்பந்தத்தை ஒரு வாரத்திற்கு 125 டாலர் வழங்கினார். அதை விட அவள் மதிப்புள்ளவள் என்று நம்பி, லாமர் இந்த வாய்ப்பை நிராகரித்தார்.


அவளுடைய அம்சங்கள் வேலைநிறுத்தம் செய்தன, அவர்கள் ஊக்கமளித்த வால்ட் டிஸ்னியின் ஸ்னோ ஒயிட் கேரக்டர் ஆண்டு உருவாக்கப்பட்டது என்று சொன்னார்கள்.


விரைவில் அவர் இந்த முடிவுக்கு வருந்தியதோடு, மேயர் அமெரிக்காவுக்கு திரும்பிச் சென்றபோது அதே லைனரில் சரியான வழியைக் கண்டுபிடித்தார். தன்னுடன் கடத்த முடிந்த அனைத்து நகைகளையும் அணிந்துகொண்டு, லாமர் பயணத்தின் முடிவில் மேயரை ஒரு வாரத்திற்கு 500 டாலர் என்ற அளவில் ஏழு ஆண்டு ஒப்பந்தத்தை வழங்குமாறு சமாதானப்படுத்தியிருந்தார். தனது எக்ஸ்டஸி நற்பெயரிடமிருந்து தன்னைத் தூர விலக்கிக் கொள்ள அவள் பெயரை மாற்ற வேண்டும் என்ற ஒரு நிபந்தனையின் பேரில். பிரபல அமைதியான திரைப்பட நட்சத்திரம் பார்பரா லா மார் நினைவாக ஹெடி கிஸ்லர் இப்போது ஹெடி லாமராக இருந்தார்.


சிறிது நேரத்திற்குப் பிறகு லாமர் ஹாலிவுட்டுக்கு வந்தார், விரைவில் ‘உலகின் மிக அழகான பெண்’ என்று அழைக்கப்பட்டார். அவரது அம்சங்கள் மிகவும் வியக்கத்தக்கவை, அவை அந்த ஆண்டில் உருவாக்கப்பட்ட வால்ட் டிஸ்னியின் ஸ்னோ ஒயிட் கதாபாத்திரத்தை ஊக்கப்படுத்தியதாகக் கூறப்படுகிறது.


லாமரின் முதல் ஹாலிவுட் திரைப்படம் அல்ஜியர்ஸ் (1938), அங்கு அவர் ஒரு கவர்ச்சியான கவர்ச்சியான பாத்திரத்தில் நடித்தார். பார்வையாளர்கள் பந்து வீசப்பட்டனர்… ‘எல்லோரும் மூச்சுத்திணறினர் ... லாமரின் அழகு உண்மையில் ஒருவரின் சுவாசத்தை எடுத்துச் சென்றது.’ ஒரு நட்சத்திரம் பிறந்தது, இருப்பினும் அல்ஜியர்ஸ் எதிர்கால படங்களுக்காக அவளைத் தட்டச்சு செய்திருந்தாலும்.


லேடி ஆஃப் தி டிராபிக்ஸ் (1939) அடுத்தடுத்து வந்தது, அங்கு மீண்டும் லாமர் கவர்ச்சியான தோற்றத்தின் அழகிய கவர்ச்சியான கவர்ச்சியாக நடித்தார், இது அவரது ஐரோப்பிய பாரம்பரியத்தை ஏற்றுக்கொண்டது. கிளார்க் கேபிளுடன் பூம் டவுன் 1940 இல் வந்தது, கம் லைவ் வித் மீ வித் ஜேம்ஸ் ஸ்டீவர்ட் மற்றும் ஜீக்ஃபீல்ட் கேர்ள் வித் ஜூடி கார்லண்ட் 1941 இல் வந்தது. அவரது மிக வெற்றிகரமான படங்களில் ஒன்று வெள்ளை சரக்கு (1942), ஆனால் மீண்டும் அவர் சுற்றிலும் மிகக் குறைந்த வரிகளையும் கொடுத்தார். லாசர் காசாபிளாங்கா (1943) மற்றும் கேஸ்லைட் (1944) ஆகியவற்றில் முக்கிய கதாபாத்திரத்திற்காக கருதப்பட்டார், ஆனால் இரண்டையும் தவறவிட்டார்.

அவரது எம்ஜிஎம் ஒப்பந்தத்தின் கீழ் அவரது கடைசி படம் 1945 இல் வந்தது, அதன் பிறகு அவர் எம்ஜிஎம்மில் இருந்து வெளியேறி தனது சொந்த தயாரிப்பு நிறுவனத்தை அமைத்தார், ஹாலிவுட்டில் முதல் பெண் தயாரிப்பாளர்களில் ஒருவரானார்.


சிசிலி பி. டெமில் 1949 ஆம் ஆண்டில் சாம்சன் மற்றும் டெலிலா திரைப்படத்தில் டெலிலா என்ற இறுதி பெண்ணாக நடித்தபோது, ​​லாமர் இனி ஒரு காலத்தில் இருந்த ஹாலிவுட் ஏ-லிஸ்டராக இருக்கவில்லை. இருப்பினும் இந்த படம் லாமரின் மிகப் பெரிய பாக்ஸ் ஆபிஸ் வெற்றியாகவும், அவரது வாழ்க்கையை மீண்டும் தொடங்குவதற்கான ஊக்கமாகவும் இருந்தது.


துரதிர்ஷ்டவசமாக அது அவ்வாறு இருக்கவில்லை, அவளுடைய பின்தொடர்தல் திரைப்படங்கள் அவ்வளவு சிறப்பாக செயல்படவில்லை. லாமரின் வாழ்க்கை வீழ்ச்சியடைந்தது மற்றும் அவரது இறுதி திரைப்படத் தோற்றம் 1958 இல் வந்தது. இந்த கட்டத்தில், அவரது வாழ்க்கை ஏற்கனவே ஒரு ரோலர் கோஸ்டர் சவாரி மற்றும் ஓய்வுபெற்றபோது, ​​சவாரி ஒரு முடிவுக்கு வருவதற்கான அறிகுறிகளைக் காட்டவில்லை.


1966 வாக்கில், அவர் ஆறாவது மற்றும் கடைசி கணவரின் விவாகரத்து மற்றும் கடை திருட்டுக்காக சமீபத்தில் கைது செய்யப்பட்டதால், குற்றச்சாட்டுகள் கைவிடப்பட்டாலும், அவர் ஒரு வழக்கமான பத்திரிகையாளராக இருந்தார். எக்ஸ்டஸி அண்ட் மீ என்ற தலைப்பில் அவரது வாழ்க்கையின் ஒரு அவதூறான நினைவுக் குறிப்பும் வெளியிடப்பட்டது, அதில் அவரது பாலியல் வாழ்க்கையின் தெளிவான விவரங்கள் அனைவருக்கும் காணப்பட்டன. லாமர் தனது பேய் எழுத்தாளர் புத்தகத்தின் பெரும்பாலான உள்ளடக்கங்களை இட்டுக்கட்டியதாகக் கூறுகிறார். அவர் வெற்றிகரமாக பதிப்பாளர்கள் மீது வழக்குத் தொடர்ந்தார்.

70 களில் வழக்கு மீண்டும் ஒரு கருப்பொருளாக இருந்தது. மெல் ப்ரூக்ஸ் திரைப்படமான பிளேசிங் சாடில்ஸ் (1974) இல் தனது பெயரை அனுமதியின்றி பயன்படுத்தியதற்காக வார்னர் பிரதர்ஸ் மீது பல மில்லியன் டாலர் வழக்கு தொடர்ந்தார். கணக்குகள் வேறுபடுகின்றன என்றாலும், அவர் வெளிப்படுத்தப்படாத கட்டணத்திற்காக நீதிமன்றத்திற்கு வெளியே குடியேறினார்.

இந்த நேரத்தில், லாமர் ஒரு முடக்கும் போதைப் பழக்கத்தை உருவாக்கியுள்ளார், பிரபலமற்ற டாக்டர் ஃபீல்கூட், மேக்ஸ் ஜேக்கப்சென் ஆகியோரின் உதவியுடன், ஜே.எஃப்.கே உட்பட பல பிரபலங்களை இழிவாக வழங்கினார், வழக்கமான ‘அதிசய காட்சிகள்’, அவை பெரும்பாலும் ஆம்பெடமைன்கள் மற்றும் விலங்கு ஹார்மோன்களால் ஆனவை. லாமர் பிளாஸ்டிக் அறுவை சிகிச்சைக்கு ஓரளவு அடிமையாகி, தனது சகாப்தத்தின் வயதுவந்த மனப்பான்மைக்கு பலியாகிவிட்டார். நுட்பங்களை மேம்படுத்துவதற்காக அவர் அடிக்கடி தனது அறுவை சிகிச்சை நிபுணர்களுக்கு பரிந்துரைகளை வழங்குவார், அவரின் பல யோசனைகள் எதிர்காலத்தில் பிளாஸ்டிக் அறுவை சிகிச்சையின் பொதுவான முறைகளாக மாறும்.

80 களில் லாமர் புளோரிடாவில் குடியேறி பொதுமக்கள் பார்வையில் இருந்து விலகினார். 1991 ஆம் ஆண்டில், கடை திருட்டுக்காக அவர் மீண்டும் கைது செய்யப்பட்டார், ஒரு மருந்தகத்தில் இருந்து சுமார் $ 20 மதிப்புள்ள கண் சொட்டுகள் மற்றும் மலமிளக்கியை எடுக்க முயன்றார். மீண்டும், எந்த குற்றச்சாட்டும் பதிவு செய்யப்படவில்லை.

அவளுடைய மீதமுள்ள ஆண்டுகள் தனிமையில் கழித்தன, பெரும்பாலும் அவரது குடும்பத்தினர் மற்றும் குழந்தைகள் உட்பட வெளியில் உள்ளவர்களுடன் மட்டுமே தொலைபேசி மூலம் தொடர்புகொள்கின்றன. ஜனவரி 19, 2000 அன்று, லாமர் இதய நோயால் காலமானார். அவளுக்கு வயது 85.

'கண்டுபிடிப்புகள் எனக்கு எளிதானவை. நான் ஐடியாக்களில் வேலை செய்யவில்லை. அவர்கள் இயற்கையாகவே வருகிறார்கள். '

அவரது மரணத்தின் பின்னர், உலகம் அவளை வெள்ளித்திரையின் சைரன்களில் ஒன்றாக நினைவுகூர்ந்தது, ஒரு மோசமான அழகு காதல் வாழ்க்கையை பெற்ற ஒரு அழகான அழகு. ஹாலிவுட் வாக் ஆஃப் ஃபேமில் ஒரு நட்சத்திரத்துடன் அவரது ஷோபிஸ் மரபு எப்போதும் அழியாது. இன்னும், அவரது கதை அங்கு முடிவடையவில்லை.


சமீபத்திய ஆண்டுகளில், அவரது மரபு மாற்றப்பட்டுள்ளது, இப்போது அவள் தோற்றத்தை விட அவள் மூளைக்காக அதிகம் நினைவில் வைத்திருக்கிறாள். லாமர் ஒரு சிறந்த கண்டுபிடிப்பாளர்; அது அவளுடைய ஆர்வம் மற்றும் அவளது பொழுது போக்கு. தளிர்கள் இடையே, அவர் தனது டிரெய்லர் மற்றும் டிங்கருக்கு தனது கண்டுபிடிப்புகளுடன் ஓய்வு பெறுவார்.

அலெக்ஸாண்ட்ரா டீன் எழுதி இயக்கிய மற்றும் சூசன் சரண்டன் இணைந்து தயாரித்த பாம்ப்செல்: தி ஹெடி லாமர் ஸ்டோரி என்ற தலைப்பில் நன்கு அறியப்பட்ட 2017 ஆவணப்படம் லாமரின் கதையின் இந்த பக்கத்தில் ஒரு ஒளி பிரகாசிக்க உதவியது. இந்த படத்தில் லாமர் தனது வாழ்க்கையைப் பற்றி பேசும் ஆடியோ பதிவுகள் அடங்கும், ஒரு கட்டத்தில் அவர் கூறுகிறார், ‘கண்டுபிடிப்புகள் எனக்கு எளிதானது. நான் யோசனைகளில் பணியாற்ற வேண்டியதில்லை. அவர்கள் இயல்பாகவே வருகிறார்கள். ’அவள் மிகவும் திறமையான விஞ்ஞானி, அதற்கு மேல் அவள் முற்றிலும் சுய கற்பித்தவள்.

லாமரின் திறமைகளைப் பற்றி அறிந்த சிலர் இருந்தனர், இதில் விசித்திரமான விமான கண்டுபிடிப்பாளர் ஹோவர்ட் ஹியூஸ், லாமரின் ஒருகால சுடர். அவர் தனது பொழுதுபோக்கை ஆதரிக்க தன்னால் முடிந்த அனைத்தையும் செய்தார், அவளுடைய யோசனைகளை நிறைவேற்றுவதற்கான பொருட்களை அவளுக்கு வழங்கினார். அவர் அவளுடைய திறமைகளை அங்கீகரித்ததோடு மட்டுமல்லாமல், அவற்றைச் சார்ந்து வந்தார்.

லாமர் தனது விமானங்களை வேகமாக பறக்க ஒரு வழியைக் கண்டுபிடிக்க ஹியூஸுக்கு உதவினார். அவரது தற்போதைய சிறகு வடிவமைப்புகள் மிகவும் சதுரமாக இருப்பதாக அவர் நம்பினார், எனவே அவர் ஒரு ஜோடி புத்தகங்களைக் கொண்டுவந்தார், ஒன்று பறவைகள் மற்றும் மீன் பற்றி. அவற்றின் உடற்கூறியல் ஆய்வுகளை அவர் மேற்கொண்டார், மேலும் ஹியூஸின் விமானங்களில் இறக்கையின் வடிவங்கள் இழுவைக் குறைக்க உதவும் வகையில் மேலும் நெறிப்படுத்தப்பட வேண்டும் என்று முடிவு செய்தார். ஹியூஸ் அவளை ஒரு மேதை என்று அறிவித்தார்.

லாமரின் விஞ்ஞான திறமையின் உண்மையான அளவு போரின் போது முழுமையாகப் பாராட்டப்படவில்லை என்றாலும் காட்டப்பட்டது. ஒரு ஜேர்மன் யு-படகு அட்லாண்டிக் கடக்கும் பயணிகள் கப்பலை மூழ்கடித்ததில் 80 குழந்தைகள் கொல்லப்பட்டதாக லாமர் கேள்விப்பட்டபோது, ​​நேச நாடுகளின் உதவிக்கு அவர் ஆசைப்பட்டார். அவள் அதை எப்படிச் செய்யப் போகிறாள் என்பதைக் கண்டுபிடிப்பதற்கு அதிக நேரம் எடுக்கவில்லை.

1940 ஆம் ஆண்டில், அவர் தனது இசையமைப்பாளர் நண்பர் ஜார்ஜ் அந்தீலுடன் ஜோடி சேர்ந்தார், மேலும் அமெரிக்க கடற்படையின் பயன்பாட்டிற்காக ஒரு ‘ரகசிய தகவல் தொடர்பு அமைப்பில்’ பணியாற்றத் தொடங்கினார். இந்த அமைப்பு ஒரு ‘அதிர்வெண் துள்ளல்’ தொழில்நுட்பத்தைப் பயன்படுத்தி, எதிரிகளுக்கு, குறிப்பாக யு-படகுகளுக்கு, அமெரிக்க கப்பல்களில் இருந்து சுடும் உள்வரும் வானொலி கட்டுப்பாட்டு டார்பிடோக்களைக் கண்டறிவது அல்லது நெரிசல் செய்வது கடினம். 88 வெவ்வேறு அதிர்வெண்களில் மாற்ற பியானோ ரோலைப் பயன்படுத்தி, இந்த நாவல் அணுகுமுறை உண்மையிலேயே தனித்துவமானது.

அவர்களின் கண்டுபிடிப்புக்கு 1942 இல் காப்புரிமை வழங்கப்பட்டது மற்றும் அவற்றின் வடிவமைப்புகள் கடற்படைக்கு சமர்ப்பிக்கப்பட்டன. கடற்படை அதன் திறனை அங்கீகரித்த போதிலும், தொழில்நுட்பம் மேலும் ஒரு தசாப்தத்திற்கு செயல்படுத்தப்படாது.

எனது முகம் எனது தவறான எண்ணமாக இருந்தது… இது என்னைச் சோகமாகவும், ஐந்து விபத்துக்களுக்கு இதயமாகவும் கொண்டுள்ளது.

அமெரிக்க ஆயுதப்படைகளின் கவனத்திற்கு சாத்தியமான இராணுவ கண்டுபிடிப்புகளை கொண்டு வர 1940 ஆம் ஆண்டில் உருவாக்கப்பட்ட ஒரு அரசாங்க அமைப்பான வாஷிங்டனில் உள்ள தேசிய கண்டுபிடிப்பாளர்கள் குழுவில் சேர லாமர் முயன்றபோது, ​​அதற்கு பதிலாக அவர் என்.ஐ.சி யால் அறிவுறுத்தப்பட்டார், அவர் உண்மையிலேயே ஒரு வித்தியாசத்தை உருவாக்க விரும்பினால் யுத்தம், போர் பத்திரங்களை விற்கவும் துருப்புக்களை மகிழ்விக்கவும் அவள் தனது தோற்றத்தைப் பயன்படுத்த வேண்டும். அந்தக் காலத்தின் தவறான கருத்து என்னவென்றால், ஒரு அழகான முகத்தைத் தவிர வேறு எதற்கும் மக்கள் அவளைப் பார்க்க விரும்பவில்லை. அவளுடைய அழகு அவளுடைய சாபமாக மாறியது. பின்னர் அவர் அதை ரீமேக் செய்வார், ‘என் முகம் என் துரதிர்ஷ்டம்… இது ஐந்து தசாப்தங்களாக எனக்கு சோகத்தையும் மன வேதனையையும் ஏற்படுத்தியுள்ளது. என் முகம் என்னால் அகற்ற முடியாத முகமூடி: நான் எப்போதும் அதனுடன் வாழ வேண்டும். நான் அதை சபிக்கிறேன். '

சோனார் வெளிப்படுத்திய எதிரி நீர்மூழ்கிக் கப்பல்களின் நீருக்கடியில் நிலைகளை கடத்த உதவுவதற்காக கடற்படை 50 களில் தனது யோசனைக்கு திரும்பியது. 1962 கியூபா ஏவுகணை நெருக்கடிக்குள், தொழில்நுட்பம் இராணுவத்தால் முழுமையாக ஏற்றுக்கொள்ளப்பட்டது. அவரது கண்டுபிடிப்பு பாதுகாப்பான தொலைதொடர்புக்கான அடித்தளமாக மாறும், மேலும் இது ஜி.பி.எஸ், வைஃபை மற்றும் புளூடூத் ஆகியவற்றின் வளர்ச்சியில் பயன்படுத்தப்படும். லாமரின் கண்டுபிடிப்பு இல்லாமல் நமது நவீன உலகம் செயல்படாது.

#MeToo இயக்கம் மற்றும் ஹார்வி வெய்ன்ஸ்டீன் ஊழல் ஆகியவற்றை அடுத்து, லாமரின் கதை மிகவும் பொருத்தமானதாக இருக்க முடியாது. பாம்ப்செல் இயக்குனர் அலெக்ஸாண்ட்ரா டீன் கூறுவது போல், ‘அவளுடைய கதை என்ன நடக்கிறது என்பதற்கான அடித்தளம். ஹாலிவுட் எவ்வாறு கட்டப்பட்டது என்பதையும், ஹெடி போன்ற ஒரு பெண்ணுக்கு அந்த அனுபவம் எப்படி இருந்தது என்பதையும் நீங்கள் புரிந்து கொள்ள வேண்டும், அவர் முழு அட்டைகளையும் கொண்டிருந்தார் - புத்திசாலித்தனம், அழகு மற்றும் அந்த அமைப்பினுள் அவர் எப்படி போராடினார், ஏனெனில் கைகளில் இவ்வளவு சக்தி இருந்தது எல்லாவற்றையும் ஆணையிட்ட சில ஆண்கள். இன்று நாம் பேசுவதற்கான பின்னணி இதுதான். ’

THE LIFE OF HEDY LAMARR: HISTORY’S FORGOTTEN HOLLYWOOD GENIUS

Heddy Lamarr and her plans for her secret communications system that laid the groundwork for later wireless communications like WiFI

Science and Technology

An aspiring actress from Austria, who escaped her Nazi arms dealer husband and escaped to fame and fortune in Hollywood, she married five times and in her spare time was a self-taught scientist and pioneer in the field of wireless communication whose inventions would influence the development of GPS, WiFi and Bluetooth...to say the life of Hedy Lamarr was eventful would be a seismic understatement.


Lamarr was born Hedwig Kiesler in 1914 in Vienna, Austria-Hungary. As a young girl, she became fascinated with theatre and film and soon began taking acting classes in Vienna. It didn’t take long before she landed her first major role in a play when Austrian theatrical producer Max Reinhardt cast her in The Weaker Sex.



 

Film offers followed shortly after and in early 1933, 18-year-old Lamarr landed the lead role in a Czech movie that would make her internationally famous. The film was a highly controversial romantic drama called Ecstasy. Not only was Lamarr shown nude but she also acted in a scene that included the first non-pornographic portrayal of sex in a film, as well as the first on-screen depiction of a female orgasm.


Although nothing more than the actors’ faces were shown, Pope Pius XII denounced the film, Hitler banned it and America gave it a limited run years later. However, many considered Ecstasy a great piece of artistic work and subsequently the film gained worldwide recognition. Lamarr had made a name for herself.


During that same year, Lamarr met her first husband, a wealthy 33-year-old Austrian arms dealer and manufacturer called Friedrich Mandl. Lamarr’s parents, both of Jewish descent, disapproved of the union mainly due to Mandl’s strong fascist views and ties with Mussolini and Hitler, both of whom were reported to have attended parties hosted by Mandl.


Lamarr would later describe Mandl as overtly controlling and possessive, who effectively kept her prisoner in her own home. Not only did he prevent her from acting but reportedly spent a small fortune trying to purchase every existing copy of Ecstasy in an unsuccessful attempt to suppress it.


In the end, Lamarr supposedly drugged her maid with sleeping pills before stealing her outfit, lining the insides of it with jewellery and then fleeing on the maid’s bicycle.


Lamarr fled to Paris before moving onto London in 1937. There she managed to arrange a meeting with Louis B. Mayer, the head of MGM, who happened to be in London for business. Meyer was unsure at first that Lamarr could make it in the States after the shockwaves of Ecstasy were still being felt. Ever the sucker for a glamorous lady, Meyer did eventually offer Lamarr a six-month-contract of $125 a week. Believing she was worth far more than that, Lamarr turned the offer down.



 

HER FEATURES WERE SO STRIKING THEY WERE SAID TO HAVE INSPIRED WALT DISNEY’S SNOW WHITE CHARACTER CREATED THAT YEAR.


Soon after though she regretted the decision and managed to find her way on board the exact same liner as Meyer as he travelled back to America. Donning all the jewellery she had managed to smuggle away with her, Lamarr had convinced Meyer by the end of the voyage to offer her a seven-year-contract at $500 a week. On one condition that she change her name in order to distance herself from her Ecstasy reputation. Hedy Kiesler was now Hedy Lamarr, named in honour of the famous silent film star Barbara La Marr.


A short while later Lamarr arrived in Hollywood and was soon being touted as the ‘world’s most beautiful woman.’ Her features were so striking they were said to have inspired Walt Disney’s Snow White character created that year.


Lamarr’s first Hollywood movie was Algiers (1938), where she played the role of a glamorous seductress. Audiences were bowled over…‘everyone gasped ... Lamarr's beauty literally took one's breath away.’ A star was born, although Algiers had invariably typecast her for future films.


Lady of the Tropics (1939) followed next, where again Lamarr played a beautiful glamorous seductress of exotic origin, a nod to her European heritage. Boom Town with Clark Cable came in 1940, Come Live With Me with James Stewart and Ziegfield Girl with Judy Garland in 1941. One of her most successful films was White Cargo (1942) although again she was flaunted around and given very few lines. Lamarr was considered for the lead role in Casablanca (1943) and Gaslight (1944) but missed out on both.


Her last film under her MGM contract came in 1945, after which she left MGM and set up her own production company, becoming one of the first female producers in Hollywood.


When Cecile B. DeMille cast her as the ultimate femme fatale, Delilah, in his film Samson and Delilah in 1949, Lamarr was no longer the Hollywood A-lister she once was. The film was however to be Lamarr’s greatest box-office success and potentially the springboard to re-launching her career.



 

Sadly it was not meant to be and her follow-up movies didn’t fare so well. Lamarr’s career went into decline and her final film appearance came in 1958. Up to this point, her life had already been a rollercoaster ride and in retirement, the ride continued to show no signs of coming to an end.


By 1966 she’d been a regular in the tabloids, fuelled by the divorce of her sixth and last husband and recent arrest for shoplifting, although the charges were dropped. A scandalous memoir of her life, entitled Ecstasy and Me, was also published that year in which the lurid details of her sex life had been written down for all to see. Lamarr would go on to claim that her ghostwriter fabricated most of the contents of the book. She went on to unsuccessfully sue the publishers.


Litigation was again a theme in the 70s. She filed a multi-million dollar lawsuit against Warner Bros. for using her name without permission as a running gag in the Mel Brooks film Blazing Saddles (1974). Although accounts differ, she apparently settled out of court for an undisclosed fee.


By this time Lamarr had also developed a crippling drug addiction, aided by the infamous Dr. Feelgood, aka Max Jacobsen, who notoriously gave many celebrities, including JFK, regular ‘miracle shots’, which were mostly made up of amphetamines and animal hormones. Lamarr had also become somewhat addicted to plastic surgery, becoming a victim of her era’s ageist attitudes. She would often make suggestions to her surgeons to improve techniques, with many of her ideas becoming common methods of plastic surgery in the future.


By the 80s Lamarr had settled in Florida and withdrawn from the public eye. In 1991 she was again arrested for shoplifting, supposedly trying to take around $20 worth of eye drops and laxatives from a pharmacy. Again, no charges were filed.


Her remaining years were spent in seclusion, often only communicating with those on the outside, including her family and children, via the telephone. On January 19 2000, Lamarr passed away of heart disease. She was 85.


'INVENTIONS ARE EASY FOR ME TO DO. I DON’T HAVE TO WORK ON IDEAS. THEY COME NATURALLY.'


Upon her death the world remembered her as one of the sirens of the silver screen, a famed beauty who had possessed a scandalous love life. Her showbiz legacy forever immortalised with a star on the Hollywood Walk of Fame. And yet, her story didn’t end there.


In recent years her legacy has been transformed and she’s now remembered more for her brains than for her looks. Lamarr was a great inventor; it was her passion and her pastime. In between shoots, she would retire to her trailer and tinker with her inventions.


A well-received 2017 documentary entitled Bombshell: The Hedy Lamarr Story, written and directed by Alexandra Dean and co-produced by Susan Sarandon, helped to shine a light on this side of Lamarr’s story. The film includes audio recordings of Lamarr talking about her life, at one point she says, ‘Inventions are easy for me to do. I don’t have to work on ideas. They come naturally.’ She was a very gifted scientist and on top of that she was completely self-taught.


There were some who knew of Lamarr’s talents, including the eccentric aviation inventor Howard Hughes, a one-time flame of Lamarr’s. He did everything he could to support her hobby, providing her with the materials to carry out her ideas. He not only recognised her skills but also came to depend on them.



 

Lamarr helped Hughes find a way to make his planes fly faster. She believed his current wing designs were too square, so she brought a couple books, one about birds and one about fish. She studied their anatomies and concluded that the wing shapes on Hughes’ planes needed to be more streamlined to help reduce drag. Hughes declared her a genius.


The true extent of Lamarr’s scientific talent was shown, although not fully appreciated, during the war. When Lamarr heard that 80 children had been killed after a German U-boat sank a passenger ship crossing the Atlantic, she became desperate to help the Allied cause. It didn’t take long for her to discover just how she was going to do that.


In 1940, she teamed up with her composer friend, George Antheil, and started working on a ‘secret communication system’ intended for use by the US Navy. This system used a ‘frequency hopping’ technology to make it difficult for the enemy, especially U-boats, to detect or jam any incoming radio-controlled torpedoes fired from US ships. Using a piano roll to change among 88 different frequencies, this novel approach was truly unique.


Their invention was granted a patent in 1942 and their designs submitted to the Navy. Although the Navy recognised its potential, the technology wouldn’t be implemented for a further decade.


MY FACE HAS BEEN MY MISFORTUNE…IT HAS BROUGHT ME TRAGEDY AND HEARTACHE FOR FIVE DECADES.


When Lamarr tried to join the National Inventors Council in Washington, a government organisation created in 1940 to help bring potential military inventions to the attention of the US armed forces, she was instead advised by the NIC that if she really wanted to make a difference with the war, she should use her looks to help sell war bonds and entertain troops. The misogyny of the time meant people were unwilling to see her for anything more than a beautiful face. Her beauty had become her curse. She would later remake that, ‘My face has been my misfortune…It has brought me tragedy and heartache for five decades. My face is a mask I cannot remove: I must always live with it. I curse it.'


The Navy returned to her idea in the 50s, using it to help transmit the underwater positions of enemy submarines revealed by sonar. By the 1962 Cuban Missile Crisis, the technology had been fully embraced by the military. Her invention would go to become the foundation for secure telecommunications and would be used in the development of GPS, WiFi and Bluetooth. Our modern world would not function as it does without Lamarr’s invention.


In the wake of the #MeToo movement and the Harvey Weinstein scandal, Lamarr’s story couldn’t be more relevant. As Bombshell Director Alexandra Dean states, ‘Her story is the foundation of what’s going on. You have to understand how Hollywood was constructed and what that experience was like for a woman like Hedy, who had the full deck of cards – the brilliance, the beauty and how she struggled within that system because there was so much power in the hands of so few men who dictated everything. That’s the backdrop for what we’re talking about today.’





HOW HEDY LAMARR BECAME THE FIRST ON-SCREEN VIXEN

AHEAD OF THE OLD HOLLYWOOD STAR'S BIRTHDAY, CR REVEALS HER HISTORY-MAKING, CLIMAX-REACHING BREAKOUT PERFORMANCE


BY SOPHIE SHAW

NOV 8, 2019

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At 18 years old and only three years into her film career, Hedy Lamarr made history in the starring role of Eva Hermann in the 1933 Czech movie Ecstasy (originally Extase). If the title is any indication, the romantic drama flaunts a passion-filled plot including a nude appearance from Lamarr, making the actress, who’s birthday would have been this week, the first to bare all in a feature film. Gustav Machatý, the director of Ecstasy, pushed the boundaries even further beyond the censorship standards of the time, filming Lamarr (then known by her maiden name Hedy Kiesler) and her co-star Aribert Mog in one of cinema’s first sex scenes. The movie caused quite a stir among audiences, critics, and even protest from Lamarr herself.


Lamarr, Hedy - Actress, Austria - *09.11.1914-19.01.2000+ Scene from the movie 'Ekstase - Symphonie der Liebe' engl. title (USA): 'Ecstasy' with Aribert Moog published in: Berliner Illustrierte Zeitung Nr. 27/1934 Directed by: Gustav Machaty Czechosl

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When Lamarr signed on for the role, the young actress rushed through her contract and did not realize that she would have to strip down for the film. While the nude scene is innocent enough–her character leaves her clothes on her horse while she swims naked and must chase after it–Lamarr initially threatened to quit. The director coerced her participation by telling her that she would have to pay for the scenes already filmed, and that long shots would be used so her intimate parts wouldn’t be visible. The latter was a fib, and Lamarr was outraged at the movie’s preview when the scene included a number of close-ups of her exposed body.


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Equine Ecstasy

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Hedy Lamarr "Ecstacy" Film Still

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The scene furthers the plot, however, as it brings Aribert Mog’s character, Adam, into the equation. He helps Lamarr’s Eva catch her runaway horse, and thanks to a poorly timed twisted ankle she ends up falling for him. The young woman who had recently removed herself from a loveless marriage becomes restless for Adam and the pair ultimately spend the night together. Although the intimate clip doesn’t show more than the actors’ faces, their embrace was certainly enough to make the audience blush. The 80-year-old scene puts modern movies to shame as it shows Eva achieving orgasm, making its progressive portrayal of sex ahead of its years.


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The movie naturally received objection from a number of cinemas because of censorship problems, and was condemned by the Catholic Legion of Decency in America, keeping it from being released in the U.S. until 1940. Even her husband sought to buy every copy of the movie he could find.


Photograph, Grass, Tree, Photography, Adaptation, Stock photography, Plant, Black-and-white, 

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While Lamarr was initially upset over the film and worried that it may have ruined her career, the notoriety of Ecstasy launched her success. Her beauty and talent was undeniable, and Louis B. Mayer of MGM Studios signed her on the condition that she change her name (she chose Lamarr in homage to the silent film actress Barabara La Marr) and only pursue virtuous roles in Hollywood. She was a hit and became a key figure in classic cinema, starring in over 20 pictures. Beyond becoming a pioneer for women in film, Lamarr was a notable inventor who contributed to radio technology in the 1940s and developed spread-spectrum techniques that were a precursor to WiFi.


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