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How Bush's grandfather helped Hitler's rise to power
Rumours of a link between the US first family and the Nazi war machine have circulated for decades. Now the Guardian can reveal how repercussions of events that culminated in action under the Trading with the Enemy Act are still being felt by today's president
Ben Aris in Berlin and Duncan Campbell in Washington

Sat 25 Sep 2004 23.59 .

George Bush's grandfather, the late US senator Prescott Bush, was a director and shareholder of companies that profited from their involvement with the financial backers of Nazi Germany.
The Guardian has obtained confirmation from newly discovered files in the US National Archives that a firm of which Prescott Bush was a director was involved with the financial architects of Nazism.

His business dealings, which continued until his company's assets were seized in 1942 under the Trading with the Enemy Act, has led more than 60 years later to a civil action for damages being brought in Germany against the Bush family by two former slave labourers at Auschwitz and to a hum of pre-election controversy.

The evidence has also prompted one former US Nazi war crimes prosecutor to argue that the late senator's action should have been grounds for prosecution for giving aid and comfort to the enemy.

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The debate over Prescott Bush's behaviour has been bubbling under the surface for some time. There has been a steady internet chatter about the "Bush/Nazi" connection, much of it inaccurate and unfair. But the new documents, many of which were only declassified last year, show that even after America had entered the war and when there was already significant information about the Nazis' plans and policies, he worked for and profited from companies closely involved with the very German businesses that financed Hitler's rise to power. It has also been suggested that the money he made from these dealings helped to establish the Bush family fortune and set up its political dynasty.

Remarkably, little of Bush's dealings with Germany has received public scrutiny, partly because of the secret status of the documentation involving him. But now the multibillion dollar legal action for damages by two Holocaust survivors against the Bush family, and the imminent publication of three books on the subject are threatening to make Prescott Bush's business history an uncomfortable issue for his grandson, George W, as he seeks re-election.

While there is no suggestion that Prescott Bush was sympathetic to the Nazi cause, the documents reveal that the firm he worked for, Brown Brothers Harriman (BBH), acted as a US base for the German industrialist, Fritz Thyssen, who helped finance Hitler in the 1930s before falling out with him at the end of the decade. The Guardian has seen evidence that shows Bush was the director of the New York-based Union Banking Corporation (UBC) that represented Thyssen's US interests and he continued to work for the bank after America entered the war.

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Tantalising
Bush was also on the board of at least one of the companies that formed part of a multinational network of front companies to allow Thyssen to move assets around the world.

Thyssen owned the largest steel and coal company in Germany and grew rich from Hitler's efforts to re-arm between the two world wars. One of the pillars in Thyssen's international corporate web, UBC, worked exclusively for, and was owned by, a Thyssen-controlled bank in the Netherlands. More tantalising are Bush's links to the Consolidated Silesian Steel Company (CSSC), based in mineral rich Silesia on the German-Polish border. During the war, the company made use of Nazi slave labour from the concentration camps, including Auschwitz. The ownership of CSSC changed hands several times in the 1930s, but documents from the US National Archive declassified last year link Bush to CSSC, although it is not clear if he and UBC were still involved in the company when Thyssen's American assets were seized in 1942.

Three sets of archives spell out Prescott Bush's involvement. All three are readily available, thanks to the efficient US archive system and a helpful and dedicated staff at both the Library of Congress in Washington and the National Archives at the University of Maryland.

The first set of files, the Harriman papers in the Library of Congress, show that Prescott Bush was a director and shareholder of a number of companies involved with Thyssen.

The second set of papers, which are in the National Archives, are contained in vesting order number 248 which records the seizure of the company assets. What these files show is that on October 20 1942 the alien property custodian seized the assets of the UBC, of which Prescott Bush was a director. Having gone through the books of the bank, further seizures were made against two affiliates, the Holland-American Trading Corporation and the Seamless Steel Equipment Corporation. By November, the Silesian-American Company, another of Prescott Bush's ventures, had also been seized.

The third set of documents, also at the National Archives, are contained in the files on IG Farben, who was prosecuted for war crimes.

A report issued by the Office of Alien Property Custodian in 1942 stated of the companies that "since 1939, these (steel and mining) properties have been in possession of and have been operated by the German government and have undoubtedly been of considerable assistance to that country's war effort".

Prescott Bush, a 6ft 4in charmer with a rich singing voice, was the founder of the Bush political dynasty and was once considered a potential presidential candidate himself. Like his son, George, and grandson, George W, he went to Yale where he was, again like his descendants, a member of the secretive and influential Skull and Bones student society. He was an artillery captain in the first world war and married Dorothy Walker, the daughter of George Herbert Walker, in 1921.

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In 1924, his father-in-law, a well-known St Louis investment banker, helped set him up in business in New York with Averill Harriman, the wealthy son of railroad magnate E H Harriman in New York, who had gone into banking.

One of the first jobs Walker gave Bush was to manage UBC. Bush was a founding member of the bank and the incorporation documents, which list him as one of seven directors, show he owned one share in UBC worth $125.

The bank was set up by Harriman and Bush's father-in-law to provide a US bank for the Thyssens, Germany's most powerful industrial family.

August Thyssen, the founder of the dynasty had been a major contributor to Germany's first world war effort and in the 1920s, he and his sons Fritz and Heinrich established a network of overseas banks and companies so their assets and money could be whisked offshore if threatened again.

By the time Fritz Thyssen inherited the business empire in 1926, Germany's economic recovery was faltering. After hearing Adolf Hitler speak, Thyssen became mesmerised by the young firebrand. He joined the Nazi party in December 1931 and admits backing Hitler in his autobiography, I Paid Hitler, when the National Socialists were still a radical fringe party. He stepped in several times to bail out the struggling party: in 1928 Thyssen had bought the Barlow Palace on Briennerstrasse, in Munich, which Hitler converted into the Brown House, the headquarters of the Nazi party. The money came from another Thyssen overseas institution, the Bank voor Handel en Scheepvarrt in Rotterdam.

By the late 1930s, Brown Brothers Harriman, which claimed to be the world's largest private investment bank, and UBC had bought and shipped millions of dollars of gold, fuel, steel, coal and US treasury bonds to Germany, both feeding and financing Hitler's build-up to war.

Between 1931 and 1933 UBC bought more than $8m worth of gold, of which $3m was shipped abroad. According to documents seen by the Guardian, after UBC was set up it transferred $2m to BBH accounts and between 1924 and 1940 the assets of UBC hovered around $3m, dropping to $1m only on a few occasions.

In 1941, Thyssen fled Germany after falling out with Hitler but he was captured in France and detained for the remainder of the war.

There was nothing illegal in doing business with the Thyssens throughout the 1930s and many of America's best-known business names invested heavily in the German economic recovery. However, everything changed after Germany invaded Poland in 1939. Even then it could be argued that BBH was within its rights continuing business relations with the Thyssens until the end of 1941 as the US was still technically neutral until the attack on Pearl Harbor. The trouble started on July 30 1942 when the New York Herald-Tribune ran an article entitled "Hitler's Angel Has $3m in US Bank". UBC's huge gold purchases had raised suspicions that the bank was in fact a "secret nest egg" hidden in New York for Thyssen and other Nazi bigwigs. The Alien Property Commission (APC) launched an investigation.

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There is no dispute over the fact that the US government seized a string of assets controlled by BBH - including UBC and SAC - in the autumn of 1942 under the Trading with the Enemy act. What is in dispute is if Harriman, Walker and Bush did more than own these companies on paper.

Erwin May, a treasury attache and officer for the department of investigation in the APC, was assigned to look into UBC's business. The first fact to emerge was that Roland Harriman, Prescott Bush and the other directors didn't actually own their shares in UBC but merely held them on behalf of Bank voor Handel. Strangely, no one seemed to know who owned the Rotterdam-based bank, including UBC's president.

May wrote in his report of August 16 1941: "Union Banking Corporation, incorporated August 4 1924, is wholly owned by the Bank voor Handel en Scheepvaart N.V of Rotterdam, the Netherlands. My investigation has produced no evidence as to the ownership of the Dutch bank. Mr Cornelis [sic] Lievense, president of UBC, claims no knowledge as to the ownership of the Bank voor Handel but believes it possible that Baron Heinrich Thyssen, brother of Fritz Thyssen, may own a substantial interest."

May cleared the bank of holding a golden nest egg for the Nazi leaders but went on to describe a network of companies spreading out from UBC across Europe, America and Canada, and how money from voor Handel travelled to these companies through UBC.

By September May had traced the origins of the non-American board members and found that Dutchman HJ Kouwenhoven - who met with Harriman in 1924 to set up UBC - had several other jobs: in addition to being the managing director of voor Handel he was also the director of the August Thyssen bank in Berlin and a director of Fritz Thyssen's Union Steel Works, the holding company that controlled Thyssen's steel and coal mine empire in Germany.

Within a few weeks, Homer Jones, the chief of the APC investigation and research division sent a memo to the executive committee of APC recommending the US government vest UBC and its assets. Jones named the directors of the bank in the memo, including Prescott Bush's name, and wrote: "Said stock is held by the above named individuals, however, solely as nominees for the Bank voor Handel, Rotterdam, Holland, which is owned by one or more of the Thyssen family, nationals of Germany and Hungary. The 4,000 shares hereinbefore set out are therefore beneficially owned and help for the interests of enemy nationals, and are vestible by the APC," according to the memo from the National Archives seen by the Guardian.

Red-handed
Jones recommended that the assets be liquidated for the benefit of the government, but instead UBC was maintained intact and eventually returned to the American shareholders after the war. Some claim that Bush sold his share in UBC after the war for $1.5m - a huge amount of money at the time - but there is no documentary evidence to support this claim. No further action was ever taken nor was the investigation continued, despite the fact UBC was caught red-handed operating a American shell company for the Thyssen family eight months after America had entered the war and that this was the bank that had partly financed Hitler's rise to power.

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The most tantalising part of the story remains shrouded in mystery: the connection, if any, between Prescott Bush, Thyssen, Consolidated Silesian Steel Company (CSSC) and Auschwitz.

Thyssen's partner in United Steel Works, which had coal mines and steel plants across the region, was Friedrich Flick, another steel magnate who also owned part of IG Farben, the powerful German chemical company.

Flick's plants in Poland made heavy use of slave labour from the concentration camps in Poland. According to a New York Times article published in March 18 1934 Flick owned two-thirds of CSSC while "American interests" held the rest.

The US National Archive documents show that BBH's involvement with CSSC was more than simply holding the shares in the mid-1930s. Bush's friend and fellow "bonesman" Knight Woolley, another partner at BBH, wrote to Averill Harriman in January 1933 warning of problems with CSSC after the Poles started their drive to nationalise the plant. "The Consolidated Silesian Steel Company situation has become increasingly complicated, and I have accordingly brought in Sullivan and Cromwell, in order to be sure that our interests are protected," wrote Knight. "After studying the situation Foster Dulles is insisting that their man in Berlin get into the picture and obtain the information which the directors here should have. You will recall that Foster is a director and he is particularly anxious to be certain that there is no liability attaching to the American directors."

But the ownership of the CSSC between 1939 when the Germans invaded Poland and 1942 when the US government vested UBC and SAC is not clear.

"SAC held coal mines and definitely owned CSSC between 1934 and 1935, but when SAC was vested there was no trace of CSSC. All concrete evidence of its ownership disappears after 1935 and there are only a few traces in 1938 and 1939," says Eva Schweitzer, the journalist and author whose book, America and the Holocaust, is published next month.

Silesia was quickly made part of the German Reich after the invasion, but while Polish factories were seized by the Nazis, those belonging to the still neutral Americans (and some other nationals) were treated more carefully as Hitler was still hoping to persuade the US to at least sit out the war as a neutral country. Schweitzer says American interests were dealt with on a case-by-case basis. The Nazis bought some out, but not others.

The two Holocaust survivors suing the US government and the Bush family for a total of $40bn in compensation claim both materially benefited from Auschwitz slave labour during the second world war.

Kurt Julius Goldstein, 87, and Peter Gingold, 85, began a class action in America in 2001, but the case was thrown out by Judge Rosemary Collier on the grounds that the government cannot be held liable under the principle of "state sovereignty".

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Jan Lissmann, one of the lawyers for the survivors, said: "President Bush withdrew President Bill Clinton's signature from the treaty [that founded the court] not only to protect Americans, but also to protect himself and his family."

Lissmann argues that genocide-related cases are covered by international law, which does hold governments accountable for their actions. He claims the ruling was invalid as no hearing took place.

In their claims, Mr Goldstein and Mr Gingold, honorary chairman of the League of Anti-fascists, suggest the Americans were aware of what was happening at Auschwitz and should have bombed the camp.

The lawyers also filed a motion in The Hague asking for an opinion on whether state sovereignty is a valid reason for refusing to hear their case. A ruling is expected within a month.

The petition to The Hague states: "From April 1944 on, the American Air Force could have destroyed the camp with air raids, as well as the railway bridges and railway lines from Hungary to Auschwitz. The murder of about 400,000 Hungarian Holocaust victims could have been prevented."

The case is built around a January 22 1944 executive order signed by President Franklin Roosevelt calling on the government to take all measures to rescue the European Jews. The lawyers claim the order was ignored because of pressure brought by a group of big American companies, including BBH, where Prescott Bush was a director.

Lissmann said: "If we have a positive ruling from the court it will cause [president] Bush huge problems and make him personally liable to pay compensation."

The US government and the Bush family deny all the claims against them.

In addition to Eva Schweitzer's book, two other books are about to be published that raise the subject of Prescott Bush's business history. The author of the second book, to be published next year, John Loftus, is a former US attorney who prosecuted Nazi war criminals in the 70s. Now living in St Petersburg, Florida and earning his living as a security commentator for Fox News and ABC radio, Loftus is working on a novel which uses some of the material he has uncovered on Bush. Loftus stressed that what Prescott Bush was involved in was just what many other American and British businessmen were doing at the time.

"You can't blame Bush for what his grandfather did any more than you can blame Jack Kennedy for what his father did - bought Nazi stocks - but what is important is the cover-up, how it could have gone on so successfully for half a century, and does that have implications for us today?" he said.

"This was the mechanism by which Hitler was funded to come to power, this was the mechanism by which the Third Reich's defence industry was re-armed, this was the mechanism by which Nazi profits were repatriated back to the American owners, this was the mechanism by which investigations into the financial laundering of the Third Reich were blunted," said Loftus, who is vice-chairman of the Holocaust Museum in St Petersburg.

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"The Union Banking Corporation was a holding company for the Nazis, for Fritz Thyssen," said Loftus. "At various times, the Bush family has tried to spin it, saying they were owned by a Dutch bank and it wasn't until the Nazis took over Holland that they realised that now the Nazis controlled the apparent company and that is why the Bush supporters claim when the war was over they got their money back. Both the American treasury investigations and the intelligence investigations in Europe completely bely that, it's absolute horseshit. They always knew who the ultimate beneficiaries were."

"There is no one left alive who could be prosecuted but they did get away with it," said Loftus. "As a former federal prosecutor, I would make a case for Prescott Bush, his father-in-law (George Walker) and Averill Harriman [to be prosecuted] for giving aid and comfort to the enemy. They remained on the boards of these companies knowing that they were of financial benefit to the nation of Germany."

Loftus said Prescott Bush must have been aware of what was happening in Germany at the time. "My take on him was that he was a not terribly successful in-law who did what Herbert Walker told him to. Walker and Harriman were the two evil geniuses, they didn't care about the Nazis any more than they cared about their investments with the Bolsheviks."

What is also at issue is how much money Bush made from his involvement. His supporters suggest that he had one token share. Loftus disputes this, citing sources in "the banking and intelligence communities" and suggesting that the Bush family, through George Herbert Walker and Prescott, got $1.5m out of the involvement. There is, however, no paper trail to this sum.

The third person going into print on the subject is John Buchanan, 54, a Miami-based magazine journalist who started examining the files while working on a screenplay. Last year, Buchanan published his findings in the venerable but small-circulation New Hampshire Gazette under the headline "Documents in National Archives Prove George Bush's Grandfather Traded With the Nazis - Even After Pearl Harbor". He expands on this in his book to be published next month - Fixing America: Breaking the Stranglehold of Corporate Rule, Big Media and the Religious Right.

In the article, Buchanan, who has worked mainly in the trade and music press with a spell as a muckraking reporter in Miami, claimed that "the essential facts have appeared on the internet and in relatively obscure books but were dismissed by the media and Bush family as undocumented diatribes".

Buchanan suffers from hypermania, a form of manic depression, and when he found himself rebuffed in his initial efforts to interest the media, he responded with a series of threats against the journalists and media outlets that had spurned him. The threats, contained in e-mails, suggested that he would expose the journalists as "traitors to the truth".

Unsurprisingly, he soon had difficulty getting his calls returned. Most seriously, he faced aggravated stalking charges in Miami, in connection with a man with whom he had fallen out over the best way to publicise his findings. The charges were dropped last month.

Biography
Buchanan said he regretted his behaviour had damaged his credibility but his main aim was to secure publicity for the story. Both Loftus and Schweitzer say Buchanan has come up with previously undisclosed documentation.

The Bush family have largely responded with no comment to any reference to Prescott Bush. Brown Brothers Harriman also declined to comment.

The Bush family recently approved a flattering biography of Prescott Bush entitled Duty, Honour, Country by Mickey Herskowitz. The publishers, Rutledge Hill Press, promised the book would "deal honestly with Prescott Bush's alleged business relationships with Nazi industrialists and other accusations".

In fact, the allegations are dealt with in less than two pages. The book refers to the Herald-Tribune story by saying that "a person of less established ethics would have panicked ... Bush and his partners at Brown Brothers Harriman informed the government regulators that the account, opened in the late 1930s, was 'an unpaid courtesy for a client' ... Prescott Bush acted quickly and openly on behalf of the firm, served well by a reputation that had never been compromised. He made available all records and all documents. Viewed six decades later in the era of serial corporate scandals and shattered careers, he received what can be viewed as the ultimate clean bill."

The Prescott Bush story has been condemned by both conservatives and some liberals as having nothing to do with the current president. It has also been suggested that Prescott Bush had little to do with Averill Harriman and that the two men opposed each other politically.

However, documents from the Harriman papers include a flattering wartime profile of Harriman in the New York Journal American and next to it in the files is a letter to the financial editor of that paper from Prescott Bush congratulating the paper for running the profile. He added that Harriman's "performance and his whole attitude has been a source of inspiration and pride to his partners and his friends".

The Anti-Defamation League in the US is supportive of Prescott Bush and the Bush family. In a statement last year they said that "rumours about the alleged Nazi 'ties' of the late Prescott Bush ... have circulated widely through the internet in recent years. These charges are untenable and politically motivated ... Prescott Bush was neither a Nazi nor a Nazi sympathiser."

However, one of the country's oldest Jewish publications, the Jewish Advocate, has aired the controversy in detail.

More than 60 years after Prescott Bush came briefly under scrutiny at the time of a faraway war, his grandson is facing a different kind of scrutiny but one underpinned by the same perception that, for some people, war can be a profitable business.

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Adolf Hitler's wealth and income

From Wikipedia, the free encyclopedia
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Adolf Hitler, Chancellor of Nazi Germany and at the center of World War II in Europe, earned millions of Reichsmarks throughout his political career, mainly through sales of his book Mein Kampf ("My Struggle") and his combined Chancellor's and President's salaries. After coming to power, Hitler moved to make himself tax-exempt.


.
Early life
Adolf Hitler was born on 20 April 1889 and grew up in Braunau am Inn, a small Austrian village on the border with Germany.[1] His family was rather poor and three of his siblings—Gustav, Ida and Otto— died in infancy due to common childhood diseases.[2] Hitler's father, Alois, unsuccessfully tried to establish a farm, and his wife, Klara, was a housewife.[3] In 1913, Hitler received legacies from his deceased relatives and decided to move to Munich, a large German city located in Bavaria.[4]

Artistic ambitions

The Courtyard of the Old Residency in Munich, painting by Hitler from 1914
Once in Munich, Hitler lived a Bohemian life alongside his childhood friend August Kubizek.[5] The two shared a room rented from a local tailor. Hitler painted pictures, watercolors and copied postcards and sold them to tourists for a small profit.[5] In 1907, he applied to join Vienna's Academy of Fine Arts, but was rejected due to a "lack of talent".[6] In 1908, Hitler tried again, but was once again rejected.[6] Shortly afterwards, Hitler ran out of money and was forced to live in homeless shelters and men's hostels.[4]

Mein Kampf sales
Hitler wrote his political manifesto and autobiography Mein Kampf ("My Struggle") in Landsberg prison while serving a sentence for high treason committed during the failed Beer Hall Putsch of 1923.[4] Mein Kampf was printed by the Franz Eher Nachfolger publishing house and largely ignored at first, but sales began to boom in the late 1920s and early 1930s as economic depression and social unrest troubled Germany, factors which significantly boosted Hitler's popularity.[7] After Hitler came to power in 1933, couples who married during the Nazi state were given a copy as a wedding gift.[7] The book eventually became a best-seller within Nazi Germany, selling almost twelve million copies by the war's end.[8]

Nazi Party funds
While hyperinflation of the Weimar Republic had crippled the German economy and plunged millions of German workers into unemployment, Hitler and his party received lavish donations from wealthy benefactors at home and abroad.[7] 

The iconic American car maker and anti-Semite Henry Ford was reported to be one of the foreign supporters.[7] 

Helene Bechstein, part of a rich aristocratic family who sold pianos, supported Hitler financially.[7] 

The Ruhr steel barons Fritz Thyssen and Gustav Krupp donated almost five million Reichsmarks to the Nazi Party over the course of the war.[7]


The Berghof, Hitler's private retreat, was renovated at a massive cost, all of it paid for with Nazi Party donations
Much of the party's income from donations was used to pay for Hitler's private projects, such as the Berghof and Eagle's Nest.[7] He caused a minor controversy within leading elements of the party when he, in 1925, purchased a luxury Mercedes-Benz and a chauffeur to drive it for a total expenditure of 20,000 Reichsmarks.[7] After examining Hitler's tax records from the Bavarian State Archives in Munich, economics journalist Wolfgang Zdral said, "He's driving a Mercedes, which cost incredible amounts of money at the time, can afford to go on travels and has enough money to finance his propaganda appearances. All of this is financed through a system of slush-funds, essentially the donation of larger and smaller benefactors".[7]

Tax evasion
Throughout his rise to power, Hitler neglected to pay taxes on his income and allowances.[9] In 1934, one year after becoming Chancellor, the tax office of Munich sent Hitler a fine of 405,494.00 Reichsmarks for not paying taxes nor properly declaring his income.[7] He was given only eight days to pay off this debt.[7] The new Chancellor responded by ordering a state secretary of the ministry of finance to intervene, which resulted in Hitler becoming tax-free. The head of the Munich tax office declared, "all tax reports delivering substance for a tax obligation by the F├╝hrer are annulled from the start. The F├╝hrer is therefore tax-exempt".[7] After the death of President Paul von Hindenburg, Hitler took over his office and claimed his salary as well.[7]

In his last will and testament, Hitler said regarding his personal earnings, "what I own, as far as it is worth anything, belongs to the party. Should this no longer exist, the German state. Should the state also be destroyed, there is no need for a further decision on my part".[7]


See also


.

HEDDY LAMARR

 



роЖро╕்родிро░ிропாро╡ைроЪ் роЪேро░்рои்род роТро░ு роЖро░்ро╡рооுро│்ро│ роироЯிроХை, родройродு роиாроЬி роЖропுрод ро╡ிропாрокாро░ி роХрогро╡ройிроЯрооிро░ுрои்родு родрок்рокிрод்родு, ро╣ாро▓ிро╡ுроЯ்роЯிро▓் рокுроХро┤் рооро▒்ро▒ுроо் роЕродிро░்ро╖்роЯрод்родிро▒்роХு родрок்рокிройாро░், роЕро╡ро░் роРрои்родு рооுро▒ை родிро░ுроорогроо் роЪெроп்родு роХொрог்роЯாро░், роУроп்ро╡ு роиேро░род்родிро▓் ро╡ропро░்ро▓ெро╕் родроХро╡ро▓்родொроЯро░்рокு родுро▒ைропிро▓் роЪுропрооாроХ роХро▒்ро▒ுроХ் роХொрог்роЯ ро╡ிроЮ்роЮாройி рооро▒்ро▒ுроо் рооுрой்ройோроЯிропாроХ роЗро░ுрои்родாро░், роЕродрой் роХрог்роЯுрокிроЯிрок்рокுроХро│் родாроХ்роХрод்родை роПро▒்рокроЯுрод்родுроо் роЬி.рокி.роОро╕், ро╡ைроГрокை рооро▒்ро▒ுроо் рокுро│ூроЯூрод்родிрой் ро╡ро│ро░்роЪ்роЪி ...  ро╣ெроЯி ро▓ாрооро░ிрой் ро╡ாро┤்роХ்роХை роиிроХро┤்ро╡ாройродு рооройிрод роХுро▓род்родிро▒்роХு роЖро▒்ро▒ிроп рокெро░ுроо் родொрог்роЯு роОройро▓ாроо்

An aspiring actress from Austria, who escaped her Nazi arms dealer husband and escaped to fame and fortune in Hollywood, she married five times and in her spare time was a self-taught scientist and pioneer in the field of wireless communication whose inventions would influence the development of GPS, WiFi and Bluetooth...to say the life of Hedy Lamarr was eventful would be a seismic understatement.


ро▓ாрооро░் 1914 роЗро▓் роЖро╕்родிро░ிропா-ро╣роЩ்роХேро░ிропிрой் ро╡ிропрой்ройாро╡ிро▓் ро╣ெроЯ்ро╡ிроХ் роХீро╕்ро▓ро░ிро▓் рокிро▒рои்родாро░். роТро░ு роЗро│роо் рокெрог்рогாроХ, роЕро╡ро░் роиாроЯроХрод்родிро▓ுроо் родிро░ைрок்рокроЯрод்родிро▓ுроо் роИро░்роХ்роХрок்рокроЯ்роЯாро░், ро╡ிро░ைро╡ிро▓் ро╡ிропрой்ройாро╡ிро▓் роироЯிрок்рокு рокро│்ро│ிропிро▓் роЪேро░்рои்родாро░் . роЖро╕்родிро░ிроп роиாроЯроХ родропாро░ிрок்рокாро│ро░் рооேроХ்ро╕் ро░ெроп்рой்ро╣ாро░்роЯ் родி ро╡ீроХ்роХро░் роЪெроХ்ро╕ிро▓் роироЯிрод்родрокோродு, ​​роТро░ு роиாроЯроХрод்родிро▓் родройродு рооுродро▓் рооுроХ்роХிроп рокாрод்родிро░род்родிро▓்родோрой்ро▒ிройாро░் 

Lamarr was born Hedwig Kiesler in 1914 in Vienna, Austria-Hungary. As a young girl, she became fascinated with theatre and film and soon began taking acting classes in Vienna. It didn’t take long before she landed her first major role in a play when Austrian theatrical producer Max Reinhardt cast her in The Weaker Sex.

родிро░ைрок்рокроЯ роЪро▓ுроХைроХро│் ро╡ிро░ைро╡ிро▓் рооро▒்ро▒ுроо் 1933 роЗрой் роЖро░роо்рокрод்родிро▓், 18 ро╡ропродாрой ро▓ாрооро░் роТро░ு роЪெроХ் родிро░ைрок்рокроЯрод்родிро▓் рооுроХ்роХிроп роХродாрокாрод்родிро░род்родிро▓் роЗро▒роЩ்роХிройாро░், роЗродு роЕро╡ро░ை роЪро░்ро╡родேроЪ роЕро│ро╡ிро▓் рокிро░рокро▓рооாроХ்роХிропродு. роЗрои்род рокроЯроо் роОроХ்ро╕்роЯро╕ி роОрой்ро▒ рооிроХро╡ுроо் роЪро░்роЪ்роЪைроХ்роХுро░ிроп роХாродро▓் роиாроЯроХрооாроХ роЗро░ுрои்родродு. ро▓ாрооро░் роиிро░்ро╡ாрогрооாроХроХ் роХாроЯ்роЯрок்рокроЯ்роЯродு роороЯ்роЯுрооро▓்ро▓ாрооро▓், роТро░ு рокроЯрод்родிро▓் рокாро▓ிройрод்родிрой் рооுродро▓் роЖрокாроЪрооро▒்ро▒ роЪிрод்родро░ிрок்рокு рооро▒்ро▒ுроо் роТро░ு рокெрог் рокுрогро░்роЪ்роЪிропிрой் рооுродро▓் родிро░ை роЪிрод்родро░ிрок்рокு роЖроХிропро╡ро▒்ро▒ை роЙро│்ро│роЯроХ்роХிроп роТро░ு роХாроЯ்роЪிропிро▓் роироЯிрод்родாро░்.

Film offers followed shortly after and in early 1933, 18-year-old Lamarr landed the lead role in a Czech movie that would make her internationally famous. The film was a highly controversial romantic drama called Ecstasy. Not only was Lamarr shown nude but she also acted in a scene that included the first non-pornographic portrayal of sex in a film, as well as the first on-screen depiction of a female orgasm.

роироЯிроХро░்роХро│ிрой் рооுроХроЩ்роХро│ைрод் родро╡ிро░ ро╡ேро▒ொрой்ро▒ுроо் роХாроЯ்роЯрок்рокроЯро╡ிро▓்ро▓ை роОрой்ро▒ாро▓ுроо், рокோрок் рокிропро╕் рокрой்ройிро░ெрог்роЯாроо் роЗрок்рокроЯрод்родை роХрог்роЯிрод்родாро░், ро╣ிроЯ்ро▓ро░் роЕродைрод் родроЯைроЪெроп்родாро░், рокро▓ роЖрог்роЯுроХро│ுроХ்роХுрок் рокிро▒роХு роЕрооெро░ிроХ்роХா роЕродро▒்роХு роТро░ு роХுро▒ிрок்рокிроЯ்роЯ роУроЯ்роЯрод்родை роЕро│ிрод்родродு. роЗро░ுрок்рокிройுроо், рокро▓ро░் роОроХ்ро╕்роЯро╕ிропை роТро░ு роЪிро▒рои்род роХро▓ைрок் рокроЯைрок்рокாроХроХ் роХро░ுродிройро░், рокிрой்ройро░் роЗрои்род рокроЯроо் роЙро▓роХро│ாро╡ிроп роЕроЩ்роХீроХாро░род்родைрок் рокெро▒்ро▒родு. ро▓ாрооро░் родройроХ்роХெрой роТро░ு рокெропро░ை роЙро░ுро╡ாроХ்роХிропிро░ுрои்родாро░்.




роЕродே роЖрог்роЯிро▓், ро▓ாрооро░் родройродு рооுродро▓் роХрогро╡ро░ை роЪрои்родிрод்родாро░், роТро░ு рокрогроХ்роХாро░ 33 ро╡ропродாрой роЖро╕்родிро░ிроп роЖропுрод ро╡ிропாрокாро░ி рооро▒்ро▒ுроо் роГрокிро░ெроЯ்ро░ிроХ் рооாрог்роЯ்ро▓் роОрой்ро▒ роЙро▒்рокрод்родிропாро│ро░். ро▓ாрооро░ிрой் рокெро▒்ро▒ோро░், ропூрод ро╡роо்роЪாро╡ро│ிропைроЪ் роЪேро░்рои்родро╡ро░்роХро│், рооுроХ்роХிропрооாроХ рооாрог்роЯро▓ிрой் ро╡ро▓ுро╡ாрой рокாроЪிроЪ роХро░ுрод்родுроХ்роХро│் рооро▒்ро▒ுроо் рооுроЪோро▓ிройி рооро▒்ро▒ுроо் ро╣ிроЯ்ро▓ро░ுроЯройாрой роЙро▒ро╡ுроХро│் роХாро░рогрооாроХ родொро┤ிро▒்роЪроЩ்роХрод்родை рооро▒ுрод்родுро╡ிроЯ்роЯройро░், роЕро╡ро░்роХро│் роЗро░ுро╡ро░ுроо் рооாрог்роЯ்ро▓் роироЯрод்родிроп ро╡ிро░ுрои்родுроХро│ிро▓் роХро▓рои்родு роХொрог்роЯродாроХроХ் роХூро▒рок்рокроЯுроХிро▒родு.

ро▓ாрооро░் рокிрой்ройро░் рооாрог்роЯро▓ை ро╡ெро│ிрок்рокроЯைропாроХ роХроЯ்роЯுрок்рокроЯுрод்родுро╡родாроХро╡ுроо், роЪொрои்родрооாроХ ро╡ைрод்родிро░ுрок்рокродாроХро╡ுроо் ро╡ிро╡ро░ிрод்родாро░், роЕро╡ро░் родройродு роХைродிропை родройродு роЪொрои்род ро╡ீроЯ்роЯிро▓் родிро▒роо்рокроЯ ро╡ைрод்родிро░ுрои்родாро░். роЕро╡ро░் роЕро╡ро│ை роироЯிрок்рокродைрод் родроЯுрод்родродு роороЯ்роЯுрооро▓்ро▓ாрооро▓், роОроХ்ро╕்роЯро╕ிропிрой் роТро╡்ро╡ொро░ு роироХро▓ைропுроо் роЕродை роЕроЯроХ்роХுро╡родро▒்роХாрой роТро░ு родோро▓்ро╡ிропுро▒்ро▒ рооுропро▒்роЪிропிро▓் ро╡ாроЩ்роХ рооுропро▒்роЪிроХ்роХிро▒ாро░்.роХроЯைроЪிропிро▓், ро▓ாрооро░் родройродு рокрогிрок்рокெрог்рогை родройродு роЖроЯைропைрод் родிро░ுроЯுро╡родро▒்роХு рооுрой்рокு родூроХ்роХ рооாрод்родிро░ைроХро│் рооூро▓роо் рокோродை рооро░ுрои்родு роЙроЯ்роХொрог்роЯродாроХроХ் роХூро▒рок்рокроЯுроХிро▒родு, роЕродрой் роЙроЯ்рокுро▒роЩ்роХро│ை роироХைроХро│ாро▓் ро╡ро░ிроЪைропாроХ ро╡ைрод்родு рокிрой்ройро░் рокрогிрок்рокெрог்рогிрой் рооிродிро╡рог்роЯிропிро▓் родрок்рокிроЪ் роЪெрой்ро▒ாро░்.



ро▓ாрооро░் 1937 роЗро▓் ро▓рог்роЯройுроХ்роХுроЪ் роЪெро▓்ро╡родро▒்роХு рооுрой்рокு рокாро░ிро╕ுроХ்роХு родрок்рокி роУроЯிройாро░். роЕроЩ்роХு роОроо்.роЬி.роОроо் родро▓ைро╡ро░ாрой ро▓ூропிро╕் рокி. рооேропро░ுроЯрой் роТро░ு роЪрои்родிрок்рокை роПро▒்рокாроЯு роЪெроп்роп рооுроЯிрои்родродு, роЕро╡ро░் ро╡рогிроХрод்родிро▒்роХாроХ ро▓рог்роЯройிро▓் роЗро░ுрои்родாро░். роОроХ்ро╕்роЯро╕ிропிрой் роЕродிро░்роЪ்роЪி роЕро▓ைроХро│் роЗрой்ройுроо் роЙрогро░рок்рокроЯ்роЯ рокிрой்ройро░ுроо் ро▓ாрооро░் роЕродை рооாроиிро▓роЩ்роХро│ிро▓் роЙро░ுро╡ாроХ்роХ рооுроЯிропுроо் роОрой்ро▒ு рооேропро░ுроХ்роХு рооுродро▓ிро▓் родெро░ிропро╡ிро▓்ро▓ை. роТро░ு роХро╡ро░்роЪ்роЪிропாрой рокெрог்рогுроХ்роХு роОрок்рокோродுроо் роЙро▒ிроЮ்роЪுроо், рооேропро░் роЗро▒ுродிропிро▓் ро▓ாрооро░ுроХ்роХு роЖро▒ு рооாрод роТрок்рокрои்родрод்родை роТро░ு ро╡ாро░род்родிро▒்роХு 125 роЯாро▓ро░் ро╡ро┤роЩ்роХிройாро░். роЕродை ро╡ிроЯ роЕро╡ро│் роородிрок்рокுро│்ро│ро╡ро│் роОрой்ро▒ு роироо்рокி, ро▓ாрооро░் роЗрои்род ро╡ாроп்рок்рокை роиிро░ாроХро░ிрод்родாро░்.


роЕро╡ро│ுроЯைроп роЕроо்роЪроЩ்роХро│் ро╡ேро▓ைроиிро▒ுрод்родроо் роЪெроп்родрой, роЕро╡ро░்роХро│் роКроХ்роХрооро│ிрод்род ро╡ாро▓்роЯ் роЯிро╕்ройிропிрой் ро╕்ройோ роТропிроЯ் роХேро░роХ்роЯро░் роЖрог்роЯு роЙро░ுро╡ாроХ்роХрок்рокроЯ்роЯродு роОрой்ро▒ு роЪொрой்ройாро░்роХро│்.


ро╡ிро░ைро╡ிро▓் роЕро╡ро░் роЗрои்род рооுроЯிро╡ுроХ்роХு ро╡ро░ுрои்родிропродோроЯு, рооேропро░் роЕрооெро░ிроХ்роХாро╡ுроХ்роХு родிро░ுроо்рокிроЪ் роЪெрой்ро▒рокோродு роЕродே ро▓ைройро░ிро▓் роЪро░ிропாрой ро╡ро┤ிропைроХ் роХрог்роЯுрокிроЯிрод்родாро░். родрой்ройுроЯрой் роХроЯрод்род рооுроЯிрои்род роЕройைрод்родு роироХைроХро│ைропுроо் роЕрогிрои்родுроХொрог்роЯு, ро▓ாрооро░் рокропрогрод்родிрой் рооுроЯிро╡ிро▓் рооேропро░ை роТро░ு ро╡ாро░род்родிро▒்роХு 500 роЯாро▓ро░் роОрой்ро▒ роЕро│ро╡ிро▓் роПро┤ு роЖрог்роЯு роТрок்рокрои்родрод்родை ро╡ро┤роЩ்роХுрооாро▒ு роЪрооாродாройрок்рокроЯுрод்родிропிро░ுрои்родாро░். родройродு роОроХ்ро╕்роЯро╕ி роиро▒்рокெропро░ிроЯрооிро░ுрои்родு родрой்ройைрод் родூро░ ро╡ிро▓роХ்роХிроХ் роХொро│்ро│ роЕро╡ро│் рокெропро░ை рооாро▒்ро▒ ро╡ேрог்роЯுроо் роОрой்ро▒ роТро░ு роиிрокрои்родройைропிрой் рокேро░ிро▓். рокிро░рокро▓ роЕрооைродிропாрой родிро░ைрок்рокроЯ роироЯ்роЪрод்родிро░роо் рокாро░்рокро░ா ро▓ா рооாро░் роиிройைро╡ாроХ ро╣ெроЯி роХிро╕்ро▓ро░் роЗрок்рокோродு ро╣ெроЯி ро▓ாрооро░ாроХ роЗро░ுрои்родாро░்.


роЪிро▒ிродு роиேро░род்родிро▒்роХுрок் рокிро▒роХு ро▓ாрооро░் ро╣ாро▓ிро╡ுроЯ்роЯுроХ்роХு ро╡рои்родாро░், ро╡ிро░ைро╡ிро▓் ‘роЙро▓роХிрой் рооிроХ роЕро┤роХாрой рокெрог்’ роОрой்ро▒ு роЕро┤ைроХ்роХрок்рокроЯ்роЯாро░். роЕро╡ро░родு роЕроо்роЪроЩ்роХро│் рооிроХро╡ுроо் ро╡ிропроХ்роХрод்родроХ்роХро╡ை, роЕро╡ை роЕрои்род роЖрог்роЯிро▓் роЙро░ுро╡ாроХ்роХрок்рокроЯ்роЯ ро╡ாро▓்роЯ் роЯிро╕்ройிропிрой் ро╕்ройோ роТропிроЯ் роХродாрокாрод்родிро░род்родை роКроХ்роХрок்рокроЯுрод்родிропродாроХроХ் роХூро▒рок்рокроЯுроХிро▒родு.


ро▓ாрооро░ிрой் рооுродро▓் ро╣ாро▓ிро╡ுроЯ் родிро░ைрок்рокроЯроо் роЕро▓்роЬிропро░்ро╕் (1938), роЕроЩ்роХு роЕро╡ро░் роТро░ு роХро╡ро░்роЪ்роЪிропாрой роХро╡ро░்роЪ்роЪிропாрой рокாрод்родிро░род்родிро▓் роироЯிрод்родாро░். рокாро░்ро╡ைропாро│ро░்роХро│் рокрои்родு ро╡ீроЪрок்рокроЯ்роЯройро░்… ‘роОро▓்ро▓ோро░ுроо் рооூроЪ்роЪுрод்родிрогро▒ிройро░் ... ро▓ாрооро░ிрой் роЕро┤роХு роЙрог்рооைропிро▓் роТро░ுро╡ро░ிрой் роЪுро╡ாроЪрод்родை роОроЯுрод்родுроЪ் роЪெрой்ро▒родு.’ роТро░ு роироЯ்роЪрод்родிро░роо் рокிро▒рои்родродு, роЗро░ுрок்рокிройுроо் роЕро▓்роЬிропро░்ро╕் роОродிро░்роХாро▓ рокроЯроЩ்роХро│ுроХ்роХாроХ роЕро╡ро│ைрод் родроЯ்роЯроЪ்роЪு роЪெроп்родிро░ுрои்родாро▓ுроо்.


ро▓ேроЯி роЖроГрок் родி роЯிро░ாрокிроХ்ро╕் (1939) роЕроЯுрод்родроЯுрод்родு ро╡рои்родродு, роЕроЩ்роХு рооீрог்роЯுроо் ро▓ாрооро░் роХро╡ро░்роЪ்роЪிропாрой родோро▒்ро▒род்родிрой் роЕро┤роХிроп роХро╡ро░்роЪ்роЪிропாрой роХро╡ро░்роЪ்роЪிропாроХ роироЯிрод்родாро░், роЗродு роЕро╡ро░родு роРро░ோрок்рокிроп рокாро░роо்рокро░ிропрод்родை роПро▒்ро▒ுроХ்роХொрог்роЯродு. роХிро│ாро░்роХ் роХேрокிро│ுроЯрой் рокூроо் роЯро╡ுрой் 1940 роЗро▓் ро╡рои்родродு, роХроо் ро▓ைро╡் ро╡ிрод் рооீ ро╡ிрод் роЬேроо்ро╕் ро╕்роЯீро╡ро░்роЯ் рооро▒்ро▒ுроо் роЬீроХ்роГрокீро▓்роЯ் роХேро░்ро│் ро╡ிрод் роЬூроЯி роХாро░்ро▓рог்роЯ் 1941 роЗро▓் ро╡рои்родродு. роЕро╡ро░родு рооிроХ ро╡ெро▒்ро▒ிроХро░рооாрой рокроЯроЩ்роХро│ிро▓் роТрой்ро▒ு ро╡ெро│்ро│ை роЪро░роХ்роХு (1942), роЖройாро▓் рооீрог்роЯுроо் роЕро╡ро░் роЪுро▒்ро▒ிро▓ுроо் рооிроХроХ் роХுро▒ைрои்род ро╡ро░ிроХро│ைропுроо் роХொроЯுрод்родாро░். ро▓ாроЪро░் роХாроЪாрокிро│ாроЩ்роХா (1943) рооро▒்ро▒ுроо் роХேро╕்ро▓ைроЯ் (1944) роЖроХிропро╡ро▒்ро▒ிро▓் рооுроХ்роХிроп роХродாрокாрод்родிро░род்родிро▒்роХாроХ роХро░ுродрок்рокроЯ்роЯாро░், роЖройாро▓் роЗро░рог்роЯைропுроо் родро╡ро▒ро╡ிроЯ்роЯாро░்.

роЕро╡ро░родு роОроо்роЬிроОроо் роТрок்рокрои்родрод்родிрой் роХீро┤் роЕро╡ро░родு роХроЯைроЪி рокроЯроо் 1945 роЗро▓் ро╡рои்родродு, роЕродрой் рокிро▒роХு роЕро╡ро░் роОроо்роЬிроОроо்рооிро▓் роЗро░ுрои்родு ро╡ெро│ிропேро▒ி родройродு роЪொрои்род родропாро░ிрок்рокு роиிро▒ுро╡ройрод்родை роЕрооைрод்родாро░், ро╣ாро▓ிро╡ுроЯ்роЯிро▓் рооுродро▓் рокெрог் родропாро░ிрок்рокாро│ро░்роХро│ிро▓் роТро░ுро╡ро░ாройாро░்.


роЪிроЪிро▓ி рокி. роЯெрооிро▓் 1949 роЖроо் роЖрог்роЯிро▓் роЪாроо்роЪрой் рооро▒்ро▒ுроо் роЯெро▓ிро▓ா родிро░ைрок்рокроЯрод்родிро▓் роЯெро▓ிро▓ா роОрой்ро▒ роЗро▒ுродி рокெрог்рогாроХ роироЯிрод்родрокோродு, ​​ро▓ாрооро░் роЗройி роТро░ு роХாро▓род்родிро▓் роЗро░ுрои்род ро╣ாро▓ிро╡ுроЯ் роП-ро▓ிро╕்роЯро░ாроХ роЗро░ுроХ்роХро╡ிро▓்ро▓ை. роЗро░ுрок்рокிройுроо் роЗрои்род рокроЯроо் ро▓ாрооро░ிрой் рооிроХрок் рокெро░ிроп рокாроХ்ро╕் роЖрокிро╕் ро╡ெро▒்ро▒ிропாроХро╡ுроо், роЕро╡ро░родு ро╡ாро┤்роХ்роХைропை рооீрог்роЯுроо் родொроЯроЩ்роХுро╡родро▒்роХாрой роКроХ்роХрооாроХро╡ுроо் роЗро░ுрои்родродு.


родுро░родிро░்ро╖்роЯро╡роЪрооாроХ роЕродு роЕро╡்ро╡ாро▒ு роЗро░ுроХ்роХро╡ிро▓்ро▓ை, роЕро╡ро│ுроЯைроп рокிрой்родொроЯро░்родро▓் родிро░ைрок்рокроЯроЩ்роХро│் роЕро╡்ро╡ро│ро╡ு роЪிро▒рок்рокாроХ роЪெропро▓்рокроЯро╡ிро▓்ро▓ை. ро▓ாрооро░ிрой் ро╡ாро┤்роХ்роХை ро╡ீро┤்роЪ்роЪிропроЯைрои்родродு рооро▒்ро▒ுроо் роЕро╡ро░родு роЗро▒ுродி родிро░ைрок்рокроЯрод் родோро▒்ро▒роо் 1958 роЗро▓் ро╡рои்родродு. роЗрои்род роХроЯ்роЯрод்родிро▓், роЕро╡ро░родு ро╡ாро┤்роХ்роХை роПро▒்роХройро╡ே роТро░ு ро░ோро▓ро░் роХோро╕்роЯро░் роЪро╡ாро░ி рооро▒்ро▒ுроо் роУроп்ро╡ுрокெро▒்ро▒рокோродு, ​​роЪро╡ாро░ி роТро░ு рооுроЯிро╡ுроХ்роХு ро╡ро░ுро╡родро▒்роХாрой роЕро▒ிроХுро▒ிроХро│ைроХ் роХாроЯ்роЯро╡ிро▓்ро▓ை.


1966 ро╡ாроХ்роХிро▓், роЕро╡ро░் роЖро▒ாро╡родு рооро▒்ро▒ுроо் роХроЯைроЪி роХрогро╡ро░ிрой் ро╡ிро╡ாроХро░род்родு рооро▒்ро▒ுроо் роХроЯை родிро░ுроЯ்роЯுроХ்роХாроХ роЪрооீрокрод்родிро▓் роХைродு роЪெроп்ропрок்рокроЯ்роЯродாро▓், роХுро▒்ро▒роЪ்роЪாроЯ்роЯுроХро│் роХைро╡ிроЯрок்рокроЯ்роЯாро▓ுроо், роЕро╡ро░் роТро░ு ро╡ро┤роХ்роХрооாрой рокрод்родிро░ிроХைропாро│ро░ாроХ роЗро░ுрои்родாро░். роОроХ்ро╕்роЯро╕ி роЕрог்роЯ் рооீ роОрой்ро▒ родро▓ைрок்рокிро▓் роЕро╡ро░родு ро╡ாро┤்роХ்роХைропிрой் роТро░ு роЕро╡родூро▒ாрой роиிройைро╡ுроХ் роХுро▒ிрок்рокுроо் ро╡ெро│ிропிроЯрок்рокроЯ்роЯродு, роЕродிро▓் роЕро╡ро░родு рокாро▓ிропро▓் ро╡ாро┤்роХ்роХைропிрой் родெро│ிро╡ாрой ро╡ிро╡ро░роЩ்роХро│் роЕройைро╡ро░ுроХ்роХுроо் роХாрогрок்рокроЯ்роЯрой. ро▓ாрооро░் родройродு рокேроп் роОро┤ுрод்родாро│ро░் рокுрод்родроХрод்родிрой் рокெро░ுроо்рокாро▓ாрой роЙро│்ро│роЯроХ்роХроЩ்роХро│ை роЗроЯ்роЯுроХ்роХроЯ்роЯிропродாроХроХ் роХூро▒ுроХிро▒ாро░். роЕро╡ро░் ро╡ெро▒்ро▒ிроХро░рооாроХ рокродிрок்рокாро│ро░்роХро│் рооீродு ро╡ро┤роХ்роХுрод் родொроЯро░்рои்родாро░்.

70 роХро│ிро▓் ро╡ро┤роХ்роХு рооீрог்роЯுроо் роТро░ு роХро░ுрок்рокொро░ுро│ாроХ роЗро░ுрои்родродு. рооெро▓் рок்ро░ூроХ்ро╕் родிро░ைрок்рокроЯрооாрой рокிро│ேроЪிроЩ் роЪாроЯிро▓்ро╕் (1974) роЗро▓் родройродு рокெропро░ை роЕройுроородிропிрой்ро▒ி рокропрой்рокроЯுрод்родிропродро▒்роХாроХ ро╡ாро░்ройро░் рокிро░родро░்ро╕் рооீродு рокро▓ рооிро▓்ро▓ிропрой் роЯாро▓ро░் ро╡ро┤роХ்роХு родொроЯро░்рои்родாро░். роХрогроХ்роХுроХро│் ро╡ேро▒ுрокроЯுроХிрой்ро▒рой роОрой்ро▒ாро▓ுроо், роЕро╡ро░் ро╡ெро│ிрок்рокроЯுрод்родрок்рокроЯாрод роХроЯ்роЯрогрод்родிро▒்роХாроХ роиீродிроорой்ро▒род்родிро▒்роХு ро╡ெро│ிропே роХுроЯிропேро▒ிройாро░்.

роЗрои்род роиேро░род்родிро▓், ро▓ாрооро░் роТро░ு рооுроЯроХ்роХுроо் рокோродைрок் рокро┤роХ்роХрод்родை роЙро░ுро╡ாроХ்роХிропுро│்ро│ாро░், рокிро░рокро▓рооро▒்ро▒ роЯாроХ்роЯро░் роГрокீро▓்роХூроЯ், рооேроХ்ро╕் роЬேроХ்роХрок்роЪெрой் роЖроХிропோро░ிрой் роЙродро╡ிропுроЯрой், роЬே.роОроГрок்.роХே роЙроЯ்рокроЯ рокро▓ рокிро░рокро▓роЩ்роХро│ை роЗро┤ிро╡ாроХ ро╡ро┤роЩ்роХிройாро░், ро╡ро┤роХ்роХрооாрой ‘роЕродிроЪроп роХாроЯ்роЪிроХро│்’, роЕро╡ை рокெро░ுроо்рокாро▓ுроо் роЖроо்рокெроЯрооைрой்роХро│் рооро▒்ро▒ுроо் ро╡ிро▓роЩ்роХு ро╣ாро░்рооோрой்роХро│ாро▓் роЖройро╡ை. ро▓ாрооро░் рокிро│ாро╕்роЯிроХ் роЕро▒ுро╡ை роЪிроХிроЪ்роЪைроХ்роХு роУро░ро│ро╡ு роЕроЯிрооைропாроХி, родройродு роЪроХாрок்родрод்родிрой் ро╡ропродுро╡рои்род рооройрок்рокாрой்рооைроХ்роХு рокро▓ிропாроХிро╡ிроЯ்роЯாро░். роиுроЯ்рокроЩ்роХро│ை рооேроо்рокроЯுрод்родுро╡родро▒்роХாроХ роЕро╡ро░் роЕроЯிроХ்роХроЯி родройродு роЕро▒ுро╡ை роЪிроХிроЪ்роЪை роиிрокுрогро░்роХро│ுроХ்роХு рокро░ிрои்родுро░ைроХро│ை ро╡ро┤роЩ்роХுро╡ாро░், роЕро╡ро░ிрой் рокро▓ ропோроЪройைроХро│் роОродிро░்роХாро▓род்родிро▓் рокிро│ாро╕்роЯிроХ் роЕро▒ுро╡ை роЪிроХிроЪ்роЪைропிрой் рокொродுро╡ாрой рооுро▒ைроХро│ாроХ рооாро▒ுроо்.

80 роХро│ிро▓் ро▓ாрооро░் рокுро│ோро░ிроЯாро╡ிро▓் роХுроЯிропேро▒ி рокொродுроороХ்роХро│் рокாро░்ро╡ைропிро▓் роЗро░ுрои்родு ро╡ிро▓роХிройாро░். 1991 роЖроо் роЖрог்роЯிро▓், роХроЯை родிро░ுроЯ்роЯுроХ்роХாроХ роЕро╡ро░் рооீрог்роЯுроо் роХைродு роЪெроп்ропрок்рокроЯ்роЯாро░், роТро░ு рооро░ுрои்родроХрод்родிро▓் роЗро░ுрои்родு роЪுрооாро░் $ 20 роородிрок்рокுро│்ро│ роХрог் роЪொроЯ்роЯுроХро│் рооро▒்ро▒ுроо் рооро▓рооிро│роХ்роХிропை роОроЯுроХ்роХ рооுропрой்ро▒ாро░். рооீрог்роЯுроо், роОрои்род роХுро▒்ро▒роЪ்роЪாроЯ்роЯுроо் рокродிро╡ு роЪெроп்ропрок்рокроЯро╡ிро▓்ро▓ை.

роЕро╡ро│ுроЯைроп рооீродрооுро│்ро│ роЖрог்роЯுроХро│் родройிрооைропிро▓் роХро┤ிрод்родрой, рокெро░ுроо்рокாро▓ுроо் роЕро╡ро░родு роХுроЯுроо்рокрод்родிройро░் рооро▒்ро▒ுроо் роХுро┤рои்родைроХро│் роЙроЯ்рокроЯ ро╡ெро│ிропிро▓் роЙро│்ро│ро╡ро░்роХро│ுроЯрой் роороЯ்роЯுрооே родொро▓ைрокேроЪி рооூро▓роо் родொроЯро░்рокுроХொро│்роХிрой்ро▒рой. роЬройро╡ро░ி 19, 2000 роЕрой்ро▒ு, ро▓ாрооро░் роЗродроп роиோропாро▓் роХாро▓рооாройாро░். роЕро╡ро│ுроХ்роХு ро╡ропродு 85.

'роХрог்роЯுрокிроЯிрок்рокுроХро│் роОройроХ்роХு роОро│ிродாройро╡ை. роиாрой் роРроЯிропாроХ்роХро│ிро▓் ро╡ேро▓ை роЪெроп்ропро╡ிро▓்ро▓ை. роЕро╡ро░்роХро│் роЗропро▒்роХைропாроХро╡ே ро╡ро░ுроХிро▒ாро░்роХро│். '

роЕро╡ро░родு рооро░рогрод்родிрой் рокிрой்ройро░், роЙро▓роХроо் роЕро╡ро│ை ро╡ெро│்ро│ிрод்родிро░ைропிрой் роЪைро░рой்роХро│ிро▓் роТрой்ро▒ாроХ роиிройைро╡ுроХூро░்рои்родродு, роТро░ு рооோроЪрооாрой роЕро┤роХு роХாродро▓் ро╡ாро┤்роХ்роХைропை рокெро▒்ро▒ роТро░ு роЕро┤роХாрой роЕро┤роХு. ро╣ாро▓ிро╡ுроЯ் ро╡ாроХ் роЖроГрок் роГрокேрооிро▓் роТро░ு роироЯ்роЪрод்родிро░род்родுроЯрой் роЕро╡ро░родு ро╖ோрокிро╕் рооро░рокு роОрок்рокோродுроо் роЕро┤ிропாродு. роЗрой்ройுроо், роЕро╡ро░родு роХродை роЕроЩ்роХு рооுроЯிро╡роЯைропро╡ிро▓்ро▓ை.


роЪрооீрокрод்родிроп роЖрог்роЯுроХро│ிро▓், роЕро╡ро░родு рооро░рокு рооாро▒்ро▒рок்рокроЯ்роЯுро│்ро│родு, роЗрок்рокோродு роЕро╡ро│் родோро▒்ро▒род்родை ро╡ிроЯ роЕро╡ро│் рооூро│ைроХ்роХாроХ роЕродிроХроо் роиிройைро╡ிро▓் ро╡ைрод்родிро░ுроХ்роХிро▒ாро│். ро▓ாрооро░் роТро░ு роЪிро▒рои்род роХрог்роЯுрокிроЯிрок்рокாро│ро░்; роЕродு роЕро╡ро│ுроЯைроп роЖро░்ро╡роо் рооро▒்ро▒ுроо் роЕро╡ро│родு рокொро┤ுродு рокோроХ்роХு. родро│ிро░்роХро│் роЗроЯைропே, роЕро╡ро░் родройродு роЯிро░ெроп்ро▓ро░் рооро▒்ро▒ுроо் роЯிроЩ்роХро░ுроХ்роХு родройродு роХрог்роЯுрокிроЯிрок்рокுроХро│ுроЯрой் роУроп்ро╡ு рокெро▒ுро╡ாро░்.

роЕро▓ெроХ்ро╕ாрог்роЯ்ро░ா роЯீрой் роОро┤ுродி роЗропроХ்роХிроп рооро▒்ро▒ுроо் роЪூроЪрой் роЪро░рог்роЯрой் роЗрогைрои்родு родропாро░ிрод்род рокாроо்рок்роЪெро▓்: родி ро╣ெроЯி ро▓ாрооро░் ро╕்роЯோро░ி роОрой்ро▒ родро▓ைрок்рокிро▓் роирой்роХு роЕро▒ிропрок்рокроЯ்роЯ 2017 роЖро╡рогрок்рокроЯроо் ро▓ாрооро░ிрой் роХродைропிрой் роЗрои்род рокроХ்роХрод்родிро▓் роТро░ு роТро│ி рокிро░роХாроЪிроХ்роХ роЙродро╡ிропродு. роЗрои்род рокроЯрод்родிро▓் ро▓ாрооро░் родройродு ро╡ாро┤்роХ்роХைропைрок் рокро▒்ро▒ி рокேроЪுроо் роЖроЯிропோ рокродிро╡ுроХро│் роЕроЯроЩ்роХுроо், роТро░ு роХроЯ்роЯрод்родிро▓் роЕро╡ро░் роХூро▒ுроХிро▒ாро░், ‘роХрог்роЯுрокிроЯிрок்рокுроХро│் роОройроХ்роХு роОро│ிродாройродு. роиாрой் ропோроЪройைроХро│ிро▓் рокрогிропாро▒்ро▒ ро╡ேрог்роЯிропродிро▓்ро▓ை. роЕро╡ро░்роХро│் роЗропро▓்рокாроХро╡ே ро╡ро░ுроХிро▒ாро░்роХро│். ’роЕро╡ро│் рооிроХро╡ுроо் родிро▒рооைропாрой ро╡ிроЮ்роЮாройி, роЕродро▒்роХு рооேро▓் роЕро╡ро│் рооுро▒்ро▒ிро▓ுроо் роЪுроп роХро▒்рокிрод்родро╡ро│்.

ро▓ாрооро░ிрой் родிро▒рооைроХро│ைрок் рокро▒்ро▒ி роЕро▒ிрои்род роЪிро▓ро░் роЗро░ுрои்родройро░், роЗродிро▓் ро╡ிроЪிрод்родிро░рооாрой ро╡ிрооாрой роХрог்роЯுрокிроЯிрок்рокாро│ро░் ро╣ோро╡ро░்роЯ் ро╣ிропூро╕், ро▓ாрооро░ிрой் роТро░ுроХாро▓ роЪுроЯро░். роЕро╡ро░் родройродு рокொро┤ுродுрокோроХ்роХை роЖродро░ிроХ்роХ родрой்ройாро▓் рооுроЯிрои்род роЕройைрод்родைропுроо் роЪெроп்родாро░், роЕро╡ро│ுроЯைроп ропோроЪройைроХро│ை роиிро▒ைро╡ேро▒்ро▒ுро╡родро▒்роХாрой рокொро░ுроЯ்роХро│ை роЕро╡ро│ுроХ்роХு ро╡ро┤роЩ்роХிройாро░். роЕро╡ро░் роЕро╡ро│ுроЯைроп родிро▒рооைроХро│ை роЕроЩ்роХீроХро░ிрод்родродோроЯு роороЯ்роЯுрооро▓்ро▓ாрооро▓், роЕро╡ро▒்ро▒ைроЪ் роЪாро░்рои்родு ро╡рои்родாро░்.

ро▓ாрооро░் родройродு ро╡ிрооாройроЩ்роХро│ை ро╡ேроХрооாроХ рокро▒роХ்роХ роТро░ு ро╡ро┤ிропைроХ் роХрог்роЯுрокிроЯிроХ்роХ ро╣ிропூро╕ுроХ்роХு роЙродро╡ிройாро░். роЕро╡ро░родு родро▒்рокோродைроп роЪிро▒роХு ро╡роЯிро╡рооைрок்рокுроХро│் рооிроХро╡ுроо் роЪродுро░рооாроХ роЗро░ுрок்рокродாроХ роЕро╡ро░் роироо்рокிройாро░், роОройро╡ே роЕро╡ро░் роТро░ு роЬோроЯி рокுрод்родроХроЩ்роХро│ைроХ் роХொрог்роЯுро╡рои்родாро░், роТрой்ро▒ு рокро▒ро╡ைроХро│் рооро▒்ро▒ுроо் рооீрой் рокро▒்ро▒ி. роЕро╡ро▒்ро▒ிрой் роЙроЯро▒்роХூро▒ிропро▓் роЖроп்ро╡ுроХро│ை роЕро╡ро░் рооேро▒்роХொрог்роЯாро░், рооேро▓ுроо் ро╣ிропூро╕ிрой் ро╡ிрооாройроЩ்роХро│ிро▓் роЗро▒роХ்роХைропிрой் ро╡роЯிро╡роЩ்роХро│் роЗро┤ுро╡ைроХ் роХுро▒ைроХ்роХ роЙродро╡ுроо் ро╡роХைропிро▓் рооேро▓ுроо் роиெро▒ிрок்рокроЯுрод்родрок்рокроЯ ро╡ேрог்роЯுроо் роОрой்ро▒ு рооுроЯிро╡ு роЪெроп்родாро░். ро╣ிропூро╕் роЕро╡ро│ை роТро░ு рооேродை роОрой்ро▒ு роЕро▒ிро╡ிрод்родாро░்.

ро▓ாрооро░ிрой் ро╡ிроЮ்роЮாрой родிро▒рооைропிрой் роЙрог்рооைропாрой роЕро│ро╡ு рокோро░ிрой் рокோродு рооுро┤ுрооைропாроХрок் рокாро░ாроЯ்роЯрок்рокроЯро╡ிро▓்ро▓ை роОрой்ро▒ாро▓ுроо் роХாроЯ்роЯрок்рокроЯ்роЯродு. роТро░ு роЬேро░்роорой் ропு-рокроЯроХு роЕроЯ்ро▓ாрог்роЯிроХ் роХроЯроХ்роХுроо் рокропрогிроХро│் роХрок்рокро▓ை рооூро┤்роХроЯிрод்родродிро▓் 80 роХுро┤рои்родைроХро│் роХொро▓்ро▓рок்рокроЯ்роЯродாроХ ро▓ாрооро░் роХேро│்ро╡ிрок்рокроЯ்роЯрокோродு, ​​роиேроЪ роиாроЯுроХро│ிрой் роЙродро╡ிроХ்роХு роЕро╡ро░் роЖроЪைрок்рокроЯ்роЯாро░். роЕро╡ро│் роЕродை роОрок்рокроЯிроЪ் роЪெроп்ропрок் рокோроХிро▒ாро│் роОрой்рокродைроХ் роХрог்роЯுрокிроЯிрок்рокродро▒்роХு роЕродிроХ роиேро░роо் роОроЯுроХ்роХро╡ிро▓்ро▓ை.

1940 роЖроо் роЖрог்роЯிро▓், роЕро╡ро░் родройродு роЗроЪைропрооைрок்рокாро│ро░் роирог்рокро░் роЬாро░்роЬ் роЕрои்родீро▓ுроЯрой் роЬோроЯி роЪேро░்рои்родாро░், рооேро▓ுроо் роЕрооெро░ிроХ்роХ роХроЯро▒்рокроЯைропிрой் рокропрой்рокாроЯ்роЯிро▒்роХாроХ роТро░ு ‘ро░роХроЪிроп родроХро╡ро▓் родொроЯро░்рокு роЕрооைрок்рокிро▓்’ рокрогிропாро▒்ро▒род் родொроЯроЩ்роХிройாро░். роЗрои்род роЕрооைрок்рокு роТро░ு ‘роЕродிро░்ро╡ெрог் родுро│்ро│ро▓்’ родொро┤ிро▓்роиுроЯ்рокрод்родைрок் рокропрой்рокроЯுрод்родி, роОродிро░ிроХро│ுроХ்роХு, роХுро▒ிрок்рокாроХ ропு-рокроЯроХுроХро│ுроХ்роХு, роЕрооெро░ிроХ்роХ роХрок்рокро▓்роХро│ிро▓் роЗро░ுрои்родு роЪுроЯுроо் роЙро│்ро╡ро░ுроо் ро╡ாройொро▓ி роХроЯ்роЯுрок்рокாроЯ்роЯு роЯாро░்рокிроЯோроХ்роХро│ைроХ் роХрог்роЯро▒ிро╡родு роЕро▓்ро▓родு роиெро░ிроЪро▓் роЪெроп்ро╡родு роХроЯிройроо். 88 ро╡ெро╡்ро╡ேро▒ு роЕродிро░்ро╡ெрог்роХро│ிро▓் рооாро▒்ро▒ рокிропாройோ ро░ோро▓ைрок் рокропрой்рокроЯுрод்родி, роЗрои்род роиாро╡ро▓் роЕрогுроХுрооுро▒ை роЙрог்рооைропிро▓ேропே родройிрод்родுро╡рооாройродு.

роЕро╡ро░்роХро│ிрой் роХрог்роЯுрокிроЯிрок்рокுроХ்роХு 1942 роЗро▓் роХாрок்рокுро░ிрооை ро╡ро┤роЩ்роХрок்рокроЯ்роЯродு рооро▒்ро▒ுроо் роЕро╡ро▒்ро▒ிрой் ро╡роЯிро╡рооைрок்рокுроХро│் роХроЯро▒்рокроЯைроХ்роХு роЪрооро░்рок்рокிроХ்роХрок்рокроЯ்роЯрой. роХроЯро▒்рокроЯை роЕродрой் родிро▒ройை роЕроЩ்роХீроХро░ிрод்род рокோродிро▓ுроо், родொро┤ிро▓்роиுроЯ்рокроо் рооேро▓ுроо் роТро░ு родроЪாрок்родрод்родிро▒்роХு роЪெропро▓்рокроЯுрод்родрок்рокроЯாродு.

роОройродு рооுроХроо் роОройродு родро╡ро▒ாрой роОрог்рогрооாроХ роЗро░ுрои்родродு… роЗродு роОрой்ройைроЪ் роЪோроХрооாроХро╡ுроо், роРрои்родு ро╡ிрокрод்родுроХ்роХро│ுроХ்роХு роЗродропрооாроХро╡ுроо் роХொрог்роЯுро│்ро│родு.

роЕрооெро░ிроХ்роХ роЖропுродрок்рокроЯைроХро│ிрой் роХро╡ройрод்родிро▒்роХு роЪாрод்родிропрооாрой роЗро░ாрогுро╡ роХрог்роЯுрокிроЯிрок்рокுроХро│ை роХொрог்роЯு ро╡ро░ 1940 роЖроо் роЖрог்роЯிро▓் роЙро░ுро╡ாроХ்роХрок்рокроЯ்роЯ роТро░ு роЕро░роЪாроЩ்роХ роЕрооைрок்рокாрой ро╡ாро╖ிроЩ்роЯройிро▓் роЙро│்ро│ родேроЪிроп роХрог்роЯுрокிроЯிрок்рокாро│ро░்роХро│் роХுро┤ுро╡ிро▓் роЪேро░ ро▓ாрооро░் рооுропрой்ро▒рокோродு, ​​роЕродро▒்роХு рокродிро▓ாроХ роЕро╡ро░் роОрой்.роР.роЪி ропாро▓் роЕро▒ிро╡ுро▒ுрод்родрок்рокроЯ்роЯாро░், роЕро╡ро░் роЙрог்рооைропிро▓ேропே роТро░ு ро╡ிрод்родிропாроЪрод்родை роЙро░ுро╡ாроХ்роХ ро╡ிро░ுроо்рокிройாро▓் ропுрод்родроо், рокோро░் рокрод்родிро░роЩ்роХро│ை ро╡ிро▒்роХро╡ுроо் родுро░ுрок்рокுроХ்роХро│ை роороХிро┤்ро╡ிроХ்роХро╡ுроо் роЕро╡ро│் родройродு родோро▒்ро▒род்родைрок் рокропрой்рокроЯுрод்род ро╡ேрог்роЯுроо். роЕрои்родроХ் роХாро▓род்родிрой் родро╡ро▒ாрой роХро░ுрод்родு роОрой்ройро╡ெрой்ро▒ாро▓், роТро░ு роЕро┤роХாрой рооுроХрод்родைрод் родро╡ிро░ ро╡ேро▒ு роОродро▒்роХுроо் роороХ்роХро│் роЕро╡ро│ைрок் рокாро░்роХ்роХ ро╡ிро░ுроо்рокро╡ிро▓்ро▓ை. роЕро╡ро│ுроЯைроп роЕро┤роХு роЕро╡ро│ுроЯைроп роЪாрокрооாроХ рооாро▒ிропродு. рокிрой்ройро░் роЕро╡ро░் роЕродை ро░ீрооேроХ் роЪெроп்ро╡ாро░், ‘роОрой் рооுроХроо் роОрой் родுро░родிро░்ро╖்роЯроо்… роЗродு роРрои்родு родроЪாрок்родроЩ்роХро│ாроХ роОройроХ்роХு роЪோроХрод்родைропுроо் роорой ро╡ேродройைропைропுроо் роПро▒்рокроЯுрод்родிропுро│்ро│родு. роОрой் рооுроХроо் роОрой்ройாро▓் роЕроХро▒்ро▒ рооுроЯிропாрод рооுроХрооூроЯி: роиாрой் роОрок்рокோродுроо் роЕродройுроЯрой் ро╡ாро┤ ро╡ேрог்роЯுроо். роиாрой் роЕродை роЪрокிроХ்роХிро▒ேрой். '

роЪோройாро░் ро╡ெро│ிрок்рокроЯுрод்родிроп роОродிро░ி роиீро░்рооூро┤்роХிроХ் роХрок்рокро▓்роХро│ிрой் роиீро░ுроХ்роХроЯிропிро▓் роиிро▓ைроХро│ை роХроЯрод்род роЙродро╡ுро╡родро▒்роХாроХ роХроЯро▒்рокроЯை 50 роХро│ிро▓் родройродு ропோроЪройைроХ்роХு родிро░ுроо்рокிропродு. 1962 роХிропூрокா роПро╡ுроХрогை роиெро░ுроХ்роХроЯிроХ்роХுро│், родொро┤ிро▓்роиுроЯ்рокроо் роЗро░ாрогுро╡род்родாро▓் рооுро┤ுрооைропாроХ роПро▒்ро▒ுроХ்роХொро│்ро│рок்рокроЯ்роЯродு. роЕро╡ро░родு роХрог்роЯுрокிроЯிрок்рокு рокாродுроХாрок்рокாрой родொро▓ைродொроЯро░்рокுроХ்роХாрой роЕроЯிрод்родро│рооாроХ рооாро▒ுроо், рооேро▓ுроо் роЗродு роЬி.рокி.роОро╕், ро╡ைроГрокை рооро▒்ро▒ுроо் рокுро│ூроЯூрод் роЖроХிропро╡ро▒்ро▒ிрой் ро╡ро│ро░்роЪ்роЪிропிро▓் рокропрой்рокроЯுрод்родрок்рокроЯுроо். ро▓ாрооро░ிрой் роХрог்роЯுрокிроЯிрок்рокு роЗро▓்ро▓ாрооро▓் роироородு роиро╡ீрой роЙро▓роХроо் роЪெропро▓்рокроЯாродு.

#MeToo роЗропроХ்роХроо் рооро▒்ро▒ுроо் ро╣ாро░்ро╡ி ро╡ெроп்рой்ро╕்роЯீрой் роКро┤ро▓் роЖроХிропро╡ро▒்ро▒ை роЕроЯுрод்родு, ро▓ாрооро░ிрой் роХродை рооிроХро╡ுроо் рокொро░ுрод்родрооாройродாроХ роЗро░ுроХ்роХ рооுроЯிропாродு. рокாроо்рок்роЪெро▓் роЗропроХ்роХுройро░் роЕро▓ெроХ்ро╕ாрог்роЯ்ро░ா роЯீрой் роХூро▒ுро╡родு рокோро▓், ‘роЕро╡ро│ுроЯைроп роХродை роОрой்рой роироЯроХ்роХிро▒родு роОрой்рокродро▒்роХாрой роЕроЯிрод்родро│роо். ро╣ாро▓ிро╡ுроЯ் роОро╡்ро╡ாро▒ு роХроЯ்роЯрок்рокроЯ்роЯродு роОрой்рокродைропுроо், ро╣ெроЯி рокோрой்ро▒ роТро░ு рокெрог்рогுроХ்роХு роЕрои்род роЕройுрокро╡роо் роОрок்рокроЯி роЗро░ுрои்родродு роОрой்рокродைропுроо் роиீроЩ்роХро│் рокுро░ிрои்родு роХொро│்ро│ ро╡ேрог்роЯுроо், роЕро╡ро░் рооுро┤ு роЕроЯ்роЯைроХро│ைропுроо் роХொрог்роЯிро░ுрои்родாро░் - рокுрод்родிроЪாро▓ிрод்родройроо், роЕро┤роХு рооро▒்ро▒ுроо் роЕрои்род роЕрооைрок்рокிройுро│் роЕро╡ро░் роОрок்рокроЯி рокோро░ாроЯிройாро░், роПройெройிро▓் роХைроХро│ிро▓் роЗро╡்ро╡ро│ро╡ு роЪроХ்родி роЗро░ுрои்родродு роОро▓்ро▓ாро╡ро▒்ро▒ைропுроо் роЖрогைропிроЯ்роЯ роЪிро▓ роЖрог்роХро│். роЗрой்ро▒ு роиாроо் рокேроЪுро╡родро▒்роХாрой рокிрой்ройрогி роЗродுродாрой். ’

THE LIFE OF HEDY LAMARR: HISTORY’S FORGOTTEN HOLLYWOOD GENIUS

Heddy Lamarr and her plans for her secret communications system that laid the groundwork for later wireless communications like WiFI

Science and Technology

An aspiring actress from Austria, who escaped her Nazi arms dealer husband and escaped to fame and fortune in Hollywood, she married five times and in her spare time was a self-taught scientist and pioneer in the field of wireless communication whose inventions would influence the development of GPS, WiFi and Bluetooth...to say the life of Hedy Lamarr was eventful would be a seismic understatement.


Lamarr was born Hedwig Kiesler in 1914 in Vienna, Austria-Hungary. As a young girl, she became fascinated with theatre and film and soon began taking acting classes in Vienna. It didn’t take long before she landed her first major role in a play when Austrian theatrical producer Max Reinhardt cast her in The Weaker Sex.



 

Film offers followed shortly after and in early 1933, 18-year-old Lamarr landed the lead role in a Czech movie that would make her internationally famous. The film was a highly controversial romantic drama called Ecstasy. Not only was Lamarr shown nude but she also acted in a scene that included the first non-pornographic portrayal of sex in a film, as well as the first on-screen depiction of a female orgasm.


Although nothing more than the actors’ faces were shown, Pope Pius XII denounced the film, Hitler banned it and America gave it a limited run years later. However, many considered Ecstasy a great piece of artistic work and subsequently the film gained worldwide recognition. Lamarr had made a name for herself.


During that same year, Lamarr met her first husband, a wealthy 33-year-old Austrian arms dealer and manufacturer called Friedrich Mandl. Lamarr’s parents, both of Jewish descent, disapproved of the union mainly due to Mandl’s strong fascist views and ties with Mussolini and Hitler, both of whom were reported to have attended parties hosted by Mandl.


Lamarr would later describe Mandl as overtly controlling and possessive, who effectively kept her prisoner in her own home. Not only did he prevent her from acting but reportedly spent a small fortune trying to purchase every existing copy of Ecstasy in an unsuccessful attempt to suppress it.


In the end, Lamarr supposedly drugged her maid with sleeping pills before stealing her outfit, lining the insides of it with jewellery and then fleeing on the maid’s bicycle.


Lamarr fled to Paris before moving onto London in 1937. There she managed to arrange a meeting with Louis B. Mayer, the head of MGM, who happened to be in London for business. Meyer was unsure at first that Lamarr could make it in the States after the shockwaves of Ecstasy were still being felt. Ever the sucker for a glamorous lady, Meyer did eventually offer Lamarr a six-month-contract of $125 a week. Believing she was worth far more than that, Lamarr turned the offer down.



 

HER FEATURES WERE SO STRIKING THEY WERE SAID TO HAVE INSPIRED WALT DISNEY’S SNOW WHITE CHARACTER CREATED THAT YEAR.


Soon after though she regretted the decision and managed to find her way on board the exact same liner as Meyer as he travelled back to America. Donning all the jewellery she had managed to smuggle away with her, Lamarr had convinced Meyer by the end of the voyage to offer her a seven-year-contract at $500 a week. On one condition that she change her name in order to distance herself from her Ecstasy reputation. Hedy Kiesler was now Hedy Lamarr, named in honour of the famous silent film star Barbara La Marr.


A short while later Lamarr arrived in Hollywood and was soon being touted as the ‘world’s most beautiful woman.’ Her features were so striking they were said to have inspired Walt Disney’s Snow White character created that year.


Lamarr’s first Hollywood movie was Algiers (1938), where she played the role of a glamorous seductress. Audiences were bowled over…‘everyone gasped ... Lamarr's beauty literally took one's breath away.’ A star was born, although Algiers had invariably typecast her for future films.


Lady of the Tropics (1939) followed next, where again Lamarr played a beautiful glamorous seductress of exotic origin, a nod to her European heritage. Boom Town with Clark Cable came in 1940, Come Live With Me with James Stewart and Ziegfield Girl with Judy Garland in 1941. One of her most successful films was White Cargo (1942) although again she was flaunted around and given very few lines. Lamarr was considered for the lead role in Casablanca (1943) and Gaslight (1944) but missed out on both.


Her last film under her MGM contract came in 1945, after which she left MGM and set up her own production company, becoming one of the first female producers in Hollywood.


When Cecile B. DeMille cast her as the ultimate femme fatale, Delilah, in his film Samson and Delilah in 1949, Lamarr was no longer the Hollywood A-lister she once was. The film was however to be Lamarr’s greatest box-office success and potentially the springboard to re-launching her career.



 

Sadly it was not meant to be and her follow-up movies didn’t fare so well. Lamarr’s career went into decline and her final film appearance came in 1958. Up to this point, her life had already been a rollercoaster ride and in retirement, the ride continued to show no signs of coming to an end.


By 1966 she’d been a regular in the tabloids, fuelled by the divorce of her sixth and last husband and recent arrest for shoplifting, although the charges were dropped. A scandalous memoir of her life, entitled Ecstasy and Me, was also published that year in which the lurid details of her sex life had been written down for all to see. Lamarr would go on to claim that her ghostwriter fabricated most of the contents of the book. She went on to unsuccessfully sue the publishers.


Litigation was again a theme in the 70s. She filed a multi-million dollar lawsuit against Warner Bros. for using her name without permission as a running gag in the Mel Brooks film Blazing Saddles (1974). Although accounts differ, she apparently settled out of court for an undisclosed fee.


By this time Lamarr had also developed a crippling drug addiction, aided by the infamous Dr. Feelgood, aka Max Jacobsen, who notoriously gave many celebrities, including JFK, regular ‘miracle shots’, which were mostly made up of amphetamines and animal hormones. Lamarr had also become somewhat addicted to plastic surgery, becoming a victim of her era’s ageist attitudes. She would often make suggestions to her surgeons to improve techniques, with many of her ideas becoming common methods of plastic surgery in the future.


By the 80s Lamarr had settled in Florida and withdrawn from the public eye. In 1991 she was again arrested for shoplifting, supposedly trying to take around $20 worth of eye drops and laxatives from a pharmacy. Again, no charges were filed.


Her remaining years were spent in seclusion, often only communicating with those on the outside, including her family and children, via the telephone. On January 19 2000, Lamarr passed away of heart disease. She was 85.


'INVENTIONS ARE EASY FOR ME TO DO. I DON’T HAVE TO WORK ON IDEAS. THEY COME NATURALLY.'


Upon her death the world remembered her as one of the sirens of the silver screen, a famed beauty who had possessed a scandalous love life. Her showbiz legacy forever immortalised with a star on the Hollywood Walk of Fame. And yet, her story didn’t end there.


In recent years her legacy has been transformed and she’s now remembered more for her brains than for her looks. Lamarr was a great inventor; it was her passion and her pastime. In between shoots, she would retire to her trailer and tinker with her inventions.


A well-received 2017 documentary entitled Bombshell: The Hedy Lamarr Story, written and directed by Alexandra Dean and co-produced by Susan Sarandon, helped to shine a light on this side of Lamarr’s story. The film includes audio recordings of Lamarr talking about her life, at one point she says, ‘Inventions are easy for me to do. I don’t have to work on ideas. They come naturally.’ She was a very gifted scientist and on top of that she was completely self-taught.


There were some who knew of Lamarr’s talents, including the eccentric aviation inventor Howard Hughes, a one-time flame of Lamarr’s. He did everything he could to support her hobby, providing her with the materials to carry out her ideas. He not only recognised her skills but also came to depend on them.



 

Lamarr helped Hughes find a way to make his planes fly faster. She believed his current wing designs were too square, so she brought a couple books, one about birds and one about fish. She studied their anatomies and concluded that the wing shapes on Hughes’ planes needed to be more streamlined to help reduce drag. Hughes declared her a genius.


The true extent of Lamarr’s scientific talent was shown, although not fully appreciated, during the war. When Lamarr heard that 80 children had been killed after a German U-boat sank a passenger ship crossing the Atlantic, she became desperate to help the Allied cause. It didn’t take long for her to discover just how she was going to do that.


In 1940, she teamed up with her composer friend, George Antheil, and started working on a ‘secret communication system’ intended for use by the US Navy. This system used a ‘frequency hopping’ technology to make it difficult for the enemy, especially U-boats, to detect or jam any incoming radio-controlled torpedoes fired from US ships. Using a piano roll to change among 88 different frequencies, this novel approach was truly unique.


Their invention was granted a patent in 1942 and their designs submitted to the Navy. Although the Navy recognised its potential, the technology wouldn’t be implemented for a further decade.


MY FACE HAS BEEN MY MISFORTUNE…IT HAS BROUGHT ME TRAGEDY AND HEARTACHE FOR FIVE DECADES.


When Lamarr tried to join the National Inventors Council in Washington, a government organisation created in 1940 to help bring potential military inventions to the attention of the US armed forces, she was instead advised by the NIC that if she really wanted to make a difference with the war, she should use her looks to help sell war bonds and entertain troops. The misogyny of the time meant people were unwilling to see her for anything more than a beautiful face. Her beauty had become her curse. She would later remake that, ‘My face has been my misfortune…It has brought me tragedy and heartache for five decades. My face is a mask I cannot remove: I must always live with it. I curse it.'


The Navy returned to her idea in the 50s, using it to help transmit the underwater positions of enemy submarines revealed by sonar. By the 1962 Cuban Missile Crisis, the technology had been fully embraced by the military. Her invention would go to become the foundation for secure telecommunications and would be used in the development of GPS, WiFi and Bluetooth. Our modern world would not function as it does without Lamarr’s invention.


In the wake of the #MeToo movement and the Harvey Weinstein scandal, Lamarr’s story couldn’t be more relevant. As Bombshell Director Alexandra Dean states, ‘Her story is the foundation of what’s going on. You have to understand how Hollywood was constructed and what that experience was like for a woman like Hedy, who had the full deck of cards – the brilliance, the beauty and how she struggled within that system because there was so much power in the hands of so few men who dictated everything. That’s the backdrop for what we’re talking about today.’





HOW HEDY LAMARR BECAME THE FIRST ON-SCREEN VIXEN

AHEAD OF THE OLD HOLLYWOOD STAR'S BIRTHDAY, CR REVEALS HER HISTORY-MAKING, CLIMAX-REACHING BREAKOUT PERFORMANCE


BY SOPHIE SHAW

NOV 8, 2019

EcstasyLMPCGETTY IMAGES

At 18 years old and only three years into her film career, Hedy Lamarr made history in the starring role of Eva Hermann in the 1933 Czech movie Ecstasy (originally Extase). If the title is any indication, the romantic drama flaunts a passion-filled plot including a nude appearance from Lamarr, making the actress, who’s birthday would have been this week, the first to bare all in a feature film. Gustav Machat├╜, the director of Ecstasy, pushed the boundaries even further beyond the censorship standards of the time, filming Lamarr (then known by her maiden name Hedy Kiesler) and her co-star Aribert Mog in one of cinema’s first sex scenes. The movie caused quite a stir among audiences, critics, and even protest from Lamarr herself.


Lamarr, Hedy - Actress, Austria - *09.11.1914-19.01.2000+ Scene from the movie 'Ekstase - Symphonie der Liebe' engl. title (USA): 'Ecstasy' with Aribert Moog published in: Berliner Illustrierte Zeitung Nr. 27/1934 Directed by: Gustav Machaty Czechosl

ULLSTEIN BILD DTL.GETTY IMAGES

When Lamarr signed on for the role, the young actress rushed through her contract and did not realize that she would have to strip down for the film. While the nude scene is innocent enough–her character leaves her clothes on her horse while she swims naked and must chase after it–Lamarr initially threatened to quit. The director coerced her participation by telling her that she would have to pay for the scenes already filmed, and that long shots would be used so her intimate parts wouldn’t be visible. The latter was a fib, and Lamarr was outraged at the movie’s preview when the scene included a number of close-ups of her exposed body.


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Equine Ecstasy

HULTON ARCHIVEGETTY IMAGES

Hedy Lamarr "Ecstacy" Film Still

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The scene furthers the plot, however, as it brings Aribert Mog’s character, Adam, into the equation. He helps Lamarr’s Eva catch her runaway horse, and thanks to a poorly timed twisted ankle she ends up falling for him. The young woman who had recently removed herself from a loveless marriage becomes restless for Adam and the pair ultimately spend the night together. Although the intimate clip doesn’t show more than the actors’ faces, their embrace was certainly enough to make the audience blush. The 80-year-old scene puts modern movies to shame as it shows Eva achieving orgasm, making its progressive portrayal of sex ahead of its years.


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The movie naturally received objection from a number of cinemas because of censorship problems, and was condemned by the Catholic Legion of Decency in America, keeping it from being released in the U.S. until 1940. Even her husband sought to buy every copy of the movie he could find.


Photograph, Grass, Tree, Photography, Adaptation, Stock photography, Plant, Black-and-white, 

ELEKTAFILM

While Lamarr was initially upset over the film and worried that it may have ruined her career, the notoriety of Ecstasy launched her success. Her beauty and talent was undeniable, and Louis B. Mayer of MGM Studios signed her on the condition that she change her name (she chose Lamarr in homage to the silent film actress Barabara La Marr) and only pursue virtuous roles in Hollywood. She was a hit and became a key figure in classic cinema, starring in over 20 pictures. Beyond becoming a pioneer for women in film, Lamarr was a notable inventor who contributed to radio technology in the 1940s and developed spread-spectrum techniques that were a precursor to WiFi.


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